James Grant Strange Flowers Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

James Grant Strange Flowers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Strange Flowers Country: UK Released: 2009 Style: Blues Rock, Celtic, Indie Rock MP3 version RAR size: 1893 mb FLAC version RAR size: 1574 mb WMA version RAR size: 1923 mb Rating: 4.5 Votes: 586 Other Formats: AAC MP2 ADX AUD MPC TTA DTS Tracklist Hide Credits This Could Be The Day 1 4:17 Drums – James Mackintosh Darkstar 2 4:53 Drums – Che Beresford Strange Flowers 3 3:08 Drums – Che Beresford The Hallowing Touch 4 5:07 Drums – Che Beresford My Father's Coat 5 9:40 Drums – Che Beresford The Bay At The Nape Of Your Neck 6 5:19 Drums – Che Beresford Lake Louise 7 5:06 Drums – James Mackintosh 8 Is This The Kiss? 3:37 Can't Beat The Music 9 4:40 Drums – James Mackintosh 10 Scarecrow Song 4:59 11 Catherine Burns 1:20 Companies, etc. Phonographic Copyright (p) – Vertical Records Copyright (c) – Vertical Records Credits Accordion – Donald Shaw Arranged By [Strings] – Greg Lawson, James Grant Backing Vocals – Karen Matheson, Monica Queen Bass – Ewen Vernal, James Grant (tracks: 1, 4, 7, 8) Engineer – Iain Hutchison Engineer [Strings] – Alan Cuthbertson*, Grant Milne Guitar – James Grant Harmonica – Fraser Speirs Harmonium – Donald Shaw Keyboards – Donald Shaw Mandolin – James Grant Percussion – Signy Jakobsdottir Piano – Donald Shaw Producer – Donald Shaw, James Grant Recorded By [Additional] – Gordon Goudie Vocals – James Grant Written-By – James Grant Notes Recorded at Secret Music Studios, Glasgow, Scotland. Strings recorded at The Mixing Room, Glasgow and The City Hall Recital Room, Glasgow. Design and art direction: Kirsten Murray and Jill Murphy at The Gate Worldwide www.nonlineagency.com. Photography: Roben www.raphotography.co.uk Barcode and Other Identifiers Barcode: 5 055014 600536 Related Music albums to Strange Flowers by James Grant James Brown - James Brown Plays James Brown,Today And Yesterday Pete Williams - See Capercaillie - Dusk Till Dawn - The Best Of Capercaillie Capercaillie - Get Out Steve Beresford - L'Extraordinaire Jardin De Charles Trenet Love And Money - Littledeath Steve Beresford / Tristan Honsinger - Double Indemnity Steve Beresford / Han Bennink - Directly To Pyjamas.

Copy Link

Recommended publications

Here He Studied Jazz Piano and Composition
M U S I C L E S S O N S A UNIQUE OPPORTUNITY FOR INDIVIDUAL LESSONS IN GRANTOWN-ON-SPEY WITH LEADING SCOTTISH FOLK MUSICIAN HAMISH NAPIER BA, BSc Berklee College of Music Alumnus +44 (0) 7971561693 [email protected] www.hamishnapier.com 1 of 4 Hello, I'm Hamish. I'm a professional musician, composer and music tutor. I'm delighted to announce that I will now be giving individual music lessons for one day a month in my home at Cherrygrove, Grantown- on-Spey. I have had enquiries from musicians from all over Scotland, as well as from the local area. My mother, Marie-Lousie Napier, taught piano and clàrsach pupils regularly at Cherrygrove for over 25 years. It's a special thing for me to continue this family tradition. If you are interested, or know somebody who might be, please get in touch. Please see below for more details. Many thanks, INSTRUMENTS Wooden flute Tin Whistle Piano Step-dancing (Scottish Cape Breton) I also teach students that play other instruments, focus on the student's general music skills. trad music accompaniment chords & harmony chart-writing improvisation music theory ear training music notation software keyboard skills ensemble skills tunesmithery & composition FEES & DETAILS 1 hr = £34 1.5 hrs = £48 2 hrs = £60 I am a member of the Musician’s Union and use MU rates. I have full public liability insurance. Students who are travelling greater distances have tended to opt for 2-hour lessons. Please note for a refund of lessons fees, cancellation must be made within 48 hours of lesson time.
[Show full text]
January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music.
[Show full text]
Download PDF 8.01 MB
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on.
