DOCSLIB.ORG

Andrew Langtree Photo: Matt Humphrey

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Andrew Langtree Photo: Matt Humphrey Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Andrew Langtree Photo: Matt Humphrey Andy was nominated for a 2017 Olivier Award for his performance as Ned Ryerson in Groundhog Day at The Old Vic. Greater London, England, United Eye Colour: Brown Location: Kingdom Hair Colour: Dark Brown Height: 5'8" (172cm) Hair Length: Short Playing Age: 31 - 40 years Voice Character: Friendly Appearance: White Voice Quality: Warm Stage 2020, Stage, Karl/Steve, Clybourne Park, The Park Theatre, Oliver Kaderbhai 2020, Stage, Owen, Stages, Vault Festival, Adam Lenson 2019, Stage, Marley/Father, A Christmas Carol, The Old Vic, Matthew Warchus 2019, Stage, George, The Secret Diary of Adrian Mole Aged Thirteen and 3/4, Ambassadors Theatre, Luke Sheppard 2018, Stage, Menelaus, Troilus & Cressida, RSC, Greg Doran 2018, Stage, Numitorius/Decimus/Jr Augue/Caeparius, Imperium, RSC, Gielgud Theatre, Greg Doran 2017, Stage, Scarecrow, The Wizard of Oz, Sheffield Crucible, Rob Hastie (UK Theatre Award Nomination) 2017, Stage, Peter Bucky, Albert's Boy, Orange Tree Theatre, Kate Campbell 2017, Stage, Hugh Peter / Irish messenger / Soldier, The Hypocrite, RSC, Hull Truck Theatre, Phil Breen 2016, Stage, Blind Pew / Smollett, Treasure Island, Birmingham Rep, Phil Breen 2016, Stage, Ned, Groundhog Day, Old Vic, Matthew Warchus (Olivier Award Nomination) 2016, Stage, Gooper, Cat On A Hot Tin Roof, Theatr Clwyd, Rob Hastie 2015, Stage, Carl Bruner, Ghost, China Tour, Paul Warwick Griffin 2015, Stage, Da Silva, Oppenheimer, RSC, Vaudeville Theatre, Angus Jackson 2014, Stage, Da Silva, Oppenheimer, RSC, Angus Jackson 2014, Stage, Dodger, The Shoemaker's Holiday, RSC, Phil Breen 2014, Stage, Monroe, A Stroke Of Luck, Park Theatre, Kate Golledge 2013, Stage, The Journalist, Sherlock: The Best Kept Secret, West Yorkshire Playhouse / UK Tour, Nikolai Foster 2012, Stage, George, Of Mice & Men, Bolton Octagon, David Thacker 2011, Stage, Carl Bruner, Ghost The Musical, Colin Ingram Assoc., Matthew Warchus (WOS award nomination) 2008, Stage, Jim O'Connor, The Glass Menagerie, Manchester Royal Exchange & UK Tour, Braham Murray 2007, Stage, Jack Hunter, The Rose Tattoo, National Theatre, Steven Pimlott & Nicholas Hytner 2005, Stage, Buddy, Come Blow Your Horn, Manchester Royal Exchange, Jacob Murray 2004, Stage, Dazzle, London Assurance, Manchester Royal Exchange, Jacob Murray 2004, Stage, Mick Williams, A Conversation, Manchester Royal Exchange Studio, Jacob Murray 2004, Stage, Cast, Micro-Musicals Workshop, Stephen Joseph Theatre, Laurie Sansom 2004, Stage, Doug Fine / Hustler, Six Degrees of Separation, Manchester Royal Exchange, Michael Buffong 2003, Stage, Emanuele Giri, The Resistable Rise of Arturo Ui, Citizens Theatre, Glasgow, Philip Breen 2003, Stage, Stanley, Brighton Beach Memoirs, Oldham Coliseum, Natalie Wilson 2003, Stage, Company, Oh! What A Lovely War, Theatr Clwyd, Tim Baker 2002, Stage, Craig, Getting To The Foot Of The Mountain, Birmingham Repertory Theatre, Laurie Sampson 2001, Stage, Eddie, Blood Brothers, West End, Bob Thomson Andrew Langtree 1/2 1999, Stage, Sky (Original cast), Mamma Mia!, West End, Phyillida Lloyd 1998, Stage, Nick Piazza, Fame, West End, Karen Bruce 1997, Stage, Bastard, King John, LIPA, Donna Soto-Morettini Television 2019, Television, Mark