New MIKE ALLEN Bio Sheet
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DG Press Kit
devingray drummer Photos by Sasha Johanssen (October 2006, Berlin, Germany) Selected Performance Experience (short list) Multiple jazz tours in Poland, France, Germany, Switzerland, Sweden, Denmark, Belgium and Canada. Extensive touring in East Coast (USA) major cities: Boston, NYC, Philadelphia, Baltimore, Washington D.C., and Portland, Maine. Kim Cass Quartet: Featuring George Garzone. Portland, Maine. Ted Rosenthal Trio: An Die Musik Live, Baltimore Corpulent: Gary Thomas, Joel Grip. Spy Club, Baltimore/Washington D.C. Devin Gray Trio: featuring, John O’Gallagher, and Michael Formanek. Baltimore. Dave Burrell Trio: An Die Musik Live, Baltimore drummer devJon Ballantyne/Devin Gray Duo: Portland Conservatory of Music, Maine. in Devin Gray Quartet: Russ Johnson, Kris Davis, Alexis Cuadrado, Yarmouth Clam Festival, Maine. Solo Drum Concert: May 2006. “National Galleriet,” Stockholm, Sweden. Devin Gray Trio: Baltimore Jazz and Blues Festival, June 2005-07. Performances & Recordings With: Tony Malaby, Rez Abbasi, Cameron Brown, Bill McHenry, Dave Ballou, George Garzone, Biography grayVardan Ovsepian, Russ Johnson, Ted Rosenthal, Gary Thomas, Joel Grip, John O’Gallagher, Steve Devin Gray began his love of music at age 7, with a new drum Grover, Ingrid Jensen, Michael Formanek, Dave set. He grew as an artist through his junior and senior high Burrell, Greg Osby, Jon Ballantyne, Jolly-Boat school education, winning awards such as the Tom Snow “jazz Pirates. musician” award, all-state big band and combo music competi- tions and earned the opportunity to play with vocalist Cleo Lane and a master class with Christian McBride, all at a very young Devin’s fresh approach to modern drumming has enabled him to age. -
Wallace Roney Joe Fiedler Christopher
feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career. -
Bobby Watson Kirk Knuffke Guillermo Gregorio Horace Silver Coltrane
AUGUST 2019—ISSUE 208 YOUR FREE GuiDe TO THE NYC JaZZ SCENE NYCJaZZRECORD.COM RAVICOLTRANE next trane comin’ bobby kirk GuiLLERMo horace watson knuffke GREGorio siLver Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2019—ISSUE 208 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : bobby watson 6 by ken dryden [email protected] Andrey Henkin: artist feature : kirk knuffke 7 by john sharpe [email protected] General Inquiries: on the cover : ravi coLtrane 8 by russ musto [email protected] Advertising: encore : GuiLLERMo GREGORIO 10 by steven loewy [email protected] Calendar: Lest we forGet : horace siLver 10 by scott yanow [email protected] VOXNews: LabeL spotLiGht : aLeGre recorDs 11 by jim motavalli [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] festivaL report 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, cD reviews 14 Marco Cangiano, Thomas Conrad, Pierre Crépon, Ken Dryden, Donald Elfman, Phil Freeman, Miscellany Kurt Gottschalk, Tom Greenland, 31 George Grella, Tyran Grillo, Alex Henderson, Robert Iannapollo, event caLenDar Mark Keresman, Marilyn Lester, 32 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Anna Steegmann, Scott Yanow Contributing Writers Brian Charette, George Kanzler, Improvisation is the magic of jazz. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Td Vancouver International Jazz Festival
Music is where we all belong. TD is a proud sponsor of over 90 music festivals and 100 community programs from coast to coast. #MusicMatters The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. TDCT-0396_FestivalPrograms_Vancouver_5.25x8_v1.indd 1 2018-03-06 11:27 AM CHAN CENTRE PRESENTS SERIES SEP 22 Aida Cuevas: Totalmente Juan Gabriel SEP 30 I’m With Her OCT 21 Goran Bregović and His Wedding and Funeral Band NOV 13 Joshua Redman: Still Dreaming FEB 17 Bobby McFerrin: Circlesongs MAR 2 Ladysmith Black Mambazo with Habib Koité and Bassekou Kouyate APR 11 Cristina Pato Quartet APR 27 Anoushka Shankar BEYOND WORDS SERIES OCT 3 Kealoha FEB 24 No