The Master Dance
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Jazzletter Jujy 1936, VOI
Jazzletter Jujy 1936, VOI. 5 NO. 7 \ how much jazz had infused his playing. The miscegenation of Are You Reading jazz and hillbilly has longgone on in-Nashville. and some ofthe best of its players are at ease in both idioms. Someone Else’s Copy? Lenny Breau came up through country-and-western music. Each issue of The Underground Grammarian contains the his parents beingprofessionals in the field. and it was'Nashville above question. lt’s discouraging. in the struggle to keep a small that made him welcome. He is. like Garland,‘Carllile and Reed, publication alive. to hear someone say something like, “-1 just the result ofthejazz-country fusion, exceptythat Breau took it a love it. A friend sends me his copies when he’s through with step further and brought into his work the full range ofclassical them.” . A guitar technique. Chet Atkins was the first a&r man to givehim ' In publications supported by advertising. salesmen boast to his head, letting him record for RCAia milestone album in potential advertisers about how many people read each copy. which he showed 0-ff his startling. .for the time, jazz-classical and to the advertiser seeking exposure of his message. those ‘technique, Gene Bertoncini, who is ‘probably the best living figures have weight. He is less interested in how manyypeople exponent of jazz on the five-finger classical guitar. admires buy a periodical than in how many see it. An important Breau; but then you’ll search far to find a guitarist who doesn’t. phenomenon in periodical publishing is what is known as Lenny was a heroin addict. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Flamenco Jazz: an Analytical Study
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2016 Flamenco Jazz: an Analytical Study Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/306 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Journal of Jazz Studies vol. 11, no. 2, pp. 29-77 (2016) Flamenco Jazz: An Analytical Study Peter Manuel Since the 1990s, the hybrid genre of flamenco jazz has emerged as a dynamic and original entity in the realm of jazz, Spanish music, and the world music scene as a whole. Building on inherent compatibilities between jazz and flamenco, a generation of versatile Spanish musicians has synthesized the two genres in a wide variety of forms, creating in the process a coherent new idiom that can be regarded as a sort of mainstream flamenco jazz style. A few of these performers, such as pianist Chano Domínguez and wind player Jorge Pardo, have achieved international acclaim and become luminaries on the Euro-jazz scene. Indeed, flamenco jazz has become something of a minor bandwagon in some circles, with that label often being adopted, with or without rigor, as a commercial rubric to promote various sorts of productions (while conversely, some of the genre’s top performers are indifferent to the label 1). Meanwhile, however, as increasing numbers of gifted performers enter the field and cultivate genuine and substantial syntheses of flamenco and jazz, the new genre has come to merit scholarly attention for its inherent vitality, richness, and significance in the broader jazz world. -
Td Vancouver International Jazz Festival
