DOCSLIB.ORG

Student Movement V

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Student Movement V Andrews University Digital Commons @ Andrews University Student Movement v. 102 (2017-2018) Student Movement 12-1-2017 Student Movement - Issue 11 Andrews University Follow this and additional works at: https://digitalcommons.andrews.edu/sm-102 Recommended Citation Andrews University, "Student Movement - Issue 11" (2017). Student Movement v. 102 (2017-2018). 11. https://digitalcommons.andrews.edu/sm-102/11 This Book is brought to you for free and open access by the Student Movement at Digital Commons @ Andrews University. It has been accepted for inclusion in Student Movement v. 102 (2017-2018) by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. THUR 12.01.17 VOLUME 102 ISSUE 11 Light It Up Anthem Lights Brightens the Howard Performing Arts Center PHOTO BY JONOTHAN LOGAN AN ODE TO DIVERSITY THE TRUE MEANING WINTER IS COMING IT’S (ALMOST) THE MOST COOKIE-CUTTER GROWING OUT “Attendees affirmed how OF CHRISTMAS “For those unfamiliar with WONDERFUL TIME OF MURDERS OF CHRISTMAS AU remains committed “It is easier to accept a baby Berrien Winters, here are THE YEAR “Armed with a rolling pin, “Why is everything so festive?” to celebrate diversity and in swaddling clothes than the some simple tips to stay “It’s a program, often put on by she peers cautiously out P. 12 acknowledge the beauty in radical Christ who comes happy and warm despite different churches, partnered the window…” different cultures.” to divide the earth into the the frightful weather.” with people to bring gifts to P. 10 P.3 camps of the sheep and the P. 7 children with one are both goats.” parents in jail.” P. 5 P.8 THE STUDENT MOVEMENT 2 News Music Department Showcases Diversity Lisa Hayden News Editor PHOTOS BY JULIA VINIZCAY Alicia Dent | On Friday, Nov. 17, the hymns were chosen as the theme. the many soloists of the evening. Warren Garrido (senior, music) program served as an excellent Department of Music Voice Vespers Charles Reid, Associate Burghardt chose to sing the articulated his experience this transition into the Sabbath hours. ushered the Andrews University Professor of Voice, Director of Vocal traditional spiritual “Steal Away” and way: “As a piano major, I came Deandra Joseph (sophomore, community into the Sabbath with Activities, and Artist-in-Residence, stated that “To find the emotional to appreciate and support other speech pathology, language and songs of deliverance and faith in expressed that the intention in feel of the piece I went through and music vespers and recitals such as audiology) said that “The music God. choosing spirituals and hymns analyzed it line by line, assigning this. It was wonderful listening to a vespers was a great program! I The vespers, entitled “Faith of Our was to equip the students with meaning to each stanza. I saw wide range of singers with different enjoyed seeing my friend and other Fathers,” featured arrangements beautiful arrangements that can be each of the stanzas as having three musical styles, interpretations and music majors perform under the of traditional spirituals and hymn sung in various religious settings. distinct emotions: escaping the timbres.” teaching of Professors Reid and arrangements performed in a In addition, such music allows the trials of the world to spend time with The numerous reports from this Zork.” variety of timbres and ranges. This singer to interpret freely and enables Jesus, joy/relief at having found time program indicated that people were Many in attendance expressed program was not only well received the listener to resonate with what to spend with Him, and the more truly blessed by the work invested how they were blessed by giving by the audience, but it also provided they are hearing more strongly . contemplative final stanza as the by each of the voice students and countless affirmations following quite a unique worship experience. The music not only resonated quiet time with Jesus at the end of teachers to make this program the program. A lot of attendees Throughout the years, Andrews with the audience, but with the the day.” possible. What is probably most specifically affirmed how Andrews students have participated in this singers as well. Some mentioned Each singer clearly took to heart impressive is that this program University remains committed to vespers program under varying that their piece helped them to better the lyrics they portrayed to the served as proof that music is truly a their efforts to celebrate diversity themes such as Psalm settings understand cultures different from audience. In addition to resonating universal language. and acknowledge the beauty in from the 1930’s, Sacred Christmas their own, as music is a universal with fellow voice majors, the vespers Not only were music majors different cultures. Solos, Broadway, and Oratorio. This language. Katharina Burghardt also made an impact on other music blessed, but