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Literatura Líneas De Tiempo De Chile Premio Nacional Literatura
LÍNEAS DE TIEMPO DE CHILE PREMIO NACIONAL LITERATURA LÍNEAS DE TIEMPO DE CHILE PREMIO NACIONAL LITERATURA • AUGUSTO D’HALMAR (1882-1950) * • NICANOR PARRA (1914-2018) * Fue el primer chileno en recibir esta distinción. 1969 Este matemático, físico y profesor es considerado el creador 1942 Su novela más emblemática fue “Juana Lucero” (1902). de la Antipoesía. Entre sus obras destacan “Sermones y prédicas del Cristo de Elqui” (1977) y “Obra Gruesa (1969). • JOAQUÍN EDWARDS BELLO (1887-1968) • CARLOS DROGUETT (1912-1996) Porteño de corazón, en 1959 recibió también el Premio 1943 En 1960 publica “Eloy”, una de las obras cumbres de la literatura chilena. 1970 Nacional de Periodismo. Fue un gran cronista y ensayista. “Patas de Perro” (1965) se adentra en la marginación • MARIANO LATORRE (1886-1955) en su más amplia dimensión. • HUMBERTO DÍAZ-CASANUEVA (1906-1992) Oriundo de Cobquecura, su libro “Cuentos del Maule” Poeta, diplomático y educador; poseedor de una prosa muchas veces catalogada 1944 (1912) lo introdujo en el mundo de la literatura. 1971 de hermética, conjugó su oficio de poeta con importantes labores de difusión y denuncia en torno al tema de los Derechos Humanos y la segregación racial. • ARTURO ALDUNATE PHILLIPS (1902-1985) • PABLO NERUDA (1904-1973) Ingeniero civil, matemático e investigador; este poeta versátil fue premiado y seguido. Ricardo Eliécer Neftalí Reyes Basoalto tomó de un poeta checo su seudónimo. 1945 Su ensayo “Los robots no tienen a Dios en el corazón” (1963) fue ampliamente 1976 Su vasta obra lo hizo merecedor en 1971 del Nobel de Literatura. debatido. Se caracterizó por unir el mundo de la ciencia con el quehacer literario. -
The Congo and Other Poems
The Congo and Other Poems Vachel Lindsay Project Gutenberg's Etext of The Congo & Other Poems, by Lindsay #3 in our series by Vachel Lindsay Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Congo and Other Poems, by Vachel Lindsay August, 1997 [Etext #1021] Project Gutenberg's Etext of The Congo & Other Poems, by Lindsay *****This file should be named cngop10.txt or cngop10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, cngop11.txt. VERSIONS based on separate sources get new LETTER, cngop10a.txt. This etext was prepared by Alan R. Light ([email protected]). The original text was entered (manually) twice, and electronically compared to ensure as clean a copy as practicable. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. -
1995 ANALES DEL INSTITUTO DE CHILE 1995 Edición De 500 Ejemplares Impreso En Los Talleres De IMPRESOS UNNERSITARIA, S.A
ANALES DEL "INSTITUTO DE ,·CHILE " 1995 ANALES DEL INSTITUTO DE CHILE 1995 Edición de 500 ejemplares impreso en los talleres de IMPRESOS UNNERSITARIA, S.A. San Francisco 454, Santiago, Chile en el mes de abril de 1996 Dirigir correspondencia y canje a: Instituto de Chile, Biblioteca, Almirante Montt 453 Santiago, Chile ISSN 07 16-6117 IMPRESO EN CHILE I PRINTED IN CHILE ANALES DEL INSTITUTO DE CHILE 1995 ÍNDICE Nómina de Académicos 11 Cuenta de! Sr. Presidente de! Instituto de Chile Dr. ARMANDO ROA, en e! Acto de Clausura de las Actividades de! año. 59 ESTUDlOS "Huidobro, Neruda, Arteche: Tres y un modo de decir poéticos" por CEDOMIL GOJe, Académico Correspondiente Extranjero (Estados Uni- dos) de la Academia Chilena de la Lengua. 69 "Un jurista indiano en la ruta de Hobbes" por ANTONIO DouGNAC RODRÍGUEZ, Académico de Número de la Academia Chilena de la Historia. 