DOCSLIB.ORG

Download Complete Oral History List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

OH Completed List Page 1 of 91 3/9/2020 10:54:03AM First Name Last Name Title Interview Date Joe Abbati Frost School of Music, Professor 2019-11-17 Yoshiharu Abe TEAC, Engineer and Innovator 2006-10-14 Norbert Abel Abel Hammer Company, President 2015-07-17 David L. Abell David L. Abell Fine Pianos, Founder 2005-10-18 Susan Aberbach Hill & Range Songs Inc., President 2012-11-14 Lester Abrams Songwriter 2015-02-02 Richard Abreau Music Village, Advocate 2013-07-03 Gus Acevedo International House of Music, Founder 2012-01-20 Ken Achard Peavey Corporation, Sales Director UK 2005-07-11 Tony Acosta Luthier Strings, Founder 2007-01-17 Cliff Acred Amro Music, Band Instrument Repair 2013-07-15 Arthur Adams Songwriter, Musician 2011-09-25 Edna Adams World Wide Music, Former Sales Executive 2010-04-16 Mike Adams Sound Image, Chief Engineer 2018-03-28 Paul Adams Piano Technician 2015-07-17 Mike Adams Moog Music, President 2010-01-13 Chris Adamson Tour Manager 2019-01-25 Leo Adelman Musician 2019-05-14 Hawley Ades Shawnee Press, Music Arranger 2007-06-10 Henry Adler Henry Adler Music, Founder 2007-10-19 Dominique Agnew NAMM, Director Trade Show Sales 2009-08-13 Carlos "DJ Aguilar DJ 2020-01-18 Quest" Charles Ahlers Anaheim Visitor and Convention Bureau, President 2013-01-25 Chuck Ainlay Recording Engineer 2019-07-16 Don Airey Musician, Product Endorser 2014-09-29 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman 2006-10-14 Bulent Akbay Istanbul Mehmet, Product Specialist 2013-04-11 Joy Akerman The NAMM Foundation's Museum of Making 2007-11-30 Music, Docent Toshio Akiyama Band Director 2011-12-15 Emily Akuno International Music Council, President 2019-01-24 Manny Albam Bandleader, Arranger 1997-01-29 Marty Albertson Guitar Center, Chairman 2012-01-21 Tommy Aldridge Musician, Product Endorser 2008-01-18 John Aldridge Not So Modern Drummer, Founder 2005-01-23 Philipp Alexander Musik Alexander, President 2008-03-15 Van Alexander Composer, Arranger, Bandleader 2001-10-18 1995-02-27 Will Alexander Audio Engineer, Synthesizers 2005-01-22 2015-01-22 James Alexander Musician 2015-07-15 Pat Alger Songwriter 2015-07-10 Frank Alkyer Music Inc, Editor 2011-03-31 Davie Allan Musician, Guitarist, Early Rock 2011-09-25 Fred Allard Amp Sales Inc, Founder 2010-12-08 John Allegrezza Allegrezza Piano, President 2012-10-10 Richard (RC) Allen Luthier 2003-05-17 2003-02-15 Andy Allen Luthier 2017-07-11 Spencer Aloisio Slingerland Drums, Past Vice President 2010-12-15 Marco Alpert Rossum Electro-Music, VP Marketing 2011-01-16 OH Completed List Page 2 of 91 3/9/2020 10:54:03AM First Name Last Name Title Interview Date Grace Altieri AJ's Pro Percussion, Co-Founder 2011-04-30 AJ Altieri AJ's Pro Percussion, Co-Founder 2011-04-30 Stephen Ambrose Asius Technologies, Founder 2016-06-24 Mark Amentt Casio Musical Instruments, Director of Sales 2013-03-24 Jim Anastasi King Band Instruments, Tester 2016-10-04 Jon Andersen Nick Rail Music Center, Sales Rep 2014-04-10 Charles Anderson Yamaha, Keyboard Encounters Director 2013-11-07 Craig Anderson Allied Supply, General Manager 2012-04-15 Michael Anderson RYTMO Music Program, Founder 2014-08-14 Jon Anderson Musician 2016-01-19 Ian Anderson Musician, Flute, Jethro Tull Founding Member 2008-08-16 Kurt Anderson Woodbury Music Company, Managing Director 2007-06-09 Eleanor Anderson Woodbury Music Company, President 2007-06-09 Scott Anderson Wurlitzer, Sales Rep (1954-1988) 2003-08-09 Muriel Anderson Musician, Guitarist 2009-07-16 2014-07-18 2011-07-23 Whispering Anderson Songwriter, Country Singer 2009-07-18 Bill Craig Anderton Musician, Synthesizerist, Engineer, Composer 2005-01-23 Lee Anderton Andertons Music, President 2011-04-12 Hans-Jorg Andre Musikhaus Andre, President 2008-03-14 Jerry Andreas SKB, VP of Music 2016-06-23 Barry Andrews QSC, CEO 2015-05-12 John Andrews QSC, CFO 2015-05-12 Tony Andrews Funktion One, Founder 2018-01-28 Ralph Angelillo International Drum Fest, Founder 2018-03-13 Tim Angell Kaman Music, Financial Information Manager 2009-03-24 David Angress Guitar Center, Former Executive Vice President 2012-09-24 John Anning AIMM, Executive Director 2014-01-26 Ron Anthony Musician, Product Endorser 2011-03-09 Ray Anthony Musician, Trumpeter; Bandleader 2008-12-08 1994-11-09 Rebecca Apodaca A&D Music, Founder 2012-01-17 Carmine Appice Musician 2019-01-24 Vinny Appice Musician, Drummer 2012-01-21 Shiro Arai Aria & Company, Inc., President 2006-01-16 Steve Araujo G&L Guitars, Artist Relations, Research and 2019-10-07 Development and Project Manager Charlie Argall Charlie Argall Music, Owner 2018-03-09 Rod Argent Musician, Songwriter 2011-04-12 Drew Armentrout Roland Corp., Percussion Product Specialist 2011-02-10 2007-01-18 Billy Arnold Musician, Author 2017-05-09 Kenny Aronoff Musician 2017-01-22 Ryan Arp Band Director 