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Search and Find: National Poetry Month
SEARCH & FIND APRIL- NATIONAL POETRY MONTH Non-Picture - Page 1 ■ ■ 1. Dante Alighieri. 2. Aref Qazvini. 3. Voltaire. Clue: Dante Alighieri was a poet Clue:Aref Qazvini was an Iranian Clue:Voltaire was a French and prose writer from medieval poet and musician. Often cal led philosopher, writer, and poet of Florence, Italy, who profoundly a National Poet of Iran, he was a the Enlightenment. He was one impacted European literature. revolutionary during the Iranian of the most versitile poets and He is most famous for authoring Constitutional Revolution and wits of his time. He is shown the Christian epic poem La made many political and here holding a red lamb, a divina commedia. Dante is pro-revolutionary songs. reference to his 1759 satirical credited with inventing the novella Candide. poetic form used in The Divine Comedy, known as terza rima. 4. Laozi. 5. Ralph Waldo Emerson. 6. Maqamat-ut-Tuyur. Clue: Laozi was a philosopher in Clue: Ralph Waldo Emerson was Clue: "The Conference of the ancient China. He is the author an American writer, poet, and Birds," or "Maqamat-ut-Tuyor," of the Tao Te Ching, an import leader of the Transcendentalist is a poem completed circa 1187. ant text from Chinese history Movement, which argued that The poem concerns a congrega consisting of 81 short, poetic people were essentially good tion of birds, led by a wise sections. He is a central figure and capable of self-improve hoopoe, that embark on a both in philosophical and ment. journey. Through their experi religious Taoism. ences and the hoopoe's parables and counsel, the birds are cleansed of their egos and attain enlightenment. -
A Poet Builds a Nation.Pdf
DOI: 10.9744/kata.16.2.109-118 ISSN 1411-2639 (Print), ISSN 2302-6294 (Online) OPEN ACCESS http://kata.petra.ac.id A Poet Builds a Nation: Hafez as a Catalyst in Emerson’s Process of Developing American Literature Behnam Mirzababazadeh Fomeshi*, Adineh Khojastehpour Independent scholars * Corresponding author emails: [email protected] , [email protected] ABSTRACT Numerous studies have tried to elucidate the relationship between Emerson and Hafez. While most of these studies laid emphasis on influence of Hafez on Emerson and others on similarity and/or infatuation, they left untouched some vital historical aspects of this relationship. Taking into consideration the political and literary discourses of Emerson‘s America may illuminate the issue. America‘s attempt to gain independence from Britain, Emerson‘s resolution to establish an American literary tradition, his break with the European fathers to establish that identity, his open-mindedness in receiving non-European cultures and the correspondence between Emerson‘s transcendentalism and Hafez‘s mysticism led to Hafez‘s reception by Emerson. Keywords: Hafez; Emerson; comparative literature; reception; national identity INTRODUCTION The relationship between Hafez and Emerson has been extensively studied. Most of the researchers In addition to being considered the father of trans- have highlighted influence and some have empha- cendentalism, the American poet and philosopher, sized similarity or infatuation. For instance, Fotouhi Ralph Waldo Emerson (1803-1882) was a remar- and Taebi (2012) believed that Emerson‘s poetic taste kable figure concerning Persian literature. The poet‘s made him study Persian poets and ―correspondence most fruitful years coincided with his careful study of between their mystical insight and his transcendental Persian poets. -
The Enlightenment and Orientalist Discourse on the Aryan
Jews, Aryans Chap. 1 7/23/02 9:42 AM Page 8 CHAPTER 1 The Enlightenment and Orientalist Discourse on the Aryan THE ENLIGHTENMENT BACKGROUND rientalist and postcolonialist criticism has positioned the origin of much Othat it seeks to critique within the Enlightenment project. Edward Said identified the Enlightenment as a unified trajectory and master sign of both Orientalism and colonialism (Said 1978). Ashis Nandy traced the roots of colonialism’s mandate to absolutize the relative differences between cultures to the cultural arrogance of Enlightenment Europe. Partha Chatterjee prob- lematized Enlightenment historiography (Chatterjee 1986). Peter van der Veer has blamed Enlightenment discourse for the erroneous politicization of Hinduism (Van der Veer 1998). Curiously, none of their arguments dwells on specifics—a common methodological flaw of critical schools which mea- sure past texts against contemporary claims of emancipation or fantasies of dissent (Fluck 1996: 228). In these instances, critics assess the Enlightenment in light of the subsequent colonial experience. Their critical canon virtually ignores the fundamental texts of the period. Indeed, the Enlightenment has suffered much at the hands of poststructuralism’s vague and atextual treatment. There is clearly a need for a reappraisal of the Enlightenment with reference to its literature. In satirical works of the eighteenth century, there appeared a general theme, barely hidden under the fiction and in the satire itself: Asia can and should offer lessons. The pittoresque Oriental tale provided an ideal medium through which authors could expose the vices of their own corrupt civil and religious institutions. The satirist’s task had been made that much easier, since travel accounts minutely described the religious and secular institutions of Asia and marked analogies to European systems of rule. -