Hancock, Holby City, BBC, Jamie Annett 2017, Television, Angus Canham, Doctors, BBC 2012, Television, (2010 & 2012), Justin Gallagher, Emmerdale, Yorkshire Television, Various Directors 2010, Television, Tom Bassett, Doctors, BBC Television, Niall Fraser 2009, Television, Leon, Coronation Street, Granada, Various Directors 2007, Television, Luke Taylor, Doctors, BBC Television, Sean Gleeson 2006, Television, Fergus, Heartbeat, Yorkshire Television, Jonas Grimas & Judith Dine 2006, Television, Sebastian, The Royal, Yorkshire Television, Tim Dowd 2005, Television, Daniel, Holby City, BBC Television, Steve Finn 2002, Television, Gino, Cutting It, BBC Television, Andy De Emmony Film 2019, Film, Stewart, Hair Today, Shoeshine Productions, Frances Eva Lea 2003, Feature Film, Yes Man, De-lovely, De-Lovely Films, Irwin Winkler Radio 2008, Radio, Sawkins, The Ragged Trousered Philanthropists, BBC Radio 4, Dirk Maggs Accents & Dialects: (* = native) American-New York, American-Standard, Australian, Cockney, Glasgow, Irish-Southern, Lancashire*, Liverpool, London, Northern, RP, Welsh-Standard Languages: (* = Native/Fluent) English* Music & Dance: (* = highly skilled) Baritone*, Contemporary Dance, Guitar, Jazz Dancing Sports: (* = highly skilled) Athletics*, Martial Arts, Rugby*, Swimming* Vehicle Licences: Car Driving Licence Other Skills: Juggling, Stilt Walking Training: The Liverpool Institute for Performing Arts (LIPA) Powered by Spotlight and Tagmin The information in this CV has been provided by or on behalf of the client concerned via Spotlight.com. Every effort has been made to make sure that the information contained in this page is correct and Spotlight and Tagmin can accept no responsibility for its accuracy. Andrew Langtree 2/2.
Load more

Recommended publications
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • La-Boheme-Extract.Pdf
    OVERTURE OPERA GUIDES in association with We are delighted to have the opportunity to work with Overture Publishing on this series of opera guides and to build on the work English National Opera did over twenty years ago with the Calder Opera Guide Series. As well as reworking and updating existing titles, Overture and ENO have commissioned new titles for the series and all of the guides will be published to coincide with the repertory being staged by the company. We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the libretto and the nuances of the score, readers’ understanding and appreciation of the opera and the art form in general will be enhanced. Daniel Kramer Artistic Director, ENO The publisher John Calder began the Opera Guides series under the editorship of the late Nicholas John in associa- tion with English National Opera in 1980. It ran until 1994 and eventually included forty-eight titles, covering fifty-eight operas. The books in the series were intended to be companions to the works that make up the core of the operatic repertory. They contained articles, illustrations, musical examples and a complete libretto and singing translation of each opera in the series, as well as bibliographies and discographies. The aim of the present relaunched series is to make available again the guides already published in a redesigned format with new illustrations, revised and newly commissioned articles, up- dated reference sections and a literal translation of the libretto that will enable the reader to get closer to the meaning of the original.