2012-12-20 Brooks Arthur Recording Engineer, Producer 2012-06-20 Mike Arthurhultz Conn-Selmer, Factory Worker 2012-10-13 Vivian Artley Relative, Sister of Artley Flute Founder 2007-09-21 Adam Ash Sam Ash Music, Regional Manager 2017-06-20 Derek Ash Sam Ash Music, Marketing Coordinator 2017-06-20 Paul Ash Sam Ash Music Store, President 2007-06-06 OH Completed List Page 3 of 91 3/9/2020 10:54:03AM First Name Last Name Title Interview Date Sammy Ash Sam Ash Music Stores, COO 2009-01-18 David Ash Sam Ash Music, CEO 2017-06-20 Ben Ash Sam Ash Music, Guitar Sales Associate 2013-01-26 Bernice Ash Sam Ash Music Store, Vice President 2007-06-06 Jerry Ash Sam Ash Music Stores, Chairman 2002-01-20 2007-06-06 2017-06-20 Billy Ashbaugh Musician, Drummer, N'Sync 2002-06-21 Gary Asher Drumschool.com, Founder 2003-03-26 Peter Asher Musician, Record Producer 2016-10-12 Jack Ashford Musician, Funk Brother 2013-07-15 Charles Ashley Accent Printed Music, Past President 2014-05-03 Charlotte Atkinson Music Maker, Co-Founder 2010-07-15 Henry Austin 2014-03-27 Thomas Austin Sherman Clay, Past Vice President 2014-01-24 Trevor Austin Rosehill Instruments Ltd., Director 2019-02-14 Byron L. Autrey Trumpet Designer, Musician 2005-06-09 George Avakian Record Producer 2009-10-14 Mil Averwater Amro Music, Founder 1978-04-20 Chip Averwater Amro Music, President 2000-07-21 2010-04-15 Robert F. Averwater Amro Music, Former President 2008-06-24 Pat Averwater Amro Music, President 2019-03-21 C.J. Averwater Amro Music, Vice President 2018-06-28 John Avila Brando's Paradise, Owner 2019-08-05 Charles Avsharian Shar Products, CEO 2012-01-21 Dennis Awe Product Specialist, Lowrey Organs 2009-01-16 Glenn Axelton Glenn's Music, Founder 2011-07-18 Ray Ayotte Ayotte Drums, Founder 2007-01-22 George Azuma Nihon Electro Harmonix, CEO 2014-01-22 Dan Babbitt Piano Gallery, General Manager 2014-05-02 Hy Babit QRS, Piano Roll Arranger 2014-02-12 Lois Bach Classic Bows, Former Owner 2017-11-10 Percy Bady Producer, Musician 2017-01-17 Llyod Baggs President, LR Baggs 2020-01-15 Sue Bagnall Conn-Selmer, Purchasing Manager 2011-09-07 John Bagnall Conn-Selmer, Factory Worker 2011-10-13 Rosemary Bailey Hammond Organ, Roland, Concert Artist 2005-08-26 Colin Bailey Method Book Author, Musician 2016-03-30 Bob Bailey Sweetwater, Executive Director Academy of Music 2018-06-25 & Technology/Executive Director of Gearfest Howard Bailey NAMM, Trade Show Account Executive 2000-07-18 Bob Bain Musician 2016-03-30 Gary Baker Songwriter 2017-07-20 Thomas Baker Menchey Music, Print Music Manager 2006-05-06 Rick Baldassin Baldassin Piano, Founder 2015-07-17 Joe Baldi EU Wurlitzer, Former Vice President 2012-03-20 Leonardo Baldocci EMD Music, Inc., President 2005-01-20 Adriana Balic Musician 2019-01-24 Sterling Ball Ernie Ball Music Man, President 2011-11-02 Michael Balter Michael Balter Mallets, Founder 2006-11-11 OH Completed List Page 4 of 91 3/9/2020 10:54:03AM First Name Last Name Title Interview Date Rod Baltimore New York Woodwind and Brass Music Corp., 2006-03-30 President and Founder Dennis Bamber Woodwind & Beasswind, Founder 2010-12-16 A. V. (Bam) Bamford Music Promoter, Hank William's Manager 2003-03-05 Donovan Bankhead Springfield Music, Vice President 2016-04-28 Mitchell Banks Don Banks Music, President 2011-05-02 Don Banks Don Banks Music, Founder 2011-05-02 Bruce Bannister Samuel Music, President 2010-11-13 Gabby Barajas Merlin 5, Foreman 2012-01-17 Emile Baran DeKalb Music Supply, Founder 2008-01-20 Davide Barbi CEO, IK Multimedia 2020-01-16 Alan Barclay Managing Director, Absolute Music 2020-01-16 Clay Barclay Crown International, Former Product Engineer 2018-08-18 Bobby Bare Sr. Musician 2017-07-14 Kyle Barker Barker Music, Founder 2009-07-14 Chris Barker Mississippi Music, Repair Technician 2019-05-23 Larry Barnes Fender Musical Instruments Corp., Former District 2017-03-22 Sales Manager Chuck Barnhouse C. L. Barnhouse Publishing, President 2006-12-21 HB Barnum Music Director 2016-07-14 Paul Baronnat Buffet Crampon, Former President 2019-08-17 Mark Barratt Barratts Music, Owner 2017-09-03 Janet Barrett Northwestern University, Professor of Music 2010-12-15 Mary Ellin Barrett Relative, Daughter of Irving Berlin 2011-05-11 Maribeth Barrons Hal Leonard Publishing, Sr. District Sales Manager 2014-05-28 Andrew Barta Tech 21 USA, Inc., 2009-01-14 Dave Bartholomew Musician, Trumpeter; Songwriter (I'm Walking) 2003-03-27 Peter Bartkus True Tone Music, Founder, Luthier 2009-09-08 Bruce Bartlett Bartlett Audio, Founder 2019-10-18 William Bartolini Bartolini Electronics, Partner and Co-Founder 2006-01-20 Patricia Bartolini Bartolini Electronics, Partner and Co-Founder 2006-01-20 Jewel Bass Malaco Records, Vocal Arranger & Vocalist 2019-05-21 Jane Smisor Bastien Composer, Piano Teacher 2006-09-14 Mike Bates Yamaha Corp.
Recommended publications
  • California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman

    California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman

    ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering.
  • Electric Guitars 51

    Electric Guitars 51

    ELECTRIC GUITARS 51. US Masters, Vector, Blue 1. Alvarez Classic Electric, Natural 52. Vester Concert Series, Black/Gold Fractal, Upg 2. Alvarez Classic Electric, Sunburst Sinvader Bridge Hum, Dual Rail Neck 3. Alvarez Electric, White 53. Washburn CT2, Black (upgraded pickups) 4. Alvarez Regulator, Green 54. Washburn CT5, Deluxe, gorgeous figured Blue 5. Bolt USA, SS, Graphic 55. Washburn_JV2, Natural 6. Brian Moore, I8.13, Green 56. Washburn_JV Jr, Flourescent Orange 7. Brian Moore, I2.13, YellowFigured 57. Washburn JB100, White 8. CB Strat guitar, White 58. Washburn KC44V, Green/ Black design 9. CC Clark, Natural 59. Washburn MR250, Red Florentine Figured 10. Charvel 275 Deluxe, Red 60. Washburn N6 (needs assembly) 11. Charvel CX390, Black 61. Washburn P290, Green Transluscent 12. ESP EC100-QM, Red 62. Washburn P290, Blue Green Transluscent 13. Fender Strat Spec. Ed., MIM, Candy Apple Red 63. Washburn P4 Luthier, Natural 14. Fender Strat, MIJ, HSS, Black 64. Washburn Pilsen WI70, Root Beer, Paint Relic’d 15. Fender Squier Showmaster Skull & Crossbones 65. Washburn RR300, Red 16. Fender Squier II, Black Relic’d 66. Washburn SBT-21, Black 17. Fender Squier Bullet, Red w SDuncan Distortion 67. Washburn WI64DL, Black and Gold 18. First Act VW Garage Master SpecEd, W W pg 68. Washburn WI64, Black 19. First Act VW Garage Master Spec Ed, W B pg 69. Washburn WI64, Black, Upg Carvin PU’s 20. Godin G5000, Black (option: Roland Synth PU) 70. Washburn WI66NC, Ebony Figured, Boogie Bros 21. Greco Hollow Body (Jap), Brown 71. Washburn WI66 Pro, Blue Figured Top 22. Harmony solid body electric, White 72.
  • 2014–2015 Season Sponsors

