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August 21, 2021
Traditional Worship Service THIRTEENTH SUNDAY AFTER PENTECOST SATURDAY, AUGUST 21, 2021 Worship Series: “Family Ties” GATHERING Prelude “Earth and All Stars,” arr. Michael Burkhardt “Beautiful Savior,” arr. Charles Ore Welcome to Worship Th anksgiving for Baptism Our Savior’s Lutheran Church (ELCA) • 909 West 33rd Street, Sioux Falls, SD 57105 PASTORS Randall Gehring, Timothy Lemme, and Justin Kosec VISITATION MINISTERS Pr. Rolfe Johnstad and Maribeth Anderson OFFICE 336-2942 • FAX 334-0671 • OSLCHURCH.COM +Hymn – ELW, No. 532, “Gather Us In,” sts. 1–3 +Greeting +Canticle of Praise – ELW, No. 622, “Neither Death nor Life,” st. 2 +Prayer of the Day WORD Anthem – “Welcome Table,” arr. Mark Hayes Reading – Ephesians 6:10–20 +Gospel Acclamation – ELW, page 198 +Gospel – John 6:56–69 Sermon Hymn of the Day – ELW, No. 638, “Blessed Assurance” +Apostles’ Creed +Prayers of Intercession MEAL Offering Invitation Video – My Generosity Story: Sandy Henry Off ering Prayer +Great Th anksgiving Dialog Preface Holy Words of Institution Lord’s Prayer Invitation to the Meal Holy Communion Lamb of God Communion Hymn – ELW, No. 474, “Bread of Life from Heaven” Prayer aft er the Meal SENDING Sending Hymn – ELW, No. 726, “Light Dawns on a Weary World” Announcements Sending Postlude – “Benedicamus Domino,” Christopher Uehlein WORSHIP LEADERS Presiding and Preaching Minister: Pastor Randy Gehring Piano: Jon Mattheis Cantor: Martha Rossing Reader: Don Lang Media: Josh Matzner Sound: Bob Nelson Mission: Our Savior’s is a people forgiven in Christ whose mission is to proclaim Christ and nurture faith that connects with everyday life. Our beliefs and mission shape our values and our values shape how we live. -
Singing in Latin.Pages
Why are we singing in Latin??? There are about 20 sets of Mass parts in Latin that were used commonly before the Mass was translated into the vernacular. The Sanctus and Agnus Dei that we are currently singing are from Mass XVIII, commonly used as Requiem Masses (funerals). The somberness and simplicity of this setting pairs well with the penitential season of Lent. Many of the other settings have more Joyful or uplifting qualities, so we shouldn’t Just associate singing in Latin with penance! Despite Latin being a dead language, the Catholic Church has retained it to this day as the official language of the Holy See and the Roman Rite. All liturgical documents, rites of the Church, and even official statements given by the Vatican are first published in Latin, and then translated into other languages for use throughout the world. So, why do we sing in Latin? It’s a layered answer. Given what I’ve already said, singing in Latin connects us to the Universal Church on a deeper level. It also tips a hat to our heritage of four centuries of praying the Mass in Latin – a tradition many “pre-Vatican II Catholics” remember. Now, you’re right in assuming that many parishes dropped the use of Latin after Vatican II. The Vatican II documents were interpreted and implemented differently in the United States than in other countries. While we saw an attitude of “out with the old, in with the new” here in the US, many other countries understood that one of the council’s goals was to retain the rich heritage of the Church, including the way churches were designed and decorated, the use of Latin, and so on. -
(1) Western Culture Has Roots in Ancient and ___
5 16. (50) If a 14th-century composer wrote a mass. what would be the names of the movement? TQ: Why? Chapter 3 Kyrie, Gloria, Credo, Sanctus, Agnus Dei. The text remains Roman Liturgy and Chant the same for each day throughout the year. 1. (47) Define church calendar. 17. (51) What is the collective title of the eight church Cycle of events, saints for the entire year services different than the Mass? Offices [Hours or Canonical Hours or Divine Offices] 2. TQ: What is the beginning of the church year? Advent (four Sundays before Christmas) 18. Name them in order and their approximate time. (See [Lent begins on Ash Wednesday, 46 days before Easter] Figure 3.3) Matins, before sunrise; Lauds, sunrise; Prime, 6 am; Terce, 9 3. Most important in the Roman church is the ______. am; Sext, noon; Nones, 3 pm; Vespers, sunset; Mass Compline, after Vespers 4. TQ: What does Roman church mean? 19. TQ: What do you suppose the function of an antiphon is? Catholic Church To frame the psalm 5. How often is it performed? 20. What is the proper term for a biblical reading? What is a Daily responsory? Lesson; musical response to a Biblical reading 6. (48) Music in Context. When would a Gloria be omitted? Advent, Lent, [Requiem] 21. What is a canticle? Poetic passage from Bible other than the Psalms 7. Latin is the language of the Church. The Kyrie is _____. Greek 22. How long does it take to cycle through the 150 Psalms in the Offices? 8. When would a Tract be performed? Less than a week Lent 23. -