    [Show full text]
  • Overture Opera Guides
    overture opera guides in association with We are delighted to have the opportunity to work with Overture Publishing on this series of opera guides and to build on the work English National Opera did over twenty years ago on the Calder Opera Guide Series. As well as reworking and updating existing titles, Overture and ENO have commissioned new titles for the series and all of the guides will be published to coincide with repertoire being staged by the company at the London Coliseum. We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the poetry of the libretto and the nuances of the score, read- ers’ understanding and appreciation of the opera and the art form in general will be enhanced. John Berry Artistic Director, ENO The publisher John Calder began the Opera Guides series under the editorship of the late Nicholas John in association with English National Opera in 1980. It ran until 1994 and eventu- ally included forty-eight titles, covering fifty-eight operas. The books in the series were intended to be companions to the works that make up the core of the operatic repertory. They contained articles, illustrations, musical examples and a complete libretto and singing translation of each opera in the series, as well as bibliographies and discographies. The aim of the present relaunched series is to make available again the guides already published in a redesigned format with new illustrations, some newly commissioned articles, updated reference sections and a literal translation of the libretto that will enable the reader to get closer to the intentions and meaning of the original.
    [Show full text]
  • Players of Shakespeare 
    POSA01 08/11/1998 10:09 AM Page i Players of Shakespeare This is the fourth volume of essays by actors with the Royal Shake- speare Company. Twelve actors describe the Shakespearian roles they played in productions between and . The contrib- utors are Christopher Luscombe, David Tennant, Michael Siberry, Richard McCabe, David Troughton, Susan Brown, Paul Jesson, Jane Lapotaire, Philip Voss, Julian Glover, John Nettles, and Derek Jacobi. The plays covered include The Merchant of Venice, Love’s Labour’s Lost, The Taming of the Shrew, The Winter’s Tale, Romeo and Juliet, and Macbeth, among others. The essays divide equally among comedies, histories and tragedies, with emphasis among the comed- ies on those notoriously difficult ‘clown’ roles. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages. POSA01 08/11/1998 10:09 AM Page ii POSA01 08/11/1998 10:09 AM Page iii Players of Shakespeare Further essays in Shakespearian performance by players with the Royal Shakespeare Company Edited by Robert Smallwood POSA01 08/11/1998 10:09 AM Page iv The Pitt Building, Trumpington Street, Cambridge , United Kingdom The Edinburgh Building, Cambridge , United Kingdom West th Street, New York, –, USA Stamford Road, Oakleigh, Melbourne , Australia © Cambridge University Press, This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeset in ./pt Plantin Regular A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data Players of Shakespeare : further essays in Shakespearian performance /by players with the Royal Shakespeare Company; edited by Robert Smallwood.
    [Show full text]
  • Introduction: Theatre, Space, and World-Making
    Notes Introduction: Theatre, Space, and World-making 1. This work is primarily focused on theatre studies but its argument also pertains to the broader field of performance studies. 2. For a fuller discussion of this text, the significance of land rights, the importance of simultaneous occupation, and the staging of landscape in Australia, see my Unsettling Space (2006, pp. 25–48). 3. Escolme describes the ways in which a similar design decision was used in a Royal Shakespeare Company production of Richard II with Sam West, directed by Steven Pimlott at The Other Place in 2000. Her interpretation of this moment takes the argument about the externalities in a different direction – she explores the ‘violence done to conventions of inside and outside’ (2006, p. 107) – but she recognizes this staging technique as a challenge to space, reality, and as a result, the politics of the play itself. A movie that mirrors this approach is Tim Robbins’s 1999 Cradle Will Rock about the actual 1937 attempt to mount Marc Blitzstein’s left-leaning musical of the same name. It depicts the power of theatre in the United States where the hunt for Communists among artistic communities destroyed lives and careers. Thanks to Fred D’Agostino for alerting me to this film. 4. Barker’s argument may appear to be utopian rather than heterotopic but as I argue in Chapter 1, there are intersections between these terms. While heterotopia also has a utopian aspect, I regard it as more likely to be materialized than utopia. 5. Of course, analysing performance necessarily calls on a broad range of theatrical features.
