Genesis IV Summer 2004 Edition
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Messagesfromhigherspheres 1
ME S S AG E S FRO M H IG H E R S P H E RE S TH ROUG H THE MEDIUMSH IP OF AN D IN SPI RATIONALL' G I VEN B' RECEIVED AND RECORDED VERBATIM IN THE DICTAPHONE Morr Ment Mor and Tem er e Growth th o al, al, p anc are e Beacon Lights in all the Spheres o REQ UE S T Give s the i ht and wisd om 0 M ster u ' l g , a accord ing to our investigations made aright PRINTED FOR 1 9 12 THIS VOLUME IS DEDICATED Fir To m S iri G i e in the Hi e r S e re s wi st , y p t u d s gh ph , thout w ose ins ir io aid i f rm i I c u h p at n , , and n o at on o ld not have prepare d this work S ec To m n b who be ie ve ond, y stau ch and loyal hus and, has l d in m e s im i i wi s f i i r w ic o pl c tly and th uch un a l ng t ust, h h s m e m m e i m i i e ve o m e ssib e ha ad y d u st c d l p nt po l , to re ceive the se m essage s from m y de ar angel frie nds C O N T E N T S CHAP TE R I PLAN AND PURPOSE OF THIS VOLUME II TRANSITIONS OF DAR' ENED SOULS III TRANSITIONS OF HONE ST SOULS IV INDUSTRIES AND SUSTENANCE OF HIGH ER SPHERES V E ' OF N V UA ' A E ID NTIT I DI ID LIT , ND D FININ G OF SOU AND SP R A L I IT, ND AUTO-SUGGESTION VI METHOD S O F SPIRIT C OMMUNIC ATI ON OF HIGHER SPHERES VII SPIRITUAL HEALERS VIII OF VISIONS AND MIND READING IX OF VISIBLE S PIRIT MATERIALI' ATION AND PERCEPTIONS OF SPIRITS X OF UNRELIABLE COMMUNICATIONS AND RELIABLE SPIRITUAL COMMUN ICA TIONS FROM HIGHER SHE RES XI THE ANCIENT PROPHE TS OR SPIRITS XII THE AMELIORATION OF GRIEF THROUGH TRANSITION XIII ACCUMULATION OF WEAL TH B' PI R s . -
Royal Opera House Performance Review 2006/07
royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B. -
Caltrain JPB Member Nevin Would Scuttle Caltrain BART Extension
Peninsula Rail 2000 www.rail2000.org No. 99–2 September 1999 Caltrain JPB Member Nevin Would Scuttle Caltrain On a recent “Peninsula This Week” cable potential of bringing that line, that right of be used to position it for future use by BART. TV program in San Mateo County hosted by way, to its fullest potential during my time.” “Electrification has nothing to do with Bob Marks and SF Chronicle “Peninsula In- Since 1983, Peninsula Rail 2000 has ad- speed ... or efficiency of the line. The only rea- sider” columnist Mark Simon, San Mateo vocated for upgrading Caltrain to a first-class son for electrification, in my opinion, would County Supervisor Mike Nevin suggested that rapid transit line, including the conversion be, if in fact, Caltrain at some time or another, Caltrain’s right-of-way (ROW) should be used from diesel to electric power. PR2000 has main- went to downtown San Francisco ... the only for a BART extension. tained that this would permit service, fre- real gain is about 5 minutes savings in time “Our right of way, our jewel, the El Camino quency and capacity better than BART for less and speed to get from San Jose to San Fran- Real, the Caltrain/SP right of way is the an- than $1 billion for the approximately 50-mile cisco,” stated Nevin. swer—I believe—[from] a cost perspective. length of Caltrain. In contrast, the eight-mile CalTrain advocates maintain that electri- [You’re] asking about the buy-in to BART...we BART extension from Colma to Millbrae is fication in conjunction with other improve- own the right of way. -
La-Boheme-Extract.Pdf
OVERTURE OPERA GUIDES in association with We are delighted to have the opportunity to work with Overture Publishing on this series of opera guides and to build on the work English National Opera did over twenty years ago with the Calder Opera Guide Series. As well as reworking and updating existing titles, Overture and ENO have commissioned new titles for the series and all of the guides will be published to coincide with the repertory being staged by the company. We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the libretto and the nuances of the score, readers’ understanding and appreciation of the opera and the art form in general will be enhanced. Daniel Kramer Artistic Director, ENO The publisher John Calder began the Opera Guides series under the editorship of the late Nicholas John in associa- tion with English National Opera in 1980. It ran until 1994 and eventually included forty-eight titles, covering fifty-eight operas. The books in the series were intended to be companions to the works that make up the core of the operatic repertory. They contained articles, illustrations, musical examples and a complete libretto and singing translation of each opera in the series, as well as bibliographies and discographies. The aim of the present relaunched series is to make available again the guides already published in a redesigned format with new illustrations, revised and newly commissioned articles, up- dated reference sections and a literal translation of the libretto that will enable the reader to get closer to the meaning of the original. -
