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Timeline / Before 1800 to 1840 / GERMANY
Timeline / Before 1800 to 1840 / GERMANY Date Country Theme 1700 - 1750s Germany Fine And Applied Arts "Palace Schwetzingen" is bulit and flourised under the Palatine Prince Elector Carl Theodor. The baroque castle complex includes more than 100 sculptures and a "Türkischer Garten" ("Turkish Garden") with a mosque, biult from 1779 to 1791, that makes it the earliest mosque- style in Germany and the largest structure of its kind in a german garden. It was designed by Nicolas de Pigage. However the oriental details are not for religious but for decorative purposes. 1700 - 1750s Germany Cities And Urban Spaces The newly built Palace of Schwetzingen (built on the site of a former palace that actually dates back to 1350) flourishes under the Palatine Prince Elector Karl Theodor. Today a heritage site of great cultural significance, it contains some 100 sculptures and is known for its Türkischer Garten, a garden in the Turkish style with a mosque (constructed 1779–91 and the earliest mosque-style and largest structure of its kind in any German garden), designed by French architect Nicolas de Pigage and with “Oriental” details that are for decorative purposes only. During the 18th and 19th Germany Travelling centuries Travellers from Europe approached the notion of the Near East with dreams of a “holy world” and “treasuries of wisdom”. The European desire for the “Orient” arose partly as a result of the Enlightenment, which since the 1800s had already changed the public psyche, filtering down from the rationalism of intellectuals to the scientification of the public. In addition, the many wars of the period, especially the Napoleonic Wars, produced in the people nostalgia; a desire for distance, the unknown, and the halcyon days of the past. -
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
Einvergleich ~Wischen Schillers "Ka.Bale Und Liebe
I '· , \ \ I ' ' '-, '' \ \ ., EinVergleich ~wischen Schillers "Ka.bale und Liebe, 0 Hebbel s "Mari ;i. Ma.gdalena und Sudermanna "Die Ehre." By Wilhelmin~·Magerkurth Helen C. ·-!-· /--";;;;.._:.~ .. · Submitted to The Department of Germ3.nic L::mgua.~es and· Li ter1:l.ture In Partial Fulfillment of The Requirements for The Degree of Master of Arts • . i915. Approved by· ~-T E:___"?.e)_ of the Dep:::i.rtment of German. Inhalt. I. Vorwort II. Kategorische Klaasen-Ordnung der Dramen. a. sturm-uncl Drangp·eri ode: .. Kabale un<i Liebe,. 0 b. :Poetischer Realismes: 0 Ma.ria 1Jagdalena • c. Uaturalismus: "Die Ehre". III. Der Realismus in den Dramen a. Handlung b. Psychologische Motivierung c. Sprache IV. Die Chara.kterisierung, a. Klaaae~Einteilung b. Vergleichung. v: Bibliographie. .. Vorwort. Diese Abhandlung ist ein Versuch die Einheiten dea Titels so genau zu beobachten wie m6glich. Dae Hauptgewicht ruht auf dem vergleich dieser Dramen in l3ezug auf ihrer Klassen-Ordnung, ihren ReaU.smus, urtd auf Charakterisieren. Gleichzeitigu aber mit der Vergleichung dieser Drrunen in Bezug a.uf die hiergenannten Zdge findet auch ein Vergleich Zwischen den literarischen Tend~nzen des achtzehnten, des neunzehnten und des Zwanzigaten Jahrhunderts statt. Dieee drei Dra.men Stellen .uns die Charakteristischen Richtungen der Sturm-und Drangperiode, des poetiochen Realismus, uhd des naturalist- ischen Realismus deutlich vor. Diese Tataache erfordert eine kurze Darstellung der Hauptztige dieaer Period.en uncl die Vergleichung derselben. In jeder Hinsicht, nichtdes~owenigar, ist diese arbeit ein versuch besonders die Zttge des Realismus darzuatellen, und dieser Begrezung \ ' . gem!ss ist die folgende Abhandlung geschrieben worden. II. a. St~-und Drapgperiode. -
German 3600 Survey of German Literature I SPRING 2018