Up to Now Newsletter of the St
Up to Now Newsletter of the St. Margaret of Cortona Region of the Secular Franciscan Order Covering the District of Columbia, Maryland, Delaware, Virginia, and portions of West Virginia and Pennsylvania OFMCap Philippus, Philippus Fr. Volume 17, Issue 3 Let us begin again, for up to now we have done nothing. February 2014 St. Margaret of Cortona Region Annual Chapter rdo Franciscanus Sæcularis (OFS), as we all know, is a world-wide secular order of the Roman Catholic OChurch. The Constitutions and Statutes, as approved by the Holy See, govern our international (CIOFS), national (NAFRA), regional (St. Margaret of Cortona), and local frater- nities. Just as regional fraternal and pastoral visitations are required for each local fraternity, so too, are national fra- ternal and pastoral visitations required for each region. Our region welcomed our national visitors at our Annual Chap- ter, held on December 7, 2013, at St. Francis of Assisi School in Triangle, Va. Twenty-seven of the Region’s 33 fraternities were represented, making a quorum. whereas, elsewhere in the world, the fair share includes candidates. NAFRA found the funds to catch up. Begin- Representing NAFRA were Elaine Hedtke (national vice- ning in 2015, however, fraternities will be assessed for minister) and Fr. Matthias Wesnofske, OFM Cap. Like all both professed members and candidates. There will fraternities, the regional fraternity meeting consisted of continue to be a different amount for excused members prayer, formation, social, and a bit of business. and active members. Patrick also described a census Anne Mulqueen OFS, regional spiritual assistant del- from CIOFS to collect data in 2014. -
L I T U R G I C a L C a L E N D a R LIT U R G IC a L C a LEN D
Liturgical Calendar DECEMBER 2017 LECTIONARY FOR SUNDAYS: YEAR B ADVENT Advent has a twofold character: as a season to prepare for Christmas, when Christ’s first coming to us is remembered; and as a season when that remembrance directs the mind and heart to await Christ’s Second Coming at the end of time. Advent is thus a period for devout and joyful expectation. The playing of the organ and other musical instruments, and the decoration of the altar with flowers should be done in a moderate manner, as is consonant with the character of the season, without anticipating the full joy of the Nativity of the Lord. The same moderation should be observed in the celebration of Matrimony. Eucharistic Prayer 4 is not used in this Season. DECEMBER 2017 evening P First Vespers (Divine Office Volume I) 3 Sun P + Ist SUNDAY OF ADVENT Ps Week 1 Creed, Advent Preface I (and on following days) Mass & Office of the day § Migrants’ Day 4 Mon P Advent feria, First Week of Advent: Mass & Office of the day or W St John Damascene, Priest & Doctor: Mass & Office of the Memorial 5 Tue P Advent feria: Mass & Office of the day 6 Wed P Advent feria: Mass & Office of the day or W St Nicholas, Bishop: Mass & Office of the Memorial 7 Thu W St Ambrose, Bishop & Doctor: Mass & Office of the Memorial R A evening W First Vespers D N E 8 Fri W L THE IMMACULATE CONCEPTION OF THE BLESSED A No Friday C VIRGIN MARY, Patron of the Diocese Gloria, Creed, Proper Preface abstinence L A Mass & Office of the Solemnity C I G R 9 Sat P Advent feria: Mass & Office of the day or U T -
Franciscan Saints, Blesseds, and Feasts (To Navigate to a Page, Press Ctrl+Shift+N and Then Type Page Number)
Franciscan Saints, Blesseds, and Feasts (to navigate to a page, press Ctrl+Shift+N and then type page number) Saints St. Francis de Sales, January 29 ................................................ 3 St. Agnes of Assisi, November 19 ..........................................29 St. Francis Mary of Camporosso, September 20 ................24 St. Agnes of Prague, March 2 ...................................................6 St. Francis of Paola, April 2 ........................................................9 St. Albert Chmielowski, June 17 ............................................. 16 St. Francisco Solano, July 14 .....................................................19 St. Alphonsa of the Immaculate Conception, July 28........20 St. Giles Mary of St. Joseph, February 7 ................................4 St. Amato Ronconi, May 8 .......................................................12 St. Giovanni of Triora, February 7 ............................................4 St. Angela Merici, January 27 ................................................... 3 St. Gregory Grassi, July 8 ........................................................ 18 St. Angela of Foligno, January 7 ................................................1 St. Hermine Grivot, July 8 ....................................................... 18 St. Angelo of Acri, October 30 .............................................. 27 St. Humilis of Bisignano, November 25 .................................30 St. Anthony of Padua, June 13 ................................................ 16 St. -
