Vachel Lindsay - Poems
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The Christian in Complete Armour;
The Christian in Complete Armour; A Treatise Of the Saints’ War against the Devil: Wherein a Discovery is made of that grand Enemy of God and his People, in his Policies, Power, Seat of his Empire, Wickedness, and chief design he hath against the Saints. A MAGAZINE OPENED, From whence the Christian is furnished with Spiritual Arms for the Battle, helped on with his Armour, and taught the use of his Weapon: together with the happy issue of the whole War. BY WILLIAM GURNALL, M.A., Of Emanuel College, Pastor of the Church of Christ, Lavenham, Suffolk. A TREATISE OF THE WHOLE ARMOUR OF GOD ?Finally, my brethren, be strong in the Lord, and in the power of his might. Put on the whole armour of God, that ye may be able to stand against the wiles of the devil. For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places. ?Wherefore take unto you the whole armour of God, that ye may be able to withstand in the evil day, and having done all, to stand. ?Stand therefore, having your loins girt about with truth, and having on the breastplate of righteousness; and your feet shod with the preparation of the gospel of peace; above all, taking the shield of faith, wherewith ye shall be able to quench all the fiery darts of the wicked. And take the helmet of salvation, and the sword of the Spirit, which is the word of God: praying always with all prayer and supplication in the Spirit, and watching thereunto with all perseverance and supplication for all saints; and for me, that utterance may be given unto me, that I may open my mouth boldly, to make known the mystery of the gospel, for which I am an ambassador in bonds: that therein I may speak boldly, as I ought to speak.” — Ephesians 6:10-20. -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9111803 Childhood memory and the imagination in the poetry of Jorge Teillier Stojkov, Teresa Rose, Ph.D. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
1 Balz Engler Poetry and Performance: the Case of Vachel Lindsay The
1 Balz Engler, “Poetry and Performance: The Case of Vachel Lindsay”. Anglistentag 1982 Zürich: Vorträge. Ed. Udo Fries and Jörg Hasler. Giessen: Hoffmann, 345-58 Balz Engler Poetry and Performance: The Case of Vachel Lindsay The power of print over literary criticism is still so great that all the verbal arts, with the partial exception of drama, are commonly considered in terms of reading -- the silent interaction between a fixed text and an individual. The power of print has been so strong that it has even affected what is left of the art of performing poetry. It has given us the poetry reading, in which the book is the central object, placed between reader and audience. It has given us the reader who speaks with a flat intonation, almost monotonously, and who avoids eye contact with his audience; and it has also given us listeners who turn their glance inwards, sitting motionless, individuals in medita- tion. This, one might say, is the closest the performance of poetry can get to becoming an imitation of reading a book. Under these circumstances, other types of performance, including singing, gesturing and audience participation, have remained an embarrassing Problem to critics, one that can best be dealt with by excluding them from the realm of literature. The reception of Vachel Lindsay is a case in point. T.S. Eliot found him "impossible" after hearing him perform (Perkins 353), and Ezra Pound, who acknowledged his originality, criticized the craftsmanship of his poetry: "Believe 'me one can write it by the hour as fast as one scribbles." (54) Already during his lifetime Lindsay found it difficult to be taken seriously by students of literature, as Henry Seidel Canby's report on a performance at Yale indicates: The nice boys from the ivory towers of the best schools and the Gothic dormitories of Yale tittered at first. -
Messagesfromhigherspheres 1
