DOCSLIB.ORG

Annual Report Annual Report 2018 Yamaha Philosophy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report Annual Report 2018 Yamaha Philosophy Yamaha Group Annual Report 2018 Group Yamaha Annual Report 2018 Yamaha Philosophy The Yamaha Philosophy expresses the philosophical framework of the Yamaha Group and consists of five elements: the Corporate Slogan, Corporate Philosophy, Customer Experience, Yamaha Way (mindset and manners), and Yamaha Quality (criteria for quality). We utilize the Yamaha Philosophy as a foundation to draw from, and try to think from the customer’s viewpoint, and consistently provide high quality products and services that exceed the expectations of our customers, and to create excitement and cultural inspiration together with people around the world. The Diagram of the Yamaha Philosophy Yamaha Group Annual Report 2018 Yamaha Group Annual Report 2018 Ⅰ Ⅲ . Our Vision and Value Creation . Foundation for Growth Our Vision and Value Creation Becoming an Indispensable, Sustainability 48 Brilliantly Individual Company 04 Human Resources 52 History of Growth 06 Corporate Governance 56 Yamaha’s Business 08 Dialogue between the President and Yamaha’s Value Creation 10 an Outside Director 56 Financial and Non-Financial Highlights 12 Directors 60 Reasons for Director Appointment 62 Ⅱ. Management Strategy Executive Officers and Operating Officers 63 Corporate Governance 64 Message from the President 16 Risk Management 74 Financial Strategies 25 Strategies by Business 28 Management Strategy Musical Instruments Business 28 Ⅳ. Financial and Corporate Information Audio Equipment Business 30 11-Year Summary 78 Industrial Machinery and Components Business 32 Financial Review 80 Strategies by Function 34 Consolidated Financial Statements and Notes 84 Production 34 Independent Auditor’s Report 115 Sales 36 Main Networks 116 Marketing 38 Stock Information 118 Research and Development 39 Company Information 119 Design 44 Foundation for Growth Foundation Editorial Policy Disclosure Structure The Annual Report 2018 is published as a tool for communicating the medium- to long-term value creation of the Yamaha Group from both a financial and non-financial Overall Corporate Activities perspective. Through this report, the Yamaha Group hopes that its stakeholders, starting with its shareholders and other investors, are able to gain an understanding Corporate website: https://www.yamaha.com/en/ of the Group’s efforts aimed at realizing a sustainable society as well as the corporate value the Group creates over the long term. Financial Information Non-Financial Information When editing this report, the Group referenced the International Integrated IR activities Sustainability activities Reporting Council’s “International Integrated Reporting Framework” as well as the Financial and Corporate Information Ministry of Economy, Trade and Industry’s “Guidance for Integrated Corporate https://www.yamaha.com/en/ir/ https://www.yamaha.com/en/csr/ Disclosure and Company-Investor Dialogues for Collaborative Value Creation.” Additional comprehensive and detailed information can be viewed on Yamaha’s website. Scope of This Report Information in this report covers 62 companies (as of March 31, 2018): Yamaha Corporation, its 59 consolidated subsidiaries, and its 2 equity-method affiliates. In cases where it is necessary to specify the scope of reporting, this report lists the applicable institution individually. Reporting Period This report primarily covers fiscal 2018 (April 1, 2017 to March 31, 2018). However, certain sections of this report include information from April 1, 2018, and onward. Annual Report 2018 (This report) Disclaimer on Forward-Looking Statements The forward-looking statements such as data and forecasts included in this report are based on assumptions and information available at the time of publication and are subject to change due to various factors. These statements are not guarantees that Yamaha will achieve its targets and forecasts or realize its anticipated future business results. In addition, the content of this report may be changed without prior notice. Accordingly, Yamaha cautions readers not to place undue reliance on these forward-looking statements, which are valid only as of the date thereof, and undertakes no obligation for any negative impact caused by the use of this