Poetry for the People
06-0001 ETF_33_43 12/14/05 4:07 PM Page 33 U.S. Poet Laureates P OETRY 1937–1941 JOSEPH AUSLANDER FOR THE (1897–1965) 1943–1944 ALLEN TATE (1899–1979) P EOPLE 1944–1945 ROBERT PENN WARREN (1905–1989) 1945–1946 LOUISE BOGAN (1897–1970) 1946–1947 KARL SHAPIRO BY (1913–2000) K ITTY J OHNSON 1947–1948 ROBERT LOWELL (1917–1977) HE WRITING AND READING OF POETRY 1948–1949 “ LEONIE ADAMS is the sharing of wonderful discoveries,” according to Ted Kooser, U.S. (1899–1988) TPoet Laureate and winner of the 2005 Pulitzer Prize for Poetry. 1949–1950 Poetry can open our eyes to new ways of looking at experiences, emo- ELIZABETH BISHOP tions, people, everyday objects, and more. It takes us on voyages with poetic (1911–1979) devices such as imagery, metaphor, rhythm, and rhyme. The poet shares ideas 1950–1952 CONRAD AIKEN with readers and listeners; readers and listeners share ideas with each other. And (1889–1973) anyone can be part of this exchange. Although poetry is, perhaps wrongly, often 1952 seen as an exclusive domain of a cultured minority, many writers and readers of WILLIAM CARLOS WILLIAMS (1883–1963) poetry oppose this stereotype. There will likely always be debates about how 1956–1958 transparent, how easy to understand, poetry should be, and much poetry, by its RANDALL JARRELL very nature, will always be esoteric. But that’s no reason to keep it out of reach. (1914–1965) Today’s most honored poets embrace the idea that poetry should be accessible 1958–1959 ROBERT FROST to everyone. -
The Nation Between Utopia and Art: Canonizing Dionysios Solomos As The
15 The nation between utopia and art: canonizing Dionysios Solomos as the ‘national poet’ of Greece Vassiliki Dimoula Perhaps the most controversial element in the work of Dionysios Solomos, the ‘national poet’ of Greece, is his nationalism. My aim in what follows will be to discuss a contrastive relationship between the utopian element in Solomos’s national poetry and his canonization as the ‘national poet’ of Greece. The tension between Solomos’s work and its reception has recently been discussed by Giorgos Veloudis from the point of view of the appropriation of Solomos for the needs of Greek ‘national ideology’ (Veloudis 2004). By contrast, my own focus here will be on the ideologization of the aesthetic dimension of Solomos’s work in the course of his canonization as the leading figure of Greek national literature. Although I will not discuss the poet’s reception in any detail, my points of reference will be Iakovos Polylas and Kostis Palamas. The social‑imaginary institution of the nation is by definition ideological; it constitutes ‘a social reality whose very existence implies the non‑knowledge of its participants as to its essence’ (Žižek 1995, 2, cited in Gourgouris 1996, 26). In order to justify my discussion of it as a ‘utopia’ in the poetic work of Solomos, I will refer to the transcendental poetics of his time, Dimoula as well as to modern theorizations of utopia, with particular emphasis on the notion of ‘negative utopianism’ suggested by Theodor Adorno.1 Veloudis, in his recent book (2004), provides a detailed account of Solomos’s appropriation by Greek ‘national ideology’, which was based on a politically motivated distortion of his work.2 The ‘nationalization’ of Solomos in the course of his multifaceted reception obscured the initial, historically very specific grounds of his canonization as ‘the national poet’ of Greece by the Heptanesians. -
Riddles in Hinduism
Bharat Ratna Dr. Bhimrao Ramji Ambedkar "Father Of Indian Constitution" India’s first Law Minister Architect of the Constitution of India ii http://www.ambedkar.org Born April 14, 1891, Mhow, India Died Dec. 6, 1956, New Delhi Dr. Bhimrao Ramji Ambedkar, was the first Minister of Law soon after the Independence of India in 1947 and was the Chairman of the drafting committee for the Constitution of India As such he was chiefly responsible for drafting of The Constitution of India. Ambedkar was born on the 14 th April, 1891. After graduating from Elphinstone College, Bombay in 1912, he joined Columbia University, USA where he was awarded Ph.D. Later he joined the London School of Economics & obtained a degree of D.Sc. ( Economics) and was called to the Bar from Gray's Inn. He returned to India in 1923 and started the 'Bahishkrit Hitkarini Sabha' for the education and economic improvement of the lower classes from where he came. One of the greatest contributions of Dr. Ambedkar was in respect of Fundamental Rights & Directive Principles of State Policy enshrined in the Constitution of India. The Fundamental Rights provide for freedom, equality, and abolition of Untouchability & remedies to ensure the enforcement of rights. The Directive Principles enshrine the broad guiding principles for securing fair distribution of wealth & better living conditions. On the 14 th October, 1956, Babasaheb Ambedkar a scholar in Hinduism embraced Buddhism. He continued the crusade for social revolution until the end of his life on the 6th December 1956. He was honoured with the highest national honour, 'Bharat Ratna' in April 1990 . -
