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Unconstituted Praxis UnconstitutedPraxis PraxisUnconstituted MATTIN MATTIN UnconstitutedPraxis PraxisUnconstituted MATTIN MATTIN Unconstituted Praxis Unconstituted Unconstituted Praxis MATTIN MATTIN 'Noise & Capitalism - Exhibition as Concert' with Mattin is the first part of the project 'Scores' Unconstituted Praxis organised in collaboration by CAC Brétigny and Künstlherhaus Stuttgart. The second part with Beatrice Gibson: The Tiger's Mind will be presented from November 6th to December 31st in Stuttgart, Germany. www.kuenstlerhaus.de By Mattin 'Scores' is part of the project 'Thermostat, cooperations between 24 French and German art centres', With contributions by: an initiative from the Association of French centres d'art, d.c.a., and the Institut Français in Germany. addlimb, Billy Bao, Marcia Bassett, Loïc Blairon, Ray Brassier, Diego Chamy, Janine Eisenaecher, Barry Esson, The project is generously supported by the German Federal Cultural Foundation, the French Ministry Ludwig Fischer, Jean-Luc Guionnet, Michel Henritzi, Anthony Iles, Alessandro Keegan, Alexander Locascio, of Culture and Communication, Culturesfrance Seijiro Murayama, Loty Negarti, Jérôme Noetinger, Andrij Orel & Roman Pishchalov, Acapulco Rodriguez, as well as by the Plenipotentiary for the Franco-German Cultural Relations. Benedict Seymour, Julien Skrobek, Taumaturgia and Dan Warburton. is initiated by Edited by: Anthony Iles Cover Illustration: Epilogue by Howard Slater Metal Machine Illustrations: Metal Machine Theory I-V, questions by Mattin answers by With support of Ray Brassier, commissioned and published 2010-2011 by the experimental music magazine Revue et Corrigée. Drunkdriver concert photographs: Drunkdriver/Mattin live at Silent Bar, Queens 3 January 2009 Olivier Léonhardt, Président de la Communauté d'agglomération du Val d'Orge/ by Tina De Broux. President of the community of agglomeration Val d’Orge Patrick Bardon, Vice-Président de la Communauté d'agglomération du Val d'Orge/ Noise & Capitalism - exhibition as concert documentation: photographs by Steeve Beckouet. Vice-President in charge of in charge of cultural equipments Bernard Decaux, Maire de Brétigny-sur-Orge/ Mayor of Brétigny-sur-Orge Translations: Philippe Camo, Adjoint au Maire de Brétigny-sur-Orge, Chargé des actions artistiques Spanish translations by Taumaturgia et culturelles, des festivités et du jumelage / Deputy Mayor in charge of culture French translation by Ray Brassier and festivals Published by CAC Brétigny & Taumaturgia, A Coruña Pierre Bal-Blanc, Directeur du CAC Brétigny / Director Adjointe du directeur, chargée de production / Production Manager : Taumaturgia Delphine Goutes Avda. da Coruña 24 Commissaire du projet culturel, Responsable des publics / Culture Projects : 15670 O Burgo Julien Duc-Maugé A Coruña/Spain Médiation / Art Education : Pierre Simon [email protected] Directrice administrative et financière / Head of Administration: http://taumaturgia.com Sophie Mugnier Assistante administrative / Accounting: Isabelle Dinouard, Nadine Monferme CAC Brétigny Coordination / Coordination : Céline Semence Centre d'art contemporain de Brétigny Gardienne, Gardien Adjoint/ Attendants, Facility Espace Jules Verne, Rue Henri Douard Managers: Vania Pion, Angela Chennaf, Rachid Boubekeur 91220 Brétigny-sur-Orge/France Tel.: (33) 01 60 85 20 76 CAC Brétigny is a facility of the agglomeration community of Val d'Orge authorised by [email protected] the Ministery of Culture and Communication. It receives the support of the DRAC Ile-de-France, the http://www.cacbretigny.com/ Ile-de-France Region, the General Council of Essonne, the town of Brétigny and the agglomeration community of Val d'Orge. Design: VIER5 Le CAC Brétigny est équipement de la Communauté d'agglomération du Val d'Orge, labellisé par le Assistants: Gerrit Schweiger, Nils Ulsamer Ministère de la Culture et de la Communication. Il reçoit le soutien de la DRAC Ile-de-France, de la Région Ile-de-France, du Conseil Général de l'Essonne, de la Ville de Brétigny Printing: VD Frankfurt, Frankfurt am Main, Germany et de la Communauté d'agglomération du Val d'Orge. Anti-Copyright Do whatever you want with any of this material with or without crediting the source. Links to PDF download: http://www.tatumaturgia.com/unconstituted_praxis.pdf 2011 http://www.cacbretigny.com/unconstituted_praxis.pdf ISBN: 978-84-939591-1-1 This publication has been realised as part of the exhibition Noise & Capitalism - exhibition as concert CAC Brétigny, 1 September - 30 October 2010 Cette publication est réalisée dans le cadre de l'exposition Bruit et capitalisme, l'exposition comme concert CAC Brétigny, 1 Septembre - 30 Octobre 2010 Mattin in collaboration with Loïc Blairon, Ray Brassier, Emma Hedditch, Esther Ferrer, Jean-Luc