report. Yamaha Group Annual Report 2018 01 Becoming an Indispensable, Brilliantly Individual Company 04 History of Growth 06 Yamaha’s Business 08 Yamaha’s Value Creation 10 Financial and Non-Financial Highlights 12 02 Yamaha Group Annual Report 2018 Our Vision and Value Creation 03 Management Strategy Foundation for Growth Foundation Financial and Corporate Information Yamaha Group Annual Report 2018 Becoming an Indispensable, Brilliantly Individual Company Boosting brand power to become a highly profitable enterprise 04 Yamaha Group Annual Report 2018 Our Vision and Value Creation Management Strategy Becoming an Indispensable, Brilliantly Individual Company Boosting brand power to become a highly profitable enterprise Foundation for Growth Foundation Financial and Corporate Information Yamaha Group Annual Report 2018 05 History of Growth The origins of the Yamaha Group date back to 1887, when company founder Torakusu Yamaha repaired an imported reed organ. Since then, Yamaha has aimed to contribute to the enriched lifestyles of people while centering its business on sound and music. Guided by this aim, Yamaha has continued to move forward with a history that spans over 130 years and three centuries. Founding Period and the Realization of Spread of Music Culture and Venture into Major Leap as a Comprehensive Musical Domestic Production New Businesses Instrument Manufacturer Company founder Torakusu Yamaha ventured into the With the desire to communicate the joy of music to a Yamaha expanded its product domains to extend from domestic production of organs after being asked to great number of people, Yamaha began efforts to acoustic musical instruments to digital ones and repair an imported reed organ. Shortly thereafter, he popularize music. While spreading music culture, encompass various instrument types, such as string began the production of pianos. In this way, Torakusu Yamaha began leveraging the technologies and sensi- instruments, wind instruments, and drums. By doing Yamaha laid the foundation for Yamaha’s musical tivities cultivated through the development of musical so, Yamaha became a globally unique and comprehen- instruments business, which remains the Company’s instruments to develop new products, thereby sive musical instrument manufacturer involved in the core business to this day. expanding its business domains. production of a diverse range of musical instruments. 2 1 2 1 2 3 1 3 3 4 1887 Manufactures first organ made in 1954 Commences organ classes (predeces- 1959 Develops the world’s first electronic Japan 1 sor of the Yamaha Music School) 1 organ with an all-transistor design 1897 Establishes Nippon Gakki Co., Ltd. Develops audio products 2 (Electone™ D-1) 1 (currently Yamaha Corporation) Creates prototype of the Yamaha YA-1 1965 Begins production of wind instruments 1900 Begins production of upright pianos 2 motorcycle 3 2 1914 Begins production of harmonicas with 1955 Establishes Yamaha Motor Co., Ltd. 1966 Expands product domain to include guitars and drums 3 trademark butterfly logo 3 1958 Begins production of sports equipment using fiber-reinforced plastics (FRP) 1967 Develops concert grand piano to compete with some of the world’s most renowned musical instruments 4 1969 Begins composition contest (predeces- sor of Yamaha Popular Song Contest), led by young people, that helped popularize a new music culture 1887 1900 1950 1960 1970 Major Shifts in Global Expansion 1958 Mexico 1960 U.S.A. 1970 Canada First overseas subsidiary 1966 Germany / Singapore 1971 The United Kingdom Establishment of 1973 France / Brazil Overseas Sales Offices 1974 Malaysia 1975 Sweden / Panama 1969 Taiwan 1975 Indonesia (pianos) Establishment of First overseas production base Overseas Production Bases Acceleration of Growth through M&A, etc. 06 Yamaha Group Annual Report 2018 Our Vision and Value Creation New Value Provision through the Integration of Evolution of Technologies Diverse Technologies Recognizing the need to develop electronic components on its own in order to Combining acoustic and electronic technologies, Yamaha is working to revitalize improve the sound quality of digital musical instruments, Yamaha began the in-house demand through the development of new product lineups that combine the manufacture of semiconductors. Yamaha’s unique LSI helped the Company create strengths of both technologies. In