    2014–2015 Season Sponsors

    2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr.
  • Marquetry on Drawer-Model Marionette Duo-Art

    Marquetry on Drawer-Model Marionette Duo-Art

    Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number
  • THE BALDWIN PIANO COMPANY * Singing Boys of Norway Springfield (Mo.) Civic Symphony Orchestra St

    THE BALDWIN PIANO COMPANY * Singing Boys of Norway Springfield (Mo.) Civic Symphony Orchestra St

    Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org Each artist has his own reason for choosing Baldwin as the piano which most nearly approaches the ever-elusive goal of perfection. As new names appear on the musical horizon, an ever-increasing number of them are joining their distinguished colleagues in their use of the Baldwin. Kurt Adler Cloe Elmo Robert Lawrence Joseph Rosenstock Albuquerque Civic Symphony Orchestra Victor Alessandro Daniel Ericourt Theodore Lettvin Aaron Rosand Atlanta Symphony Orchestra Ernest Ansermet Arthur Fiedler Ray Lev Manuel Rosenthal Baton Rouge Symphony Orchestra Claudio Arrau Kirsten Flagstad Rosina Lhevinne Jesus Maria Sanroma Beaumont Symphony Orchestra Wilhelm Bachaus Lukas Foss Arthur Bennett Lipkin Maxim Schapiro Berkshire Music Center and Festival Vladimir Bakaleinikoff Pierre Fournier Joan Lloyd George Schick Birmingham Civic Symphony Stefan Bardas Zino Francescatti Luboshutz and Nemenoff Hans Schwieger Boston "Pops" Orchestra Joseph Battista Samson Francois Ruby Mercer Rafael Sebastia Boston Symphony Orchestra Sir Thomas Beecham Walter Gieseking Oian Marsh Leonard Seeber Brevard Music Foundation Patricia Benkman Boris Goldovsky Nino Martini Harry Shub Burbank Symphony Orchestra Erna Berger Robert Goldsand Edwin McArthur Leo Sirota Central Florida Symphony Orchestra Mervin Berger Eugene Goossens Josefina Megret Leonard Shure Chicago Symphony Orchestra Ralph Berkowitz William Haaker Darius Milhaud David Smith Pierre Bernac Cincinnati May Festival Theodor Haig
  • Download History of Japanese Electric Guitars Free Ebook

    Download History of Japanese Electric Guitars Free Ebook

    HISTORY OF JAPANESE ELECTRIC GUITARS DOWNLOAD FREE BOOK Frank Meyers | 164 pages | 18 May 2015 | CENTERSTREAM PUBLISHING | 9781574243154 | English | United States History of Japanese Electric Guitars Discovering samurai, robotic dogs, baby mops, manga, maid cafes, oh-so-many temples and why the Japanese can't say no, it's an History of Japanese Electric Guitars journey full of light-hearted Mandolin Family. Left-Handed Instruments. Japanese Spitz Training Guide. Other information is based on identifying common properties between guitars, to identify links in their history. Aria Shiro Arai founded Arai and Company in as an importer of classical guitars. A must have for collectors. Until the launch of the Flying V and Explorer inelectric guitars Many History of Japanese Electric Guitars players, famous and not so famous, began playing on Japanese electric guitars, yet the history of the people and factories that produced these instruments has remained largely ignored. Vacuum Tubes. Matsumoto Musical Instrument Manufacturers Association is also the name of a musical instrument. This machine-cut yet hand-worked process offered improved profit margins at lower unit prices and yielded high quality instruments with unique character. Vintage Used. The name Matsumoku appeared on the neck bolt plate of some guitars they built. Matsumoku could not afford to buy itself out of Singer and inclosed down. Specifications on Epiphone archtops changed throughout the Matsumoku era. American owned Unicord contracted Matsumoku to build most of its Univox and Westbury guitars. The Japanese Spitz Training Book is a truly informative and unique training guide, full of A lot of our information is based on data that we have collected over the last decade.
  • CRANFORD, GARWOOQ and KENIL WORTH