87 "Visión General del Problema de! Uso y Abuso de Drogas" por JORGE MAR DONES, Académico de Número de la Academia Chilena de Cien cias. 133 'The Changing Role of the Universities in the Modern World" por JOIIN M. ASHWORTH, Directo[ London School of Economics and Political Science, invitado por la Academia Chilena de Ciencias Sociales. Políticas y Mo[ales. 145 "'Experiencia de un Médico de la Corporación Nacional de Repara" ci(m y Reconciliación" por RODOLFO ARMAS MERINO, Académico de 0!Cllllero de la Academia Chilena de Medicina. 157 "'El Arte de la Iluminación Teatral" por BERNARDO TRUMPER, Acadé mico de Número de la Academia Chilena de Bellas Artes. 161 INFORMES Informe Anual de la Academia Chilena de la Lengua 179 Informe Anual de la Academia Chilena de la Historia 185 Informe Anual de la Academia Chilena de Ciencias 193 Informe Anual de la Academia Chilena de Ciencias Sociales, Políticas y Morales 199 Informe Anual de la Academia Chilena de Medicina 225 Informe Anual de la Academia Chilena de Bellas Artes 237 HOMENAJE AL DR. -
Two Knapsacks
TWO KNAPSACKS JOHN CAMPBELL CHAPTER I.THE FRIENDS—THE KNAPSACKS—THE QUEEN'S WHARF—THE NORTHERN RAILWAY— BELLE EWART—THE SUSAN THOMAS, CAPTAIN AND CREW—MUSICAL PERFORMANCE—THE SLY DOG—MISUNDERSTANDING—KEMPENFELDT BAY. Eugene Coristine and Farquhar Wilkinson were youngish bachelors and fellow members of the Victoria and Albert Literary Society. Thither, on Wednesday evenings, when respectable church-members were wending their way to weekly service, they hastened regularly, to meet with a band of like-minded young men, and spend a literary hour or two. In various degrees of fluency they debated the questions of the day; they read essays with a wide range of style and topic; they gave readings from popular authors, and contributed airy creations in prose and in verse to the Society's manuscript magazine. Wilkinson, the older and more sedate of the two, who wore a tightly-buttoned blue frock coat and an eyeglass, was a schoolmaster, pretty well up in the Toronto Public Schools. Coristine was a lawyer in full practice, but his name did not appear on the card of the firm which profited by his services. He was taller than his friend, more jauntily dressed, and was of a more mercurial temperament than the schoolmaster, for whom, however, he entertained a profound respect. Different as they were, they were linked together by an ardent love of literature, especially poetry, by scientific pursuits, Coristine as a botanist, and Wilkinson as a dabbler in geology, and by a firm determination to resist, or rather to shun, the allurements of female society. Many lady teachers wielded the pointer in rooms not far removed from those in which Mr. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 105 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 105 CONGRESS, FIRST SESSION Vol. 143 WASHINGTON, MONDAY, FEBRUARY 10, 1997 No. 16 House of Representatives The House met at 2 p.m. and was Pursuant to clause 1, rule I, the Jour- WASHINGTON, DC, called to order by the Speaker pro tem- nal stands approved. February 4, 1997. pore [Mr. COLLINS]. Hon. NEWT GINGRICH, f Speaker, House of Representatives. f DEAR MR. SPEAKER: I hereby resign my ap- PLEDGE OF ALLEGIANCE pointment to the House Veterans' Affairs DESIGNATION OF THE SPEAKER The SPEAKER pro tempore. Will the Committee. PRO TEMPORE Sincerely, gentleman from Guam [Mr. The SPEAKER pro tempore laid be- DUNCAN HUNTER. UNDERWOOD] come forward and lead the Member of Congress. fore the House the following commu- House in the Pledge of Allegiance. nication from the Speaker: The SPEAKER pro tempore. Without Mr. UNDERWOOD led the Pledge of objection, the resignation is accepted. WASHINGTON, DC, Allegiance as follows: February 10, 1997. There was no objection. I pledge allegiance to the Flag of the I hereby designate the Honorable MAC COL- f United States of America, and to the Repub- LINS to act as Speaker pro tempore on this COMMUNICATION FROM CHAIRMAN day. lic for which it stands, one Nation under God, indivisible, with liberty and justice for OF THE COMMITTEE ON WAYS NEWT GINGRICH, Speaker of the House of Representatives. all. AND MEANS f f The SPEAKER pro tempore laid be- fore the House the following commu- PRAYER MESSAGES FROM THE PRESIDENT nication from the chairman of the The Chaplain, Rev. -