    [Show full text]
  • Genesis IV Summer 2004 Edition
    GENESIS IV THE ALUMNI MAGAZINE OF SAINT IGNATIUS COLLEGE PREPARATORY, SAN FRANCISCO, SUMMER 2004 2 Development News A Legacy for a father from Chronicle reporter John Wildermuth ’69 • SI thanks parents who have completed their pledge to support the school. 7 Feature Articles The Buddy System: Tom Leach ’94 & Bill Duggan ’93 are the success behind TV’s Curb Appeal • Mike Nevin ’61 & Ed McGovern ’75 are among the top COVER STORY: The Class of 2004 received 10 most infl uential in San Mateo County • Physics teachers Byron Philhour their diplomas … Page 18. & James Dann ask students to look at the sky and wonder • Celine Alwyn ’98 & Brendan Quigley ’78 are in and behind the spotlights on Broadway. 18 School News COVER STORY: Class of 2004 honored at 145th commencement ceremonies • Valedictorian Kevin Feeney asks students to heed the prophets • St. Antho- ny’s Fr. John Hardin receives President’s Award • Chad Evans bikes across the US to raise awareness for poverty. SPORTS: The Boys’ Varsity 8 took third in the nation in crew … Page 31. 32 Alumni News All-Alumni Sports Day brings 400 graduates back to SI • Actor, Producer, Director Geoff Callan ’85 does it all • Sean Cheetham ’95 fi nds faith through art • Looking back 15 years on coeducation. 42 Sports Highlights Boys’ Varsity Crew takes third in nation • Alumni lacrosse players win na- tional championship 45 Departments Keeping in Touch • Births • In Memoriam • Feedback • Calendar On the cover: The Class of 2004 celebrates outside St. Ignatius Church mo- ments after they received their diplomas. Photo by Paul Totah.
    [Show full text]
  • Reisesymphonien 2020-21
    2020/21 REISESYMPHONIEN Die Vorstellung ist wundervoll, Oscar Wilde aber noch wundervoller ist das Erlebnis ...das ist jetzt möglich! Endlich – die Theater- und Konzerthäuser dürfen wieder öffnen und wir uns somit nach monatelanger Entbehrung auf Musik und Kultur freuen. Wir haben wunderschöne Reisearrangements für Sie kreiert. Selbstverständlich nur mit kleinen Kontingenten und den erforderlichen Sicherheitsvorkehrungen. Wir freuen uns sehr auf ein Wiedersehen mit Ihnen! Ihr Komponist für besondere Reisemomente: Freiladestr. 1 27572 Bremerhaven Tel. 0471 / 9 72 32-0 Fax 0471 / 9 72 32-22 [email protected] www.lloydtouristik.de 2 3 SILVESTER 10 Basel 30.12.-02.01.2021 Stadt der Kontraste & Museen, Stadt der Musik: Musikalische Silvesternacht mit dem ausge- zeichneten KAMMERORCHESTER BASEL 12 Bonn 30.12.-02.01.2021 Auf den Spuren Ludwig van Beethovens & „Max Klinger“ in der Bundeskunsthalle 14 Bremerhaven 29.12.-02.01.2021 Kunst & Kultur an der Küste: Musikalisch hoch- klassig im „Letzten Theater vor Amerika“, ein- zigartige ErlebnisMuseen & maritime Kulinarik 16 Dresden 29.12.-02.01.2021 Klassik Deluxe im Elbflorenz – Silvesterkonzert mit CHRISTIAN THIELEMANN & Neujahrskon- ADVENT zert mit MAREK JANOWSKI & LISETTE OROPESA FÜR 2021 BEREITS BUCHBAR: 04 Burg Schlitz 27.11.-30.11.2020 18 Hamburg 29.12.-02.01.2021 32 Hamburg 09.02.-11.02.2021 Festliche Einstimmung in den Advent mit preis- Silvester mit KENT NAGANO im Großen Saal PINCHAS ZUKERMANN und das ENGLISH gekrönten Künstlern in fürstlicher Atmosphäre der Elbphilharmonie, „Die