students of other was the first year that spirituals and (junior, music education) was one of majors. disciplines expressed that the AU Theatre Wing Teaches a Lesson In True Beauty Christina Mercado | Andrews same plan as the king and queen. “Originally we were going to with better costuming and lighting. musical next semester. University Theatre Wing held He trades places with his servant, (perform) ‘Much Ado About Nothing’ He emphasized that theatre is for A c t r e s s K a zu m i H i r a t a (s o p h o m o r e, three performances of “The Ugly Carlo. While the entertaining and but we didn’t have enough people for every kind of student and the club is psychology and criminal justice), Duckling” at Newbold Auditorium silly “royals” meet each other, the the production. We started looking flexible for student schedules. who played Dulcibella, first fell in over the weekend of Nov. 17-19. real prince and princess meet, for other plays and came across this In addition to actors, the club is love with the art of theatre in her The play tells the story of a king and exchange secrets, and fall in love. one. Everyone liked the concept. always looking for makeup artists, home country of Japan, in middle queen who believe their daughter, The play ends with a riddle that We should never judge someone by hair stylists, technicians, singers school. She said that even though Princess Camilla, is not beautiful. Carlo the “prince” must answer their looks alone because that’s not and dancers. participating in college theatre Her parents plan to marry her to before he can wed the princess. where true beauty lies. Beauty lies In past years, the club has is sometimes hard because of Prince Simon from a faraway land The correct answer was “cat” but within and that’s more important.” presented plays and musicals, the language barrier and cultural who has never seen her before. They Carlo answers “dog.” Prince Simon The Theatre Wing is a non-profit such as “The Importance of Being differences, it is a dream. Hirata force Camilla to trade places with explains that in his country, that dog organization fully funded by the Earnest,” “To Kill a Mockingbird,” said, “I’m so glad to be a part of it.” her more beautiful but ditzy maid, means cat. This hurdle overcome, student body. Director Benjamin “Pygmalion” and “Fiddler on the Dulcibella. they are pledged to be married. Koch (senior, political science/ Roof”. With the funds collected from However, the prince also believes Cast member James Jackson business) said that the club uses the “The Ugly Duckling”, The Theatre he is not handsome and has the (freshmen, architecture) said, money to put on bigger productions Wing hopes to produce a spring THUR 11.16.17 VOLUME 102 ISSUE 10 3 The Power of Encouraging Conversation Nixon and his office for organizing responses from people with varying this event. It highlighted the need backgrounds and experiences. for conversation. We are all different Crystal-Anne Tan (sophomore, with different experiences and documentary film) said, “The Free different opinions and different Intelligent Conversation event was rationales and the only way to a really positive experience. I think experience all of that is through a lot of the questions asked could conversation.” definitely be applied to everyday Now, the organization sets out conversations with your peers just to accomplish three objectives: to to get different perspectives.” celebrate each other’s differences, The moderator lead the audience to create places where you in breakout sessions before can talk about anything, and to and after the panel discussion. encourage meaningful face-to-face During these sessions, audience conversation. The questions posed members formed groups of 4-5 by the moderator aligned with these and participated in conversation objectives. prompted by FreeIC question During the panel discussion, cards. Attendees resonated with panelists were given the opportunity the importance of group discussion to answer these guided questions. and expressed the need for Audience members recounted their Andrews University to continue PHOTO BY IMC favorite questions and topics that these events. Lisa Hayden | Students, faculty, Allen, a recruiting coordinator for Conversation is a non-profit surfaced during the discussion. Theard Pierre (freshman, and staff filed into Chan Shun International Business Machines organization started with one Autumn Goodman (sophomore, theology) said, “I enjoyed the Hall on a brisk Saturday evening (IBM), moderated a panel on goal: to encourage conversation. photography) said, “One of the FreeIC’s groups of different people to engage in Free Intelligent discussing challenging topics. The According to the official FreeIC questions they asked at the FreeIC talking about things we usually Conversation (FreeIC). Presented panelists were AUSA President website, “the movement has spread thing was, ‘if you could change one never get a chance to speak on.