Guionnet, Anthony Iles, Matthieu Saladin, Howard Slater, Jarrod Fowler, Taku Unami, Zibigniew Karkowski & Evil Moisture (Andy Bolus), Tim Goldie, Diego Chamy, Malin Arnell, Ilya Lipkin, Barry Esson, Aitor Izagirre, David Baumflek, Daniel Lichtman, Maija Timonen, Anne Duffau... CAC BRETIGNY I’m destroyed, not dead cuz I’m destroyed Table of Contents Josetxo Anitua, ‘Reminder of a Precious Life’ Introduction Publisher’s Note by Taumaturgia Introduction by Alexander Locascio In memory of Jostetxo Anitua (1964-2008) Prologue to Unconstituted Praxis by Mattin Texts Oh I Love Freedom, But What Is It? A Second Subterranean Ethics The Multitude is a Hindrance Going Fragile Becoming Bilbao The Re-animated Corpse of Basque Culture Improvising Gaztetxes Give It All, Zero For Rules! Anti-CCopyright Anti-Copyright Devour Your Limitations! Managerial Authorship Theses On Noise Noise vs. Conceptual Art Against Representation Idioms and Idiots Interviews The Velvet Spectacle: an interview with Roman Pishchalov and Andrij Orel Towards Abject Music: an interview with Michel Henritzi A Single Decision: an interview with addlimb Why do you make records? a survey by Jérôme Noetinger You Cannot Survive Any of My Desires: Acapulco Rodriguez on Mattin & Billy Bao Fuck Separation: a conversation between Alessandro Keegan and Mattin Take Improvisation to the Streets: an interview with Dan Warburton Reviews Diego Chamy on Taku Unami & Mattin at KuLe, Berlin, 05/11/2007 Benedict Seymour on Karin Schneider & Mattin at Transmission, Glasgow, 26/04/2008 Ludwig Fischer on Drunkdriver & Mattin at Silent Barn, Queens, 03/01/2009 Marcia Bassett on Mattin at No Fun Fest Music Hall of Williamsburg, Brooklyn, 16/05/2009 Julien Skrobek on Taku Unami & Mattin at Rigoletto, Paris, 14/12/2009 Janine Eisenaecher on Anthony Iles, Ilya Lipkin, Mattin and Howard Slater, Basso, Berlin, 21/01/2010 Loïc Blairon on Mattin at KYTN, Dundee 26/02/2010 Barry Esson on Emma Hedditch, Anthony Iles, Mattin and Howard Slater, liam Casey and Laurie Pitt at KYTN, 28/12/2010 Loty Negarti on Mattin at Guardetxea, Donostia, 08/07/2010 Appendix Biographical Notes Discography Bibliography Index our own limits and those of Taumaturgia which said) to question the nature and parameters means of publication and languages of these Editorial Note have been devoured by the intensities that of improvisation: texts have made access to them somewhat underlie improvisation. Improvisation is not only an interaction between difficult. Here we collect them together for By Taumaturgia (Miguel Prado, Roberto Mallo, musicians and instruments, but a situation readers to facilitate access and make con- Raúl García) These intensities are the object of our inter- involving all the elements that constitute a nections between material which is not neces- est as publishers. We began to release albums concert, including the audience and the social sarily always easy or coherent. Readers can excited about subversive attributes of this and architectural space. explore the contradictions and problems them- At the beginning of 2007 we created the kind of music, but soon we realised that what selves, opening the texts to critical thinking in Taumaturgia project. It was initially conceived is crucial is the intention behind these prac- For this task and in this specific time, we con- a landscape in which today people seem preoc- as a record label exclusively devoted to tices. The sounds generated in an improvisation sider it indispensable to produce a book with cupied by simply confirming their own sense of experimental and improvised music. After some are a working tool, but have a double edge. a series of texts that are crucial for the aesthetics through refinement and innovation. months of work we contacted Mattin via e-mail They may soon be reified, qualified under the analysis of improvisation and noise. Both as a to prepare a concert of Josetxo Grieta in criteria of taste and virtuosity, and enter into an channel for generating theory; a tool to We have a subjective identification with this A Coruña. The concert was an incredible expe- aesthetic process that favours the domesti- understand more what it is we are doing when book's content. The texts were already there, rience (documented on Taumaturgia's second cation not only of the discourse but also the we are improvising, and a way to try to engage we only want to unite and share them. We want release), and since then we've shared many potential of improvisation as a form of praxis. with its force as a social practice. to distribute them through all the channels that conversations, experiences, concerts and a This book contains texts, interviews and respons- can activate thinking processes, encounters, great friendship. Mattin has influenced us a We do
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