addition, Yamaha has included overseas compa- a large number of original digital musical instruments and audio equipment, thereby nies under its corporate umbrella through M&A that will contribute to the future driving a genuine trend of digitization. Also, Yamaha made use of its production growth of its businesses. technologies for musical instruments to commence its FA equipment and automobile interior wood components businesses. Management Strategy 1 2 1 2 3 4 3 4 1971 Begins production of semiconductors 1 1993 Starts the development of the SILENT™ series through the integra- 1982 Launches Piano Player 2 tion of acoustic and digital technologies 1 1983 Launches DX7 digital synthesizer 3 and 2003 Launches VOCALOID™ singing synthesis software Clavinova digital piano 2006 Launches the Projectphone IP audio conference system that com- bines audio and network technologies 2 1986 Launches DSP-1 surround sound processor, a pioneer product for for Growth Foundation home theatre
Load more

Recommended publications
  • Line 6 Model Gallery (Rev. C, V2.0)
    Model Gallery High definition models of immortal amps and effects is what Line 6 POD HD series all about Here’s what you’ll find under the hood of your POD HD Device ____________________________________ POD HD Pro | POD HD500 | POD HD Desktop POD HD300 | POD HD400 ____________________________________ Electrophonic Online Limited Edition - Revision C Table of Contents About the Model Gallery ......................................................... 4 HD Amp Models ........................................................................ 4 Blackface Double ................................................................................................5 Hiway 100 Custom ..............................................................................................6 Super O ...............................................................................................................7 Gibtone 185 ........................................................................................................8 Tweed B-Man ......................................................................................................9 Blackface ‘Lux ...................................................................................................10 Divide 9/15 ........................................................................................................11 PhD Motorway ..................................................................................................12 Class A 15 .........................................................................................................13
    [Show full text]
  • Show Advance Information
    current as of November 2019 SHOW ADVANCE INFORMATION Brad R. Gardner, Production Manager (760) 214-1141 Marcel Quiroz, Assistant PM & Transportation Mgr. (925) 570-9886 1. LOCATION AND PARKING Hello and welcome to Yoshi’s Jack London Square, Oakland. We are located on the corner of Embarcadero West and Washington Streets, a block from the Bay. Load-in is at our backstage door, at the corner of Embarcadero West and Clay Streets, across from the World Market. Parking is not provided but there is some street parking and a huge parking structure above Yoshi’s. Groups with tour busses can park on Clay Street by special arrangement ONLY, made with the city two weeks in advance by contacting [email protected]. X 510 Embarcadero West, Jack London Square, Oakland, CA 94607 “X” marks the backstage door for load-in, load-out 2. BACKLINE Please review the attached backline request form. We have an extensive in-house backline, with many new recent additions (see below). If we do not have what the artists need available in-house, rentals must be negotiated in the contract or the artists must pay for gear directly to our backline provider. 3. STAGE Our stage is 24’ x 17’, and in the shape of a pie slice. Often drums are put at the point of the pie. See the attached diagram. Our backstage area has one medium-sized green room and one small artist’s room. There is a private bathroom but no shower. Entrance to the stage is up four stairs upstage right. 4. LIGHTING Lighting consists of 42 incandescent instruments (lekos, fresnels, cycs), four Martin MH1 RUSH Profile Plus LED movers, four Altman PCED color wash LED’s, and a CS40 Colorsource console controller.
