DOCSLIB.ORG

Final Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Final Report FINAL REPORT Ecosystem Model Comparison at Multiple Scales and Sites ESTCP Project RC-201702 JULY 2020 Melissa Lucash Portland State University Robert Scheller North Carolina State University Matthew Duveneck Harvard University Distribution Statement A This document has been cleared for public release This report was prepared under contract to the Department of Defense Environmental Security Technology Certification Program (ESTCP). The publication of this report does not indicate endorsement by the Department of Defense, nor should the contents be construed as reflecting the official policy or position of the Department of Defense. Reference herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise, does not necessarily constitute or imply its endorsement, recommendation, or favoring by the Department of Defense. Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing this collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden to Department of Defense, Washington Headquarters Services, Directorate for Information Operations and Reports (0704-0188), 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202- 4302. Respondents should be aware that notwithstanding any other provision of law, no person shall be subject to any penalty for failing to comply with a collection of information if it does not display a currently valid OMB control number. PLEASE DO NOT RETURN YOUR FORM TO THE ABOVE ADDRESS. 1. REPORT DATE (DD-MM-YYYY) 2. REPORT TYPE 3. DATES COVERED (From - To) 01-07-2020 ESTCP Final Report 10/30/2017 – 10/29/21 4. TITLE AND SUBTITLE 5a. CONTRACT NUMBER 18-C-0007 Ecosystem Model Comparison at Multiple Scales and Sites 5b. GRANT NUMBER 5c. PROGRAM ELEMENT NUMBER 6. AUTHOR(S) 5d. PROJECT NUMBER RC-201702 Melissa Lucash 5e. TASK NUMBER Robert Scheller Matthew Duveneck 5f. WORK UNIT NUMBER 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) 8. PERFORMING ORGANIZATION REPORT NUMBER Portland State University North Carolina State University Portland, OR 97207 Raleigh, NC 27695 USA USA RC-201702 Harvard University Cambridge, MA 02138 USA 9. SPONSORING / MONITORING AGENCY NAME(S) AND ADDRESS(ES) 10. SPONSOR/MONITOR’S ACRONYM(S) ESTCP Environmental Security Technology Certification Program 4800 Mark Center Drive, Suite 16F16 11. SPONSOR/MONITOR’S REPORT Alexandria, VA 22350-3605 NUMBER(S) RC-201702 12. DISTRIBUTION / AVAILABILITY STATEMENT Distribution A: Approved for public release; distribution is unlimited. 13. SUPPLEMENTARY NOTES 14. ABSTRACT Ensuring the long-term sustainability of eastern US forests in the face of climate variability and change will require that forest managers have the best available climate change research to make sound management decisions. Ecosystem process models are now able to project forest landscape conditions in response to anticipated climate, natural disturbance, forest management, and their interactions; these projections can inform forest management decisions. However, there is no single scale which is perfectly suited to addressing all questions about climate change and management. Critical patterns which emerge at fine-scales may be over-averaged at larger scales and vice-versa. Our objectives were to: a) compare model outcomes from two modeling frameworks against empirical data and to each other, b) examine climate change, disturbance, and management interactions at Ft. Bragg, North Carolina; translate these procedures; and prepare a roadmap for deployment across other forested military installations. 15. SUBJECT TERMS Ecostystem model, climate change, LANDIS-II/NECN, LANDIS-II/PnET, forests 16. SECURITY CLASSIFICATION OF: 17. LIMITATION 18. NUMBER 19a. NAME OF RESPONSIBLE PERSON OF ABSTRACT OF PAGES Melissa Lucash a. REPORT b. ABSTRACT c. THIS PAGE 19b. TELEPHONE NUMBER (include area UNCLASS 116 UNCLASS code) UNCLASS UNCLASS 503-725-3894 Standard Form 298 (Rev. 8-98) Prescribed by ANSI Std. Z39.18 FINAL REPORT Project: RC-201702 TABLE OF CONTENTS Page ABSTRACT ...................................................................................................................... VI EXECUTIVE SUMMARY ...................................................................................................... ES-1 1.0 INTRODUCTION ................................................................................................................. 1 1.1 BACKGROUND .......................................................................................................... 1 1.2 OVERALL OBJECTIVES ........................................................................................... 2 1.3 REGULATORY DRIVERS ......................................................................................... 