Link to South Australia's Strategic Plan Objectives
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Arts & Culture Plan South Australia 2019
Arts & Culture Plan South Australia 2019 - 2024 1 To Dream To Explore To Create Acknowledgment of Country Aboriginal and Torres Strait Islander people have made and continue to make a unique and irreplaceable contribution to Australia. The South Australian Government acknowledges and respects Aboriginal people as the state’s first people and nations, and recognises Aboriginal people as traditional owners and occupants of South Australian land and waters. The South Australian Government acknowledges that the spiritual, social, cultural and economic practices of Aboriginal people come from their traditional lands and waters, and that Aboriginal people maintain cultural and heritage beliefs, languages and laws which are of ongoing importance today. Front cover Production: mi:wi Organisation: Vitalstatistix Photographer: Gregory Lorenzutti Table of Contents Page Vision, Mission, 4 Values 4 6 Goals 5 Message and commitment from the Government 7 Introduction 9 An Arts Plan for the future 10 Why now is the time for the Plan 10 Four reasons to pivot 11 South Australia. A history of creative and cultural innovation 12 1 The Structure of this Plan 16 South Australia, A gateway to the first and original story 17 Songlines: Tracking the Seven Sisters 18 Goal 1 20 Goal 2 24 Goal 3 28 Goal 4 32 Goal 5 36 Goal 6 40 Capturing value and impact 42 Footnotes 44 Adelaide College of the Arts Organisation: TAFE SA Photographer: Sam Roberts The Arts and Culture Plan for This Arts Plan is about igniting a This narrative is about how we TELL South Australia 2019 – 2024 new level of connectivity – between THESE STORIES, and relates strongly artists, organisations, institutions and to South Australia’s ‘market and brand’. -
Newsletter July 2001 • Number 19 I Ssues and I Nformation on H Eritage C Onservation in S Outh a Ustralia
HERITAGE South Australia NEWSLETTER JULY 2001 • NUMBER 19 I SSUES AND I NFORMATION ON H ERITAGE C ONSERVATION IN S OUTH A USTRALIA Heritage South Australia Government of South Australia A WORD FROM THE MINISTER for Environment and Heritage Contents A word from the Minister / 2 Local Government Initiatives Heritage Incentives / 3 Local Government Heritage Awards / 4 The Year of the Volunteer 2001 I am pleased to announce These grants are allocated Volunteers at Chinamans Well / 5 that as part of the 2001/2 for projects such as Budget, the State Heritage conservation plans, repair Volunteer heritage groups honoured / 6 Fund will receive an additional or replacement of roofing The Centenary of Federation 2001 $500,000. This money will be and guttering, masonry, The Federation period in Adelaide, and the shared between current conservation relating to salt architecture of the time / 7 applications and new damp repair and re- New spirelets on St Andrew’s Church bell tower / 10 requests for funding. A pointing and general further $250,000 has been painting and repairs. Heritage News / 13 committed over the next three years. Remembering our immigrant history / 14 The Heritage grants play an important role in What’s new in the State Heritage Register / 15 In South Australia our older buildings and protecting and enhancing the heritage Heritage on the web / 16 physical features contribute significantly to character and tourist value of many of South the ambience and attractiveness of our Australia’s towns. A number of past projects built environment. They provide the local include shop-front and house restorations at community with a valued sense of place, places such as Burra, Hahndorf and Goolwa. -
Aboriginal Agency, Institutionalisation and Survival
2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners. -
Our Cultural Collections a Guide to the Treasures Held by South Australia’S Collecting Institutions Art Gallery of South Australia
Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- tralia. South Australian Museum. State Library of South Australia. Carrick Hill. History SA. Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- Published by Contents Arts South Australia Street Address: Our Cultural Collections: 30 Wakefield Street, A guide to the treasures held by Adelaide South Australia’s collecting institutions 3 Postal address: GPO Box 2308, South Australia’s Cultural Institutions 5 Adelaide SA 5001, AUSTRALIA Art Gallery of South Australia 6 Tel: +61 8 8463 5444 Fax: +61 8 8463 5420 South Australian Museum 11 [email protected] www.arts.sa.gov.au State Library of South Australia 17 Carrick Hill 23 History SA 27 Artlab Australia 43 Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions The South Australian Government, through Arts South Our Cultural Collections aims to Australia, oversees internationally significant cultural heritage ignite curiosity and awe about these collections comprising millions of items. The scope of these collections is substantial – spanning geological collections, which have been maintained, samples, locally significant artefacts, internationally interpreted and documented for the important art objects and much more. interest, enjoyment and education of These highly valuable collections are owned by the people all South Australians. of South Australia and held in trust for them by the State’s public institutions. -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