Huidobro, Neruda, Arteche: Tres Y Un Modo De Decir Poéticos
Cedomil Goiç Huidobro, Neruda, Arteche: tres y un modo de decir poéticos 2003 - Reservados todos los derechos Permitido el uso sin fines comerciales Cedomil Goiç Huidobro, Neruda, Arteche: tres y un modo de decir poéticos Me propongo abordar tres textos de otros tantos autores elegidos en consonancia con un rasgo común, pero que corresponden a instancias distintas y a modos de decir bien diferenciados, todos relacionados con la imaginación del tiempo en la poesía contemporánea. Más allá o más acá, del tiempo y la distancia que los separa, recojo tres textos que se refieren al viaje. Un texto de Pablo Neruda, el poema III del Libro de las preguntas (1974) uno de los ocho libros póstumos del poeta, cuya última pregunta es "Hay algo más triste en el mundo/ que un tren inmóvil en la lluvia". La pregunta implica la respuesta inequívoca: `No hay nada más triste en el mundo que un tren detenido bajo la lluvia´, esto es lo que realmente el poeta quiere decir. Esto es lo dicho e implicado en la pregunta. Este enunciado colma la significancia, el sentido poético, del segundo texto de que nos vamos a ocupar, el poema "Horas" de Vicente Huidobro, que encabeza el libro Poemas árticos (1918). Este poema, sin mencionar el sobrepujamiento negativo de la circunstancia, la representa como un cuadro -un tableau-, en el cual la visión espacial, que despliega un entorno bien definido, comporta todas las partes señaladas en el verso nerudiano y agrega el espacio y la noche, como rasgos diferenciales, y la percepción que lo traspasa del lento fluir del tiempo. -
AS DREAMS Are Made On
we are such stuff AS DREAMS are made on NØRGÅRD · JANSON · SAARIAHO LACHENMANN · XENAKIS THE NORWEGIAN SOLOISTS’ CHOIR OSLO SINFONIETTA GRETE PEDERSEN BIS-2139 BIS-2139 booklet cover.indd 1 2016-05-16 12:39 NØRGÅRD, Per (b.1932) 1 Drømmesange (Dream Songs) 13'13 for mixed choir, percussion ad lib. (1981) (Edition Wilhelm Hansen) Text: Finn Methling LACHENMANN, Helmut (b.1935) 2 Consolation II (Wessobrunner Gebet) 6'19 for 16 voices (mixed choir) (1968) (Breitkopf & Härtel) Text: from the Prayer of Wessobrunn, c.790 JANSON, Alfred (b.1937) 3 Nocturne 9'02 for double choir, 2 cellos, harp and 2 percussionists (1967) (Edition Wilhelm Hansen) Text: Friedrich Nietszche SAARIAHO, Kaija (b.1952) 4 Überzeugung 1'44 for three female voices, crotale, violin and cello (2001) (Chester Music) Text: Friedrich Hölderlin NØRGÅRD, Per 5 Singe die Gärten, mein Herz, die du nicht kennst 10'58 for eight-part choir and 8 instruments (1974) (Edition Wilhelm Hansen) Text: Rainer Maria Rilke 2 XENAKIS, Iannis (1922–2001) 6 Nuits 8'38 for 12 mixed voices or mixed choir (1967–68) (Éditions Salabert) Text: Sumerian, Assyrian, Achaean and other phonemes SAARIAHO, Kaija 7 Nuits, adieux 9'45 for mixed choir and four soloists (1991/96) (Chester Music) Text: Jacques Roubaud, Honoré de Balzac TT: 61'08 Det Norske Solistkor (The Norwegian Soloists’ Choir) Oslo Sinfonietta Grete Pedersen conductor 3 The Sound of Dreaming For the Franco-Swiss philosopher and forerunner of Romanticism Jean-Jacques Rous - seau, song was the original first language, and it should therefore be the aim of future composers and singers to guide men back to their true nature and origin. -