Mabel Normand
Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne. -
Overture Opera Guides
overture opera guides in association with We are delighted to have the opportunity to work with Overture Publishing on this series of opera guides and to build on the work English National Opera did over twenty years ago on the Calder Opera Guide Series. As well as reworking and updating existing titles, Overture and ENO have commissioned new titles for the series and all of the guides will be published to coincide with repertoire being staged by the company at the London Coliseum. We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the poetry of the libretto and the nuances of the score, read- ers’ understanding and appreciation of the opera and the art form in general will be enhanced. John Berry Artistic Director, ENO The publisher John Calder began the Opera Guides series under the editorship of the late Nicholas John in association with English National Opera in 1980. It ran until 1994 and eventu- ally included forty-eight titles, covering fifty-eight operas. The books in the series were intended to be companions to the works that make up the core of the operatic repertory. They contained articles, illustrations, musical examples and a complete libretto and singing translation of each opera in the series, as well as bibliographies and discographies. The aim of the present relaunched series is to make available again the guides already published in a redesigned format with new illustrations, some newly commissioned articles, updated reference sections and a literal translation of the libretto that will enable the reader to get closer to the intentions and meaning of the original. -
The Next Gen Art Collectors 2021
COLLECTORS 1 THE NEXT COLLECTORS REPORT 2021 3 LARRY’S LIST is pleased to present The Next Gen that have not yet been acknowledged or made visible For us, size wasn’t a main consideration. Indeed, not a blue-chip artist will most likely generate more “likes” FOREWORDArt Collectors Report. Here, we continue our mission on a global scale. We want to share their stories and everyone listed has a large collection; charmingly, the than an unknown artist in an equally brilliant interior of monitoring global happenings, developments and thoughts. Next Gen often have collections in the making. The setting. But we still try to balance it and set aside any trends in the art world—particularly in the contemporary We also consider LARRY’S LIST as a guide and tool process is a development that happens over years care about the algorithm. art collector field—by looking extensively at the next for practitioners. We share and name collectors, those and so a mid-20-year-old collector may not yet be at generation of young art collectors on the scene. Over people who are buying art and contributing to the the same stage in their collection as someone in their Final words the past few months, we have investigated and profiled art scene. The Next Gen Art Collectors Report is a late 30s. I would like to express my gratitude to all the collectors these collectors, answering the questions central to this resource for artists, galleries, dealers, a general art- The end result of our efforts is this report listing over we exchanged with in the preparation of this report topic: Who are these collectors founding the next art interested audience and, of course, peer collectors. -
Sae 2018 Aviation Technology Forum 航空技术论坛
EVENT GUIDE Includes Final Program and Exhibit Directory SAE 2018 AVIATION TECHNOLOGY FORUM 航空技术论坛 June 5 - 6, 2018 Renaissance Shanghai Pudong Hotel www.sae.org/attend/aviation-technology-forum INSPIRING BUILDING ADVANCING PEOPLE, TECHNOLOGY, AND INDUSTRY—ALWAYS IN MOTION AND LOOKING TOWARDS TOMORROW. A professional society, SAE International is the authority on vehicle engineering. We develop more vehicle technical standards—and more aerospace standards—than any other organization. We offer the largest library of vehicle engineering content. And, we bring together the largest global network of engineers in the world. Through a comprehensive collection of programs, products and services, we supply the information, tools, and technical know-how to help today’s professionals do their jobs better while we ensure the development of the next generation of mobility engineers. Since 1905, SAE has connected automotive, aerospace, and commercial vehicle engineers to each other and the technical resources needed to foster a lifetime of learning, solutions to improved vehicle technology, and the advancement of the mobility industry. SAE International—whose first vice president was an up-and-coming engineering talent by the name of Henry Ford and included early supporters like Orville Wright—was based on providing a platform for collaborative and informed dialog and the impetus of its earliest standardization efforts. Today, the sharing of information remains at its core, with SAE being acknowledged globally as the ultimate knowledge source for mobility engineering. YOUR ULTIMATE KNOWLEDGE SOURCE FOR MOBILITY ENGINEERING. WHATS INSIDE SAE 2018 Aviation Technology Forum Hosts Introduction 2 Event Overview 3 Floor Plan 4 Technical Program 5 Speaker Biographies 13 Sponsor & Exhibitor Profiles 28 Emergency Procedures During The SAE 2018 Aviation Technology Forum During the SAE 2018 Aviation Technology Forum attendees are to follow the established emergency guidelines of the facility where the emergency occurs. -
John T. Lewis: Black American Hero of the Nineteenth Century by Sharon Burleson Schuster 1835, Linwood Was a Sparsely Populated Village
John T. Lewis: Black American Hero of the Nineteenth Century By Sharon Burleson Schuster 1835, Linwood was a sparsely populated village. Wolves, bears, deer, and other wildlife roamed the n 1835 the scimitar-shaped tail of Halley’s Comet countryside. The creek was a good place to fish. came near to earth, bringing with it predictions Iof doom, gloom, and greatness—the doom of the Lewis lived and worked with his family in War Between the States, the gloom of the reality Linwood as a farm laborer and blacksmith. He of slavery, and in Linwood, Maryland—greatness: could read and write. According to J. Maurice John T. Lewis was born. Henry’s History of the Church of the Brethren in Maryland, Lewis cherished the collection of books in his home library, “not the least of which are the first books he ever studied… an old Maryland arithmetic, an old speller, and a geography, all published about 1850.” In 1851 he purchased “the first copybook he ever owned. Every page is filled with his first endeavors at handwriting” with a quill pen. The young Lewis, “of serious mind and strong religious inclination,” grew in the Brethren faith. Adherents of the religion stood fast against slavery. Members were known as “German Baptists,” “Dunkards,” or “Dunkers.” At age 18 Lewis was baptized at Meadow Branch in their Looking at Halley’s Comet, 1835 by John James Chalon. (Public Domain-U.S.) tradition of being dunked in water to symbolize the washing away of sins and being born anew Freeborn, John T. Lewis was a humble black man as a follower of Jesus Christ. -
Official Pamphlet
City and County of San Francisco Voter Information Pamphlet and Sample Ballot Consolidated Primary Election March 5, 2002 Prepared by the Department of Elections City and County of San Francisco Department of Elections: 554-4375 El Departamento de Elecciones: 554-4366 : 554-4367 WEB VERSION www.sfgov.org/election TABLE OF CONTENTS Voter Information Pamphlet Consolidated Primary Election, March 5, 2002 GENERAL INFORMATION CANDIDATE STATEMENTS Election Officer Application . (Inside Front Cover) Democratic Party Primary. Begins on 12 Purpose of the Voter Information Pamphlet ...........3 State Senate, 8th District. .. 12 Your Rights as a Voter ...........................4 Jackie Speier . ...........................12 Early Voting/Access for the Disabled Voter . .. .5 State Assembly, 12th District. ................13 Permanent Absentee Voter (Permanent Vote By Dan Kelly . 13 Mail) . .. .. .. .6 Leland Yee . ................................13 New Election Laws . 8 State Assembly, 13th District. ................14 Telephoning the Department of Elections . 33 Harry Britt . .................................14 Rules for Arguments For and Against Ballot Measures . 35 Steve Phillips . ......................14 Words You Need to Know . .36 Holli Thier . .....................................15 Index .......................................104 Mark Leno . ..................................15 SAMPLE BALLOT . .........CENTER SECTION Republican Party Primary. Begins on 17 Quick Voters Reference Page ...(inside Sample Ballot Section) State Senate, 8th District.