Load more

Recommended publications
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • Messagesfromhigherspheres 1
    ME S S AG E S FRO M H IG H E R S P H E RE S TH ROUG H THE MEDIUMSH IP OF AN D IN SPI RATIONALL' G I VEN B' RECEIVED AND RECORDED VERBATIM IN THE DICTAPHONE Morr Ment Mor and Tem er e Growth th o al, al, p anc are e Beacon Lights in all the Spheres o REQ UE S T Give s the i ht and wisd om 0 M ster u ' l g , a accord ing to our investigations made aright PRINTED FOR 1 9 12 THIS VOLUME IS DEDICATED Fir To m S iri G i e in the Hi e r S e re s wi st , y p t u d s gh ph , thout w ose ins ir io aid i f rm i I c u h p at n , , and n o at on o ld not have prepare d this work S ec To m n b who be ie ve ond, y stau ch and loyal hus and, has l d in m e s im i i wi s f i i r w ic o pl c tly and th uch un a l ng t ust, h h s m e m m e i m i i e ve o m e ssib e ha ad y d u st c d l p nt po l , to re ceive the se m essage s from m y de ar angel frie nds C O N T E N T S CHAP TE R I PLAN AND PURPOSE OF THIS VOLUME II TRANSITIONS OF DAR' ENED SOULS III TRANSITIONS OF HONE ST SOULS IV INDUSTRIES AND SUSTENANCE OF HIGH ER SPHERES V E ' OF N V UA ' A E ID NTIT I DI ID LIT , ND D FININ G OF SOU AND SP R A L I IT, ND AUTO-SUGGESTION VI METHOD S O F SPIRIT C OMMUNIC ATI ON OF HIGHER SPHERES VII SPIRITUAL HEALERS VIII OF VISIONS AND MIND READING IX OF VISIBLE S PIRIT MATERIALI' ATION AND PERCEPTIONS OF SPIRITS X OF UNRELIABLE COMMUNICATIONS AND RELIABLE SPIRITUAL COMMUN ICA TIONS FROM HIGHER SHE RES XI THE ANCIENT PROPHE TS OR SPIRITS XII THE AMELIORATION OF GRIEF THROUGH TRANSITION XIII ACCUMULATION OF WEAL TH B' PI R s .
    [Show full text]
  • Mabel Normand
    Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne.
    [Show full text]
  • Genesis IV Summer 2004 Edition
    GENESIS IV THE ALUMNI MAGAZINE OF SAINT IGNATIUS COLLEGE PREPARATORY, SAN FRANCISCO, SUMMER 2004 2 Development News A Legacy for a father from Chronicle reporter John Wildermuth ’69 • SI thanks parents who have completed their pledge to support the school. 7 Feature Articles The Buddy System: Tom Leach ’94 & Bill Duggan ’93 are the success behind TV’s Curb Appeal • Mike Nevin ’61 & Ed McGovern ’75 are among the top COVER STORY: The Class of 2004 received 10 most infl uential in San Mateo County • Physics teachers Byron Philhour their diplomas … Page 18. & James Dann ask students to look at the sky and wonder • Celine Alwyn ’98 & Brendan Quigley ’78 are in and behind the spotlights on Broadway. 18 School News COVER STORY: Class of 2004 honored at 145th commencement ceremonies • Valedictorian Kevin Feeney asks students to heed the prophets • St. Antho- ny’s Fr. John Hardin receives President’s Award • Chad Evans bikes across the US to raise awareness for poverty. SPORTS: The Boys’ Varsity 8 took third in the nation in crew … Page 31. 32 Alumni News All-Alumni Sports Day brings 400 graduates back to SI • Actor, Producer, Director Geoff Callan ’85 does it all • Sean Cheetham ’95 fi nds faith through art • Looking back 15 years on coeducation. 42 Sports Highlights Boys’ Varsity Crew takes third in nation • Alumni lacrosse players win na- tional championship 45 Departments Keeping in Touch • Births • In Memoriam • Feedback • Calendar On the cover: The Class of 2004 celebrates outside St. Ignatius Church mo- ments after they received their diplomas. Photo by Paul Totah.
