CRANFORD, GARWOOQ and KENIL WORTH
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Commencement 2006-2011
2006 Conferring of Degrees at the Close of the 130th Academic Year Johns Hopkins University May 25, 2006 9:15 a.m. KraSflOPKINS y 3T to* T^| /• *V Contents Order of Procession 1 Order of Events 2 Divisional Diploma Ceremonies Information 6 Johns Hopkins Society of Scholars 7 Honorary Degree Citations 12 Academic Regalia 14 Awards 16 Honor Societies 23 Student Honors 27 Candidates for Degrees 32 Please note that while all degrees are conferred, only doctoral graduates process across the stage. Though taking photos from your seats during the ceremom is not prohibited, we request that guests respect each others comfort and enjoyment by not standing and blocking other people's views. Photos of graduates can be purchased from I loinewood Imaging and Photographic Services 410-516-5332, [email protected]. Videotapes and DVDs can be purchased from Northeast Photo Network (410-789-6001). We appreciate your cooperation! Graduates Seating o c c 3 in < (B Si in <fi{ 3 3' J 3" *" ID 2 S 3 Q. / Homewood Field A/ Order of Seating Facing Stage (Left) Order of Seating Facing Stage (Right) Doctors of Philosophy and Doctors of Medicine - Medicine Doctors of Philosophy - Aits & Sciences Doctors of Philosophy - Advanced International Studies Doctors of Philosophy - Engineering Doctors of Philosophy, Doctors of Public Health, and Doctors of Masters and Certificates - Arts & Sciences Science - Public Health Masters and Certificates - Engineering Doctors of Philosophy and Doctors of Nursing Science - Nursing Bachelors - Engineering Doctors of Musical Arts -
The Cool Factor
E1FFIRS_1 09/03/2008 5 ThE Cool Factor BUILDING YOUR BRAND’S IMAGE ________________ THROUGH ________________ PARTNERSHIP MARKETING DElBrEckEnfEld John Wiley & Sons, Inc. E1FFIRS_1 09/03/2008 4 E1FFIRS_1 09/04/2008 1 Advance Praise for The Cool Factor ‘‘Del Breckenfeld’s, The Cool Factor gets the inside story on the music business partnering with major corporations fueling their brands.’’ —Billy F Gibbons, guitarist, singer, and songwriter with the multiplatinum ZZ Top and all around ‘‘Sharp Dressed Man.’’ ‘‘The Cool Factor presents a compelling picture on the power of music as a motivator—not just for marketing purposes, but more impor- tantly, for understanding how music making at all ages enriches our everyday lives.’’ —Joe Lamond, President & CEO, NAMM ‘‘In the Cool Factor, Del Breckenfeld shows us first hand how to get celebrities to partner with corporations for the purpose of positive outreach. Del and Fender have personally shared their expertise with us throughout the course of many years, specifically helping us raise significant funds for families devastated by Hurricane Katrina. We salute Del and strongly urge readers to pick up this book. It will help you discover how a brand can effectively be catapulted to new heights through partnership marketing with ‘cool’ products, musicians, and events.’’ —Don Felder, former lead guitarist and songwriter of The Eagles, best-selling author of Heaven and Hell: My Life in the Eagles (1974–2001) ‘‘Del Breckenfeld knows cool. Fender, the brand he oversees, has such a high cool factor that even millions of non-musicians aspire to use its products. I love The Cool Factor—both the book and the idea. -
February 2006
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news August 2010 www.sandiegotroubadour.com Vol. 9, No. 11 what’s inside Welcome Mat ………3 Mission Contributors Mail Box Jack Tempchin Tribute Full Circle.. …………4 Nancy Porter Recordially, Lou Curtiss Front Porch... ………6 Summergrass Wendy Bailey & True Stories Greg Amov Parlor Showcase …10 Skid Roper Ramblin’... …………12 Bluegrass Corner The Zen of Recording Hosing Down Radio Daze Stages Highway’s Song. …14 Cindy Cashdollar & Dave Alvin Of Note. ……………17 El Monte Slim Northstar Sessions Danny Langdon MandoBasso Rusty King Tyler Grant ‘Round About ....... …18 August Music Calendar The Local Seen ……19 Photo