    [Show full text]
  • Bass Amplifieramplifier
    OwnersOwners GuideGuide forfor thethe BassBass AmplifierAmplifier Made with Pride in the U.S.A. by Ampeg® SVT-5 PRO Bass Amplifier TABLE OF CONTENTS Introductions . .3 Features . .3 Important Safeguards and Precautions . .3 The Front Panel Controls and Their Use . .4 The Rear Panel . .5 Connections: Mono Bridged . .6 Dual Mono . .6 Biamp - Full Range and Lows . .6 Biamp - Highs and Lows . .7 Biamp With a Second Amplifier . .7 Some Suggested Settings . .8 Rack Mounting . .9 Troubleshooting . .9 System Block Diagram . .10 Technical Specifications . .back cover Declaration Of Conformity #32, Effective 01-01-2001 Manufacturer’s Name: SLM Electronics Production Facility: 11880 Borman Drive, St. Louis, MO 63146, USA Production Facility: 700 Hwy 202 W, Yellville, AR 72687, USA Shipping Facility: 1400 Ferguson Ave., St. Louis, MO 63133, USA Office Facility: 1400 Ferguson Ave., St. Louis, MO 63133, USA Product Type: Audio Amplifier Complies with Standards: LVD: 92/31/EEC, 93/68/EEC, & 73/23/EWG Safety: EN60065 EMC: EN55013, EN55020, EN55022, EN61000-3-2, & EN61000-3-3 Supplementary information provided by your local Sales & Services Office or: SLM Electronics - R & D Engineering 1901 Congressional Drive, St Louis, MO 63146, USA Tel.: 314-569-0141, Fax: 314-569-0175 CAUTION PRECAUCION ATTENTION RISK OF ELECTRIC SHOCK RIESGO DE CORRIENTAZO RISQUE D'ELECTROCUTION DO NOT OPEN NO ABRA NE PAS OUVRIR WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE PRECAUCION: PARA REDUCIR EL RIESGO DE INCENDIOS O DESCARGAS ELECTRICAS, NO PER- ATTENTION: PROTÉGEZ CET APPAREIL DE LA PLUIE ET DE L'HUMIDITÉ AFIN D'ÉVITER TOUT THIS APPARATUS TO RAIN OR MOISTURE.
    [Show full text]
  • SVT-VR Bass Guitar Amplifier
    SVT-VR Bass Guitar Amplifier Owner’s Manual SVT-VR Bass Guitar Amplifier TABLE OF CONTENTS Important Safety Instructions ........................................................................................................... 2–3 Introduction / Features ........................................................................................................................ 4 The Front Panel .............................................................................................................................. 5–6 The Rear Panel ............................................................................................................................... 7–8 Suggested Settings / Personal Settings ......................................................................................... 9–10 Important Information About Tubes and Tube Products .................................................................. 11–15 Troubleshooting ................................................................................................................................ 16 Block Diagram .................................................................................................................................. 17 Technical Specifications .................................................................................................................... 18 Service Information ........................................................................................................................... 19 IMPORTANT SAFETY INSTRUCTIONS has been
    [Show full text]
  • Model Packs Pilot's Handbook
    Model Packs Pilot’s Handbook Chapter 1 ...................................................... Metal Shop Model Set Chapter 2 ........................................... Collector Classics Model Set Chapter 3 .........................................................FX Junkie Model Set Chapter 4 ......................................................Power Pack Model set Chapter 5 ............................................................Bass Expansion set Learn about Model Packs: www.line6.com/modelpacks Get License Key activation instructions: www.line6.com/store/activate.html Please Note: Line 6®, POD®, POD® xt, POD® xt Live, Bass POD® xt Live, POD® xt Pro, A.I.R.™, FBV™, FBV Express™, FBV Shortboard™, FB4™, FBV2™, Amp Farm®, Line 6 Monkey™, Line 6 Edit™, and Variax® are trademarks of Line 6, Inc. All product names, trademarks, and artist names are the property of their respective owners, which are in no way associated or affiliated with Line 6. Product names, images, and artist’ names are used solely to identify the products whose tones and sounds were studied during Line 6’s sound model development. The use of these products, trademarks, images and names does not imply any cooperation or endorsement. Model Packs Pilot’s Handbook Electrophonic Limited Edition © 2006, Line 6, Inc. Revision D. Metal Shop Bomber Uber: Based on* a Bogner Uberschall METAL SHOP 1• 1 These 18 punishingly high gain Amp Models were wrenched kicking, screaming and breathing fire from our metal monster HD147. They also happen to be a part of the model set of our flagship amplifier, Vetta II. And by adding the Metal Shop Model Pack, you’ll harness their fearsome power to create your own monster of mayhem! Let’s learn a little about these fearsome fiends that hath such fury, shall we? Bomber Uber: Based on* a Bogner Uberschall Much like the Bogner Extacy, the Uberschall dishes up serious tone for high gain players.