German 3600 Survey of German Literature I SPRING 2018 Instructor: Doris McGonagill Class hours: TR 1:30-2:45 pm [email protected] Classroom: LIB 405 Old Main 341D Office hours: T/R 12-1 pm Phone 435.797.9181 and by appointment Course description: This course is the first half of the yearlong survey of German literature. It is primarily designed to offer an introduction to the most important periods and movements in German literary history. It also serves as an introduction to key methods of literary interpretation and tools for understanding literary genres such as poetry, drama, and narrative. In a broad approach, we will interpret literary works against the backdrop of German history, the arts and sciences, politics, and economics. Students will become familiar with important resources and research tools in the field. The class will be conducted primarily in German, and coursework will specifically advance oral and written proficiency in the German language. In addition to reading original works of German literature, there will be background lectures on their political and historical contexts. During the first half of the semester, we will explore the Middle Ages, Reformation, and Baroque periods (800-1700, roughly), and will treat a wide variety of examples, while in the second half of the semester we will focus on the Enlightenment and Storm and Stress periods (18th century), reading at greater length such classics as Lessing’s Emilia Galotti and Goethe’s Die Leiden des jungen Werthers. We shall conclude the semester with a glance at the Classical period and selected texts by Friedrich Schiller. -
German Studies the ROMANTIC
German Studies THE ROMANTIC ERA Bye. A. S. WALKER,SeniorLecturerin German at The Queen's University ofBelfast I. GENERAL STUDIES Die Erhebung gegen Napoleon 1806-1814/15, ed. Hans-Bernd Spies (Quellen zum politischen Denken der Deutschen im 19. und 20. Jh., 2), WBG, ix + 472 pp., is an extremely valuable collection of source material for any student of the history or literature of this period. Included are previously published letters, articles, pamphlets, ser mons, poems by Arndt, Fouque, Garres, Hoffmann, Kleist, Jean Paul, the Schlegel brothers, Schleiermacher, etc., all written within these nine years and presented in strict chronological order. The poems are given in full; other items are often in extract. Brieffootnotes are provided, and there is a useful introduction. Interpretation of the material is largely left to the reader. Frauenbriefe der Romantik, ed. Katja Behrens (Insel Taschenbuch, 545), Frankfurt, Insel, 449 pp. + 18 illus, contains a selection ofletters by Karoline von Giinderode, Bettina von Arnim, Rahel Varnhagen, Caroline Schlegel-Schelling, Dorothea Veit-Schlegel, and Susette Gontard. There are adequate notes, a list of persons mentioned, a perceptive postscript, but no index. Dichter-Garten. Erster Gang: Violen, ed. Gerhard Schulz (Seltene Texte aus der deutschen Romantik, 2), Bern, Lang, 1979,38 + vii + 362 pp., isa facsimile reprint of the 1807 edition, which was edited by 'Rostorf' (Novalis's brother, Karl von Hardenberg), and which contains poems by him, and by Friedrich Schlegel, 'Sylvester' (Georg Anton von Hardenberg), and Sophie Bernhardi, as well as the latter's tragedy Egidio und Isabella. Schulz gives a succinct account of the significance of this anthology for the Romantic movement. -
Rahel Varnhagen and Florine Stettheimer Successfully Constructed an Alternative Social Sphere in Their Own Homes Ironically, Traditionally Domestic Domains
MA MAJOR RESEARCH PAPER Thrc~lds of Je\vish Identity in Salon Culture: Rahel Varnhagen and Florine Stettheimer RACHEL FROHLICH Supervisor: Dr. Irene Gammel Reader: Dr. Ruth Panofsky The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University - York University Toronto, Ontario, Canada September 16, 2009 Florine Stettheimer, Soiree (1917-19), 28 x 30 in. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University, New Haven. Acknowledgements I wish to express my appreciation and deepest gratitude to those who inspired and supported my research and progress throughout the writing process. For her expert guidance and support in developing this major research paper, I am indebted to my supervisor, Dr. Irene Gammel, whose enthusiastic approach to modernist literary circles along with the 2008 graduate student exhibit, The Moveable Feast: Experience the Modernist Salon at Ryerson University first sparked my interest in this topic. I would also like to thank my second reader, Dr. Ruth Panofsky, for her expert and timely feedback, which further strengthened my argument throughout. I would also like to thank my mother and father, Barbara and Allan Frohlich, for their love and vital support of my academic endeavours. Rachel Frohlich Table of Contents Introduction: What is a Salon? 1 1. Rahel Varnhagen's Salon: A Space of Assimilation 10 2. Florine Stettheimer's Salon: Social Harmony 25 3. The Salon as an Alternative Space 41 Works Cited 43 Appendix 48 1 Introduction: What is a Salon? Sociability. -
648 Notes, June 2019 Based on Their Musical
05_907-146_BkRevs_pp637-687 4/22/19 7:32 AM Page 648 648 Notes, June 2019 based on their musical traditions. For baroque language and references with- example, he describes the music of out cluttering the text of the translation “heathens” thus: “For just as they had itself. no true knowledge of God in that they Kimberly Beck Hieb did not recognize the Trinity in God, West Texas A&M University they also could not recognize the har- monic triad, for they did not consider the third to be a consonance, even Sara Levy’s World: Gender, Judaism, though harmony without the addition and the Bach Tradition in Enlighten - of the third is quite deficient and in- ment Berlin. Edited by Rebecca Cypess complete, yea, even lifeless” (p. 83). and Nancy Sinkoff. (Eastman Studies Finally, Werckmeister wishes to con- in Music.) Rochester, NY: University of firm the subordinate position of linear Rochester Press, 2018. [x, 292 p. ISBN staff notation in relation to its superior 9781580469210 (hardcover), $99.00.] counterpart, German organ tablature. Illustrations, music examples, appen- He spends several chapters denigrating dices, bibliography, index, online au- the linear staff system, pointing to the dio files. inconvenience of having to read all the different clefs and the confusing This well-written, insightful, interdis- process of adding sharps and flats to ciplinary, and excellent work is an ef- pitches, which to him suggests unneces- fort to explore the facets of Sara Levy’s sary chromatic semitones. The new and complex world and in so doing bring practical equal temperament tuning is that remarkable woman from the mar- central to Werckmeister’s argument gins of intellectual and cultural history. -
Und Dooh Ist Vielleioht Niemand Inniger Damit Verbunden Als Ich
Durham E-Theses Sie haben mich immer in der Zuruckgesogenheit meiner Lebensart fur isoliert von der welt gehalten; und dooh ist vielleioht niemand inniger damit verbunden als ich Von Kleist, Heinrich How to cite: Von Kleist, Heinrich (1958) Sie haben mich immer in der Zuruckgesogenheit meiner Lebensart fur isoliert von der welt gehalten; und dooh ist vielleioht niemand inniger damit verbunden als ich, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9727/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 "Sie haben mich immer in der ZurLiokgesogenheit meiner Lebensart tUr isoliert von der Welt sehaltan; und dooh ist vielleioht niemand inniger dami t verbunden ala ioh." HEINRICH VON KLEIST. The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. -
Schiller-Handbuch
Schiller-Handbuch Leben – Werk – Wirkung Bearbeitet von Matthias Luserke-Jaqui 1. Auflage 2011. Buch. X, 651 S. Softcover ISBN 978 3 476 02406 0 Format (B x L): 17 x 24,4 cm Gewicht: 1126 g Weitere Fachgebiete > Literatur, Sprache > Deutsche Literatur Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. 