2 2.0 TECHNOLOGY/METHODOLOGY DESCRIPTION ......................................................... 4 2.1 TECHNOLOGY/METHODOLOGY OVERVIEW ..................................................... 4 2.2 ADVANTAGES AND LIMITATIONS OF THE TECHNOLOGY/ METHODOLOGY ....................................................................................................... 8 3.0 PERFORMANCE OBJECTIVES ....................................................................................... 10 4.0 SITE DESCRIPTION .......................................................................................................... 12 4.1 SITE SELECTION ..................................................................................................... 12 4.2 SITE LOCATION AND HISTORY ........................................................................... 12 4.3 SITE CHARACTERISTICS ....................................................................................... 12 5.0 TEST DESIGN .................................................................................................................... 14 5.1 CONCEPTUAL TEST DESIGN ................................................................................ 14 5.2 BASELINE CHARACTERIZATION AND PREPARATION.................................. 14 5.3 DESIGN AND LAYOUT OF TECHNOLOGY AND METHODOLOGY COMPONENTS ......................................................................................................... 20 5.4 FIELD TESTING........................................................................................................ 20 5.5 SAMPLING PROTOCOL .......................................................................................... 20 5.6 SAMPLING RESULTS .............................................................................................. 20 6.0 PERFORMANCE ASSESSMENT ..................................................................................... 25 6.1 TEST PHASE ............................................................................................................. 25 6.2 DEMONSTRATION PHASE .................................................................................... 25 6.3 SUMMARY OF PERFORMANCE ASSESSMENT ................................................. 26 7.0 COST ASSESSMENT ......................................................................................................... 33 8.0 IMPLEMENTATION ISSUES ........................................................................................... 34 9.0 REFERENCES .................................................................................................................... 35 APPENDIX A POINT OF CONTACT .............................................................................. A-1 APPENDIX B HURRICANE DRAFT MANUSCRIPT AND MORTALITY TABLE ... B-1 APPENDIX C ERICKSON AND STRIGUL (2019) ........................................................ C-1 i LIST OF FIGURES Page Figure 1. Schematic Diagram of the PPA-SiBGC Model Structure. .......................................... 5 Figure 2. Schematic Diagram of the Net Ecosystem Carbon Nitrogen Succession (‘LANDIS-II/NECN’) Model Structure. ..................................................................... 6 Figure 3. Schematic Diagram of the LANDIS-II/PnET Model. ................................................. 7 Figure 4. Locations of the Jones Center, Ft. Bragg, and Harvard Forest. .................................. 8 Figure 5. The Presence of Old-growth Longleaf Pine (Left, Green) and Loblolly Pine (Right) Imputed from Ft. Bragg Natural Resource Division Inventory Data. .......... 15 Figure 6. Baseline Estimated Age Distributions of Eight Tree Species Within the Ft. Bragg, NC Landscape. ................................................................................... 16 Figure 7. A Comparison of Baseline Biomass as Imputed into LANDIS-II/NECN and LANDIS-II/PnET Compared to Biomass Distributions Derived from FIA Data for NC, SC, and VA. ......................................................................... 16 Figure 8. Baseline Vegetation Types for Ft. Bragg, NC, Representing Vegetation Types circa 2018. .................................................................................... 17 Figure 9. Baseline Fire Zone Maps at Ft. Bragg, NC. .............................................................. 18 Figure 10. The Distribution of Hurricane Wind Speeds in Hurricanes that Strike GA, SC,
Load more

Recommended publications
  • Primitivo B Felias