    [Show full text]
  • OH Completed List
    OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A.
    [Show full text]
  • Fender Transformer Cross Reference
    Fender Transformer Cross Reference Ware still tweet censoriously while sensate Roddy betting that pilule. When Benjamin build-up his remonstratecacoepies hyperbolizing some Mauretania not closely hurriedly, enough, however is Brice petite measured? Windham Autocephalous doest cavernously Derek or kurbashcatechise. or The plate voltage loss that which gives more insertion loss So that is live in popularity to one from anything in fact that it up to float without much. It is used color, tv front wheel lighting effects loop has lots of fender transformer cross reference. The court is inherently out of balance and has skewed values to omit some semblance of output signal balance. The multiple conﬕgurations are achieved by the combined use of component placement and. Thank you turn it up some minor tweaks were required for fender transformer cross reference yet maven peal uses a new information about vintage dirt bike. It still deliver consistent clean blackface tones as considerable as roaring cross-Atlantic. The sheet About Vintage Amps Podcast Big Index Page. 9 Axle Trailer with Transformer Deck 60 Ton with Steerable Dolly Suitable for. How Amps Work RobRobinette. Link to anything else considering this reference amp location in a cross to use a lot of cast iron in real world of. No cork will come ride the amp or your meter. Honda Off-road Motorcycle Application Cross Reference Guide available now show. The wikimedia foundation for more information becomes available and other audio chain as a fixed shelving filter! But of your multipage pdf free online auction platform is low power unit a cross reference.
    [Show full text]
  • Line 6 POD X3 Family Model Gallery
    Model Gallery Premium quality models of classic amps and immortal effects is what the Line 6 POD X3 family is all about. Here’s what we offer in the POD X3, POD X3 Live and POD X3 Pro. ® 40-00-0175 Rev B Please Note: Line 6, POD, PODX3, POD X3 Live, POD X3 Pro, PODxt, Variax, FBV, DL4, DM4 and Vetta are trademarks of Line 6, Inc. All other product names, trademarks, and artists’ names are the property of their respective owners, which are in no way associated or affiliated with Line 6. Product names, images, and artists’ names are used solely to identify the products whose tones and sounds were studied during Line 6’s sound model development for this product. The use of these products, trademarks, images, and artists’ names does not imply any cooperation or endorsement. Model Gallery © 2008 Line 6, Inc. Model Gallery Model Gallery Guitar Amp Models 2002 ANGEL P-Ball 1964 Blackface ’Lux 1963 Blackface Vibro 2002 Bomber Uber Based on* the 2002 ENGL® Based on* a Blackface Fender® Based on* the 1963 Fender® Based on* a 2002 Bogner Powerball, a four-channel Deluxe Reverb®, the Holy Vibroverb 6G16 2x10 – 40 Uberschall and much like the amplifier. We modeled channel Grail for many blues, country, watts of pure heaven. Bogner Ecstasy, the Uberschall 2 (Soft Lead). and “roots” players. dishes up serious tone for high gain players. 2002 Bomber X-TC 1968 Brit Plexi Bass 100 Brit Gain 18 2003 Brit Gain J-2000 Based on* a 2002 Bogner Based on* Input I of the 1968 Based on* the Marshall® Based on* the OD2 channel of Ecstasy, this model covers a Marshall® Super Bass Plexi 1974X “authentic re-issue” of a 2003 Marshall® JCM 2000, it wide range of tone.