    CRANFORD, GARWOOQ and KENIL WORTH

    •v :/• ;Page 28 CRANFOHD (N.J.) CHRONICLE Thursday, May 16,1985 Where else but Kings? -..I' - 7 SERVING CRANFORD, GARWOOQ and KENIL WORTH Vol. 92 No. 20 Published Every Thursday Thursday, May 23,1985 USPS 136 800 Second Class Postage Paid Cranford, N.J. 25 CENTS Lawmen CHS chemists win _ pan-fry or deep-fry with no fuss at all. , Crabs you'll ever see. Pop one in a deli'roll andjnake a sandwich of it. Put a few on the charcoal Costanzo in prison as parole datenears grill and make a banquet of it. From the squeeze of a fresh lemon.to the zest ot New Jersey title And to see that you savor the best of them, we make certain that the finest ; By STUA RT bars personally to a senior hearing tuated to as late as April 1987 but was f a gourmet sauce, you can be as plain or, as fancy as you like. -. •.. 1 mation will be presented. Chesapeake Bay shell-fishermen reserve their prize catches for Kings. The murderer of Michelle H officer under a new victim input pro- moved up because of work and other JWiss_D_eMarzo was killed June 20, ... The Cranford High School ad- individuai~a^Srds for outstan- And when it'comes to special recipes for grilling, saucing, pan-trying and zo is eligible ipr ^parole consideration cedure. , _:_-_ ihhd 1|78 shortly before she was scheduled vanced chemistry team finished ding performance. On the Each crab is rushed to us in special seaweed packing to make sure it's ahve- first in the state in the Chemistry deep-frying, they're all yours in our Seafood Corner \, , -, o*,Cu ir .and could be fretJ by Christmas.
  • The Art of Lyric Improvisation

    The Art of Lyric Improvisation

    THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan ..................................................................................................................................
  • Taylor Guitars Wood & Steel Magazine

    Taylor Guitars Wood & Steel Magazine

    BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons).
  • User's Manual

    User's Manual

    USER’S MANUAL PROGRAMMING: Thomas Diligent Robert Bocquier Adrien Courdavault Mathieu Nocenti SOUND DESIGN: Luca Torre (Multis) Michael Hosker (All) Ted James (Jupiter8V) Matthew Sevant (ProphetV) Knowlton Walsh (MiniV) Matt Sterling (Arp 2600V) Ted James (CS80V) MANUAL: Randy Lee Pierce Warnecke Tomoya Fukushi Noritaka Ubukata Antoine Back Thomas Diligent DESIGN: Shaun Ellwood Morgan Perrier © ARTURIA SA – 1999-2014 – All rights reserved. 30, Chemin du Vieux Chene 38240 Meylan FRANCE http://www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. October 2014 edition 2 ARTURIA – Analog Lab – USER’S MANUAL Thank you for purchasing Arturia’s Analog Lab! This manual covers the features and operation of Arturia’s Analog Lab, a software synthesizer that allows you to play and modify over 5,000 sounds. After the purchase of this software you will receive its serial number and an unlock code by e-mail. This information enables you to register the software online. Once you have registered your software you will receive an activation code by e-mail that will allow you to authorize the software for use on your computer.
  • 11C Software 1034-1187

    11C Software 1034-1187

    Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185
  • Line 6 Model Gallery (Rev. C, V2.0)

    Line 6 Model Gallery (Rev. C, V2.0)

    Model Gallery High definition models of immortal amps and effects is what Line 6 POD HD series all about Here’s what you’ll find under the hood of your POD HD Device ____________________________________ POD HD Pro | POD HD500 | POD HD Desktop POD HD300 | POD HD400 ____________________________________ Electrophonic Online Limited Edition - Revision C Table of Contents About the Model Gallery ......................................................... 4 HD Amp Models ........................................................................ 4 Blackface Double ................................................................................................5 Hiway 100 Custom ..............................................................................................6 Super O ...............................................................................................................7 Gibtone 185 ........................................................................................................8 Tweed B-Man ......................................................................................................9 Blackface ‘Lux ...................................................................................................10 Divide 9/15 ........................................................................................................11 PhD Motorway ..................................................................................................12 Class A 15 .........................................................................................................13