LA LITERATURA COMO LUJO: Guillermo Atlas
■ 1 ■ ' fclfclfcIH t¡e w ■ É m 1 ■ ' M ^ ~.^— ■ i ém. //¿h-mk^ ^ |l ¡Mi < L ^^ Revista bimestral de Ciencias, Letras y Artes publicada por la Universidad de Concepción (Chile) COMISIÓN DIRECTIVA: David Stitchkin Branover, Hugo Trueco Lee, Carlos Martínez Toledo. La presente edición ha sido encargada al Departamento de Castellano de la Universidad de Concepción, bajo la tuición inmediata de los catedráticos señores Gonzalo Rojas, Alfredo Lefebvre y Juan Loveluck, y la colabo ración de Pedro Lastra INFORMES: Secretaría General de la Universidad de Concepción, Concepción C!úle, ': Representante de ]a Comisión Directiva en Santiago: Milton Rossel; Subrogante: Vicente Mengod, DISTRIBUIDORES EXCLUSIVOS EDITORIAL UNIVERSITARIA, S. A. Ricardo Santa Cruz 747 - Casilla 10220 Santiago de Chile f.,r.\|V^ V ! : -#T ENEA REVISTA BIMESTRAL DE CIENCIAS, LETRAS Y ARTES publicada por la UNIVERSIDAD DE CONCEPCIÓN (CHILE) Número extraordinario dedicado a los Encuentros de Escritores Chilenos ASO XXXV, TOMO CXXXI, N» 380-381, ABRIL - SEPTIEMBRE DE 1958 SUMARIO 1. SITUACIÓN DE LA LITERATURA NACIONAL EN 1958: David Stitchkin B. 2. PRIMER ENCUENTRO DE ESCRITORES CHILENOS: Salón de Honor de la Universidad de Concepción, 20 al 25 de enero de 1958. 3. PRIMER ENCUENTRO NACIONAL DE ESCRITORES. Gonzalo Rojas. Intervención del Presidente del Primer Encuentro de Escritores en la Décima y última sesión de trabajo. 4. POESÍAS: Braulio Arenas, Miguel Arteche, Efraín Barquero, Humberto Díaz Ca- sanueva, Luis Oyarzún, Nicanor Parra, Gonzalo Rojas. 5. LA MANDRAGORA: Braulio Arenas., 6. NOTAS PARA LA VIEJA Y LA NUEVA POESÍA CHILENA: Miguel Arteche. 7. EL POETA JOVEN Y LA FORMACIÓN DE SU MUNDO POÉTICO: Efraín Barquero. -
The Congo and Other Poems
The Congo and Other Poems Vachel Lindsay Project Gutenberg's Etext of The Congo & Other Poems, by Lindsay #3 in our series by Vachel Lindsay Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Congo and Other Poems, by Vachel Lindsay August, 1997 [Etext #1021] Project Gutenberg's Etext of The Congo & Other Poems, by Lindsay *****This file should be named cngop10.txt or cngop10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, cngop11.txt. VERSIONS based on separate sources get new LETTER, cngop10a.txt. This etext was prepared by Alan R. Light ([email protected]). The original text was entered (manually) twice, and electronically compared to ensure as clean a copy as practicable. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. -
Revista Chilena De Literatura 73.Indd
REVISTA CHILENA DE LITERATURA Noviembre 2008, Número 73, 139 - 161 II. ESTUDIOS PROCESOS DE CANONIZACIÓN DE LA LITERATURA CHILENA* Iván Carrasco M. Universidad Austral de Chile RESUMEN / ABSTRACT Este trabajo estudia los procesos de canonización en la literatura chilena y sus relaciones con las identidades socioculturales, desde la generación romántica de 1852 (ó 1842) hasta la última década del siglo XX, delimitando sus autores, textos y metatextos canónicos. La hipótesis que organiza el trabajo es que la literatura chilena se inició en torno a un canon único, que ha sido reemplazado a través del tiempo por cánones plurales, paralelos y contrapuestos. PALABRAS CLAVE: literatura chilena, canon literario, generación, identidad, metatexto. This paper studies the literary canonization processes in Chilean literature and their relations with social and cultural identities. Its purpose is to establish the boundaries of the texts and metatexts written by Chilean canonical authors, starting with the romantic generation of 1852 (or 1842) and ending up with the works published in the last decade of the XX century. The hypothesis of this essay is that Chilean literature can be