Biography: Hanna Shybayeva, Pianist Having Commenced Her
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Segnali Edith Wharton
0393-3903 ISSN - Torino B Aprile 2015 Anno XXXII - N. 4 € 6,00 conv.in L. 27/02/2004 n° 46) art. 1, comma DC conv.in . D.L. 353/2003 ( POST BB. A IN . SPED - s.p.a. MENSILE D’INFORMAzIONE - POSTE ITALIANE MENSILE D’INFORMAzIONE - POSTE ITALIANE LIBRO DEL MESE: l’epopea dei Lehman brothers, di Stefano Massini La frontiera tra invenzione e realtà: intervista a Emmanuel CARRÈRE LA GRANDE GUERRA: storia, memorialistica e fotografia www.lindiceonline.com Disegno di Franco Matticchio N. 4 2 Librerie permettere più l’abuso delle auto. legato indissolubilmente alla tra- COME ABBONARSI ALL’“INDICE” Poi abbiamo aggiunto i tavoli e dizione letteraria della città. Qui DIREZIONE le sedute, e per rendere l’azione i libri hanno abitato da sempre le Mimmo Cándito direttore responsabile [email protected] o Abbonamento annuale alla versio- permanente abbiamo pensato ai case della borghesia illuminata, Mariolina Bertini vicedirettore ne cartacea (questo tipo di abbona- libri… a fare la biblioteca all’a- cittadina e siciliana. Adesso però COORDINAMENTO DI REDAZIONE mento include anche il pieno accesso perto”. L’indomani neanche una si paga il prezzo di una classe in- Beatrice Manetti, Santina Mobiglia, alla versione elettronica): macchina poté posteggiare tra tellettuale imbrogliata nei propri Massimo Vallerani Italia: € 55 lo scorno dei parcheggiatori. La paramenti, protagonista unica di REDAZIONE Europa: € 75 scelta dei libri è stata una tattica. eventi culturali a cui non smette via Madama Cristina 16, 10125 Torino Resto del mondo: € 100 Da un giorno all’altro spuntati di autoinvitarsi e autocelebrarsi. tel. 011-6693934 come barricate. -
BEETHOVEN Piano Concertos Nos
Ludwig van BEETHOVEN Piano Concertos Nos. 3 & 4 Transcriptions for Piano and String Quintet by Vinzenz Lachner HANNA SHYBAYEVA, piano Utrecht String Quartet Luis Cabrera, double bass LUDWIG van BEETHOVEN (1770–1827) Klavierkonzert Nr. 3 op. 37 in c-Moll 35:08 Piano Concerto No.3 Op.37 in C minor 1 I. Allegro con brio 16:11 2 II. Largo 9:55 3 III. Rondo – Allegro 8:54 Klavierkonzert Nr. 4 op. 58 in G-Dur 34:31 Piano Concerto No.4 Op.58 in G major 4 I. Allegro moderato 19:26 5 II. Andante con moto 5:01 6 III. Rondo vivace 10:04 Total Time: 69:52 Bearbeitungen für Klavier und Streichquintett von | transcriptions for piano and string quintet by: Vinzenz Lachner (1811–1893) Hanna Shybayeva, Klavier | piano Utrecht String Quartet Luis Cabrera, Kontrabass | double bass 8.551400 2 Beethovens Klavierkonzerte Wenn man die Entstehungszeiten der Klavier- immer einem Publikum gefallen wollte, was für konzerte Ludwig van Beethovens betrachtet, wird Beethoven keineswegs ein Anreiz für sein Wir- deutlich, dass dieser als Pianist wie Komponist ken darstellte. so verwegene wie innovative Künstler mehr als nur einfach Klavierkonzerte in geringerer Anzahl Und auch das erste Klavierkonzert, das als seine Vorgänger und von ihm hochgeachte- C-Dur-Konzert op. 15, zeigt Neuerungstenden- ten Kollegen Haydn oder Mozart geschrieben hat. zen: Beethoven erweitert die Orchesterbeset- Vielmehr ist Beethoven – ebenso wie in vielen zung, fügt Klarinetten, Trompeten und Pauken anderen Gattungen – weit über Gattungsideale zu der Orchestrierung von op. 19 hinzu. Zudem seiner Zeit hinausgegangen und hat Vorbilder für lässt er den langsamen Satz in der terzverwand- die kommenden Generationen geschaffen. -
Summer 2020 Classics & Jazz
Recommended Jazz v All Recommended! see pages 54 - 55 Naxos Audiobooks Special Low Prices! see pages 46 - 47 50% - 75% Off 100 Titles see pages 18 - 21 v All Recommended! Editor’s Choice see pages 10 - 11 v Recommended New Releases Bundle Deal 3 for $30 see pages 48 - 49 Late Summer 2020 Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Classics & Summer 2020 Jazz Catalog for Summer 2020, with a broad range of of- fers we’re sure will be of great interest to our customers. Catalog Index Monteverdi: Complete Madrigals / Delitiæ Musicæ [15 CDs] In jazz, we are excited to return Concord to these pages The madrigal, written for courts and patrons, was