Page AUGUST 2010 SAN DIEGO TROUBADOUR welcome mat Jack Tempchin: The “Feeling” RSAN ODUIEGBO ADOUR That Keeps on Giving Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news Dear Troubadour, t l u a At the risk of sounding maudlin, I v MISSION CONTRIBUTORS o want to say that in my years of playing C To promote, encourage, and provide an e FOUNDERS music in this town, no one in print v e alternative voice for the great local music that t Ellen and Lyle Duplessie S media in this town has ever treated is generally overlooked by the mass media; : Liz Abbott o me as well as you guys have and for t namely the genres of alternative country, Kent Johnson o h Americana, roots, folk, blues, gospel, jazz, and that I am very grateful. For reasons P PUBLISHERS bluegrass. To entertain, educate, and bring having to do with luck and general Liz Abbott together players, writers, and lovers of these incompetence on my own part, I have forms; to explore their foundations; and to Kent Johnson seldom come to anyone's attention expand the audience for these types of music. -
California's Cross: a Cultural History of Pentecostalism, Race, And
California’s Cross: A Cultural History of Pentecostalism, Race, and Agriculture by Lloyd D. Barba A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in the University of Michigan 2016 Doctoral Committee: Assistant Professor Daniel Ramírez, Chair Professor Edward J. Blum, San Diego State University Professor Philip J. Deloria Professor Silvia Pedraza © Lloyd D. Barba 2016 For Francisco R. Barba ii Acknowledgements California’s Cross is a historical inquiry influenced by wonderful people on the journey of writing this dissertation. While many of my closest family and friends imagined me cloistered away and writing feverishly in a cubicle, the reality is that California’s Cross allowed me to meet and share ideas with some of the most collegial and intentional people I have ever crossed paths with. Many of the individuals acknowledged below do not know each other, but even as strangers to one another they have collectively impacted my work. In Georg Simmels’ sense of the term, as a “stranger” you are not one who came today and left tomorrow, but you are one who came today and stayed for tomorrow, be it in support of my work or in ideas I have carried with me. I am indebted to you all for the fruition of this dissertation. This is intended to be the start for a much larger manuscript and archival project. May you stay for what tomorrow brings. The journey of California’s Cross began as a senior capstone paper guided by William Swagerty at the University of the Pacific. -
In Re Musical Instruments
Case 3:09-md-02121-LAB-DHB Document 178 Filed 02/22/12 Page 1 of 52 Daniel C. Girard (SBN # 114826) 1 [email protected] 2 Eric H. Gibbs (SBN # 178658) [email protected] 3 Elizabeth C. Pritzker (SBN # 146267) [email protected] 4 Amy M. Zeman (SBN # 273100) [email protected] 5 GIRARD GIBBS LLP th 6 601 California Street, 14 Floor San Francisco, CA 94108 7 Telephone: (415) 981-4800 Facsimile: (415) 981-4846 8 Lead-Liaison Counsel for Plaintiffs 9 [Additional Counsel Listed On Signature Page] 10 11 UNITED STATES DISTRICT COURT 12 SOUTHERN DISTRICT OF CALIFORNIA 13 IN RE: MUSICAL INSTRUMENTS AND ) No. MDL 2121 14 EQUIPMENT ANTITRUST LITIGATION ) ________________________________________ ) SECOND AMENDED 15 ) CONSOLIDATED CLASS ) ACTION COMPLAINT 16 This Document Relates To: ) ) 17 ALL ACTIONS ) DEMAND FOR JURY TRIAL ) 18 ) ) 19 20 21 22 23 24 25 26 27 28 IN RE: MUSICAL INSTRUMENTS & EQUIPMENT ANTITRUST LITIGATION, NO. MDL 2121 SECOND AMENDED CONSOLIDATED CLASS ACTION COMPLAINT Case 3:09-md-02121-LAB-DHB Document 178 Filed 02/22/12 Page 2 of 52 1 Plaintiffs, individually and on behalf of all others similarly situated, allege as follows. Except 2 as to Plaintiffs’ own actions, this complaint is based upon information and belief, limited discovery 3 produced by the Defendants, and the independent investigation of counsel: 4 NATURE OF THE ACTION 5 1. This case arises out of an alleged conspiracy to raise, fix, maintain or stabilize the retail 6 prices of new, high-end acoustic and electric guitars, bass guitars and guitar amplifiers by the National 7 Association of Music Merchants (“NAMM”), the main trade association for the music products industry, 8 Guitar Center, Inc. -