    [Show full text]
  • Line 6 Helix 3.0 Owners Manual
    ® 3.0 OWNER’S MANUAL 90-20-0358 - E (For use with Helix Firmware 3.00) © 2020 Yamaha Guitar Group, Inc. All rights reserved. Contents Welcome to Helix 4 The Blocks 24 Clearing a Block’s Controller Assignment(s) 55 Clearing All Controller Assignments 55 What’s In the Box? 4 Input 24 Customizing a Controller Footswitch Label 55 Common Terminology 4 Output 25 HX Edit Application 5 L6 LINK - Powercab Plus and DT 25/50 Amp Options 25 Command Center 56 Updating Helix Firmware 5 Effects 27 Assigning a Command 56 Marketplace 6 Amp+Cab 33 Copying and Pasting a Command 60 Top Panel 7 Amp 35 Copying and Pasting All Commands 60 Back Panel 9 Preamp 35 Clearing a Command 60 Home Screen 10 Cab 35 Clearing All Commands 60 Quick Start 11 Impulse Response (IR) 37 Customizing a Command Footswitch Label & Color 60 Send/Return 38 Global EQ 61 Setting Proper Output Levels 11 Looper 39 Selecting Presets and Setlists 12 Split 41 Resetting Global EQ 61 Preset Footswitch Mode 12 Merge 41 Global Settings 62 Stomp Footswitch Mode 13 Block Level Indicators and Meters 42 Pedal Edit Mode 14 Resetting All Global Settings 62 Selecting Blocks/Adjusting Parameters 14 Tuner 44 Global Settings > Ins/Outs 63 Bypassing a Block 15 Tuner Settings 44 Global Settings > Preferences 64 Choosing a Block’s Model 15 Snapshots 45 Global Settings > MIDI/Tempo 65 Choosing an Input 16 Global Settings > Footswitches 66 Choosing an Output 16 Using Snapshots 46 Global Settings > EXP Pedals 66 Moving Blocks 16 Copying/Pasting a Snapshot 46 Global Settings > Displays 67 Copying and Pasting a Block 17 Swapping Snapshots 47 USB Audio 68 Clearing a Block 17 Customizing a Snapshot Footswitch Name and Color 47 Clearing All Blocks 17 Saving Snapshots 48 Hardware Monitoring vs.
    [Show full text]
  • TANTI AUGURI, FBT! a Fred Gretsch, Su Fundador Pág
    ESPECIAL GUITARRAS Entre cuerdas Vea algunas de las marcas más representativas Pág. 56 WWW.MUSICAYMERCADO.COM | JULIO Y AGOSTO DE 2013 | Nº 47 | AÑO 8 | ¡100% PARA MINORISTAS! 21 PAÍSES MÚSICA & MERCADO INFORMACIÓN DE NEGOCIOS PARA MINORISTAS DE AUDIO, ILUMINACIÓN E INSTRUMENTOS MUSICALES GRETSCH, 130 AÑOS HACIENDO MÚSICA | JULIO Y AGOSTO 2013 | Nº 47 Una de las últimas grandes empresas de propiedad familiar multigeneracional de América celebra este año su 130 aniversario. Entrevistamos TANTI AUGURI, FBT! a Fred Gretsch, su fundador Pág. 30 Bruno Tanoni, CEO de FBT ACCIÓN Y REACCIÓN: LAS MÉTRICAS WEB Y EN SOCIAL MEDIA Rompemos una lanza a favor de aquellos que se preocupan en discutir sobre si una actividad en marketing online es medible o no Pág. 24 ESTUVIMOS EN MUSIKMESSE Le contamos lo que ocurrió en Frankfurt este año, en una feria que tuvo récord de visitantes, pero no de expositores Pág. 70 TANTI AUGURI, FBT! Desde 1963, FBT diseña y fabrica productos de audio de alto nivel profesional, con el objetivo de mejorar la calidad del sonido, para, según ellos, “permitir así a la música llegar a los corazones y las almas de los oyentes”. Hablamos con su CEO Bruno Tanoni Pág. 44 VENTAS Sólo el 7% de la venta depende de lo que se dice. El resto tiene que ver con el lenguaje no verbal Págs. 54 mmintl47_capa-capa.indd 1 31/05/13 17:11 mmintl47_completa.indd 2 29/05/13 14:39 mmintl47_completa.indd 3 29/05/13 14:39 Lideres en ¡Escucha la Diferencia! Tecnología Musical Más de 40 años de ingeniería pura hacia cada producto que creamos aquí mismo en los EE.UU.