    [Show full text]
  • John T. Lewis: Black American Hero of the Nineteenth Century by Sharon Burleson Schuster 1835, Linwood Was a Sparsely Populated Village
    John T. Lewis: Black American Hero of the Nineteenth Century By Sharon Burleson Schuster 1835, Linwood was a sparsely populated village. Wolves, bears, deer, and other wildlife roamed the n 1835 the scimitar-shaped tail of Halley’s Comet countryside. The creek was a good place to fish. came near to earth, bringing with it predictions Iof doom, gloom, and greatness—the doom of the Lewis lived and worked with his family in War Between the States, the gloom of the reality Linwood as a farm laborer and blacksmith. He of slavery, and in Linwood, Maryland—greatness: could read and write. According to J. Maurice John T. Lewis was born. Henry’s History of the Church of the Brethren in Maryland, Lewis cherished the collection of books in his home library, “not the least of which are the first books he ever studied… an old Maryland arithmetic, an old speller, and a geography, all published about 1850.” In 1851 he purchased “the first copybook he ever owned. Every page is filled with his first endeavors at handwriting” with a quill pen. The young Lewis, “of serious mind and strong religious inclination,” grew in the Brethren faith. Adherents of the religion stood fast against slavery. Members were known as “German Baptists,” “Dunkards,” or “Dunkers.” At age 18 Lewis was baptized at Meadow Branch in their Looking at Halley’s Comet, 1835 by John James Chalon. (Public Domain-U.S.) tradition of being dunked in water to symbolize the washing away of sins and being born anew Freeborn, John T. Lewis was a humble black man as a follower of Jesus Christ.
    [Show full text]
  • La Veuve Du Loup .•
    ARISTON Q!nnttuts Pa1c Frontispiece 2 The Guudian Angel (Poem) 3 A Neglected Little Classic 4 Miracles (Poem) 5 A Letter from St. Catherine's (Poem) 6 Le Veuve du Loup 7 Autumn Gold (Poem) 10 A Royal Wedding II Homer's Women 12 Vineta (Poem) 14 Our Angel Friends IS A Political Game 16 A Legend of the Rhine '7 Return to School t8 St. Joseph's Academy 1 8 A Song Recital 19 Violin Recital 19 Palestine 20 A Memorable Visit 21 Notable Visitors 21 Our Alumnae 22 Academic Notes 23 College News 24 ·' -- -- ---- ·······-····-'- THE ANGEL 1 FFI.FR ~--~~---- -~-~· ~~--~~~~~----------------~----~-------- - ------------- - -------- - · ----- ---------- ----------........... -~ -~~-- ~-. -~ --------~ -·----------- - -----. .. .. A RISTON • ~uis ut D eus? Entered as second-class matter Nov. 15, 1906, at tht: Pos t Office at St. Paul , Minn., under the A ct of Congress of M arch 3, 1879 VOL. VII. Coll ege of St. Catherine, St. Paul, Minn. N o. r t:be Guardian Rngel ~J)€N€ ' €R I see a mother clasp her child, 1::t;l Rs )VIary must have held her Infant Son, I fed the very air itself grow mild; Che light that folds them 'round outshines the sun. Rnd in the softened radiance I can f ed Che presence of a spirit pure as light; Che Guardian Rngd scarcely can conceal J)imsdf, at such a time, from human sight. Chen J)eaven itself draws very near to earth; Surrounding angels guard the two from harm, Rnd murmur of the Christ, J)is human birth, Che )VIother-maid who held J)im on her arm. for e'en the heavenly spirits pay, we lmow, Cheir meed of homage to the gl~am divine.