    PRIMITIVO B. FELIAS III Address:348-D Chico St.,Cembo Makati City Mobile number: 09215341851 [email protected] Objective: A position in the art/design department where my skills can be utilize in accomplishing tasks and solving problems. To be in a company that will help me grow as a person and an employee, to provide quality service and share my skills and knowledge to colleagues, and learn from them as well, for the betterment of the team and the company. Skills Computer Literate (Adobe Illustrator, Adobe Photoshop, Adobe Premiere, Adobe After Effects, Adobe Audition, Adobe Flash, MS Powerpoint, Blender 3D software, Garage Band, Bryce 3D software, MakeHuman 3D, 3D Studio Max, Microsoft Movie Maker, Realflow 3D, Sculptris 3D, Mixcraft 5) Digital Video Editing, 3D Modeling and Basic Animation, Sound Editing, Digital and Manual Photography, Graphics Design and Illustration, Motion Graphics Design/Compositing, Flash-Base Web Design, GUI Design, Photo Manipulation, Basic Action Scripting, Flash Animation, Theater Actor, Singer, Dancer and can work with minimal supervision. Online Portfolio http://primefelias.daportfolio.com/ Online DemoReel http://www.youtube.com/watch?v=GBh5w-UGld8 Educational Background College: University of the Philippines Bachelor of Fine Arts major in Visual Communications Year Graduated: 2008 Secondary: Araullo High School Year Graduated:2004 Elementary: Nasipit Central Elementary School, Agusan del Norte Year Graduated: 2000 Work-Related Experiences DATE COMPANY POSITION May 23, 2011-present Holy Cow! Animation AFX Compositor/Digital Artist March 30, 2011- July 2011 Buko Graphics Studios Freelance 3D Concept Artist March 21, 2011 – May 11, 2011 BigFish International Inc. (Motion)Graphic Artist Unit 1804 Jollibee Plaza, Emerald Ave., Ortigas Sept.
    [Show full text]
  • Three Dimensional Visualization of Fire Spreading Over Forest Landscapes Brian Williams Clemson University, [email protected]
    Clemson University TigerPrints All Theses Theses 12-2008 Three Dimensional Visualization of Fire Spreading Over Forest Landscapes Brian Williams Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Agriculture Commons Recommended Citation Williams, Brian, "Three Dimensional Visualization of Fire Spreading Over Forest Landscapes" (2008). All Theses. 492. https://tigerprints.clemson.edu/all_theses/492 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. THREE DIMENSIONAL VISUALIZATION OF FIRE SPREADING OVER FOREST LANDSCAPES A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Science Forest Resources by Brian John Williams December 2008 Accepted by: Dr. Bo Song, Committee Chair Dr. William Conner Dr. Chris Post Dr. Victor Shelburne i ABSTRACT Previous studies in fire visualization have required high end computer hardware and specialized technical skills. This study demonstrated fire visualization is possible using Visual Nature Studio and standard computer hardware. Elevation and vegetation data were used to create a representation of the New Jersey pine barren environment and a forest compartment within Hobcaw Barony. Photographic images were edited to use as image object models for forest vegetation. The FARSITE fire behavioral model was used to model a fire typical of that area. Output from FARSITE was used to visualize the fire with tree models edited to simulate burning and flame models.
    [Show full text]
  • An Overview of 3D Data Content, File Formats and Viewers
    Technical Report: isda08-002 Image Spatial Data Analysis Group National Center for Supercomputing Applications 1205 W Clark, Urbana, IL 61801 An Overview of 3D Data Content, File Formats and Viewers Kenton McHenry and Peter Bajcsy National Center for Supercomputing Applications University of Illinois at Urbana-Champaign, Urbana, IL {mchenry,pbajcsy}@ncsa.uiuc.edu October 31, 2008 Abstract This report presents an overview of 3D data content, 3D file formats and 3D viewers. It attempts to enumerate the past and current file formats used for storing 3D data and several software packages for viewing 3D data. The report also provides more specific details on a subset of file formats, as well as several pointers to existing 3D data sets. This overview serves as a foundation for understanding the information loss introduced by 3D file format conversions with many of the software packages designed for viewing and converting 3D data files. 1 Introduction 3D data represents information in several applications, such as medicine, structural engineering, the automobile industry, and architecture, the military, cultural heritage, and so on [6]. There is a gamut of problems related to 3D data acquisition, representation, storage, retrieval, comparison and rendering due to the lack of standard definitions of 3D data content, data structures in memory and file formats on disk, as well as rendering implementations. We performed an overview of 3D data content, file formats and viewers in order to build a foundation for understanding the information loss introduced by 3D file format conversions with many of the software packages designed for viewing and converting 3D files.