ACCESS GUIDE Contents
26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check -
– Media Release – Collaborative Exhibition Opens at the South Australian Museum As Part of Tarnanthi
– Media Release – Collaborative exhibition opens at the South Australian Museum as part of Tarnanthi Still in my mind: Gurindji location, experience and visuality presented by Artback NT opens this Friday, 18 October at the South Australian Museum, as part of Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art. The exhibition reflects on the enduring impacts of dispossession and displacement, including those of a pivotal land rights event, the 1966–75 Gurindji ‘walk-off’. Gurindji/Malngin Leader Vincent Lingiari led over 200 countrymen, women and children off Wave Hill Station to protest slave labour conditions and human rights abuse. “Although other protest and strike actions had taken place preceding the 1966 Gurindji Walk-Off, it was arguably the birth of the national land rights movement in Australia. The events of this time and place have significance for me as a Gurindji/Malngin/Mudburra woman, through my direct family connection to the area, and through my family’s experience as members of the Stolen Generations,” said Brenda L. Croft, curator and participating artist. Croft developed the exhibition through practice-led research with her father’s community, Karungkarni Art and Culture Aboriginal Corporation, UNSW Galleries and UNSW Art & Design. As a part of this, Croft retraced the Gurindji ‘walk-off’ steps in homage to those before her, who made the 22-kilometre journey half a century ago. “I was motivated to develop this exhibition in partnership with Karungkarni artists and Gurindji community members in tribute to those whose profound communal act of courage, resilience and determination changed the course of history.” Croft said. -
Community Services
COMMUNITY SERVICES List of services for Gilles Street Primary School community Editors Rachael Dodd and Xiao Liu Table of Contents Arts .......................................................................................................................................................................... 2 - 27 Child Care Centers .......................................................................................................................................... 28 - 36 Child Protection ............................................................................................................................................... 37 - 46 Councils ............................................................................................................................................................... 47 - 54 Family Services ............................................................................................................................................. 55 - 158 Health Services ........................................................................................................................................... 159 - 164 Libraries .......................................................................................................................................................... 165 - 224 Miscellaneous Services ........................................................................................................................... 225 - 296 Multicultural Services ............................................................................................................................. -
Nyarapayi Giles
ABN 37 096 876 083 NYARAPAYI GILES Born c1940 Community Tjukurla, WA EXHIBITION HISTORY SOLO EXHIBITIONS 2008 Randell Lane Fine Art, Perth WA 2007 Randell Lane Fine Art, Perth WA GROUP EXHIBITIONS 2018 The Women’s Show, Vivien Anderson Gallery, 25 March 2017- 18 NGURRA: Home in the Ngaanyatjarra Lands, South Australian Museum, Adelaide SA 2017 Minyma Mayatja - Boss Women: Nyarapayi Giles & Katjarra Butler, Vivien Anderson Gallery, Melbourne VIC NG Salon, Praxis Artspace, Adelaide SA Desert Mob 2017, Araluen Art Centre, Alice Springs NT 34th Telstra National Aboriginal & Torres Strait Islander Art Award, Museum and Art Galleries of the Northern Territory, Darwin NT Tjukurla Tjukurrpa, Aboriginal and Pacific Art, Sydney NSW The Women’s Show, Vivien Anderson Gallery, Melbourne VIC Wala Wingki – Tjarlirli Artists, Raft South, Hobart TAS 2016 – 17 Who’s Afraid of Colour? National Gallery of Victoria, Melbourne VIC 2016 Painting. More Painting, Australian Centre for Contemporary Art (ACCA), Melbourne VIC Desert Mob, Araluen Arts Centre, Alice Springs NT Salon Des Refuses, Charles Darwin University, Darwin NT Wyndham Art Prize, Wyndham Art Gallery, Melbourne VIC Port Hedland Award, Courthouse Gallery, Port Hedland WA Power. Colour. Story, Harvey Art Projects, USA Touring exhibition, Art Kelch, Germany 2015 Palya – Martumili Artists, Tjarlirli Art and Warakurna Artists, Vivien Anderson Gallery at Brightspace, Melbourne VIC Tarnanthi – Festival of Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia, Adelaide SA Desert Mob, Araluen Arts Centre, Alice Springs NT Tjukurla 2015, Raft Artspace, Alice Springs NT Masterstrokes II, Vivien Anderson Gallery at Merricks House Gallery, Merricks VIC 2014 Warakurna Artists and Tjarlirli Art- Paintings from the Ngaanyatjarra Lands, Vivien Anderson Gallery, Melbourne VIC Our Home in Colour, Outstation Gallery, Darwin NT Living Spirit, Marshall Arts, Adelaide SA GROUND FLOOR, 284 – 290 ST KILDA ROAD, ST KILDA VICTORIA 3182 AUSTRALIA T. -