Music is where we all belong. TD is a proud sponsor of over 90 music festivals and 100 community programs from coast to coast. #MusicMatters The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. TDCT-0396_FestivalPrograms_Vancouver_5.25x8_v1.indd 1 2018-03-06 11:27 AM CHAN CENTRE PRESENTS SERIES SEP 22 Aida Cuevas: Totalmente Juan Gabriel SEP 30 I’m With Her OCT 21 Goran Bregović and His Wedding and Funeral Band NOV 13 Joshua Redman: Still Dreaming FEB 17 Bobby McFerrin: Circlesongs MAR 2 Ladysmith Black Mambazo with Habib Koité and Bassekou Kouyate APR 11 Cristina Pato Quartet APR 27 Anoushka Shankar BEYOND WORDS SERIES OCT 3 Kealoha FEB 24 No Blue Memories: The Life of Gwendolyn Brooks SUBSCRIPTIONS ON SALE NOW! Cristina Pato Joshua Redman I’m With Her Bobby McFerrin chancentre.com Welcome to the 33rd Annual TD Vancouver International Jazz Festival As a committed and long-standing supporter of Canadian music and artists, TD is thrilled to support the 2018 TD Vancouver International Jazz Festival, a world- class event celebrating the diversity of music across Canada and beyond. For 10 straight days the festival will erupt with the best jazz, blues and world music and has become a passport to a music-loving community where one can feel truly connected. From up-and-coming talent to acclaimed headliners, join us at the many events taking place around the city as we celebrate the love of music. At TD, we see music as a conversation-starter, something that has the power to bring communities together and give us all somewhere to belong. -
New MIKE ALLEN Bio Sheet
MIKE ALLEN jazz saxophonist "Spare, elegant, melodic, soaring, fierce - Vancouver's Mike Allen has arrived as the country's top jazz saxophonist. Echoes of John Coltrane, Ornette Coleman and Joe Lovano resonate through Allen's work, but the Vancouver-based sax man has channeled them into a voice of his own, by turns soulful, intense, lush and dynamic.” -OTTAWA CITIZEN “Throughout his career, Western Canadian Music Award-winning saxophonist Mike Allen has resided in multiple cities, ranging from New York to Montreal to Vancouver, and his credits as a sideman include stints with musicians as diverse as Cedar Walton, Kenny Wheeler, Gary Bartz and Chuck Israels. Allen was a member of Canadian jazz guitar legend Sonny Greenwich’s band from 1990–’95, and was a sideman on Michael Bublé’s Grammy-winning 2009 album, Crazy Love. His past album, Fearless, was among those listed by Jim Wilke (host of NPR’s Jazz Northwest) as the top albums of the Pacific Northwest. Allen was Director of Jazz Studies at Western Washington University for several years and has been mentored by jazz greats like Joe Henderson and Joe Lovano. His sublimely deep album A Hip Cosmos (Almus) topped Canadian and U.S. radio charts." -DOWNBEAT MAGAZINE Originally from Kingston Ontario, Mike kicked off his performing career in Montreal winning the 1987 Lowenbrau Quebec Jazz Search as a member of an exciting hard bop sextet comprised of jazz alumni from McGill University. During ten years on the Montreal scene he performed hundreds of gigs including dozens of concerts at the Montreal Int. Jazz festival with top musicians Jon Ballantyne, Pete Magadini, Jan Jarczyk, Andre White, Dave Laing, Avishai Cohen and Ted Warren. -
Matt Andersen Will Be Performing at the Maple Blues Awards
January 2018 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 34, No 1 PHOTO BY SEAN SISK BY PHOTO Matt Andersen will be performing at the Maple Blues Awards CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Blues Booster Rob Bowman Event Listings John’s Blues Picks Top Blues Loose Blues News and More TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2017 BOARD OF DIRECTORS Derek Andrews (President), Jon Arnold, Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Jamie MacDonald (Vice-President), Lori Murray, Ed Parsons, Paul Sanderson, Mike Smith, Earl Tucker, John Valenteyn (Executive), David Walker (Treasurer) Musicians Advisory Council: Brian Blain, Gary Kendall, Samantha Martin, Lily Sazz, Mark Stafford, Jenie Thai, Suzie Vinnick,Ken Whiteley Fundraising Committee: Derek Andrews, Jon Arnold, Jamie MacDonald, Mike Smith, Sarah Gardiner Volunteer & Membership Committee: Lucie Dufault, Sarah French, Mike Smith, Ed Parsons, Carol Flett Fundraising Consultant: Sarah Gardiner Grants Officer: Barbara