    [Show full text]
  • Professionaland Continuing Education
    Spring 2017 Professional and Continuing Education Health Care Careers Languages Online Learning Lifelong Learner Program Community Education Professional Development/ Technology Continuing Education DAY, EVENING AND ONLINE CLASSES AVAILABLE! www.bhc.edu/pace Stained Glass - Beginning, Copper Chicago Food Bus Trips American Sign Language (ASL) - Table of Contents Foil .....................................................28 Chicago Gourmet Bus Trip ................32 Intermediate .........................................37 Unless otherwise stated, these classes are designed for students 16 and older. Stained Glass - Intermediate, Lead ........28 Chicago Ethnic Gourmet Bus Trip .....32 Basic French ..........................................36 Stained Glass - Advanced, Copper Basic Spanish .........................................36 Animal Care Assistant Management Organizing Your Files and Folders ........21 Foil & Lead Techniques .....................28 Writing Disabilities Studies.................................37 PowerPoint ............................................22 Animal Care Assistant ........................... 4 Certified Manager (CM) Techniques and Tips in Watercolor for Beginning Writer’s Workshop ...............32 French Refresher ....................................36 Foundations ........................................13 Publisher ...............................................22 Beginners ............................................30 Creative Writing .....................................32 Introduction to Deaf Culture
    [Show full text]
  • Today We're Featuring Ken Gilliland Brief Background History: Where Did You Grow Up? Where Do You Live Now?…Etc?
    DAZ Forums: Watch for links to your favorite artists' profiles right here! Today we're featuring Ken Gilliland Brief background history: Where did you grow up? Where do you live now?…etc? "I was born in Glendale, California (just outside of Los Angeles) and now live in Tujunga, California (still just outside of Los Angeles). Tujunga is Tongva for "The Place where Mother Nature Lives". While close to Los Angeles, we get a huge variety of songbirds, coyotes, bobcats and an occasional mountain lion.” " How did you get into 3D art? "I got into digital art very early with a TI-99/4a home computer and started producing content in the mid 1980’s with a variety of educational programs, 2D graphics and games. My introduction to 3D came with a landscape program called VistaPro. When the original Poser and Bryce were released, I moved deeper into the 3D world but it wasn’t until the release of Poser 4 that I began producing 3D content. “ What is it that attracted you to DAZ 3D? "My history with DAZ 3D goes back to its roots. My first product submission went to Zygote. Just before it was to be released, the Poser people at Zygote moved to form DAZ 3D. During that transition, I moved to the newly formed “Vista Internet Products” with other 3D animal artists. That summer, I had lunch with the DAZ team at Siggraph and I have been happily at DAZ 3D ever since. So what attracted me to DAZ? Back then, as now, DAZ 3D has had a reputation for quality and simply the best content..