    [Show full text]
  • View / Open Musselman Oregon 0171A 12918
    FAITH AND CHANGE IN COMMUNITIES OF PERIL by MALORI ANN MUSSELMAN A DISSERTATION Presented to the Department of PolitiCal SCience and the Graduate SChool of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy DeCember 2020 DISSERTATION APPROVAL PAGE Student: Malori Ann Musselman Title: Faith and Change in Communities of Peril This dissertation has been aCCepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of PolitiCal SCience by: Joseph Lowndes Chairperson Anita Chari Core Member Gerald Berk Core Member Marsha Weisiger Institutional Representative and Kate Mondloch Interim ViCe Provost and Dean of the Graduate SChool Original approval signatures are on file with the University of Oregon Graduate SChool. Degree awarded DeCember 2020 ii © 2020 Malori Ann Musselman iii DISSERTATION ABSTRACT Malori Ann Musselman Doctor of Philosophy Department of PolitiCal SCience DeCember 2020 Title: Faith and Change in Communities of Peril While social and climate sCientists alike have attempted to present the crucial faCts of climate change, their urgent warnings have seemingly resulted in comparatively little politiCal aCtion. In this projeCt, I investigate the interseCtions of faith, environmental justiCe, and speCulative futures in both Christian and popular literature and media in the US. Utilizing analysis based in interpretive methodologies and my own experience as a politiCal educator and organizer, I analyze speCifiC narratives in works of faith and fiCtion—eaCh attempting to address environmental apocalypse, colleCtive struggles for survival, and the processes of building livable futures—as works of politiCal theory. I examine literary and cultural texts and consider ideas, values, beliefs, and strategies for surviving and adapting in the faCe of varying potent apocalypses.
    [Show full text]
  • A Companion to the Bible
    U.at&YOf~ \\\"",,,'\l" 00019&b13S1 llJUP'iB~l :Q{1. - I Shcli'_ _ lUNIT",,_STA~~ICA. A BOOK FOR EVERY ONE TO READ. THE TRUTH: A COMPANION !O THE BIBLE. 'By CHARLES J. GUITEAU, Lawy~r, Tluologian and L~cturlr. CHICAGO; DONNELLEY, GASSETTE & LOYD. 18 79. COPYRIGHTED 1879, DONNELLEY, GASSETTE & LOYD, CHICAGO. PREF ACE. A new line of thought runs through this book, and the Author asks for it a careful attention, to the end, that many souls rnay }ind the Savior. A REPLY TO RECENT ATTACKS ON THE BIBLE. ATTACKS ON THE BIBLE. CHRISTENDOM holcJs that the Bible is God's word; that it was written by holy men, and that its spirit and \ character emanated from God. WHY SOME PEOPLE ARE INFIDELS. Anyrational mind can find abundant evidence in the Bible to sustain Christianity, and the fact that some peo­ ple denounce Christianity is conclusive evidence that they have not examined the Bible with steady, persevering gaze. " The cares of this world, and the deceitfulness of riches, and the lusts of other things" have paralyzed their thought, and so they fall into infidelity. "My sheep," says Christ, "hear my voice," and the' Bible is Christ's voice speaking to the world. WHAT NEW YORK 1rllNISTERS SAY ABOUT HELL. Dr. John Hall, of New York, preached recently on hell, and among other things said, "Those ministers who attacked the orthodox doctrine of eternal punishment were generally uneducated men." By this Dr. Hall meant 8 A .COMPANION TO THE BIBLE. they were not scholars. Dr. Farrar was of this class.
    [Show full text]
  • Exploring the Relationship Between Outer Space and World Politics: English School and Regime Theory Perspectives
    Exploring the Relationship Between Outer Space and World Politics: English School and Regime Theory Perspectives Jill Stuart A thesis submitted to the Department of International Relations of the London School of Economics and Political Science for the degree of Doctor of Philosophy in International Relations UMI Number: U615931 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615931 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Author Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without the prior written consent of the author. I warrant that this authorization does not, to the best of my belief, infringe the rights of any third party.
    [Show full text]
  • Redalyc.ACTRICES DEL CINE MUDO QUE NO SUPERARON LA
    Aposta. Revista de Ciencias Sociales E-ISSN: 1696-7348 [email protected] Luis Gómez Encinas ed. España Ballesteros García, Rosa María ACTRICES DEL CINE MUDO QUE NO SUPERARON LA BARRERA DEL SONORO Aposta. Revista de Ciencias Sociales, núm. 71, octubre-diciembre, 2016, pp. 147-191 Luis Gómez Encinas ed. Móstoles, España Disponible en: http://www.redalyc.org/articulo.oa?id=495952433006 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto aposta revista de ciencias sociales ISSN 1696-7348 Nº 71, Octubre, Noviembre y Diciembre 2016 ACTRICES DEL CINE MUDO QUE NO SUPERARON LA BARRERA DEL SONORO ACTRESSES OF THE SILENT FILMS THAT THEY DIDN'T GET OVERCOME THE SOUND BARRIER Rosa María Ballesteros García Universidad de Málaga (SEIM/UMA) Recibido: 19/09/2015 - Aceptado: 8/04/2016 Formato de citación: Ballesteros García, R.M. (2016). “Actrices del cine mudo que no superaron la barrera del sonoro”. Aposta. Revista de Ciencias Sociales , 71, 147-191, http://apostadigital.com/revistav3/hemeroteca/ballesteros8.pdf Resumen El presente artículo tiene como objetivo recuperar una serie de actrices, ídolos de la etapa del cine mudo, que no lograron mantenerse al iniciarse el proceso al hablado. Ponemos el objetivo en algunas de las actrices más representativas a quienes el progreso técnico iba a condenar al ostracismo al no adecuarse su voz (aún sin la muleta del doblaje) a los inevitables cambios estructurales y auditivos.