Adelaide Adelaide
RIVERBANK PRECINCT ADELAIDE ADELAIDE PRODUCT GUIDE FOR ITINERARY PLANNING This Product Sheet has been designed to assist with planning an itinerary for your guests who are wishing to travel to ADELAIDE. Adelaide is easily accessible by air from all Australian capital cities and international destinations. With its central location, Adelaide is the perfect gateway to much of Australia, especially the Outback. Wildlife, wine, beaches, Aboriginal culture, superb dining and fantastic events are just some of the experiences Adelaide has to offer. A great location to base yourself and explore the city or head off to the many regions that are a short drive away. Accommodation and Tours & Charters listed below are all fully commissionable. Please refer to trade.southaustralia.com for more details. ACCOMMODATION ACCOMMODATION Adabco Boutique Hotel Holiday Inn Express Adelaide City Centre Adelaide Meridien Hotel & Apartments Hotel Indigo Adelaide Markets Adelaide Rockford Hotel Ibis Adelaide Adelaide Royal Coach Ibis Styles Adelaide Grosvenor Hotel Adina Apartment Hotel Adelaide Treasury Intercontinental Adelaide Atura Adelaide Airport Istay Precinct Adelaide Avani Adelaide Residences Lakes Hotel Breakfree Adelaide Majestic Hotels Chifley on South Terrace Mantra Hindmarsh Square Crowne Plaza Adelaide Mayfair Hotel Discovery Parks – Adelaide Beachfront Miller Apartments Adelaide Eos by Skycity North Adelaide Heritage Group Franklin Apartments Oaks Accommodation Grosvenor Hotel Adelaide Oval Hotel Hilton Adelaide Pullman Adelaide Hotel Grand Chancellor -
No.[Number] 67 1919. July 1. to 1920. Sep[Tember] 30 [1]
AMS587_64 – Edgar Waite Diary 67 – July 1919 to Sept 1920 This is a formatted version of the transcript file from the Atlas of Living Australia http://volunteer.ala.org.au/project/index/2204841 Page numbers at the bottom of this document do not correspond to the notebook page numbers. Parentheses are used when they are part of the original document and square brackets are used for insertions by the transcriber Text in square brackets may indicate the following: - Misspellings, with the correct spelling in square brackets preceded by an asterisk rendersveu*[rendezvous] - Tags for types of content [newspaper cutting] - Spelled out abbreviations or short form words F[ield[. Nat[uralists] - Words that cannot be transcribed [?] No.[Number] 67 1919. July 1. to 1920. Sep[tember] 30 [1] July. 1. Tues[day] Commencing this month as a convalescent from Sciatica. Locomotion is difficult &[and] slow. Wrote to Melbourne in reply, as to designation of Sardines &[and] pilchards, commercially. (Trades &[and] Customs Dep[artmen]t) 2. Wed[nesday] Received request from Narracoorte*[Naracoorte], through the Agric[ulture] Dep[artmen]t, to lecture at some future date. Com- mittee meeting. 3. Thurs[day] Reported on contents of a tin of Sardines marked [2] "Outing Brand" packed at Stockton Spring, Maine U.S.A. Determined them a Sardina pseudohispanica. (Amblygaster). Paid £1.4.<9>6 for making pattern of new piston. (A.W.Tremewen) 4 Fri[day] Prepared list of genera in fishes, proposed by me for Jordan's "Genera of Fishes. Attended (Presided) meet Aquarium Soc[iety] 5. Sat[urday] Wrote to Jordan and enclosed list of genera 7 Mon[day] Sent pocket wallet to Watson made by Miss Leicester for the purpose- [3] 8 Tues[day] "Children's Hour" for June contains my notes on the Big Whale. -
The Creation of the Torrens : a History of Adelaide's River to 1881
The Creation of the Torrens: A History of Adelaide's River to 1881 by Sharyn Clarke This is submitted for the degree of Master of Arts in History School of Social Sciences University of Adelaide CONTENTS List of Paintings and Maps Introduction 1 Chapter One: Conceiving the Torrens t4 Chapter Two: Black and White 4t Chapter Three: The Destruction of the Torrens 76 Chapter Four: Meeting the Demand for Progress 105 Chapter Five: The Torrens Lake 130 Conclusion 157 Bilbiography ABSTRACT The River Torrens in Adelaide is a fragile watercourse with variable seasonal flows which was transformed in the nineteenth century into an artificial lake on a European scale. This thesis presents the reasons behind the changes which took place. The creation of the Torrens covers both physical changes and altering conceptions of the river from a society which, on the whole, desired a European river and acted as though the Torrens was one. The period of study ranges from the Kaurna people's life, which adapted around the river they called Karrawirraparri, to the damming of the river in 1881, Being the major river forthe city, the relatively higher population density meant huge environmental pressure, an inability to assess its limits lead to it being heavily polluted and degraded only a decade after white settlement. Distinct stages in the use of the river can be observed and a variety of both positive and negative responses towards it were recorded. By studying the interactions with, and attitudes towards, the River Torrens, and the changes it has undergone, we learn much about the societies that inhabited the river and their values towards a specific and crucial part of the natural environment.