12-Saitige Grand Concerts Der V-Class
BUILDER’S EDITION 12-saitige K24CE Grand MIMI FOX Eklektische Concerts Akustik-Magie der NEUE TAYLOR GITARREN- V-Class PLEKTREN In der richtigen Gestalten Sie Ihren akustischen Stimmung Klang neu 2 www.taylorguitars.com Sound schon ziemlich chaotisch werden. sie sind noch gut zu gebrauchen. Es kommt also ein Gitarrist mit einer Diese 324ce sticht wirklich heraus! Gitarre rein, die sich als eine identische Das reiche Zusammenspiel aus Klängen, soziale Leserbriefe 914ce herausstellte, wie ich sie vor ein Aussehen und Verarbeitung, zu einem paar Tagen gespielt hatte. erschwinglichen Preis, passt zu mir. Ich Wir würden uns freuen, von Ihnen zu hören. Der Besitzer der Gitarre war ein kann sie nicht weglegen. Ich bleibe bis netzwerke Bitte senden Sie Ihre E-Mails an taylorguitars.com/contact erfahrener Gitarrist (was man von in die Morgenstunden wach, nur um sie jemandem mit so einer Gitarre erwarten leise zu spielen. Fazit: Ich liebe diese Komm in die sollte). Was mich allerdings überrascht Gitarre. Ich denke, mein Sohn wird sie hat, war, wie der Klang die Stimmen eines Tages auch adoptieren. Taylor-Community der anderen Gitarren, denen sie sich J Maze Facebook: @taylorguitars die Chicaco Music Exchange vorbestellt anschloss, regelrecht durchschnitt. Es Instagram: @taylorguitars hatte. Sie ist wahrscheinlich mein lang lag nicht wirklich an der Lautstärke son- Twitter: @taylorguitars gesuchter Ersatz. Sie ist nicht identisch dern an der Klarheit oder Schärfe des Belohnung zum Ruhestand mit der Martin, weil keine zwei Gitarren Klangs — als ob das Instrument auf einer Ich spiele schon lange Gitarre — Youtube: taylorguitars gleich sein können, aber es ist eine eigenen Frequenz spielte. -
OH Completed List
OH Completed List Page 1 of 92 3/2/2021 11:29:59AM First Name Last Name Title Interview Date Joe Abbati Frost School of Music, Professor 2019-11-17 Yoshiharu Abe TEAC, Engineer and Innovator d 2006-10-14 Norbert Abel Abel Hammer Company, President 2015-07-17 David L. Abell David L. Abell Fine Pianos, Founder d 2005-10-18 Susan Aberbach Hill & Range Songs Inc., President 2012-11-14 Lester Abrams Songwriter 2015-02-02 Richard Abreau Music Village, Advocate 2013-07-03 Gus Acevedo International House of Music, Founder 2012-01-20 Ken Achard Peavey Electronics Corporation, Sales Director UK 2005-07-11 Tony Acosta Luthier Strings, Founder d 2007-01-17 Cliff Acred Amro Music, Band Instrument Repair 2013-07-15 Arthur Adams Songwriter, Musician 2011-09-25 Edna Adams World Wide Music, Former Sales Executive 2010-04-16 Mike Adams Sound Image, Chief Engineer 2018-03-28 Paul Adams Piano Technician 2015-07-17 Mike Adams Moog Music, President 2010-01-13 Chris Adamson Tour Manager 2019-01-25 Leo Adelman Musician 2019-05-14 Hawley Ades Shawnee Press, Music Arranger d 2007-06-10 Henry Adler Henry Adler Music, Founder d 2007-10-19 Dominique Agnew NAMM, Former Director Trade Show Sales 2009-08-13 Charles Ahlers Anaheim Visitor and Convention Bureau, President 2013-01-25 Chuck Ainlay Recording Engineer 2019-07-16 Don Airey Musician, Keyboardist 2014-09-29 Takehiko Akaboshi Japan Music Volunteer Assoc., Former Chairman d 2006-10-14 Bulent Akbay Istanbul Mehmet, Product Specialist 2013-04-11 Joy Akerman NAMM Foundation's Museum of Making Music, 2007-11-30 Docent -
Grand Concert Con V-Class 12 Corde
K24CE Grand BUILDER’S Concert EDITION con MIMI FOX Eclettica magia V-Class acustica 12 corde NUOVI PLETTRI Realmente intonate PER CHITARRA Rimodella il suono della tua acustica 2 www.taylorguitars.com nuiva, riprendeva il suo posto nell’insie- ora in vendita su Reverb. me (ripeto, senza apparecchi elettronici Adesso, alla mia età e in pensione, e con 12 chitarre che suonavano). La ho deciso di farmi un regalo. Così, ho Lettere gamma dinamica di quello strumento, fatto molte ricerche e ho visitato il mio nella situazione più difficile che si possa negozio di fiducia, GAK a Brighton, dove Ci piacerebbe ricevere i vostri commenti avere, è stata davvero notevole. ho trascorso un pomeriggio formativo. social Inviate le vostre e-mail a: taylorguitars.com/contact Quella notte lasciai Rudy’s convinto Ho provato alcune acustiche fatte da del fatto che tutto quello che avevano produttori veramente affidabili, compre- detto sulla Taylor riguardo al nuovo siste- se alcune con corpo e parte superiore Unisciti alla community Taylor ma di catenatura non fosse altro che la robusti, non pensando che avrei potuto Facebook: @taylorguitars verità. permettermi una Taylor. Ciononostante, vecchia come mio padre, ma fresca, Clark Robins mentre ero lì, ho pensato di provarla. Si Instagram: @taylorguitars semplice e nuova. Richmond, VA trattava di una 214ce-K DLX. Twitter: @taylorguitars Come ha detto Andy Powers, ha un Nel momento esatto in cui ho messo Youtube: taylorguitars suono che ricordo, e, per me, un potere Quella giusta le dita sulle corde e sulla tastiera, ho impresso in mente. Grazie a tutti coloro Ho appena acquistato una 324ce capito che si trattava di un mondo Google+: taylorguitars che l’hanno fatta diventare realtà. -
CTTY COMMISSIONERS SCRAP CIVIL SERVICE Profit in Stamps
-* 'H-iitani' %wMi]mmwsmm)iuimsh l"_*^"_M ^'w.^#_i _._»:-'.t_R Member Associated Press Devoted to Developing die Great Bey District Established Oct 13, (875 TEMPT. BATCHES FORECAST High fl (past 31 hours, t a. m.l Bee LPair tonight sad Tuesday; moderate tem- ptr.tor*; moderate northeast winds: fresh S A. M. READINGS IK OTHER q_-_D*^__ § to strong over the mountains. Los Angeles 4, Salt Lake Cttr _ -8M OCEAN TIDES Rn-tnn ._; _»|rjoTiv. £ i -» 32 High Low - • -«jfr_-___' cit» 6:61 a.m.; 8:51 pro ,12.13 an.; 2 27 p.m. Pittsburgh _, -se - SUN RISES Slftt SETS Des Moines _ -4S EVEHiHl New Orleans _. __ Chl...n .34 6.59 o'clock I "4:58 o'clock LOOK (CPA)—Consolidated Press (CNS)—City News Service (UP)—The United Press (AP)—The Associated Press VOLUME LVIH NUMBER 3 SANTA MONICA, CALIFORNIA MONDAY, JANUARY 4, 1931 PRICE TWO CENTS Capper Steps Out*± fl> * * * Peggy LooksOn... • s e CTTY COMMISSIONERS SCRAP CIVIL SERVICE Profit in Stamps.. iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii IIIIHIIIIIIIIIIII.IillllMIHI.i llllllllllllllllltlllllllllllllllll iiiiiiiMininiiiiiitiiiiiiiiiin imiiiiiniiiiiiiiiiiiiiiiiiiiii WASHINGTON, Jaa. 4 (U.R)—The ! New Year revelry was at its height, j the midnight climax near at hand. A fraternity| house door open- ! HOOVER DEMANDS EARLY RELIEF ACTlONp* Ota* to , ed. and an el derly man—in evening dress Borah Bill Would Here Are Needs Senate Accepts entered. He was unobserved for Put AxtoSalaries Jlrged by-Hoover— Free Wheat Plan several moments. HuntiorPairrf- Finally one of Congress Asked WASHINGTON, Jan. 4 OPv- WASHINGTON. Jan. 4 '...' WASHINGTON. -
2013 Annual Report
Flint Institute of Arts annual report 2012–2013 ABOUT THE FLINT INSTITUTE OF ARTS Incorporated in 1928, the FIA is a privately supported, non-profit organization. It is one of Michigan’s most significant cultural and educational resources, serving people of all ages and interests. The Institute is supported entirely through memberships, contributions from individuals and businesses, earned income from endowments and grants from trusts, government, and foundations. The Institute’s collections and temporary exhibitions are open daily (except national holidays). Donations are appreciated. Art classes for adults and children, lectures, films, tours and other special events are also offered as an integral part of the Institute’s educational mission. The Flint Institute of Arts is an Equal Opportunity Employer and provides programs and services without regard to race, color, religion, national origin, age, sex or handicap. The Flint Institute of Arts is tax-exempt