[Show full text]
Electric Scotland's Weekly Newsletter for January 29Th, 2016
Electric Scotland's Weekly Newsletter for January 29th, 2016 To see what we've added to the Electric Scotland site view our What's New page at: http://www.electricscotland.com/whatsnew.htm To see what we've added to the Electric Canadian site view our What's New page at: http://www.electriccanadian.com/whatsnew.htm For the latest news from Scotland see our ScotNews feed at: http://www.electricscotland.com/ Electric Scotland News Happy Birthday to Rabbie Burns Got an email in from Christopher Pratt which is an interesting way of celebrating our final Robert Burns tribute in which he said... Happy Birthday to Rabbie Burns, The Bard of Ayrshire and Scotland's national poet (25 January 1759 – 21 July 1796). Today we say, “Some hae meat and canna eat, And some wad eat that want it, But we hae meat and we can eat, And sae the Lord be thankit” And we celebrate with poems, song, and the Haggis, Tatties & Neeps https://www.youtube.com/watch?v=C8l2m3_2Xjg A Man For A' That - Sheena Wellington on the occasion of the Opening of Scottish Parliament: https://www.youtube.com/watch?v=hudNoXsUj0o&feature=youtu.be My Love Is Like a Red Red Rose - Karen Matheson https://www.youtube.com/watch?v=CJGaRb3WCT4 Ae Fond Kiss - Eddi Reader https://www.youtube.com/watch?v=RMmtBgMaF5I Annie Laurie - Jean Redpath https://www.youtube.com/watch?v=dHfE8VpQj70 Robert Burns: The Man And His Legend (Documentary) https://www.youtube.com/watch?v=e6yGVYhVM1g And so, . Here's tae us Wha's like us Damn few, And they're a' deid Mair's the pity! May those who live truly be always believed, And those who deceive us be always deceived.
[Show full text]
Capercaillie Press Release
PRESS RELEASE Capercaillie GRACE AND PRIDE The anthology 2004 – 1984 To celebrate the 20th anniversary of Britain’s leading Celtic band, Survival Records release on the 13th September, the double CD anthology “Grace and Pride”. The album has 38 tracks taken from each of the band’s 15 albums, including previously unreleased, ultra rare and long deleted tracks. Throughout their career Capercaillie have drawn on two great strengths to inspire them. The first of these is the astonishing musical dexterity of the various fiddle, whistle, flute and pipe players who have performed with them over the years, lead by the accordion and keyboards of band founder Donald Shaw. The other foundation of the band has been the peerless voice of co-founder Karen Matheson, described by Sean Connery as having “a throat that is surely touched by God”. Universally recognised as one of the finest Gaelic singers alive today, Karen’s exquisite voice has been at the centre of the band’s music, whether breathing new life into 400-year old Gaelic songs or bringing her luscious vocals to the band’s contemporary compositions. Release date;- There have been many milestones for a band who have 13 September 2004 sold over a million albums world wide. These include Record label:- three silver and one gold album in the UK, the first Gaelic Survival Records Top 40 single, writing the music for, and appearing in the Catalogue No:- Hollywood movie “Rob Roy”, and performing in over thirty countries including Iraq, Macedonia and the Sudan. SURCD 030 Capercaillie have been credited with being the major Distribution:- force in bringing Celtic music to the world stage, and their Pinnacle unique fusion of Gaelic culture and contemporary sound has always stretched boundaries in their quest to keep the music evolving.
[Show full text]
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others.
[Show full text]
Scottish Harp Society of America Has a New National Champion
Volume VIII Issue 7 Beth’s Newfangled Family Tree Section B December 2013 Scottish Harp Society of America Has a New National Champion - Haley Hewitt of Burlington, CT Receives Top Honors The Scottish Harp Society of America (SHSA) and the Clan Currie Society are pleased to announce that Haley Hewitt of Burlington, CT is the 2013 U.S. National Scot- Haley Hewett tish Harp Champion of America. The championship was held on Saturday, September 21 at the 55th Annual Ligonier Highland Games in Ligonier, PA – just east of Pittsburgh. Judging the Nationals were renowned harpers Sharon Knowles and Ann Heymann. It was a successful event, with a full flight of competitors. The championship hosted competitors in four Special Cat- egories as well as solo artists at every level of ability. Many traveled halfway across the country to take part. Judges Knowles and Heymann had a challenging event to judge as the quality of the competitors’ performances were extremely of material she had learned while studying in Scotland. The first high. In addition to judging, they provided competitors with set was a March/Strathspey/Reel of traditional tunes learned thoughtful feedback on their performance. from Northeast fiddle players: Farewell March, Forbes For Haley Hewitt, the win was unforgettable. “I am Morrison, and Monymusk. The second set was The Coombe very proud to have won, and am excited to share my love Road/Session at Fintan’s, which is a medley of an air into a 5/ for the rich tradition of this wonderful instrument! I was 4 reel. This piece is one movement from the Valentia Suite delighted to have taken part in what is apparently a thriving which Michael O’Sullivan composed for her.
[Show full text]
Blas International Summer School of Irish Traditional Music and Dance
Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick FIDDLE TUTORS JOHN CARTY John Carty is one of Ireland’s finest traditional musicians having been awarded the Irish Television station, TG4’s Traditional Musician of the Year in 2003. He joins previous acclaimed winners Matt Molloy (Chieftains flautist), Tommy Peoples (Master Fiddler), Mary Bergin (whistle player, Dordan), Máire Ní Chathasaigh (Harpist) and Paddy Keenan (Uilleann Piper), all of whom are considered to be the leading exponents of their instruments within the Irish tradition. Carty already has three solo fiddle albums, two banjo albums, two group albums and a sprinkling of recorded tenor guitar and flute music recordings under his belt so it’s little wonder he should have joined such elusive ranks. John is a tutor at the Irish World Academy. www.johncartymusic.com Blas International Summer School of Iris h Traditional Music and Dance Iris h World Academy of Music and Dance University of Limerick EILEEN O’BRIEN Eileen is the bearer of a musical dynasty which can be traced back through generations on both sides of her family, the legendary, O’Brien family from Newtown, Nenagh and her mother’s family, the Seerys from Dublin who were founder members of C.C.E. Eileen’s father, Paddy O’Brien established the B/C accordion-playing style in the 1950’s. His innovative style both as a musician and a prolific composer continues to have a profound influence on Irish traditional music. Eileen carries this musical tradition forward through performance, teaching and composition.
[Show full text]
CARRY on STREAMIN from EDINBURGH FOLK CLUB Probably the Best Folk Club in the World! Dateline: Wednesday 13 January 2021 Volume 1.15
CARRY ON STREAMIN from EDINBURGH FOLK CLUB Probably the best folk club in the world! Dateline: Wednesday 13 January 2021 Volume 1.15 EDINBURGH FOLK Except, as we mentioned in the previous singaround as well. COS(1.14) just before Christmas, this time Finally, to access the event on January CLUB et al: BURNS Burns Night for us is very, very different! 23rd at 8pm click on this link to email a This year’s version of the event is a joint request for the Zoom link. NIGHT 2021 effort with Edinburgh’s “The World’s Room” monthly traditional song club plus Edinburgh FC as well as with the Howth Go to PayPal to donate to Singers’ Circle across the water near Dublin. Ambitious? Not ‘arf! the Paddy Bort Fund. As with so much else these days, Zoom is once again our friend but it’s not And click here to go to straightfoward having various different EFC’s YouTube channel. inputs to bring together at the right time. There’s quite a number of performers from See the panel (right) for the ‘us’ and from Ireland and Edinburgh FC’s performers on the video regular video and streaming wizard, Sandy accompanying this edition of McGhie of Channel7A, will be the knob COS. twiddler marshalling the live performances and pre-recorded inserts at the right time so you won’t notice the join! WE’RE MOVING RAPIDLY towards the Edinburgh FC’s annual Burns Night Howth Singers Circle have been which is always one of the convivial organising a very successful annual Burns highlights of the Edinburgh Folk Club Night since 2000.