LIBRARY of CONGRESS MAGAZINE MARCH/APRIL 2015 Poetry Nation
LIBRARY OF CONGRESS MAGAZINE MARCH/APRIL 2015 poetry nation INSIDE Rosa Parks and the Struggle for Justice A Powerful Poem of Racial Violence PLUS Walt Whitman’s Words American Women Poets How to Read a Poem WWW.LOC.GOV In This Issue MARCH/APRIL 2015 LIBRARY OF CONGRESS MAGAZINE FEATURES Library of Congress Magazine Vol. 4 No. 2: March/April 2015 Mission of the Library of Congress The Power of a Poem 8 Billie Holiday’s powerful ballad about racial violence, “Strange Fruit,” The mission of the Library is to support the was written by a poet whose works are preserved at the Library. Congress in fulfilling its constitutional duties and to further the progress of knowledge and creativity for the benefit of the American people. National Poets 10 For nearly 80 years the Library has called on prominent poets to help Library of Congress Magazine is issued promote poetry. bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and Beyond the Bus 16 The Rosa Parks Collection at the Library sheds new light on the research institutions, donors, academic libraries, learned societies and allied organizations in remarkable life of the renowned civil rights activist. 6 the United States. Research institutions and Walt Whitman educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at www.loc.gov/lcm. -
Single PDF File
international journal of scottish literature www.ijsl.stir.ac.uk ISSN 1751-2808 ISSUE SIX, SPRING/SUMMER 2010 Editorial: Burns and the World[1] Liam McIlvanney In the spring of 1786, Robert Burns was preparing to venture into in ‘guid, black prent’ as he readied his first book of poems for the press.[2] As a local farmer in his twenties, Burns was an unknown quantity, and so the work was to be published by subscription: prospective buyers would sign up in advance to pay their three shillings. A subscription bill for the volume carried the following declaration: As the author has not the most distant Mercenary view in Publishing, as soon as so many Subscribers appear as will defray the necessary Expence, the Work will be sent to the Press. As was often the case when discussing his own work, Burns was being a little disingenuous here. Certainly when the profits rolled in, the poet had a definite ‘Mercenary view’ in mind: he needed the money to emigrate. Nine guineas of his profits from Poems, Chiefly in the Scottish Dialect would go to pay his passage to Jamaica. When Burns booked his passage to the Indies in the summer of 1786, ‘his life was falling apart’.[3] The farm he leased with his brother Gilbert was failing. His girlfriend, Jean Armour, was pregnant. Though Burns mooted marriage, Jean’s horrified parents spurned him as a ‘worthless rake’ and packed Jean off to stay with relatives in Paisley. The kirk, whose ire he had roused through a string of biting anticlerical satires, saw its chance for revenge; the fornicator Burns would have to mount the cutty stool. -
Edwin Muir and the Failures of Scottish Literature Douglas Gifford University of Glasgow, Emeritus
Studies in Scottish Literature Volume 35 | Issue 1 Article 26 2007 Sham Bards of a Sham Nation?: Edwin Muir and the Failures of Scottish Literature Douglas Gifford University of Glasgow, Emeritus Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Gifford, Douglas (2007) "Sham Bards of a Sham Nation?: Edwin Muir and the Failures of Scottish Literature," Studies in Scottish Literature: Vol. 35: Iss. 1, 339–361. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/26 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Douglas Gifford Sham Bards of a Sham Nation? Edwin Muir and the Failures of Scottish Literature This essay is in a sense a preliminary attempt to engage with one of the most influential, if notorious, theories of Scottish literature, and to explore its validity, effect on, and relevance to, the place of Scottish literature in educa tion. Given the essay's wide-ranging and polemical reflection, and its criticism of current educational policy towards literature in Scotland, it is argumentative rather than academic. In suggesting where I see the real failures involved in our awareness of the achievements of Scottish literature, my argument is ulti mately an assertion of the crucial importance of the role and responsibility of education in our schools and universities in disseminating awareness of Scot tish culture-and a criticism of the way that responsibility has been too often ignored. -
****************************W********************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * * from the Original Document
DOCUMENT RESUME ED 432 780 CS 216 827 AUTHOR Somers, Albert. B. TITLE Teaching Poetry in High School. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-5289-9 PUB DATE 1999-00-00 NOTE 230p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 52899-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Books (010) Guides - Classroom - Teacher (052) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Class Activities; *English Instruction; High Schools; Internet; *Poetry; *Poets; Student Evaluation; Teaching Methods IDENTIFIERS Alternative Assessment ABSTRACT Suggesting that the teaching of poetry must be engaging as well as challenging, this book presents practical approaches, guidelines, activities, and scenarios for teaching poetry in high school. It offers 40 complete poems; a discussion of assessment issues (including authentic assessment); poetry across the curriculum; and addresses and annotations for over 30 websites on poetry. Chapters in the book are (1) Poetry in America; (2) Poetry in the Schools;(3) Selecting Poetry to Teach;(4) Contemporary Poets in the Classroom;(5) Approaching Poetry;(6) Responding to Poetry by Talking;(7) Responding to Poetry by Performing;(8) Poetry and Writing; (9) Teaching Form and Technique;(10) Assessing the Teaching and Learning of Poetry;(11) Teaching Poetry across the Curriculum; and (12) Poetry and the Internet. Appendixes contain lists of approximately 100 anthologies of poetry, 12 reference works, approximately 50 selected mediaresources, 4 selected journals, and 6 selected awards honoring American poets. (RS) *********************************************w********************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. -
Chips from a German Workshop - Volume I
Chips From A German Workshop - Volume I By F. Max Müller Chips From A German Workshop I. LECTURE ON THE VEDAS OR THE SACRED BOOKS OF THE BRAHMANS, DELIVERED AT THE PHILOSOPHICAL INSTITUTION, LEEDS, MARCH, 1865. I have brought with me one volume of my edition of the Veda, and I should not wonder if it were the first copy of the work which has ever reached this busy town of Leeds. Nay, I confess I have some misgivings whether I have not undertaken a hopeless task, and I begin to doubt whether I shall succeed in explaining to you the interest which I feel for this ancient collection of sacred hymns, an interest which has never failed me while devoting to the publication of this voluminous work the best twenty years of my life. Many times have I been asked, But what is the Veda? Why should it be published? What are we likely to learn from a book composed nearly four thousand years ago, and intended from the beginning for an uncultivated race of mere heathens and savages,—a book which the natives of India have never published themselves, although, to the present day, they profess to regard it as the highest authority for their religion, morals, and philosophy? Are we, the people of England or of Europe, in the nineteenth century, likely to gain any new light on religious, moral, or philosophical questions from the old songs of the Brahmans? And is it so very certain that the whole book is not a modern forgery, without any substantial claims to that high antiquity which is ascribed to it by the Hindus, so that all the labour bestowed upon it would not only be labour lost, but throw discredit on our powers of discrimination, and make us a laughing-stock among the shrewd natives of India? These and similar questions I have had to answer many times when asked by others, and some of them when asked by myself, before embarking on so hazardous an undertaking as the publication of the Rig-veda and its ancient commentary. -
PDF Scan to USB Stick
GRAMMA· Journal of Theory and Criticism. Modem Greek Poetry on the Edge (of the century, of history, of language) Editors: Michalis Chrysanthopoulos Ekaterini Douka-Kabitoglou Lizy Tsirimokou Editorial assistant: Maria Schina Volume 8 2000 ARISTOTLE UNIVERSITY OF THESSALONIKI Greek Poetry Elsewhere 1 Karen Van Dyck oth in Greece and abroad, Greek poetry is often treated like a fetish.2 Whether it is a Greek politician touting the merits of Kiki Dimoula's most Brecent collection, critics repeatedly referring to the Noble Laureate poets, George Seferis and Odysseus Elytis, or the friends of Jackie Onassis wanting C. P. Cavafy's poem "Ithaca" read at her funeral, Greek poetry has cachet. Like Freud's furs or Benjamin's velvet pouches or Almodovar's high-heeled shoes, Greek poetry as fetish compensates for everything that Greece does not have. Like coats, pouches and shoes, Greek poetry as fetish calls attention to what it covers over, encases or holds up. It speaks of lack in a language that soothes us with its masterful substitutions. Like flags andfoustanellas, and other more pa triotic fetishes, Greek poetry inscribes notions of national, linguistic and generic pririty. It is the measure of what is most Greek.3 As fetish Greek poetry is a great achievement. Its invocation of homeland, mother tongue, and lyric tradition has given us myriad ways of imagining oursel ves and the Greek nation. But like all fetishes it is selective in its replacement of the part for the Whole-the clothes for the body, the flag for the country. Greek poetry as fetish refers exclusively to poetry written in Greek in Greece.