under Section 501 (c) (3). MISSION To advance the understanding and appreciation of art for all through collections, exhibitions, and educational programs. Operating support for FIA exhibitions and programs are the Flint Institute of made possible in part with the support Arts is provided in part of the Michigan Council for Arts and by the Charles Stewart Cultural Affairs, a partner agency of Mott Foundation. the National Endowment for the Arts. CONTENTS president’s report 3–4 director’s report 5–6 exhibitions 7–8 videos 9 loans 10–12 acquisitions 13–14 films 15–16 art school 17 education 18 income sources 19–20 special events & facility rental 21–22 support 23–24 contributions 25–28 membership 29–37 financial statement 39–42 board, staff & faculty 43–44 cover image Irene Neal American, b. -
Taylor Guitars Wood & Steel Magazine
Ebony’s Wild Side 600 Series Spring LTDs Granadillo 400s All-Koa Grand Orchestra First Edition K28e NAMM Highlights Progress in Cameroon BTO Gallery 2 www.taylorguitars.com 3 Letters Volume 75 Spring 2013 Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars got together and I had no instrument Taylor. That guitar transformed her combination [Ed. Note: blackwood/ and the strings were ancient. It was to play unless I wanted to bring my interest in playing guitar. She played cedar], and scratch-and-dent price is almost like the scene in The Wizard of keyboard and PA so all could hear it! it non-stop for about five years [until] what brought me back. Compared to Oz where the Tin Man whispers, “Oil Features I felt envious of the others who could she needed a larger guitar. A young this guitar’s wide spectrum of rich, full can,” except the 410 was whispering, carry their instrument on their backs, teacher at our church purchased the tone, the [other brand] sounds weak “Water...please, water…” open the case, and begin to play. So, Baby Taylor, then promptly gave it and thin. Other than performing as I brought it to my guitar guy, who 6 Target Practice about 1-1/2 years ago I purchased a away to a young student who couldn’t the solo guitar, I normally play upper humidified it, did a set-up, and removed Shawn Persinger helps you fine-tune your musical goals and streamline GS Mini to learn to play guitar. Within afford an instrument. -
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Case 3:09-md-02121-LAB-DHB Document 178 Filed 02/22/12 Page 1 of 52 Daniel C. Girard (SBN # 114826) 1 [email protected] 2 Eric H. Gibbs (SBN # 178658) [email protected] 3 Elizabeth C. Pritzker (SBN # 146267) [email protected] 4 Amy M. Zeman (SBN # 273100) [email protected] 5 GIRARD GIBBS LLP th 6 601 California Street, 14 Floor San Francisco, CA 94108 7 Telephone: (415) 981-4800 Facsimile: (415) 981-4846 8 Lead-Liaison Counsel for Plaintiffs 9 [Additional Counsel Listed On Signature Page] 10 11 UNITED STATES DISTRICT COURT 12 SOUTHERN DISTRICT OF CALIFORNIA 13 IN RE: MUSICAL INSTRUMENTS AND ) No. MDL 2121 14 EQUIPMENT ANTITRUST LITIGATION ) ________________________________________ ) SECOND AMENDED 15 ) CONSOLIDATED CLASS ) ACTION COMPLAINT 16 This Document Relates To: ) ) 17 ALL ACTIONS ) DEMAND FOR JURY TRIAL ) 18 ) ) 19 20 21 22 23 24 25 26 27 28 IN RE: MUSICAL INSTRUMENTS & EQUIPMENT ANTITRUST LITIGATION, NO. MDL 2121 SECOND AMENDED CONSOLIDATED CLASS ACTION COMPLAINT Case 3:09-md-02121-LAB-DHB Document 178 Filed 02/22/12 Page 2 of 52 1 Plaintiffs, individually and on behalf of all others similarly situated, allege as follows. Except 2 as to Plaintiffs’ own actions, this complaint is based upon information and belief, limited discovery 3 produced by the Defendants, and the independent investigation of counsel: 4 NATURE OF THE ACTION 5 1. This case arises out of an alleged conspiracy to raise, fix, maintain or stabilize the retail 6 prices of new, high-end acoustic and electric guitars, bass guitars and guitar amplifiers by the National 7 Association of Music Merchants (“NAMM”), the main trade association for the music products industry, 8 Guitar Center, Inc.