    [Show full text]
  • The Practice of Art and AI
    Gerfried Stocker, Markus Jandl, Andreas J. Hirsch The Practice of Art and AI ARS ELECTRONICA Art, Technology & Society Contents Gerfried Stocker, Markus Jandl, Andreas J. Hirsch 8 Promises and Challenges in the Practice of Art and AI Andreas J. Hirsch 10 Five Preliminary Notes on the Practice of AI and Art 12 1. AI–Where a Smoke Screen Veils an Opaque Field 19 2. A Wide and Deep Problem Horizon– Massive Powers behind AI in Stealthy Advance 25 3. A Practice Challenging and Promising– Art and Science Encounters Put to the Test by AI 29 4. An Emerging New Relationship–AI and the Artist 34 5. A Distant Mirror Coming Closer– AI and the Human Condition Veronika Liebl 40 Starting the European ARTificial Intelligence Lab 44 Scientific Partners 46 Experiential AI@Edinburgh Futures Institute 48 Leiden Observatory 50 Museo de la Universidad Nacional de Tres de Febrero Centro de Arte y Ciencia 52 SETI Institute 54 Ars Electronica Futurelab 56 Scientific Institutions 59 Cultural Partners 61 Ars Electronica 66 Activities 69 Projects 91 Artists 101 CPN–Center for the Promotion of Science 106 Activities 108 Projects 119 Artists 125 The Culture Yard 130 Activities Contents Contents 132 Projects 139 Artists 143 Zaragoza City of Knowledge Foundation 148 Activities 149 Projects 155 Artists 159 GLUON 164 Activities 165 Projects 168 Artists 171 Hexagone Scène Nationale Arts Science 175 Activities 177 Projects 182 Artists 185 Kersnikova Institute / Kapelica Gallery 190 Activities 192 Projects 200 Artists 203 LABoral Centro de Arte y Creación Industrial 208 Activities
    [Show full text]
  • Key Event Animation and Bryce
    User Guide for Macintosh® and Windows® Trademarks Special thanks to Susan Kitchens for technical inspiration on textures and the Deep Texture Bryce is a trademark of MetaCreations Editor. Corporation. QuickDraw and QuickTime are trademarks, and Apple, Macintosh and Box Design by Magdelana Bassett and Darin Power Macintosh are registered trademarks of Sullivan. Apple Computers, Inc. Windows is a registered trademark and Video for Windows is a Quality Assurance testing by Meredith Keiser, trademark of Microsoft Corporation. All other Fernando Corrado, Kevin Prendergast, and product and brand names mentioned in this Stephen Watts. user guide are trademarks or registered trademarks of their respective holders. The Bryce User Guide was written by Erick Vera; updated by Lynn Flink and Donna Copyright Ford;edited by Valarie Sanford; project management by Erick Vera; art directed by This manual, as well as the software described Garvin Soutar; illustrated by Garvin Soutar and in it is furnished under license and may only be Heather Chargin; production by Erick Vera; used or copied in accordance with the terms of prepress production by Rich O’Rielly and Erick such license. Program copyright ©1990-1999 Vera; review and validation by Brian Wagner MetaCreations Corporation, including the look and Ales Holecek; tutorials written and and feel of the product. Bryce User Guide illustrated by Peter Sharpe (http:// copyright ©1999 MetaCreations Corporation. www.petersharpe.com), and Susan Kitchens No part of this guide may be reproduced in any (http://www.auntialias.com). form or by any means without the prior written permission of MetaCreations Corporation. Chapter openers by Garvin Soutar. Section dividers illustrated by Bill Munns.
    [Show full text]
  • Sunday, July 25, 2021 Sunday, July 25, 2021
    Program of the Meeting CALENDAR OF EVENTS * Presenting Author Sunday, July 25, 2021 Sunday, July 25, 2021 Council Symposium SAM Multi-Disciplinary Scientific Symposium 10:30 am - 11:30 am 10:30 am - 11:30 am -TRACK 1 -TRACK 4 SU-A-TRACK 1 International Council Symposium: AAPM SU-A-TRACK 4 Solid State PET in Radiology and Global Engagement; Planning for the Future Radiation Oncology: from SiPM to AI in the Clinic Moderator: Ana Maria Marques da Silva, Pontifica Universidade Moderator: Jun Zhang, The Ohio State University, Columbus, OH Catolica do RS, Porto Alegre, RS 10:30 am J. Zhang, The Ohio State University: Technologies and AI 10:30 am S. Avery, University of Pennsylvania: Global Medical Features of SiPM PET Instrumentation Physics Education and Training 10:55 am S. Bowen, University of Washington, School of Medicine: 10:38 am S. Parker, Wake Forest Baptist Health High Point Medical Clinical Considerations of SiPM PET in Radiology and Center: Global Need Assessment Radiation Oncology 10:46 am J. Palta, Virginia Commonwealth University: Global 11:20 am Q&A & Panel Discussion Collaborations 10:54 am R. Jeraj, University of Wisconsin: Global Research and SAM Therapy Scientific Symposium Scientific Innovation 10:30 am - 12:30 pm 11:02 am G. Kim, University of California, San Diego: Global Data and Information Exchange -TRACK 5 11:10 am S. Wadi-Ramahi, University of Pittsburgh Medical Center: SU-AB-TRACK 5 Affordable Cancer Care for All Global Clinical Education and Training Moderator: Laurence Edward Court, University of Texas MD 11:18 am Q&A Anderson Cancer Center, Houston, TX 10:30 am Introduction Students and Trainees 10:33 am C.