1 Dramen Die Räuber. Ein Schauspiel (1781) professionellen Verleger zu verkaufen. Das sollte jedoch komplizierter sein als erwartet. Friedrich Entstehung und Druck Schwan in Mannheim zeigte zwar Interesse an dem Schauspiel, von dem ihm Schiller die ersten Die Entstehungsgeschichte der Räuber bis zur sieben Textbogen zugeschickt hatte, aber ver- Veröffentlichung lässt sich nicht lückenlos rekon- legen wollte er es in der ihm vorliegenden Form struieren; sie ist außerdem kompliziert, weil sie nicht. Doch empfahl er es nachdrücklich dem in zwei unterschiedliche Fassungen mündet: in Intendanten des Mannheimer Hoftheaters, Wolf- ein Lesedrama mit dem Untertitel Schauspiel und gang Heribert von Dalberg. Aller Bedenken un- in eine Bühnenfassung mit dem Untertitel Trau- geachtet, die Schwan gegen einige stilistische erspiel. Offensichtlich hat sich Schiller mit dem Provokationen und ›unschickliche‹ Szenen der Stoff seines Dramas schon seit 1776 befasst; die Räuber anmeldete, hatte er die dramatische Verve wesentlichen Schaffensphasen fallen jedoch in und den genialen Schwung dieses Werks erspürt seine beiden letzten Akademiejahre, 1779 und und sich für seine Verwendung auf der Bühne 1780. -
Leopold and Wolfgang Mozart's View of the World
Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage. -
GRMN 431.01: German Literature 1760-1832 Elizabeth Graff Ametsbichler University of Montana, Missoula, [email protected]
University of Montana ScholarWorks at University of Montana Syllabi Course Syllabi Fall 9-1-2018 GRMN 431.01: German Literature 1760-1832 Elizabeth Graff Ametsbichler University of Montana, Missoula, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/syllabi Recommended Citation Ametsbichler, Elizabeth Graff, "GRMN 431.01: German Literature 1760-1832" (2018). Syllabi. 8271. https://scholarworks.umt.edu/syllabi/8271 This Syllabus is brought to you for free and open access by the Course Syllabi at ScholarWorks at University of Montana. It has been accepted for inclusion in Syllabi by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Fall 2018 German 431: Liebe und Tod in deutschen Novellen der Goethezeit Professor Ametsbichler Office: LA 332; Tel.: 243-5001; [email protected] Office hours: TR @ 12:00; W @ 3:00; and by appointment Texts: Handouts Georg Büchner Woyzeck Clemens Brentano Geschichte vom braven Kasperl und dem schönen Annerl Friedrich de la Motte Fouqué Undine Wolfgang von Goethe: Die Leiden des jungen Werther E.T.A. Hoffmann Der Sandmann Heinrich von Kleist Das Erdbeben in Chili Ludiwg Tieck Der blonde Eckbert Course Objectives: This course will focus on the topic of love and death as portrayed in the literary genre of the novella, which was a popular form used by authors during the “Age of Goethe“ in German- speaking Europe. The Age of Goethe spans the late 18th century into the first decades of the 19th century. -
JEWISH WOMEN of the BERLIN SALONS the Berlin Salons Which
1 JEWISH WOMEN OF THE BERLIN SALONS The Berlin salons which developed in the late eighteenth century owed both their existence and the form of their development to Jewish women. These early salons were the result of a unique interrelation between the German enlightenment and Haskalah on the one hand and, on the other, young, educated Jewish women from well-to-do families, who were searching for a new role in life outside the patriarchal structures of their families. These salons have variously been criticized as a symptom of failing Jewish tradition or welcomed as a phenomenon of emancipation and acculturation. Whatever one’s attitude, their importance as highlights of the salon culture and for the process of women’s emancipation in Germany cannot be denied. While in Paris by the mid-eighteenth century, salons had become a traditional social institution and even bourgeois ladies had advanced to be salonnières, Berlin society, in comparison, was very old-fashioned. The social classes remained strictly separated (with a very exclusive, but largely poor aristocracy at the top); Jews were discriminated against by Prussian law and socially stigmatized. It took a long time for an educated middle class to develop, especially as there was no university in Berlin until 1810. Middle-class women were not supposed to engage in cultural activities, but only in their religious and household duties. The rich but small Jewish upper class in Berlin had a protected status in exchange for their financial and economic services to the crown. Their lifestyle after the end of the Seven Years’ War (1763) became aristocratic.