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Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
Stichting Jazz in Groningen SJIGCONCERTEN.Xlsx / Versie 23-05-2021 Blad 1/44 Ma 8-3-1976 Junior Cook/Louis Hayes Quintet; Junior
Stichting Jazz In Groningen SJIGCONCERTEN.xlsx / Versie 23-05-2021 blad 1/44 ma 8-3-1976 Junior Cook/Louis Hayes Quintet; Junior Cook - saxofoon, Louis Hayes - drums, Gron; De Koffer; SJIG? Woody Shaw - trompet, Ronny Matthews - piano, Stafford James - bas za 24-4-1976 Misha Mengelberg - Tristan Honsinger Gron; VERA; Waarsch. ism. VERA do 29-4-1976 Jimmy Raney - Lee Konitz - Al Levitt - Peter Ind Gron; VERA zo 9-5-1976 Jenne's Jammin': Jenne Meinema e.a. Gron; Oosterpoort vr 4-6-1976 Jazzmarathon: Tentoonstelling Jazz- en Bluesfoto's en films Gron; Oosterpoort; ism. Oosterpoort zo 17-10-1976 Djem Gron; Huize Maas za 23-10-1976 200 jaar Amerika - 100 jaar Jazz: Groep OM & David Murray Trio met Phil Gron; VERA; ism. USVA, Wilson VERA, Studium Generale; dubbelconcert zo 24-10-1976 Rein de Graaff - Dick Vennik Gron; Huize Maas ma 1-11-1976 200 jaar Amerika - 100 jaar Jazz: de La Vida Jazzband Gron; ism. USVA, VERA, Studium Generale; rond genoemde datum ma 1-11-1976 200 jaar Amerika - 100 jaar Jazz: Groep Scope en Pearl Ash Gron; ism. USVA, VERA, Studium Generale; rond genoemde datum ma 8-11-1976 Lezing/Film; drs. Rudy Koopmans over 'Recente ontwikkelingen in de Gron; ism. USVA, VERA, Nederlandse geïmproviseerde muziek' Studium Generale ma 15-11-1976 Lezing/Film: ? Gron; ism. USVA, VERA, Studium Generale; rond genoemde datum ma 15-11-1976 Lezing/Film: ? Gron; ism. USVA, VERA, Studium Generale; rond genoemde datum ma 15-11-1976 Workshop: ? Gron; ism. ?; rond genoemde datum ma 15-11-1976 Workshop: ? Gron; ism. -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
Op Tournee Met Doug En Jimmy Raney
nederlands archief jazz jazz bulletin JUNI 2019 NUMMER 111 www.jazzarchief.nl | www.jazzhelden.nl Eric Ineke NIEUWE NJA-CD RUUD BOS Op tournee met THE SECRET ALL STAR BAND Doug en Jimmy Raney INTERVIEW DE DOCENTEN HISTORIE OPINIE Pianist Portret van Jaap van de Klomp Ben van den Dungen Sebastiaan van Bavel Erik van Lier over Persepolis contra het cultuurbeleid jazz bu ll e t i n INHOUD nr 111 juni 2019 Jazz Bulletin wordt vier maal per jaar 14 4 Edisons voor JOC, Sanne Rambags toegezonden aan de Vrienden van en Rob Franken het Nederlands Jazz Archief. U steunt het nja door Vriend en meer jazznieuws te worden. Meer informatie op pagina 72 10 Interview met pianist REDACTIE Sebastiaan van Bavel Coen de Jonge, hoofdredacteur door Boris Lemereis Bert Vuijsje, eindredacteur Ton Ouwehand, Ditmer Weertman 13 Estafettecolumn 21 VORMGEVING door Fleurine Katja Vercouteren MEDEWERKERS AAN DIT NUMMER 14 Herinneringen aan vader Erik van den Berg, Pieter Boersma, en zoon Raney Lodewijk Bouwens, Marc Duivenvoorden, Ben van den Dungen, door Eric Ineke Hans van Eeden, Fleurine, Eric Ineke, Wim Janssen, Bob Kaper, Jaap van 22 Jazzfoto: Elvin Jones de Klomp, Kees Koedam, Boris door Frits van Swoll Lemereis, Peter Smids, Frits van Swoll, Jeroen de Valk, Anko C. Wieringa door Kees Koedam 24 De Docenten 2: Erik van Lier UITGEVER door Jeroen de Valk 24 30 JazzLit: avonturierster Fanny Schoonheyt Piet Heinkade 5, 1019 br Amsterdam door Erik van den Berg telefoon 020 - 519 18 16 30 e-mail [email protected] www.jazzarchief.nl 32 Voorpublicatie: www.jazzhelden.nl 32 De jaren van Persepolis DRUK door Jaap van de Klomp Groen Offset Hoofddorp bv 36 The Instant Composers Pool And © 2019 Stichting Nederlands Jazz Archief Niets uit deze uitgave mag worden opgeslagen, Improvisation Beyond Jazz verveelvoudigd en/of openbaar gemaakt, op welke wijze dan ook, zonder voorafgaande toestemming boekbespreking door Coen de Jonge van de uitgever. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts................................................................................................................................... -
Royal Conservatoire – Curriculum and Course Descriptions
The information contained in this Curriculum Handbook is, beyond errors and omissions, correct at the time of publication, but may be subject to change during the academic year. Therefore, always make sure you are referring to the latest version of this document which can be found at our website. For questions about courses, you can get in touch with the contact person mentioned in the course description. Due to the COVID-19 circumstances, our education programme and Education and Examination Regulations might differ from how these are described in our regulations and Curriculum Handbooks. In the event of any regulatory changes regarding assessment, a ‘Corona addendum’ will be published. TABLE OF CONTENTS Table of Contents ....................................................................................................................... 2 Introduction ................................................................................................................................ 5 Programme Objectives Bachelor Jazz ........................................................................................ 6 Curriculum Overviews ................................................................................................................ 8 Jazz – Bachelor Vocals ......................................................................................................................... 8 Jazz – Bachelor Trumpet/Trombone ................................................................................................... 9 Jazz – Bachelor Saxophone/Clarinet/Flute/Violin -