ME S S AG E S FRO M H IG H E R S P H E RE S TH ROUG H THE MEDIUMSH IP OF AN D IN SPI RATIONALL' G I VEN B' RECEIVED AND RECORDED VERBATIM IN THE DICTAPHONE Morr Ment Mor and Tem er e Growth th o al, al, p anc are e Beacon Lights in all the Spheres o REQ UE S T Give s the i ht and wisd om 0 M ster u ' l g , a accord ing to our investigations made aright PRINTED FOR 1 9 12 THIS VOLUME IS DEDICATED Fir To m S iri G i e in the Hi e r S e re s wi st , y p t u d s gh ph , thout w ose ins ir io aid i f rm i I c u h p at n , , and n o at on o ld not have prepare d this work S ec To m n b who be ie ve ond, y stau ch and loyal hus and, has l d in m e s im i i wi s f i i r w ic o pl c tly and th uch un a l ng t ust, h h s m e m m e i m i i e ve o m e ssib e ha ad y d u st c d l p nt po l , to re ceive the se m essage s from m y de ar angel frie nds C O N T E N T S CHAP TE R I PLAN AND PURPOSE OF THIS VOLUME II TRANSITIONS OF DAR' ENED SOULS III TRANSITIONS OF HONE ST SOULS IV INDUSTRIES AND SUSTENANCE OF HIGH ER SPHERES V E ' OF N V UA ' A E ID NTIT I DI ID LIT , ND D FININ G OF SOU AND SP R A L I IT, ND AUTO-SUGGESTION VI METHOD S O F SPIRIT C OMMUNIC ATI ON OF HIGHER SPHERES VII SPIRITUAL HEALERS VIII OF VISIONS AND MIND READING IX OF VISIBLE S PIRIT MATERIALI' ATION AND PERCEPTIONS OF SPIRITS X OF UNRELIABLE COMMUNICATIONS AND RELIABLE SPIRITUAL COMMUN ICA TIONS FROM HIGHER SHE RES XI THE ANCIENT PROPHE TS OR SPIRITS XII THE AMELIORATION OF GRIEF THROUGH TRANSITION XIII ACCUMULATION OF WEAL TH B' PI R s . -
Kelly Clarkson American Idol 2004
Kelly clarkson american idol 2004 Since U Been Gone Live on The Christmas Special of American Idol: Kelly, Ruben & Fantasia: Home for. Kelly Clarkson performing Breakaway Live On the American Idol Christmas Special. Kelly Clarkson - Breakaway (Live American Idol Christmas Special) . This is my favourite song and. Kelly's emotions run as high as her vocals while performing her intimately personal song "Piece by Piece. Kelly Brianne Clarkson (born April 1, ) is an American pop-rock of her multi-platinum second album, Breakaway (), Clarkson moved to a more pop. 1 on two charts, Kelly Clarkson is the first American Idol contestant to earn reign on the Top Independent Albums chart on April 24, When American Idol premiered on Fox-TV on June 11, , it was far Then along came Kelly Clarkson, though the singer from Burleson, Texas, .. , "Idol" executive producers Nigel Lythgoe and Ken Warwick were. Kelly Clarkson performs on The Tonight Show with Jay Leno on August 9, in Burbank, California. Her second album, Breakaway, came. (CNN) Season 1 "American Idol" winner and breakout star Kelly Clarkson returned to the stage that made her famous Thursday night to mark. 'American Idol' is returning from the dead, but its top dawgs, Kelly Clarkson and Simon Cowell aren't coming along for the ride. Jennifer Hudson — who was on American Idol back in — will be a coach on Season 13 of. Kelly Brianne Clarkson was born in Fort Worth, Texas, to Jeanne Ann (Rose) She was the first winner of the series American Idol, in American Idol (TV Series) (performer - 20 episodes, - ) (writer - 4 episodes, - ). -
Ethan Allen Hitchcock Alchemy Collection in the St
A Guide to the Ethan Allen Hitchcock Alchemy Collection in the St. Louis Mercantile Library The St. Louis Mercantile Library Association Major-General Ethan Allen Hitchcock (1798 - 1870) A GUIDE TO THE ETHAN ALLEN HITCHCOCK COLLECTION OF THE ST. LOUIS MERCANTILE LIBRARY ASSOCIATION A collective effort produced by the NEH Project Staff of the St. Louis Mercantile Library Copyright (c) 1989 St. Louis Mercantile Library Association St. Louis, Missouri TABLE OF CONTENTS Project Staff................................ i Foreword and Acknowledgments................. 1 A Guide to the Ethan Allen Hitchcock Collection. .. 6 Aoppendix. 109 NEH PROJECT STAFF Project Director: John Neal Hoover* Archivist: Ann Morris, 1987-1989 Archivist: Betsy B. Stoll, 1989 Consultant: Louisa Bowen Typist: ' Betsy B. Stoll This project was made possible by a grant from the National Endowment for the Humanities * Charles F. Bryan, Jr. Ph.D., Executive Director of the Mercantile Library 1986-1988; Jerrold L. Brooks, Ph.D. Executive Director of the Mercantile Library, 1989; John Neal Hoover, MA, MLS, Acting Librarian, 1988, 1989, during the period funded by NEH as Project Director -i- FOREWORD & ACKNOWLEDGEMENTS: For over one thousand years, the field of alchemy gathered to it strands of religion, the occult, chemistry, pure sciences, astrology and magic into a broad general philosophical world view which was, quite apart from the stereotypical view of the charlatan gold maker, concerned with the forming of a basis of knowledge on all aspects of life's mysteries. As late as the early nineteenth century, when many of the modern fields of the true sciences of mind and matter were young and undeveloped, alchemy was a beacon for many people looking for a philosophical basis to the better understanding of life--to the basic religious and philosophical truths. -