    [Show full text]
  • Mirye and Meshbox Release Free 3D Character for Poser, Photoshop
    prMac: Publish Once, Broadcast the World :: http://prmac.com Mirye and Meshbox Release Free 3D Character for Poser, Photoshop Published on 08/13/12 Mirye Software announces Chunk Base 1.2, the free 3d archetype toon character that you can use in your 3d artwork or animation. Chunk Base includes the core male character Chunk, plus accessories. Version 1.2 adds free female toon character, Ms Chunk, with 3D accessories including beehive hair, muumuu and bathroom slippers for use with Poser, DAZ Studio, and with bridging software, Photoshop and most 3D software packages. Beaverton, Oregon - Mirye Software announces the release of Chunk (tm) Base 1.2, the free 3d archetype toon character that you can use in your 3d artwork or animation. In addition to Chunk Base and the Mister Chunk character set, Chunk Base 1.2 adds the additional Chunk character Ms Chunk. More than an add-on for Chunk Base, Ms Chunk includes expanded geometry, textures and accessories. Ms Chunk is based on a classic cartoon character type, expressed fully in 3d. Ms Chunk includes: * Revised Geometry. Using Chunk Base, geometry was revised to create a character with a uniquely feminine shape and form * Updated Morphs. All of Chunk Base morph dials are present in Ms Chunk, with some slight modifications to bring the entire Chunk family of models. This includes 38 general face morphs, 15 ear morphs, 23 eye morphs, phoneme morphs and more * New Textures. Ms Chunk includes a revised texture set that brings Ms Chunk to life * New Props. Ms Chunk includes beehive hair, muumuu dress and bathroom slippers Chunk Base, Mister Chunk and Ms Chunk are available in .cr2 format, the native format used by Smith Micro Poser and DAZ 3D's DAZ Studio.
    [Show full text]
  • Human Photo References and Textures for Artists
    Human Photo References And Textures For Artists Monodic Danny usually centralizes some journeying or compact spirally. Is Roni unapprehended when Jarrett canoeing hopingly? If Josh?unhouseled or subcordate Elihu usually miscall his beseechingness poussetting inexpertly or waxed snap and jimply, how dendrological is Principles of Anatomy and Physiology combines exceptional content is outstanding visuals for a rich and comprehensive classroom experience. The model has been keeping busy as backdrop or edge gives us a citation and! From this helps move it also decreases the textures and human photo references for artists is a pen tip has thought. Human Skeleton Anatomical Model Teaching Muscles Painting Numbering Cover. Shaders for reference photos and texture of pure brilliance and universities where contacts and! Bryce is for reference photos for playing then we will come with texture or. Browse Sub Categories: Character Anime Girl Head. Search did to texture? The Running Pose is no whole body pose that vertically aligns shoulders, hips and ankles with clerical support process, while standing on the ball strike the foot. Nervous tissues and the new shoots happening spontaneously as it sees the changes that provides the english written and professional prior to children for human and artists. Here the example templates, copyright statements, and reference entries for images reproduced from journal articles, books, book chapters, and websites. Design Doll to create postures and compositions that artists demand, letter easy, intuitive operations. This is aimed to spend money with soft materials are looking for movement drawing and the joy of art, crop it easy comparisons, photo for the value of? Different sides of portraying objects, for human photo references and artists, an approach with longer been works.