    [Show full text]
  • Chukwudi Iwuji
    14 City Lofts 112-116 Tabernacle Street London EC2A 4LE offi[email protected] +44 (0) 20 7734 6441 CHUKWUDI IWUJI The Underground Railroad (Amazon) Peacemaker (DC/Warner Bros) The Split (Sister Pictures) Television Role Title Production Company Director Alex ‘Zander’ Hale (Series THE SPLIT (SERIES 3) Sister Pictures / AMC / BBC Dee Koppang O’Leary Regular) Clemson Murn (Series Regular) PEACEMAKER DC Entertainment for Warner Various Bros Mingo THE UNDERGROUND RAILROAD Amazon Studios Barry Jenkins Alex ‘Zander’ Hale (Series THE SPLIT (SERIES 2) Sister Pictures / AMC / BBC Paula van der Oest / Joss Agnew Regular) Dr Eli Mays (Series Regular) DESIGNATED SURVIVOR Netflix Various Colin Moore WHEN THEY SEE US Netflix Ava DuVernay Date Warick QUANTICO: HEAVEN’S FALL ABC Russell Lee Fine King of France KING LEAR BBC Sir Richard Eyre Alex ‘Zander’ Hale (Series THE SPLIT (SERIES 1) Sister Pictures / AMC / BBC Jessica Hobbs Regular) Ben BLINDSPOT Warner Bros / NBC Dermott Downs Hadi Bangote MADAM SECRETARY CBS Rob Greenlea Fabrice Wombosi CROSSING LINES Tandem Communications Niall MacCormick Jamal MURDER IN MANHATTAN ABC Cherie Nowlan Adams WIZARDS VS ALIENS BBC Griff Rowland Carl DOCTOR WHO BBC Toby Haynes Sylvester THE GARDEN Tiger Aspect / BBC3 Otto Bathurst Jake Zaria PROOF II RTÉ Thaddeus O’Sullivan Film Role Title Production Company Director Jamie Nwosu THE GIRL WHO GOT AWAY Boy Wonder Productions Michael Morrissey Exoduster Father NEWS OF THE WORLD Universal Paul Greengrass Dr Cornelius Braun DANIEL ISN’T REAL Company X / Spectre Vision Adam Egypt
    [Show full text]
  • The Royal Opera 2005/6 Season
    THE ROYAL OPERA 2005/6 SEASON Contents: Page 1. Antonio Pappano Introduction 2 2. The Royal Opera 2005/6 Repertory 4 3. Vilar Young Artists 34 4. The Royal Opera 2005/6 Season Opera at a Glance 35 5. The Royal Opera Performance Dates 39 6. Press Office Contacts 41 Telephone, personal and online booking on http://www.roh.org.uk opens 28 June 2005. Supported by Arts Council England 1 Introduction to the 2005/6 Royal Opera Season – Antonio Pappano I’m really thrilled with the unusual mix of work the new Season offers. We open with concert performances of Donizetti’s last opera, Dom Sébastien. It’s one of Donizetti’s greatest achievements and yet it’s rarely heard. It’s bigger than the Donizetti we know and love and probably sounds more Verdian to our ears, but it’s an unusual piece in that it has a significant role (Zayda) for a mezzo-soprano instead of the usual soprano – we have Vesselina Kasarova singing the part. Piero Faggioni’s production of La fanciulla del West is an old Covent Garden favourite from the last 30 years and one I’ve always wanted to revive. It’s a piece that otherwise rarely comes up, and it deserves a renaissance. The Wild West setting seems so improbable but it works so well – we all love to see a Western, and Puccini’s music is very cinematic, brilliantly conjuring up the locale and colours of America. It’s one of his most sophisticated scores, as sophisticated, if not more so, than Turandot.