The Congo and Other Poems
The Congo and Other Poems Vachel Lindsay Project Gutenberg's Etext of The Congo & Other Poems, by Lindsay #3 in our series by Vachel Lindsay Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Congo and Other Poems, by Vachel Lindsay August, 1997 [Etext #1021] Project Gutenberg's Etext of The Congo & Other Poems, by Lindsay *****This file should be named cngop10.txt or cngop10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, cngop11.txt. VERSIONS based on separate sources get new LETTER, cngop10a.txt. This etext was prepared by Alan R. Light ([email protected]). The original text was entered (manually) twice, and electronically compared to ensure as clean a copy as practicable. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. -
Exploring the Complex Political Ideology Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M University RECOVERING CARL SANDBURG: POLITICS, PROSE, AND POETRY AFTER 1920 A Dissertation by EVERT VILLARREAL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2006 Major Subject: English RECOVERING CARL SANDBURG: POLITICS, PROSE, AND POETRY AFTER 1920 A Dissertation by EVERT VILLARREAL Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, William Bedford Clark Committee Members, Clinton J. Machann Marco A. Portales David Vaught Head of Department, Paul A. Parrish August 2006 Major Subject: English iii ABSTRACT Recovering Carl Sandburg: Politics, Prose, and Poetry After 1920. (August 2006) Evert Villarreal, B.A., The University of Texas-Pan American; M.A., The University of Texas-Pan American Chair of Advisory Committee: Dr. William Bedford Clark Chapter I of this study is an attempt to articulate and understand the factors that have contributed to Carl Sandburg’s declining trajectory, which has led to a reputation that has diminished significantly in the twentieth century. I note that from the outset of his long career of publication – running from 1904 to 1963 – Sandburg was a literary outsider despite (and sometimes because of) his great public popularity though he enjoyed a national reputation from the early 1920s onward. Chapter II clarifies how Carl Sandburg, in various ways, was attempting to re- invent or re-construct American literature. -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
Langston Hughes by Library of Congress and National Park Service, Adapted by Newsela Staff on 02.27.17 Word Count 879
Authors: Langston Hughes By Library of Congress and National Park Service, adapted by Newsela staff on 02.27.17 Word Count 879 Langston Hughes photographed by Carl Van Vechten, 1936. Photo from the Library of Congress Synopsis: Langston Hughes was born in Joplin, Missouri, in 1902. He is one of the most important writers and thinkers of the Harlem Renaissance. This was an artistic movement in 1920s New York that celebrated African-American life and culture. Through his poetry, novels, plays, essays and children's books, Hughes promoted equality, condemned racism and became a celebrated voice of black culture, humor and spirituality. Early Years Hughes' childhood was one of frequent change and exposure to people of many backgrounds. He was born in 1902 in Joplin, Missouri, but his parents separated when he was very young. His father moved to Mexico, and his mother left him for long periods in search of steady employment. Hughes' grandmother raised him in Lawrence, Kansas, until he was 12. He later lived with his mother and stepfather in Illinois and Ohio. Hughes began writing creatively in high school, exploring his experiences and feelings in poetry. The year 1921 was a pivotal one for Hughes. He traveled to Mexico to be with his father and teach English in Mexican schools. While traveling on a train, he wrote his first significant poem, "The This article is available at 5 reading levels at https://newsela.com. Negro Speaks of Rivers." The poem was published in "The Crisis," a magazine of the National Association for the Advancement of Colored People, the leading civil rights organization in the United States. -
Mabel Normand
Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne.