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The Top 101 Inspirational Movies –
The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan Published by Self Improvement Online, Inc. http://www.SelfGrowth.com 20 Arie Drive, Marlboro, NJ 07746 ©Copyright by David Riklan Manufactured in the United States No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Limit of Liability / Disclaimer of Warranty: While the authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents and specifically disclaim any implied warranties. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. The author shall not be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. The Top 101 Inspirational Movies – http://www.SelfGrowth.com The Top 101 Inspirational Movies Ever Made – by David Riklan TABLE OF CONTENTS Introduction 6 Spiritual Cinema 8 About SelfGrowth.com 10 Newer Inspirational Movies 11 Ranking Movie Title # 1 It’s a Wonderful Life 13 # 2 Forrest Gump 16 # 3 Field of Dreams 19 # 4 Rudy 22 # 5 Rocky 24 # 6 Chariots of -
RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008
RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 fondazione ente dello spettacolo RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 In collaborazione con CINECITTA’ LUCE S.p.A. Con il sostegno di Editing e grafica: PRC srl - Roma fondazione ente Realizzazione a cura di: Area Studi Ente dello Spettacolo Consulenza: Redento Mori dello spettacolo Presentazione el panorama della pubblicistica italiana sul cinema, è mancata fino ad oggi una sintesi che consentisse una visione organica del settore e tale da misurare il peso di una realtà produttiva che per qualità e quantità rappresenta una delle voci più significative Ndell’intera economia. Il Rapporto 2008 su “Il Mercato e l’Industria del Cinema in Italia” ha lo scopo primario di colmare questa lacuna e di offrire agli operatori e agli analisti un quadro più ampio possibile di un universo che attraversa la cultura e la società del nostro Paese. Il Rapporto è stato realizzato con questo spirito dalla Fondazione Ente dello Spettacolo in collaborazione con Cinecittà Luce S.p.A., ed è il frutto della ricerca condotta da un’équipe di studiosi sulla base di una pluralità di fonti e di dati statistici rigorosi. Questo rigore si è misurato in alcuni casi con la relativa indeterminatezza di informazioni provocata dall’assenza di dati attualizzati (ad esempio, per i bilanci societari) e dalla fluidità di notizie in merito a soggetti che operano nel settore secondo una logica a volte occasionale e temporanea. La Fondazione Ente dello Spettacolo opera dal 1946. Finora si è conosciuto molto del cinema italiano soprattutto in termini di È una realtà articolata e multimediale, impegnata nella diffusione, promozione consumo. -
Cablelabs Studio Code List 05/01/2006
CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods. -
HARMONY KORINE: Shooters
G A G O S I A N G A L L E R Y July 24, 2014 EXTENDED! UPDATED PRESS RELEASE GAGOSIAN GALLERY 821 PARK AVENUE T. 212.796.1228 NEW YORK NY 10021 E. [email protected] HOURS: Tue–Sat 10:00am–6:00pm SUMMER HOURS (Through August 29): Mon–Fri 10:00am–6:00pm HARMONY KORINE: Shooters Through Tuesday, July 29, 2014 Gagosian New York is pleased to present “Shooters,” an exhibition of recent paintings by Harmony Korine. From Kids (1995), a meditation on New York City youth, to Spring Breakers (2012), a contemporary film noir in which four college freshwomen are drawn into a murderous labyrinth of events, Korine’s films of the past twenty years merge reality with fiction and shaky “footage” with precise editing, holding viewers’ attention to the split second and thereby suspending disbelief. His heady mix of the unplanned, the seductive, and the outlandish crystallizes in his lesser-known paintings. Bypassing brush and art paint in favor of squeegees, leftover household paint, and masking tape, he creates loosely sequential images that echo the sonic and visual leitmotifs of his films. In Starburst paintings, he sticks overlapping segments of masking tape to the center of an unprimed canvas, then uses a broom to spread primary red, yellow, and blue dyes over the surface. The tape is removed to reveal bright, irregular stars shining through colorful mists; the final compositions are characterized by a spontaneous, explosive radiance. Loop Paintings are the result of a process somewhat related to filmmaking: Korine cast young men and women, made them up as elderly people, and photographed them in alleyways. -
Jews Control U.S.A., Therefore the World – Is That a Good Thing?