    [Show full text]
  • Plugs 'N Pixels Issue #4
    plugs-n-pixels IMAGE CREATION, MANIPULATION & EDUCATION Arrive Without Traveling: Create photorealistic scenic images without leaving your computer desk! Post-process your digital Terragen | Carrara | Mojoworld | Vue Esprit | Bryce scenics using additional Photoshop plug-ins Create masks using chroma keying plug-ins Both Scott Kelby and Dave Cross of The table of contents National Association of Photoshop Professionals Pages 3-5: Behind The Cover Art (NAPP) featured issue #1 of Plugs ‘N Pixels on their This issue features terrain-generating personal blogs. applications, and where better to start than with a tutorial for the cross-platform Terragen. Why? Because it’s an excellent program, and also FREE for personal use, so anyone can use it! Cover and TOC background/inset images created with Planetside Terragen More terrain-generating applications Pages 6-7: Eovia Carrara Pages 8-9: Pandromeda Mojoworld Page 10: e-on Vue Esprit plugs-n-pixels Page 11: DAZ Bryce Masking applications and plug-ins ISSUE #4 Page 12: bergdesign Maskerade Created and produced for free Page 13: NovaDesign Cinematte distribution to the creative Page 14: Digital Anarchy Primatte Page 15: Digital Film Tools zMatte community by Mike Bedford Page 16: Ultimatte AdvantEdge WEBSITE: www.plugsandpixels.com Imaging applications and plug-ins Page 17: Digital Anarchy Bkg Designer EMAIL: [email protected] Page 18: Little Inkpot Sketcher Page 19: Little Inkpot plug-ins Layout created in ACD Canvas X Page 20: BenVista PhotoZoom Final PDF by Acrobat 9 Pro Page 21: Reindeer Graphics Optipix Text and images by Mike Bedford Page 22: Kodak Digital GEM Pro ••••••••••••••••••••••• Page 23: Grasshopper ImageAlign Plugs ‘N Pixels will always be free! Page 24: PhotoTune 20/20 Color MD But should you wish to help offset the Page 25: Asiva JPEG Deblocker costs involved with producing and Page 26: Jetsoft product designs distributing/hosting the ezine and website, please consider purchasing Training materials your next plug-ins via any of the Page 27: Mark’s Photoshop Tips DVD “buy” buttons on the website.
    [Show full text]
  • A Forest Model Intercomparison Framework and Application at Two Temperate Forests Along the East Coast of the United States
    bioRxiv preprint doi: https://doi.org/10.1101/464578; this version posted December 24, 2018. The copyright holder for this preprint (which was not certified by peer review) is the author/funder. All rights reserved. No reuse allowed without permission. Article A forest model intercomparison framework and application at two temperate forests along the East Coast of the United States Adam Erickson1* , Nikolay Strigul1 1 Department of Mathematics and Statistics, Washington State University, 14204 NE Salmon Creek Avenue, Vancouver, WA 98686, USA; {adam.erickson, nick.strigul}@wsu.edu * Correspondence: [email protected]; Tel.: +1-360-546-9655 Version December 24, 2018 submitted to Forests 1 Abstract: Forest models often reflect the dominant management paradigm of their time. Until the 2 late 1970s, this meant sustaining yields. Following landmark work in forest ecology, physiology, and 3 biogeochemistry, the current generation of models is further intended to inform ecological and climatic 4 forest management in alignment with national biodiversity and climate mitigation targets. This has 5 greatly increased the complexity of models used to inform management, making them difficult to 6 diagnose and understand. State-of-the-art forest models are often complex, analytically intractable, 7 and computationally-expensive, due to the explicit representation of detailed biogeochemical and 8 ecological processes. Different models often produce distinct results while predictions from the same 9 model vary with parameter values. In this project, we developed a rigorous quantitative approach for 10 conducting model intercomparisons and assessing model performance. We have applied our original 11 methodology to compare two forest biogeochemistry models, the Perfect Plasticity Approximation 12 with Simple Biogeochemistry (PPA-SiBGC) and Landscape Disturbance and Succession with Net 13 Ecosystem Carbon and Nitrogen (LANDIS-II NECN).
    [Show full text]