Blue Memories: The Life of Gwendolyn Brooks SUBSCRIPTIONS ON SALE NOW! Cristina Pato Joshua Redman I’m With Her Bobby McFerrin chancentre.com Welcome to the 33rd Annual TD Vancouver International Jazz Festival As a committed and long-standing supporter of Canadian music and artists, TD is thrilled to support the 2018 TD Vancouver International Jazz Festival, a world- class event celebrating the diversity of music across Canada and beyond. For 10 straight days the festival will erupt with the best jazz, blues and world music and has become a passport to a music-loving community where one can feel truly connected. From up-and-coming talent to acclaimed headliners, join us at the many events taking place around the city as we celebrate the love of music. At TD, we see music as a conversation-starter, something that has the power to bring communities together and give us all somewhere to belong. -
The Latin Side of Hot House
181183_HH_May_0 4/24/17 10:35 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 May 2017 www.hothousejazz.com Jazz Standard Page 17 Village Vanguard Page 4 Anat Cohen Gerald Clayton Christian Sands T.K. Blue The Side Door Page 4 Dino’s Page 21 Where To Go & Who To See Since 1982 181183_HH_May_0 4/24/17 10:37 AM Page 2 2 181183_HH_May_0 4/24/17 10:35 AM Page 3 3 181183_HH_May_0 4/24/17 10:35 AM Page 4 Sponsored by Dot Time Records WINNING SPINS By George Kanzler MBITIOUS ALBUMS FROM A PAIR depths of his piano's range on his own exot- of talented young pianists, Christian ic, expressionistic "Sign of the Rainbow ASands and Gerald Clayton, comprise this People," and closes the album with a lush month's Winning Spins. Both have had the evocation of romanticism on the Oscar-win- benefit of working in the bands of two of ning song, "Somewhere Out There," from today's best bassists: Christian as a mem- the animated movie An American Tail. ber of Christian McBride's trio, Gerald in Adding percussionist Cristian Rivera, the bands of his father, John Clayton. the quartet dances through an Afro-Cuban Christian, who turns 28 this year, cele- groove on the leader's "Oyeme!" his com- brates his debut with a CD spotlighting mand of scintillating montuno rhythms the full range of his pianistic and compos- reflecting his time in Bobby Sanabria's ing talents, while Gerald, 32, expands his band. -
MBTS 2018 Programme
MUSIC BY THE SEA AT B A M F I E L D2018 VANCOUVER ISLAND, BC CONCERT 1: SATURDAY, JULY 21 8:15 () .............. 2 CONCERT 2: SUNDAY, JULY 22 12:00 ......................... 4 CONCERT 3: SUNDAY, JULY 22 8:30 ............................... 5 CONCERT 4: MONDAY, JULY 23 8:30 ............................... 6 CONCERT 5: TUESDAY, JULY 24 8:30 ............................... 7 SPECIAL EVENT: WEDNESDAY, JULY 25 8:00 ............................. 11 CONCERT 6: THURSDAY, JULY 26 8:30 ............................. 12 CONCERT 7: FRIDAY, JULY 27 8:30 ............................. 13 CONCERT 8: SATURDAY, JULY 28 8:30 ............................. 14 CONCERT 9: SUNDAY, JULY 29 12:00 ........................ 16 CONCERT 10: SUNDAY, JULY 29 8:15 () ............. 17 ARTIST BIOGRAPHIES .................................................................................... 22 FELLOWSHIP MENTORING SCHOOL ........................................................... 35 MESSAGE FROM THE DIRECTOR ................................................................. 41 ACKNOWLEDGEMENTS ................................................................................. 42 ALL PROGRAMMING IS SUBJECT TO CHANGE MUSIC BY THE SEA 2018 1 CONCERT 1 CONCERT 1 continued Saturday, July 21st ~ 8:15 PM ree Fanfares, for horn in a distant rowboat C. Donison Holberg Suite, op. 40 Edvard Grieg and tuned ships horns (2015) (b. 1952) (1843-1907) 8:15 I. Call and response between distant rowboat and boats Praeludium. Allegro vivace (with cannon start) Sarabande. Andante 8:20 -
25 Compilation