Understanding When to Kneel, Sit and Stand at a Traditional Latin Mass
UNDERSTANDING WHEN TO KNEEL, SIT AND STAND AT A TRADITIONAL LATIN MASS __________________________ A Short Essay on Mass Postures __________________________ by Richard Friend I. Introduction A Catholic assisting at a Traditional Latin Mass for the first time will most likely experience bewilderment and confusion as to when to kneel, sit and stand, for the postures that people observe at Traditional Latin Masses are so different from what he is accustomed to. To understand what people should really be doing at Mass is not always determinable from what people remember or from what people are presently doing. What is needed is an understanding of the nature of the liturgy itself, and then to act accordingly. When I began assisting at Traditional Latin Masses for the first time as an adult, I remember being utterly confused with Mass postures. People followed one order of postures for Low Mass, and a different one for Sung Mass. I recall my oldest son, then a small boy, being thoroughly amused with the frequent changes in people’s postures during Sung Mass, when we would go in rather short order from standing for the entrance procession, kneeling for the preparatory prayers, standing for the Gloria, sitting when the priest sat, rising again when he rose, sitting for the epistle, gradual, alleluia, standing for the Gospel, sitting for the epistle in English, rising for the Gospel in English, sitting for the sermon, rising for the Credo, genuflecting together with the priest, sitting when the priest sat while the choir sang the Credo, kneeling when the choir reached Et incarnatus est etc. -
Download Booklet
1 I Saw Three Ships Come Sailing In Simon Preston 2.05 15 I Sing of a Maiden Arnold Bax 4.19 Soloists: Emilia Morton soprano, Christopher Watson tenor 16 No Small Wonder Paul Edwards 2.42 2 There Is No Rose Simon Preston 2.54 17 There Is No Rose Jonathan Lane 2.39 3 Tomorrow Shall Be My Dancing Day John Gardner 2.31 18 Come Rock His Cradle Richard Knight 4.27 4 Love Came Down at Christmas Richard Lloyd 2.32 Soloist: Stephen Kennedy baritone 5 Rejoice and Be Merry Christopher Robinson 1.55 19 I Sing of a Maiden Alec Redshaw 2.10 6 The Birds Richard Hickox 1.55 20 Balulalow John Gardner 2.37 Soloist: Grace Davidson soprano Soloist: Katie Trethewey soprano 7 Benedicamus Domino Peter Warlock 1.21 21 Mary Walked Through a Wood of Thorn Philip Radcliffe 2.01 Soloists: Grace Davidson soprano, Christopher Watson tenor 8 Adam lay ybounden Peter Warlock 1.20 22 A Gallery Carol John Gardner 2.13 9 I Saw a Fair Maiden Peter Warlock 3.47 10 Balulalow Peter Warlock 2.05 Total Timing 55.35 Soloist: Grace Davidson soprano 11 As Dew in Aprylle Peter Warlock 1.52 12 Adam lay ybounden Philip Ledger 2.01 Soloist: Nicholas Madden tenor 13 On Christmas Day Simon Preston 3.49 Soloist: Joanna Forbes L’Estrange soprano 14 On Christmas Night Philip Ledger 2.16 www.tenebrae-choir.com www.tenebrae-choir.com 2 3 Introduction from Nigel Short Love is always at the heart of the Christmas message the length and breadth of the country by either and it became clear to all of us involved with this providing beautiful music for choirs to sing My love of Christmas music stems from my own recording that all of the composers represented or by devoting themselves in some way to experience as a chorister, singing all the traditional had/have a deep felt love for both their subject choirs singing beautifully. -
The Shrine and Parish Church of the Holy Innocents