Isherwood Office Staff: Hüma Üster (Office Manager) Amanda Rheaume (Project Manager) Publisher/Editor-in-Chief: Derek Andrews Managing Editor: Brian Blain [email protected] Contributing Editors: John Valenteyn, Alice Sellwood, Erin McCallum, Carol Flett Listings Coordinator: Janet Alilovic Mailing and Distribution: Ed Parsons Become a member of the Toronto Blues Society, and get connected with Canada's premier blues events, releases, and our great blues community. With the help of members, donors and volunteers, Advertising: Dougal Bichan the TBS is able to put on great events such as The Maple Blues Awards, Blues in the Schools, Guitar [email protected] and Harmonica Workshops, the New Talent Search, and the always popular Women's Blues Revue. -
A City "... Waiting for the Sunrise " : Toronto in Song and Sound*
A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture. -
2015 Juno Award Nominees
2015 JUNO AWARD NOMINEES JUNO FAN CHOICE AWARD (PRESENTED BY TD) Arcade Fire Arcade Fire Music*Universal Bobby Bazini Universal Drake Cash Money*Universal Hedley Universal Leonard Cohen Columbia*Sony Magic! Sony Michael Bublé Reprise*Warner Nickelback Nickelback II Productions*Universal Serge Fiori GSI*eOne You+Me RCA*Sony SINGLE OF THE YEAR Hold On, We’re Going Home Drake ft. Majid Jordan Cash Money*Universal Crazy for You Hedley Universal Hideaway Kiesza Island*Universal Rude Magic! Sony We’re All in This Together Sam Roberts Band Secret Brain*Universal INTERNATIONAL ALBUM OF THE YEAR PRISM Katy Perry Capitol*Universal Pure Heroine Lorde Universal Midnight Memories One Direction Sony In the Lonely Hour Sam Smith Capitol*Universal 1989 Taylor Swift Big Machine*Universal ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) Where I Belong Bobby Bazini Universal Wild Life Hedley Universal Popular Problems Leonard Cohen Columbia*Sony No Fixed Address Nickelback Nickelback II Productions*Universal Serge Fiori Serge Fiori GSI*eOne ARTIST OF THE YEAR Bryan Adams Badman*Universal Deadmau5 Mau5trap*Universal Leonard Cohen Columbia*Sony Sarah McLachlan Verve*Universal The Weeknd The Weeknd XO*Universal GROUP OF THE YEAR Arkells Arkells Music*Universal Chromeo Last Gang*Universal Mother Mother Mother Mother Music*Universal Nickelback Nickelback II Productions*Universal You+Me RCA*Sony BREAKTHROUGH ARTIST OF THE YEAR (SPONSORED BY FACTOR AND RADIO STARMAKER FUND) Glenn Morrison Robbins Entertainment*Sony Jess Moskaluke MDM*Universal Kiesza Island*Universal -
MBTS 2018 Programme
MUSIC BY THE SEA AT B A M F I E L D2018 VANCOUVER ISLAND, BC CONCERT 1: SATURDAY, JULY 21 8:15 () .............. 2 CONCERT 2: SUNDAY, JULY 22 12:00 ......................... 4 CONCERT 3: SUNDAY, JULY 22 8:30 ............................... 5 CONCERT 4: MONDAY, JULY 23 8:30 ............................... 6 CONCERT 5: TUESDAY, JULY 24 8:30 ............................... 7 SPECIAL EVENT: WEDNESDAY, JULY 25 8:00 ............................. 11 CONCERT 6: THURSDAY, JULY 26 8:30 ............................. 12 CONCERT 7: FRIDAY, JULY 27 8:30 ............................. 13 CONCERT 8: SATURDAY, JULY 28 8:30 ............................. 14 CONCERT 9: SUNDAY, JULY 29 12:00 ........................ 16 CONCERT 10: SUNDAY, JULY 29 8:15 () ............. 17 ARTIST BIOGRAPHIES .................................................................................... 22 FELLOWSHIP MENTORING SCHOOL ........................................................... 35 MESSAGE FROM THE DIRECTOR ................................................................. 41 ACKNOWLEDGEMENTS ................................................................................. 42 ALL PROGRAMMING IS SUBJECT TO CHANGE MUSIC BY THE SEA 2018 1 CONCERT 1 CONCERT 1 continued Saturday, July 21st ~ 8:15 PM ree Fanfares, for horn in a distant rowboat C. Donison Holberg Suite, op. 40 Edvard Grieg and tuned ships horns (2015) (b. 1952) (1843-1907) 8:15 I. Call and response between distant rowboat and boats Praeludium. Allegro vivace (with cannon start) Sarabande. Andante 8:20 -