Twenty-Five in B&W: An Improviser’s Gallery Barry Thomson Abstract The Toronto-based photographer and jazz aficionado Barry Thomson has been shooting photos documenting the Toronto jazz and improvising scene for years. CSI/ECI is pleased to be able to publish a small selection from his vast archives, including short comments and recollections associated with each photo. At the 2011 Guelph Jazz Festival, Thomson and CSI Co-Editor Daniel Fischlin discussed making at least a small portion of the archive available to the general public. The following gallery hints at the rich stream of superb improvising musicians that have passed through Toronto in the last twenty-seven years or so—the earliest photos in this gallery date back to 1985. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Dewey Redman: 1998 @ East 85th St. Club, Toronto Dewey was always a quiet, smiling, easy-going individual. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Hamiet Bluiett: 1998 @ Toronto Jazz Festival One of the best baritone saxophonists still playing today, Hamiet is a wonderfully strong and soulful player. He always takes his time and plays out of a deep, spiritual place. A man of few words, he lets his music do the talking. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Evan Parker: 1995 @ The Rivoli Club, Toronto Another quiet man whose paying is as explosive as Coltrane—a true force of nature. Critical Studies in Improvisation / Études critiques en improvisation, Vol 8, No 1 (2012) Kenny Wheeler: 1993 @ The Senator Club, Toronto Kenny is a beautiful lyrical player on trumpet, flugelhorn, and cornet. -
The Master Dance
THE MASTER DANCE of TISZIJI MUÑOZ THE AUTHORIZED BIOGRAPHY PART THREE – DOCTOR OF MUSIC by Nancy Muñoz & Lydia R. Lynch the illumination society presents: The Master Dance of Tisziji Muñoz The Authorized Biography Part Three Doctor of Music Written By Nancy Muñoz (Subhuti Kshanti Sangha-Gita-Ma) & Lydia R. Lynch (Sama-dhani) Initial Typing & Editing By Jacob Lettrick (Jinpa) Revisions By Karin Walsh (Tahmpa Tse Trin) & Janet Veale (Kshima) Cover Photo by James J. Kriegsmann “The Master Dances to Its Own Music.” —Tisziji I The Master Dance of Tisziji Muñoz: The Authorized Biography, Part Three. By Nancy Muñoz & Lydia Lynch. Copyright © 1990 by Tisziji Muñoz & The Il- lumination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. The Illumination Society, Inc. Newburgh, NY USA www.heartfiresound.com The Master Dance of Tisziji Muñoz: The Authorized Biography Part Three Doctor of Music By Nancy Muñoz (Subhuti Kshanti Sangha-Gita-Ma) & Lydia R. Lynch (Sama-dhani) Copyright © July 1990 by Tisziji Muñoz & The Illumination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. II The Master Dance of Tisziji Muñoz: The Authorized Biography, Part Three. By Nancy Muñoz & Lydia Lynch. Copyright © 1990 by Tisziji Muñoz & The Il- lumination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. -
Al Henderson Septet
AL HENDERSON SEPTET The Al Henderson Septet features Alex Dean (saxes, bass clarinet), Pat LaBarbera (saxes, flute), pianist Richard Whiteman, bassist Al Henderson and dru er Barry Romberg plus noted cellists Matt Brubeck and Mark hambers, first heard on the "#$# %uno nominated recordin& Re&eneration ('RST 'D$(") and subse)uentl* for three trac+s of the !st recentl* released Tai&a ('RST 'D$(,)- Ala*ne .c/re&or 0rites 12n all the 3a44 c! bos 256e seen !6er the *ears, t0o cellos in the front row 0as a first- Al Henderson’s septet had that – plus piano, saxophones, clarinets, flutes, bass, dru s and bird 0histles, to produce s!undscapes that 0ere far ore c! plex than *our a6era&e stai&ht8ahead 3a44…Re&eneration Suite9 an engrossin& piece-: (Otta0a%a44Scene-ca, %une ";, "#$#) <2O/RAPH2ES <assist, c! poser, arran&er, leader and usic educator AL H!"D!RSON, (.=A .usic!l!&*, $>,() formed 6arious &roups under his !0n na e as a 0a* to perfor and record his nu erous ori&inal 3a44 c! positions 0ith nearl* ninet* of his c! positions bein& on c! erciall* a6ailable recordings- /eoff 'hap an 0rote 1---a formidable bandleader.--and c! p!ser.--: (?hole Note .a* ";, "#$#)- 2n $>>@ he 0as rec!&ni4ed both as the %a44 Report '! poser of the Aear and 0inner of the presti&ious SO'AN A0ard for Ori&inal %a44 '! position for the large 0or+ BEllin&toniaB- His c! positions ha6e appeared on recordings b* the Al Henderson Septet, Sextet, Cuintet, and Cuartet, Ti e ?arp, <arr* R! berg5s Rand! Access, Richard ?hite an, Alex Dean, Don Pullen D %ane <unnett, and Shox %ohnson -