Jews Control U.S.A., Therefore the World – Is That a Good Thing? By Chairman of the U.S. based Romanian National Vanguard©2007 www.ronatvan.com v. 1.6 1 INDEX 1. Are Jews satanic? 1.1 What The Talmud Rules About Christians 1.2 Foes Destroyed During the Purim Feast 1.3 The Shocking "Kol Nidre" Oath 1.4 The Bar Mitzvah - A Pledge to The Jewish Race 1.5 Jewish Genocide over Armenian People 1.6 The Satanic Bible 1.7 Other Examples 2. Are Jews the “Chosen People” or the real “Israel”? 2.1 Who are the “Chosen People”? 2.2 God & Jesus quotes about race mixing and globalization 3. Are they “eternally persecuted people”? 3.1 Crypto-Judaism 4. Is Judeo-Christianity a healthy “alliance”? 4.1 The “Jesus was a Jew” Hoax 4.2 The "Judeo - Christian" Hoax 4.3 Judaism's Secret Book - The Talmud 5. Are Christian sects Jewish creations? Are they affecting Christianity? 5.1 Biblical Quotes about the sects , the Jews and about the results of them working together. 6. “Anti-Semitism” shield & weapon is making Jews, Gods! 7. Is the “Holocaust” a dirty Jewish LIE? 7.1 The Famous 66 Questions & Answers about the Holocaust 8. Jews control “Anti-Hate”, “Human Rights” & Degraded organizations??? 8.1 Just a small part of the full list: CULTURAL/ETHNIC 8.2 "HATE", GENOCIDE, ETC. 8.3 POLITICS 8.4 WOMEN/FAMILY/SEX/GENDER ISSUES 8.5 LAW, RIGHTS GROUPS 8.6 UNIONS, OCCUPATION ORGANIZATIONS, ACADEMIA, ETC. 2 8.7 IMMIGRATION 9. Money Collecting, Israel Aids, Kosher Tax and other Money Related Methods 9.1 Forced payment 9.2 Israel “Aids” 9.3 Kosher Taxes 9.4 Other ways for Jews to make money 10. -
Fandango Portobello
Mongrel Media PRESENTS FACE OF LOVE A FILM BY ARIE POSEN FILM FESTIVALS 92 MIN / U.S.A. / COLOR / 2012 / ENGLISH Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS FACE OF LOVE is the story of a widow named Nikki (Annette Bening) who, several years after the loss of her husband Garrett, meets a man named Tom (Ed Harris) who looks exactly like her deceased husband. Suddenly, a flood of old feelings rush back to her: she's met the love of her life. Again. The film is a romantic story filled with humor, surprise, and reflections on the mystery of love surrounding us. Bening and Harris star, with an important supporting turn from Robin Williams as Nikki's confidante and would-be lover. ABOUT THE PRODUCTION LABORS OF LOVE How far would you go, for a second chance? How much would you risk to resurrect your first love? That’s the question that confronts Nikki. Her happily married life is shattered when her husband Garrett suddenly drowns during a Mexican vacation. As years pass and Nikki adjusts to raising their teenage daughter on her own, Nikki gradually comes to grips with her loss… or does she? A chance visit to an art museum affords her the opportunity to see Tom, a local art teacher, frustrated painter—and the perfect double of Nikki’s beloved Garrett, now dead for five years. -
Aaron J. Petten
Aaron J. Petten The Ohio State University Telephone: 614.292.7481 Department of History of Art E-mail: [email protected] 305 Pomerene Hall 1760 Neil Avenue Columbus, OH 43210 Education 2012 Ph.D. Film Studies Title: The Grotesque and / in / through Film Supervisors: Dr. Paul Dave, Professor Mike O’Pray, Dr. Andrew Stephenson Examiners: Professor Julian Petley, Professor Martin Barker, Dr. Valentina Vitali University of East London School of Arts & Digital Industries 4-6 University Way London E16 2RD United Kingdom 2000 M.A. Film & Television Studies Universiteit van Amsterdam International School for Humanities and Social Sciences Prins Hendrikkade 189-B 1011 TD Amsterdam The Netherlands 1999 B.A. Interdisciplinary Studies (Cinema Studies & Popular Culture) Temple University The College of Liberal Arts 1114 West Berks Street Philadelphia, PA 19122 U.S.A. Employment History 2014 Lecturer The Ohio State University Department of History