the ultimate secular 4 Classical - Label Features as a sale label, with the opportunity for you to save even song. The genre reached its zenith with the works of Claudio Monteverdi more by taking advantage of a bundle deal. Other offers 8 Classical - Recommendations in successive books that trace his technical and expressive innovations. in jazz include the Acrobat label, new releases, and jazz 10 Classical - Editor’s Choice In them, Monteverdi explored themes such as the vicissitudes and recommendations. In classical music, another label long pleasures of love, as well as the art of war, and the pain of loss. The 18 Classical - Deep Discounts absent from our promotions is Musical Concepts – on sale editions used in these recordings are the most authentic and uncut, and, here and as a bundle deal, too. You can also save up to 12 Classical - New Releases in keeping with 17th-century practice, employ male voices only. -
BEETHOVEN Piano Concerto No
Ludwig van BEETHOVEN Piano Concerto No. 1 • Symphony No. 2 Transcriptions for Piano and String Quintet by Vinzenz Lachner HANNA SHYBAYEVA, piano Animato String Quartet Bas Vliegenthart, double bass Radiosinfonieorchester. Im Sommer 2017 war er Dozent eines Kammermusik-Sommerkurses (“Woudschoten Zomercursus”). Er spielt regelmäßig LUDWIG van BEETHOVEN (1770–1827) zusammen mit Ensembles, z.B. dem Nederlands Blazers Ensemble und De Bezetting Speelt, aber auch © Cyrus Allyar mit verschiedenen europäischen Orchestern wie dem Royal Concertgebouw Orchestra, den Rotterdamer Klavierkonzert Nr. 1 op. 15 in C-Dur Philharmonikern, dem Rundfunk-Sinfonieorchester Piano Concerto No. 1 Op. 15 in C major Berlin, dem Radio-Philharmonieorchester, dem (Arrangement für Klavier und Streichquintet von Vinzenz Lachner) Niederländischen Kammerorchester und dem Kristiansand Symfoniorkester. 1 Allegro con brio 17:34 2 Largo 10:40 Bas Vliegenthart, Double Bass 3 Rondo – Allegro scherzando 8:53 Bas Vliegenthart, born in Oudewater/the Netherlands, took Symphonie Nr. 2 op. 36 in D-Dur his first double bass lessons at the age of 13. At the High Symphony No. 2 Op. 36 in D major School for Music and Dance, he attended the lessons of Peter Leerdam for 5 years. After that, Bas studied under (Arrangement für Klaviertrio von L. van Beethoven) Peter Stotijn at the Amsterdam conservatoire, where 4 Adagio – Allegro con brio 12:17 he also made his bachelor’s degree. He continued his 5 Larghetto quasi andante 10:10 Bas Vliegenthart, Kontrabass studies at the Amsterdam conservatoire and finished 6 Scherzo – Trio – Scherzo 3:31 his studies with a master’s degree under Rick Stotijn Bas Vliegenthart wurde in Oudewater/Niederlande and Olivier Thiery. -
E-Piano Quarterly2.Pub
Issue 2 The Minnesota International Piano –e-Competition offers a special opportunity for December, 2005 young pianists worldwide to participate in a competition of the highest artistic quality and integrity. Our artistic vision is to bring young artists, with the promise of lasting and important careers, to the public’s attention. From the Artistic Director Greetings, that I found myself having to in- tions where he is from, every crease the number of the admitted musician asks if he have heard A lot has happened since our last to 68, instead of the expected 60. about the e-Competition. He says, letter came out. On November 18, I When you want to break the rules, “Yes, a couple of times…” went to NYC to attend the debut it helps being the Artistic Director! recital of our last winner Jie Chen, On a personal note: I went back to presented at the Alice Tully Hall. It And speaking of the rules: some Moscow, for the first time in over , Co-FounderArtisticand Director was a big success! There were things are going to change. As you 33 years. It was an exciting trip, about 600 people in attendance, can see, we have added and it was great to be back where , Managing, Director, Newsletter Editor , Co-Founder and CEO , Co-Founderand CEO and Jie played superbly, bringing “Minnesota” to the e-Competition’s I was born. But, I’m staying put. them to their feet at the end; not name. I felt that we need to make Happily, I might add. After all, I an easy task in NYC.