said to have its origins focused on a single canon, which is later replaced by a series of plural, parallel and even opposite canons. KEY WORDS: Chilean Literature, literary canon, generation, identity, metatext. * Este artículo ha tomado como base la ponencia leída en el XIV Congreso Internacional de SOCHEL realizado en Arica, Chile, entre el 9 y el 11 de agosto de 2006 y forma parte del proyecto FONDECYT 1040321 “Canonizaciones e identidades en la literatura chilena”, realizado con la colaboración de mis colegas del Instituto de Lingüística y Literatura de la UACH, Drs. -
Chilean Twentieth Century Poetry
HELMS. DAPHNE UVONKE. The Mapuche Indians in Chilean Twentieth Century Poetry. (197C) Directed by: Dr. George E. McSpadden. pp. (4-2) The Mapuche Indians of Chile form an integral part of the Chilean culture and society. Yet, because of racial prejudice, the Mapuches are often ignored or denied their rightful place in the Chilean society. However, the twentieth century Chilean poets are reawakening to the role the Mapuche plays in Chilean life. Assuming that the literature of a country is a written reflection of its culture, the works of several outstanding and famous contemporary Chilean poets have been chosen for investigation to determine how and to what extent the Mapuche culture entered the Chilean contemporary poetry. Influences of the Mapuche Indians have been found in the theme of the poems and in indigenous words included in the poems. Thus, these Indians have begun to come to prominence in Chilean contemporary poetry as an integral part of Chilean culture. i THE MAPUCHE INDIANS IN CHILEAN TWENTIETH CENTURY POETRY by Daphne Uvonne Helms A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts in Spanish Greensboro August, 1970 Approved by <3^, ?^7?7jzf?i^j^ Thesis Adviser APPROVAL SHEET This thesis has been approved by the following committee of tne Faculty of the Graduate School at The University of North Carolina at Greensboro. Thesis Adviser ^<^>. o. '222j*d&*u&^r—r Oral Examination Committee Kerubers df/jLu /?. l>->Cuk.^j ikkhu.';/. **3-)- ^10 Date of Examination ii ACKNOWLEDGMENTS I owe thanks to Dr. -
Cuadernos De Historia 39
CUADERNOS DE CUADERNOS DE HISTORIA 39 Santiago de Chile December of 2013 HISTORIA 39 SUMMARY ISSN - 0716-1832 Articles Talking to his excellency: contentious political dialogues at the Lira Popular ........................................................................................................ 7-32 Tomás Cornejo C. Repression: the ADN of spanish franquism ....................................................... 33-59 Ramon Arnabat Mata “Un único y potente puño proletario” for Latin America: continental and international background, 1936-1938 ................................................................ 61-91 Patricio Herrera González Repression of crime: the institutions of Justice and police in the city of Pinar del Río, Cuba (1938-1958). .............................................................................. 93-111 Juana Marta León Iglesias Bernardo O’Higgins between left-wing and right-wing. His figure and legacy in Chile: 1970-2008 .......................................................................................... 113-146 Cristián Guerrero Lira y Ulises Cárcamo Sirguiado DICIEMBRE 2013 Threats without borders: new peripheries in the movement of people .............. 147-168 Carmen Norambuena Carrasco Documents Description of the province of Atacama [Bolivia] in 1832 ................................ 171-178 Eduardo Téllez Lúgaro y Osvaldo Silva Galdames May 1, 1973: The anarchists and the Popular Unity Government ..................... 179-184 Eduardo A. Godoy Sepúlveda Theotonio Dos Santos in the Chile of the