Td Vancouver International Jazz Festival
Music is where we all belong. TD is a proud sponsor of over 90 music festivals and 100 community programs from coast to coast. #MusicMatters The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. TDCT-0396_FestivalPrograms_Vancouver_5.25x8_v1.indd 1 2018-03-06 11:27 AM CHAN CENTRE PRESENTS SERIES SEP 22 Aida Cuevas: Totalmente Juan Gabriel SEP 30 I’m With Her OCT 21 Goran Bregović and His Wedding and Funeral Band NOV 13 Joshua Redman: Still Dreaming FEB 17 Bobby McFerrin: Circlesongs MAR 2 Ladysmith Black Mambazo with Habib Koité and Bassekou Kouyate APR 11 Cristina Pato Quartet APR 27 Anoushka Shankar BEYOND WORDS SERIES OCT 3 Kealoha FEB 24 No Blue Memories: The Life of Gwendolyn Brooks SUBSCRIPTIONS ON SALE NOW! Cristina Pato Joshua Redman I’m With Her Bobby McFerrin chancentre.com Welcome to the 33rd Annual TD Vancouver International Jazz Festival As a committed and long-standing supporter of Canadian music and artists, TD is thrilled to support the 2018 TD Vancouver International Jazz Festival, a world- class event celebrating the diversity of music across Canada and beyond. For 10 straight days the festival will erupt with the best jazz, blues and world music and has become a passport to a music-loving community where one can feel truly connected. From up-and-coming talent to acclaimed headliners, join us at the many events taking place around the city as we celebrate the love of music. At TD, we see music as a conversation-starter, something that has the power to bring communities together and give us all somewhere to belong. -
LPB & Your EBRP Library Want to See Your Shelfie!
JUNE 2018 We’re excited because it’s finally time for the FREE Movies on the Plaza Series to return! Everyone can come to the Main Library at Goodwood at 7 p.m. every Friday in June. We’ll play a fun movie on the BIG screen in the Outdoor Plaza that the whole family will enjoy. Feel free to bring your lawn chair or blanket to sit comfortably while you watch. We also will simulcast the film in the Large Meeting Room for those who prefer an air conditioned option. Local vendors and food trucks will be on site for the purchase of refreshments. Here’s the movie schedule: ★★★★★ ★★★★★ ★★★★★ ★★★★★ ★★★★★ ~ June 8 ~ ~ June 15 ~ ~ June 1 ~ ~ June 22 ~ Beauty and the Diary of a Despicable Me 3 ~ June 29 ~ The Lion King Beast (1991) Wimpy Kid Moana ★★★★★ ★★★★★ ★★★★★ ★★★★★ ★★★★★ LPB & Your EBRP Library Want to See Your Shelfie! Say cheese! In preparation for The Great American Read which will air on Louisiana Public Broadcasting (LPB) starting September 11, through October 23, LPB is having a “Shelfie” contest! Between Friday, June 1, and Tuesday, July 31, go to your local Library location and take of photo of yourself with any of the 100 of America’s Best Loved Books. A complete list can be found at lpb.org/greatamericanread. Share your “Shelfie” on Instagram, and be sure to tag it with @lpb_org, #GreatReadPBS and #ebrpl. On Friday, August 3, LPB will draw five “Shelfies” at random and each will win an LPB mug, T-shirt and booklight. For more information, visit the Great American Read InfoGuide at https://ebrpl.libguides.com/greatamericanread. -
New MIKE ALLEN Bio Sheet
MIKE ALLEN jazz saxophonist "Spare, elegant, melodic, soaring, fierce - Vancouver's Mike Allen has arrived as the country's top jazz saxophonist. Echoes of John Coltrane, Ornette Coleman and Joe Lovano resonate through Allen's work, but the Vancouver-based sax man has channeled them into a voice of his own, by turns soulful, intense, lush and dynamic.” -OTTAWA CITIZEN “Throughout his career, Western Canadian Music Award-winning saxophonist Mike Allen has resided in multiple cities, ranging from New York to Montreal to Vancouver, and his credits as a sideman include stints with musicians as diverse as Cedar Walton, Kenny Wheeler, Gary Bartz and Chuck Israels. Allen was a member of Canadian jazz guitar legend Sonny Greenwich’s band from 1990–’95, and was a sideman on Michael Bublé’s Grammy-winning 2009 album, Crazy Love. His past album, Fearless, was among those listed by Jim Wilke (host of NPR’s Jazz Northwest) as the top albums of the Pacific Northwest. Allen was Director of Jazz Studies at Western Washington University for several years and has been mentored by jazz greats like Joe Henderson and Joe Lovano. His sublimely deep album A Hip Cosmos (Almus) topped Canadian and U.S. radio charts." -DOWNBEAT MAGAZINE Originally from Kingston Ontario, Mike kicked off his performing career in Montreal winning the 1987 Lowenbrau Quebec Jazz Search as a member of an exciting hard bop sextet comprised of jazz alumni from McGill University. During ten years on the Montreal scene he performed hundreds of gigs including dozens of concerts at the Montreal Int. Jazz festival with top musicians Jon Ballantyne, Pete Magadini, Jan Jarczyk, Andre White, Dave Laing, Avishai Cohen and Ted Warren.