Proquest Dissertations
Drawing as Architectural Construction By William Aaron Klassen A thesis submitted to The Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE M.ARCH (Professional) Carleton University OTTAWA, Ontario (April 18, 2008) © copyright 2008, William Aaron Klassen Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-40620-5 Our file Notre reference ISBN: 978-0-494-40620-5 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
25 Compilation
Twenty-Five in B&W: An Improviser’s Gallery Barry Thomson Abstract The Toronto-based photographer and jazz aficionado Barry Thomson has been shooting photos documenting the Toronto jazz and improvising scene for years. CSI/ECI is pleased to be able to publish a small selection from his vast archives, including short comments and recollections associated with each photo. At the 2011 Guelph Jazz Festival, Thomson and CSI Co-Editor Daniel Fischlin discussed making at least a small portion of the archive available to the general public. The following gallery hints at the rich stream of superb improvising musicians that have passed through Toronto in the last twenty-seven years or so—the earliest photos in this gallery date back to 1985. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Dewey Redman: 1998 @ East 85th St. Club, Toronto Dewey was always a quiet, smiling, easy-going individual. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Hamiet Bluiett: 1998 @ Toronto Jazz Festival One of the best baritone saxophonists still playing today, Hamiet is a wonderfully strong and soulful player. He always takes his time and plays out of a deep, spiritual place. A man of few words, he lets his music do the talking. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Evan Parker: 1995 @ The Rivoli Club, Toronto Another quiet man whose paying is as explosive as Coltrane—a true force of nature. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Kenny Wheeler: 1993 @ The Senator Club, Toronto Kenny is a beautiful lyrical player on trumpet, flugelhorn, and cornet. -
Al Henderson Septet
AL HENDERSON SEPTET The Al Henderson Septet features Alex Dean (saxes, bass clarinet), Pat LaBarbera (saxes, flute), pianist Richard Whiteman, bassist Al Henderson and dru er Barry Romberg plus noted cellists Matt Brubeck and Mark hambers, first heard on the "#$# %uno nominated recordin& Re&eneration ('RST 'D$(") and subse)uentl* for three trac+s of the !st recentl* released Tai&a ('RST 'D$(,)- Ala*ne .c/re&or 0rites 12n all the 3a44 c! bos 256e seen !6er the *ears, t0o cellos in the front row 0as a first- Al Henderson’s septet had that – plus piano, saxophones, clarinets, flutes, bass, dru s and bird 0histles, to produce s!undscapes that 0ere far ore c! plex than *our a6era&e stai&ht8ahead 3a44…Re&eneration Suite9 an engrossin& piece-: (Otta0a%a44Scene-ca, %une ";, "#$#) <2O/RAPH2ES <assist, c! poser, arran&er, leader and usic educator AL H!"D!RSON, (.=A .usic!l!&*, $>,() formed 6arious &roups under his !0n na e as a 0a* to perfor and record his nu erous ori&inal 3a44 c! positions 0ith nearl* ninet* of his c! positions bein& on c! erciall* a6ailable recordings- /eoff 'hap an 0rote 1---a formidable bandleader.--and c! p!ser.--: (?hole Note .a* ";, "#$#)- 2n $>>@ he 0as rec!&ni4ed both as the %a44 Report '! poser of the Aear and 0inner of the presti&ious SO'AN A0ard for Ori&inal %a44 '! position for the large 0or+ BEllin&toniaB- His c! positions ha6e appeared on recordings b* the Al Henderson Septet, Sextet, Cuintet, and Cuartet, Ti e ?arp, <arr* R! berg5s Rand! Access, Richard ?hite an, Alex Dean, Don Pullen D %ane <unnett, and Shox %ohnson