PA Jazz Idol IV & the Sixth Annual Jazz Awards
Pennsylvania Jazz Collective presents PA Jazz Idol IV & the Sixth Annual Jazz Awards Foy Hall | Moravian College | Bethlehem, Pennsylvania April 19, 2017 Wednesday 7:30pm 1 t Place Spons Firs or Pennsylvania Jazz Collective is especially glad to thank all of our sponsors, patrons, and supporters. We know that we cannot do it without you, and Pennsylvania Jazz Collective we are grateful. Please enjoy this program you sincerely thanks made possible. Please join the PA Jazz Collective - your membership and Nazareth Music support enables us to present the finest Jazz artists, educate students and develop an audience for America’s music- Jazz for their support online now @ pajazzcollective.org Moravian College encourages persons with disabilities to participate in its programs and activities. If you anticipate needing any type of accommodation or have questions about the physical access provided, please contact Department of Music at [email protected], or call 610-861-1650 at least one week prior to the event. 2 3 More Events! More Jazz! June 11, 2017 PAJAZZ & Wine Festival Cherry Valley Winery, Saylorsburg, PA 2:00 pm – 5:00 pm Proceeds benefit the Jerry Kozic Memorial Jazz Scholarship Co-producer COTA (Celebration of the Arts) Wednesday April 19 PA Jazz Idol IV & Sixth Annual Awards July 22, 2017 The second annual Christmas City Summer Jazz Festival – Bethlehem Municipal Ice Rink Program 345 Illick’s Mill Rd OPENING REMARKS- DAVE ROTH, PRESIDENT, PJC 12:00 – 10:00 pm 1. Marywood University Jazz Ambassadors Combo “Wonderland” FREE & open to the public Composed by Benny Carter - Ross LeSoine - tenor saxophone, Mark Harvey - piano, Featuring the regions best Richard Baublitz - electric bass, Martin Monahan - drums Award Presentation - Talent Deserving Wider Recognition- Zach Martin October 8, 2017 “Fall for Jazz” Party 2:00 – 5:00 pm FREE party – 2. -
Zen in the Art of Drumming: Jim Blackley and His Influence on the Jazz Drummers of Canada
ZEN IN THE ART OF DRUMMING: JIM BLACKLEY AND HIS INFLUENCE ON THE JAZZ DRUMMERS OF CANADA GIUSEPPE IANNUZZI A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO JANUARY 2019 © GIUSEPPE IANNUZZI, 2019 ii ABSTRACT The objective of this thesis is to examine how the pedagogy of Jim Blackley (1927- 2017)— the late Scottish-Canadian jazz drummer and educator— influenced several generations of Canadian jazz drummers. Blackley’s seminal publications such as Syncopated Rolls for the Modern Drummer Vol.1 (1961) and The Essence of Jazz Drumming (2001) disavow the traditional instruction of the snare drum rudiments in favour of playing and interpreting musical lines. Consequently, Blackley inculcated in his students the importance of the drummer’s ride cymbal acting as the primary means of stating time and providing the accents, punctuations, and phrases so vital to jazz rhythmic accompaniment. Through emphasizing the development of strong time keeping skills, an awareness of song form, the memorization and vocalization of rhythmic figures and phrases, and the significance of listening carefully to the bass line, chord changes and melody when improvising, Blackley instilled in his students the inviolable tenet of playing the drums musically. Using an ethnographic approach culling data from interviews with Blackley’s former students such as Terry Clarke, Barry Elmes, Duris Maxwell, and others, this thesis will also explore issues of identity construction and construal examining how Blackley’s pedagogy had led his students on an important journey of identity realization.