    [Show full text]
  • Vachel Lindsay - Poems
    Classic Poetry Series Vachel Lindsay - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Vachel Lindsay(November 10, 1879 – December 5, 1931) Nicholas Vachel Lindsay was born on November 10, 1879 in Springfield, Illinois. The second of six children and the only son of Dr. Vachel Thomas Lindsay and Esther Catharine Frazee Lindsay. Vachel did not attend school until he was eight. He was taught at home by his mother, who had been a teacher and artist before her marriage. Grimm’s Fairy Tales is said to have been his primer. He graduated from Stuart School in 1893, having skipped the seventh grade and winning several prizes for his writing compositions. During his youth, Vachel was encouraged to follow in his father’s footsteps, therefore as a dutiful son, he enrolled at Hiram College, as a premedical student in 1897. Three years later, he wrote home and asked his parents to allow him to attend art school. In 1901 he was accepted as a student at the Art Institute of Chicago and began his pursuit of a career as an illustrator. He spent time reading the works of English mystic poet William Blake and writing poetry in earnest. He moved in 1904 to continue his studies at the New York School of Art and, while there, began to combine poetry and art. After hearing Lindsay recite one of his illustrated poems, "The Tree of the Laughing Bells," Robert Henri, a painter and teacher at the New York School, suggested to Lindsay that he devote himself to poetry.
    [Show full text]
  • Astronomy, a Hobby of Many Colours (PDF)
    A BEGINNERS GUIDE TO GENERAL ASTRONOMY WINNIPEG CENTRE - ROYAL ASTRONOMICAL SOCIETY OF CANADA This publication would not have been possible without the help and co-operation of the following people. Gestetner Inc. BARRY ANTONIUS Sales Support Manager, Western Canada 1645 Dublin Avenue, Winnipeg, Manitoba R3H 0G9 Telephone: (204) 633-9264 Friends and Members of the R.A.S.C. Winnipeg Centre. Manitoba Planetarium - star maps. N.A.S.A., for getting there and sending the photographs back. Sky & Telescope magazine and Astronomy magazine for information. Editor: 6. Westcott. Correlation: B. Land, E. Hlady. Typing: B. Westcott. Cartoons and Cover: D. Sine. Contributing Editors Index Page David H. Levy A Universe for Children. D. Kerr How the Sun Produces its Energy......1 G.N. Patterson, DFM, CD, BE. Astrophotography for Beginners ......3 Len Gamache Astrophotography: In theBeginning...7 Len Gamache Photographing the Aurora............. 9 B. Belkin Computers in Astronomy...............12 P. Delaney Hailey's Comet - The Comet Returns..16 C. Rutkowski Observing the Planets................24 G. Westcott Exploring the Planets................26 Constellations in the Northern Circumpolar Sky....... 36 Astronomical Phenomena.............. 37 Planet Chart and Star Maps..........38 Messier Map Reference........... ....44 Messier Catalogue................... 45 Messier Map..........................46 D. Sine Sky Notes ........... 47 Sky Notes............................48 Dedicated to the younger generation in the hope of finding a pathway to the stars. F O R E W O R D by David H. Levy A UNIVERSE FOR CHILDREN Have you ever really looked up at the stars? Tried to count them, make shapes out of them, or even try to see if they are all of the same colour? Have you tried to see if the stars always stay in the same place, or do some of those points of light appear to move? Have you ever looked up at the stars, and wondered? If you have never done this, then you are in store for a treat that is extra special and unique.
    [Show full text]