[Show full text]
Capercaillie the Blood Is Strong Mp3, Flac, Wma
Capercaillie The Blood Is Strong mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Blood Is Strong Country: UK Released: 1995 Style: Celtic, Folk MP3 version RAR size: 1290 mb FLAC version RAR size: 1566 mb WMA version RAR size: 1821 mb Rating: 4.5 Votes: 761 Other Formats: MP4 VQF AUD MMF VOX XM AIFF Tracklist Hide Credits An Gille Ban 1 5:11 Arranged By – CapercaillieWritten-By – Trad.* Domhnall (Black Donald) 2 1:30 Written-By – Capercaillie An T-Eilean Mu Thuath 3 2:55 Written-By – Capercaillie, John MacCleod* Fagail Bhernaraidh (Leaving Berneray) 4 3:25 Written-By – Shaw*, Macleod* The Lorn Theme 2:30 Instrumental 5a Written-By – Shaw*, Duff* Moladh Bhearnaraidh (In Praise Of Berneray) 5b Arranged By – CapercaillieMusic By – Trad.*Words By – Iain Archie MacAskill - Gun Teann Mi Ris Na Ruinn Tha Seo (Remembrance) 6 2:50 Written-By – Donald Shaw, Macleod* Aignish 7 1:20 Written-By – John Archie Morrison*, Kennedy Fraser The Hebrides 8 1:27 Written-By – Capercaillie Arrival Theme 9 2:52 Written-By – Capercaillie Cumha Do Dh'Uilleam Siosal 10 1:29 Arranged By – CapercaillieWritten-By – Trad.* Iona Theme 11 0:49 Written-By – Capercaillie Oh Mo Duhthaich 12 1:35 Arranged By – CapercaillieWritten-By – Trad.* Calum's Road 13 3:39 Written-By – Capercaillie Callinish, Picts, Celts 14 1:39 Written-By – Capercaillie Fear A Bhata 15 1:54 Arranged By – CapercaillieWritten-By – Trad.* Alasdair Mhic Colla 16 2:05 Arranged By – CapercaillieWritten-By – Trad.* Dean Cadalan Samhach 17 1:59 Written-By – J. MacRae* Lordship Of The Isles 18 1:31 Written-By – Capercaillie Grandfather Mountain 19 3:01 Written-By – Capercaillie Arrival Reprise 20 2:04 Written-By – Capercaillie An Ataireachd Ard 21 2:00 Written-By – D.
[Show full text]
A Review from Froots
fR364 PAGES 50-65 (11 Pgs)_Layout 1 01/09/2013 22:47 Page 1 f 50 Photo: Brian Shuel Photo: Judith Burrows Catrin Finch & Seckou Keita The Young Tradition CATRIN FINCH & speaking the same language. It’s less impres- decent sound quality. All the distinctive YT sionistic and more song-based than Tretakt facets are there – Bellamy on soaring, whoop- SECKOU KEITA Takissaba with Cissokho taking the vocal lead ing overload while Heather Wood’s voice Clychau Dibon Astar Mwlden AARCDA 025 in typically gruff griot style. But it’s instru- dances elegantly on top of it with Royston mentally that the trio really shine. Where the Wood’s bass vocals giving the whole thing a ELLIKA SOLO RAFAEL Finch & Keita album sounds all of a piece, coherent root. Completely unaccompanied, it Now is full of unexpected twists and turns. includes many of their old favourites, includ- Now Country & Eastern CE26 The kora can suddenly sound like a Mexican ing Banks Of Claudy, Banks Of The Nile, The harp, the percussion West African and Frisell’s Foxhunt and The Two Magicians; each mem- She was a highly fiddle and viola dance round it all. Very well ber of the group takes a solo with Heather respected Welsh worth seeking out. Wood getting the best audience reaction harpist, he was a Not- with her deft My Husband’s Got No Courage tingham-based mas- www.countryandeastern.se In Him. But inevitably Bellamy’s is the voice ter of the West Jamie Renton that keeps you gripped, wondering where it African kora… together they made beautiful will dip and dive next.
[Show full text]
Borrowing in Celtic Music
1 of 10 BORROWING IN CELTIC MUSIC 13/03/09 I have long been fascinated by the identification of ‘Celtic’ culture and, by extension, ‘Celtic’ music. Its adequate definition has even resisted recent attempts (Stokes & Bohlman, Sawyers, Melhuish). One of the initial questions I have concerned myself with is whether the term ‘Celtic music’ has force as a style-label, as a genre-label, as a practice, or simply as a deft marketing ploy. As such, I have had to ask myself about the relationships between individual examples of ths repertoire – what they share, what they fail to share, and how such sharing comes about. The sharing of, or re-working of, material between distinct items within a repertoire is, it seems to me, very much on the agenda of this gathering. The terms in which I might discuss these in ‘Celtic music’ are not, however, self-evident. The obvious conceptual apparatus for this is represented by Bakhtinian dialogism. And, it seems to me that this will be useful, particularly in consideration of intra-opus details. Indeed, in ordinary analytical work, dialogism has already made a marked entry into musicology. I am less easy, however, with the employment of the concept to discuss inter-opus details, to discuss material shared between different items within a repertoire. Kevin Korsyn glosses Bakhtin’s concept of the ‘dialogic chain’ like this: utterances … continually respond… to past utterances while anticipating their future reception… In this dialogic process, we are sometimes authors, but we are also intermediaries, passing on socially constituted messages; we are couriers (Korsyn 2003: 39) A successful courier is, however, mute.
[Show full text]