of Art 217 Pomerene Hall 1760 Neil Ave. Columbus, OH 43210 U.S.A. Aaron J. Petten Curriculum Vitae Page 1 of 6 2005-2010 Permanent Lecturer University of East London School of Architecture & Visual Arts (Now School of Arts & Digital Industries) 4-6 University Way London E16 2RD United Kingdom 2004 Sessional Lecturer University of East London School of Humanities & Social Sciences (Now School of Arts & Digital Industries) 4-6 University Way London E16 2RD United Kingdom 2001-2005 Sessional Lecturer University of East London School of Architecture & Visual Arts 4-6 University Way London E16 2RD United Kingdom Publications • “The Narrative Structuring and Interactive Narrative Logic of Televised Professional Wrestling.” New Review of Film and Television Studies 8.4 (2010). -
Il Mio Sogno Più Grande Pressbook ITALIANO
Presenta Un film di Davis Guggenheim Con Carly Schroeder Elisabeth Shue Andrew Shue Dermot Mulroney I materiali sono scaricabili dal sito www.moviemax.it Durata film 93’ DAL18 LUGLIO AL CINEMA SINOSSI La quindicenne Gracie Bowen (Carly Schroeder) vive a South Orange nel New Jersey ed è l’unica femmina in una famiglia di tre figli maschi. La vita dei Bowen ruota quasi esclusivamente attorno agli uomini della famiglia finchè un giorno si verifica un triste evento: Johnny (Jesse Lee Soffer), il fratello maggiore di Gracie - suo unico alleato all’interno della famiglia - rimane ucciso in un incidente automobilistico. Gracie decide di riempire il vuoto lasciato dal fratello impiegando tutti i suoi sforzi per convincere suo padre e i suoi fratelli che lei è forte abbastanza per realizzare il sogno che suo fratello rincorreva da sempre: segnare il gol della vittoria nella sua squadra di calcio. Per vincere questa sfida però trascurerà la scuola, allontanando i suoi amici e rischiando di perdere il fidanzato. Ma grazie alla sua tenacia Gracie non solo spingerà il padre e i suoi amici a vederla come la persona bella e forte che è sempre stata, ma riuscirà anche a tenere unita la famiglia in un momento estremamente difficile. Dopo “Il bacio che aspettavo”, un altro film generazionale che parla ai teenager e ai loro genitori. Il film Il mio sogno più grande racconta la storia di una ragazzina che nel 1978, dopo aver perso suo fratello in un incidente stradale, rischia di perdere contatto con il suo mondo e fatica ad integrarsi nella sua famiglia ma si impegna con incredibile determinazione a realizzare il sogno più grande del fratello che l’ha lasciata. -
Mysterious Skin L'été De Mes Huit Ans, 5 Heures Ont Disparu De Ma Vie…
Mysterious skin L'été de mes huit ans, 5 heures ont disparu de ma vie… Un film de GREGG ARAKI FESTIVAL DE VENISE 2004 FORTISSIMO FILMS ET MK2 DIFFUSION PRESENTENT Mysterious skin Un film de GREGG ARAKI Adapté du roman éponyme de SCOTT HEIM USA - 2004 - 1h39 - 35 mm - couleur - 1.85 - Dolby SRD DISTRIBUTION Mont-Blanc-Distribution 11 Rue Ferdinand Hodler Tél. +41 (0)22 700 76 00 / Fax +41 (0)22 700 76 11 www.mont-blanc-distribution.ch Synopsis A huit ans, Brian Lackey se réveille dans la cave de sa maison, le nez en sang, sans aucune idée de ce qui a pu lui arriver. Mais sa vie change complètement après cet incident : peur du noir, cauchemars, évanouissements... Dix ans plus tard, Brian est certain d’avoir été enlevé par des extraterrestres et pense que seul Neil Mc Cormick pourrait avoir la clé de l’énigme. Neil est un jeune marginal à la beauté du diable, une petite frappe dont tout le monde tombe amoureux mais qui ne s’attache à personne. Il regrette encore la relation qu’il avait établie avec son coach de baseball quand il avait huit ans. Brian tente de retrouver Neil pour dénouer le mystère qui les empêche de vivre... Notes du réalisateur Lorsque j'ai reçu en 1995 le premier roman de Scott Heim, Mysterious Skin, j'ai pensé que c'était l'histoire la plus belle, la plus poétique et la plus étrangement puissante que j'aie lue. Elle m'a littéralement ému aux larmes, ce qui ne m'était jamais arrivé avec un texte et ce qui ne s'est pas reproduit depuis. -