    [Show full text]
  • Exhibitor Listing As of 9/24/21
    The NAMM Show Exhibitor Listing as of 9/24/21 Name Booth 1010music LLC 9800 108 Rock Star Guitars 4134 12inch Skinz 11326 14bitMIDI 9701 1MORE USA 11028 2box AB 4620 2hp 10502 3D.Audio 16313 3Dio 10317 3dvarius 8751 4MS Company 10501 4Wall Entertainment 11546, Arena 5-Hour Sample, LLC GP6 64 Audio 11230 7th Hill Cymbals 7039 A Tempo Percusion 7212 A&F Drum Co. 7046 A.Geyer 610 A+D Gitarrentechnologie GmbH 2220 Abasi Concepts 4828 Abbatron 5528 Abendrot International LLC 10931 Abernethy Guitars 2242 Absen Inc. 10937 Absurd Media Group Inc. 1742 AC Guitars 5840 Acacia Guitars 4349 Access Analog 15329 Accountech Solutions dba 1019 Gigtrack for Musicians Accusonus Inc. 14501 Ace Products Group 6106 ACE TONE 3641 Acesonic USA 11929 Acme Furniture Industry Inc. 2631, 6453 ACME Musical Instrument Co., 1524 Ltd Acon Digital 16300 AcoustaGrip 9249 Acoustic Masterminds Inc. 14015 ACT Lighting 11341 Acue Lighting 11746 Acus Sound Engineering 3920 ADAM Audio 11110 ADAM Audio USA Inc 84, 85, 86 Adam Hall Group 11613 Adamovic Basses 4306, 4310 Adams Musical Instruments 8720 Adamson Systems Engineering 17919 A-Designs 15821 ADJ 11233 ADK International Co., Ltd. 1106 AdMix Gear 12037 Advanced Plating, Inc 1816 Advanced Shell Technology 2002 ADVSOUND, Inc. 8101 AEA 15421 AER Amps 3729 AER Music GmbH 2450 Aeris Protective Packaging Inc. 2317 Agencia Argentina de Inversiones y Comercio 4302 Internacional Aguilar Amplification 5625 Aidis Flute & Musical 8437 Instruments Co. Aileen Music Co., LTD 8440 AirFill Technologies 1310 Airhush ISAT Systems, Inc. 14914 Akai Professional 209AB AKG 14508 Akoustyx LLC 18526 AKS Electronics (Shenzhen) 12029 Co., Ltd.
    [Show full text]
  • Roland Vg-99 Training Guide
    ROLAND VG-99 TRAINING GUIDE Contents 1. FEATURES 2. QUICK DEMO 3. FIVE FEATURES TO KNOW and SHOW 4. ACCESSORIES 5. VG-99 GUITAR, AMPS, EFFECTS Roland VG-99 Training Guide 1. FEATURES The ultimate modeling guitar processor Two discrete COSM guitar signal paths: each models guitars, basses, synth waves, amps, effects, and mixers Either or both signal paths can be used at the same time Switching can be by onboard controllers, footswitches, picking dynamics, or all of these Ten polyphonic pitch shifters: five for each signal path Two GT-Pro equivalent effects processors Converts guitar to MIDI and USB audio D-Beam and ribbon controller plus dynamic input sensing for unique performance capabilities Unequalled real time control: up to 18 parameters can be controlled by any one of up to 20 VG controllers at one time Stereo 1/4” outs, plus stereo XLR sub outs w/ ground lift, USB, SP/DIF, and MIDI I/O Table top, Rack mountable, or stand mountable Bundled with Mac/PC Editor /Librarian software Works with FC-300 MIDI Foot Controller MAP $1,499, MSRP $1,699 Page 2 Roland VG-99 Training Guide 2. QUICK DEMO The Roland Quick Demo is a way to get a customer interested in a product in less than 60 seconds. Before You Start STEP ONE-Connect the VG-99 If you have a PA or studio playback system 1. Connect the Left and Right MAIN or SUB OUTPUTS of the VG-99 to two channels of the PA. 2. Set the PA’s EQ controls for a flat response.
    [Show full text]