Founded 1866 The Shrine and Parish Church of the Holy Innocents “The Little Catholic Church Around the Corner” at the crossroads of the world 128 West 37th St. (Just West of Broadway) New York City 10018 Schedule Rev. Fr. James L. P. Miara, M. Div., Pastor Perpetual Novenas Rev. Fr. Louis Van Thanh, Senior Priest Weekdays following the 7:30 a.m. and 12:15 & 1:15 p.m. Rev. Fr. Oliver Chanama, In Residence Masses and at 5:50 p.m. and on Saturday following the 12 Rev. Fr. Daniel Sabatos, Visiting Celebrant noon and 1:00 p.m. Masses. Tel: (212) 279-5861/5862 Monday: Miraculous Medal Tuesday: St. Anthony and St. Anne www.shrineofholyinnocents.org Wednesday: Our Lady of Perpetual Help and St. Joseph Thursday: Infant of Prague, St. Rita and St. Therese Friday: “The Return Crucifix” and the Passion Holy Sacrifice of the Mass Saturday: Our Lady of Lourdes and Our Lady of Fatima Weekdays: 7:00 & 7:30 a.m.; Sunday: Holy Innocents (at Vespers) 8:00 a.m. (Tridentine Latin only during Lent) 12:15 & 1:15 p.m. Devotions and 6:00 p.m. (Tridentine Latin) Vespers and Benediction: Saturday: 12 noon and 1:00 p.m. (Tridentine Latin) Sunday at 2:30 p.m. (Tridentine Latin) and 4:00 p.m. Vigil/Shopper’s Mass Holy Rosary: Weekdays at 11:55 a.m. and 5:20 p.m. Saturday at 12:35 p.m. Sunday: 9:00 a.m. (Tridentine Low Mass), Sunday at 2:00 p.m. 10:30 a.m. -
A Comparison of the Two Forms of the Roman Rite
A Comparison of the Two Forms of the Roman Rite Mass Structures Orientation Language The purpose of this presentation is to prepare you for what will very likely be your first Traditional Latin Mass (TLM). This is officially named “The Extraordinary Form of the Roman Rite.” We will try to do that by comparing it to what you already know - the Novus Ordo Missae (NOM). This is officially named “The Ordinary Form of the Roman Rite.” In “Mass Structures” we will look at differences in form. While the TLM really has only one structure, the NOM has many options. As we shall see, it has so many in fact, that it is virtually impossible for the person in the pew to determine whether the priest actually performs one of the many variations according to the rubrics (rules) for celebrating the NOM. Then, we will briefly examine the two most obvious differences in the performance of the Mass - the orientation of the priest (and people) and the language used. The orientation of the priest in the TLM is towards the altar. In this position, he is facing the same direction as the people, liturgical “east” and, in a traditional church, they are both looking at the tabernacle and/or crucifix in the center of the altar. The language of the TLM is, of course, Latin. It has been Latin since before the year 400. The NOM was written in Latin but is usually performed in the language of the immediate location - the vernacular. [email protected] 1 Mass Structure: Novus Ordo Missae Eucharistic Prayer Baptism I: A,B,C,D Renewal Eucharistic Prayer II: A,B,C,D Liturgy of Greeting: Penitential Concluding Dismissal: the Word: A,B,C Rite: A,B,C Eucharistic Prayer Rite: A,B,C A,B,C Year 1,2,3 III: A,B,C,D Eucharistic Prayer IV: A,B,C,D 3 x 4 x 3 x 16 x 3 x 3 = 5184 variations (not counting omissions) Or ~ 100 Years of Sundays This is the Mass that most of you attend. -
PP Summer 13.Indd
Editor’s Reflections � The dream of every truly Christian parent To stand by a prisoner thus condemned and run the risk of ac- is to raise godly offspring—children who cusation took uncommon courage. Even Paul’s appreciative letter live wholeheartedly for Christ no matter naming Pudens and the others could have triggered accusation what the cost. This dream was fulfilled by and arrest, trial, and a similar fate. For Claudia, Eubulus, Linus the daughters of a father named Pudens. (who went on to become an overseer of the church of Rome and Pudens makes an undisputed appear- suffer eventual martyrdom), and Pudens to render such assis- ance in the New Testament, but he does tance put them at great risk. Obviously, they were great heroes of not figure prominently: a mere two words faith. Can we know anything at all about them? in Paul’s closing remarks to Timothy, “and Recently, we had the privilege to search through Rome, cull- Pudens,” in the second letter to Timothy ing data about Paul’s last days there and the Christians who stood 4:21, as the apostle ends this—his final— by him. My wife, the Rev. Dr. Aída Besançon Spencer, professor letter with greetings from those courageous enough to stand by of New Testament at Gordon-Conwell Theological Seminary, was him in his last imprisonment. researching her two-volume commentary on the Pastoral Epis- Paul’s penultimate sentence reads like an honor roll: among a tles coming this autumn from Cascade’s New Covenant Com- group, he specifies three coworking men and one woman, “Eu- mentary series. -
Proquest Dissertations
Readers, Sanctity, and History in Early Modern Spain Pedro de Ribadeneyra, the Flos sanctorum, and Catholic Community by Jonathan Edward Greenwood A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in History Carleton University Ottawa, Ontario ©2011 Jonathan Edward Greenwood Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your rile Votre reference ISBN: 978-0-494-83071-0 Our file Notre reference ISBN: 978-0-494-83071-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.