THE LIVING END: Panorama REMIXED and REMASTERED Dokumente Digitalisierte Fassung the LIVING END the LIVING END Regie: Gregg Araki
PD_5153:PD_ 24.01.2008 19:48 Uhr Seite 204 Berlinale 2008 THE LIVING END: Panorama REMIXED AND REMASTERED Dokumente Digitalisierte Fassung THE LIVING END THE LIVING END Regie: Gregg Araki USA 1992/2008 Darsteller Luke Mike Dytri Länge 85 Min. Jon Craig Gilmore Format HD Doctor Mark Finch Farbe Daisy Mary Woronov Fern Johanna Went Stabliste Darcy Darcy Marta Buch, Kamera, Peter Scot Goetz Schnitt Gregg Araki Ken Bretton Vail Schnittassistenz Tommy Huie Barbie Nicole Dillenberg Sounddesign George Lockwood „7/11“-Pärchen Stephan Holman Ton Dave Cash Magie Song Joyce Brouwers Spaßmacher Peter Lanigan Jack Kofman Jon Gerrans Tonassistenz Marianne Dissard Jack Kofman Musik Cole Coonce Neonazi Christopher Mabli Songs Babyland Tarzan Michael Now Biohazard Jane Michael Haynes Braindead Sound Gus Peter Grame Machine Twister-Master Paul Bartel Cambodia Chris and Cosey Coil KMDFM Psychic TV u.a. Requisite Johanna Went Malereien Beth Muehl Produzenten Marcus Hu Jon Gerrans Co-Produzent Jim Stark Executive Producers Evelyn Hu Jon Jost Henry Rosenthal Mike Thomas Associate Producer Andrea Sperling Produktion Strand Releasing/Desperate Pictures 6140 W. Washington Blvd. USA-Culver City, CA 90230 Tel.: +1 310 8367500 [email protected] Weltvertrieb Fortissimo Films Van Diemenstraat 100 NL-1013 CN Amsterdam Tel.: +31 20 6273215 Fax: +31 20 6261155 [email protected] Craig Gilmore, Mike Dytri Foto: M. Matson THE LIVING END Mit seinem schwulen Roadmovie THE LIVING END (das schon 1992 im Berli - nale-Panorama lief) hat Gregg Araki einen Klassiker des „Queer New Wave Cinema“ geschaffen – und zugleich ein bis heute gültiges Dokument der Post-Punk-Ära. Schon das erste Bild – „Fuck The World“, auf eine Mauer voller Graffiti ge - sprüht – beschreibt ziemlich treffend die Verfassung der beiden Protago nis - 204 PD_5153:PD_ 26.01.2008 17:28 Uhr Seite 205 ten Jon und Luke, zweier HIV-positiver Männer. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
"Little Miss Sunshine"
FOX SEARCHLIGHT PICTURES In association with Big Beach Present A Dayton/Faris Film A Big Beach/Bona Fide Production GREG KINNEAR TONI COLLETTE STEVE CARELL PAUL DANO with ABIGAIL BRESLIN and ALAN ARKIN Directed by...................................................................JONATHAN DAYTON & .....................................................................................VALERIE FARIS Written by ....................................................................MICHAEL ARNDT Produced by .................................................................ALBERT BERGER & .....................................................................................RON YERXA .....................................................................................MARC TURTLETAUB .....................................................................................DAVID T. FRIENDLY .....................................................................................PETER SARAF Executive Producers.....................................................JEB BRODY .....................................................................................MICHAEL BEUGG Director of Photography ..............................................TIM SUHRSTEDT, A.S.C. Production Design by...................................................KALINA IVANOV Edited by......................................................................PAMELA MARTIN Costumes Designed by.................................................NANCY STEINER Music Composed by ....................................................MYCHAEL