    [Show full text]
  • ~Lagfblll COMPANIES INC
    May 2000 Brooklyn Academy of Music 2000 Spring Season BAMcinematek Brooklyn Philharmonic 651 ARTS Saint Clair Cemin, L'lntuition de L'lnstant, 1995 BAM 2000 Spring Season is sponsored by PHiliP MORR I S ~lAGfBlll COMPANIES INC. ~81\L1 ,nri ng ~A~~On Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents The Royal Shakespeare Company Don Carlos Running time: by Friedrich Schiller approximately Translated by Robert David MacDonald 3 hours 15 minutes, BAM Harvey Lichtenstein Theater including one May 16-20, 2000, at 7:30pm intermission Director Gale Edwards Set design Peter J. Davison Costume design Sue Willmington Lighting design Mark McCullough Music Gary Yershon Fights Malcolm Ranson Sound Charles Horne Music direction Tony Stenson Assistant director Helen Raynor Company voice work Andrew Wade and Lyn Darnley Production manager Patrick Frazer Costume supervisor Jenny Alden Company stage manager Eric Lumsden Deputy stage manager Pip Horobin/Gabrielle Saunders Assistant stage manager Thea Jones American stage manager R. Michael Blanco The play Setting: Spain, the spring of 1568. Act One takes place at the Queen's court in Aranjuez; the remainder of the play is set in the Royal Palace , Madrid. Presented by arrangement with the Royal Shakespeare Theatre, Stratford-upon-Avon, England. RIC Leadership support is provided by The Peter Jay Sharp Foundation. ROYAL SHAKESPEARE BAM Theater is sponsored by Time Warner Inc. and Fleet Bank. COMPANY Additional support provided by The Shubert Foundation, Inc. Official Airline: British Airways. RSC major support provided by Pfizer Inc. This production was first produced with the assistance of a subsidy from the Arts Council of England.
    [Show full text]
  • Vienne & Budapest 1 Vienne & Budapest 7 Du 3 Au 7 Vérone 3 Du 7 Au 11 Salzbourg 7
    Ete2008-8.xp 29/02/08 15:00 Page 1 Eté 2008 Supplément à la brochure printemps 2008 séjours culturels séjours euridice opéra Ete2008-8.xp 29/02/08 15:00 Page 2 Calendrier Table des matières avril juin juillet août Berlin, Deutsche Oper, Konzerthaus, Staatsoper Unter den Linden ...................... 4 du 17 au 20 Hambourg 18 du 5 au 8 Milan 18 du 2 au 6 Varsovie 15 du 1er au 4 Vérone 9 Bregenz, Festival ......................................................................................... 5 du 23 au 27 du 6 au 10 du 3 au 6 Dresde 25 du 7 au 10 Macerata 2 Cologne, Oper ............................................................................................ 5 Vienne & Budapest 1 Vienne & Budapest 7 du 3 au 7 Vérone 3 du 7 au 11 Salzbourg 7 du 23 au 28 Manaus 1 Vienne & Prague 7 du 5 au 9 Varsovie 16 Torre del Lago Puccini 4 Combinés italiens, Florence, Milan, Torre del Lago, du 24 au 27 Hambourg 19 du 11 au 16 du 5 au 13 Turin, Milan & Vérone 10 Turin, Venise, Vérone, Vicenze ............................................ 6 Venise 4 Florence & Torre del Lago 1 Torre del Lago 1 du 9 au 11 Vérone 11 du 25 au 29 du 12 au 15 Cologne 11 du 10 au 13 Varsovie 17 du 9 au 13 Pesaro 1 Dresde, Semperoper .................................................................................... 8 Vienne & Prague 1 Prague 36 du 10 au 16 Salzbourg & Innsbruck 1 Eisenstadt, Festival Haydn ............................................................................ 9 du 30 au 4 mai du 13 au 16 Hambourg 21 Milan & Vérone & Venise 1 du 11 au 15 Innsbruck 1 Vienne & Prague 2 du 13 au 17 du 11 au 14 du 13 au 17 Hambourg, Staatsoper ................................................................................
    [Show full text]