The Rothschild Archive

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The Rothschild Archive The Rothschild Archive The Rothschild Research Forum: a major new resource for art history The Rothschild Archive, run by a charitable trust set up in 1999, holds over two million items drawn together from the history of the Rothschild banks and family. At the core of the Archive lie the records of the firm of NM Rothschild & Sons, the London branch of the banking dynasty, supplemented by a growing range of acquisitions of papers from members of the Rothschild family. The Archive represents possibly the most detailed surviving record of an international banking operation in the 19th and early 20th centuries and of a family with artistic, charitable and scientific interests at the heart of European society. The Rothschilds were a family of collectors, building some of the most magnificent 19th century private collections of painting, furniture, decorative art, manuscripts and books. The Archive holds a number of resources to assist art historians including catalogues, sales catalogues, inventories, wills and photographs. Guides to many of these resources can be found in the Research Forum. Waddesdon Manor, the house built by the great collector Ferdinand de Rothschild and now owned by the National Trust, is a major contributor to the Rothschild Research Forum. In order to make this unique collection more available to researchers from around the world, the Rothschild Archive in partnership with Waddesdon Manor has launched its free online Rothschild Research Forum. Registered members will have access to articles, finding aids, transcripts and virtual exhibitions, and have the opportunity to communicate with other researchers through the Forum's message board. For further information please visit the Rothschild Archive web site at http://www.rothschildarchive.org or email [email protected] Reference: ANN: The Rothschild Archive. In: ArtHist.net, Jun 3, 2003 (accessed Sep 24, 2021), <https://arthist.net/archive/25688>. 1/1.

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Appendix IV Waddesdon Estate, Manor and Grounds 1 1 Grounds and Manor Estate, Waddesdon Appendix IV Status Grade I
Structure Status Assessment of Significance Waddesdon Manor Grade I Mansion. 1874-83, byGabriel- Hippolyte Alexandre Destailleur, for Baron Ferdinand de Rothschild. Late c19th mansion Bath stone, steeply pitched slate roofs. In the style of a C16 French chateau, incorporating elements from Blois, Maintenon, Chambord and Chaumont. Approximately E-plan with circular staircase towers in angles with side wings. Other round towers to front of N.E. wing and to rear at S.W. corner. Small wing added to S.W. 1889; Service wing attached to N.E. with Bachelors'wing altered 1890s by Andre Destailleur, to rear. 2 storeys and attic. Main range has 7 bays articulated by paired pilasters, entablatures, and parapet with wave ornament and large carved urn finials. Ground floor has arched windows, balustraded aprons, and Composite pilasters. First floor has stone mullion and transom windows, and panelled aprons and pilasters. Attic dormers with flanking festoon scrolls and elaborate gables. Tall panelled chimneys with segmental pediments on scroll modillion cornices. Centre bay has projection with rusticated quoins and separate pavilion roof, the first floor with French doors between Composite columns, the attic having an elaborate dormer with oculus in cartouche, swan-neck pediment on paired scrolls, and urn finial. Ground floorhas projecting porch with segmental arches, paired Composite columns, and strapwork parapet with urn finials and central heraldic crest. Domed staircase towers with spiral balustrades, the attic storey with carved terms. Side wings have panelled pilasters, entablatures, mock machicolations below plain attic storeys, and very steep pavilion roofs with parapets and tall urn finials. Round tower to left with steep conical roof.
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The Rothschild Bibliography Caroline Shaw of the Rothschild Archive Describes Her Attempts to Chart the Family’S Countless Ventures Into Print
The Rothschild Bibliography Caroline Shaw of The Rothschild Archive describes her attempts to chart the family’s countless ventures into print The ‘Dunottar Castle’ from the cover of Three weeks in South Africa by Ferdinand de Rothschild Has there ever been such a family as the Rothschilds for getting into print? For me, after working on this project for two years, the question is coloured by a mixture of wonder and exasperation. Will they never stop publishing? Of course, one hopes not; but is there to be no rest for the bibliographer? It has been a long-standing goal of The Rothschild Archive to compile a bibliography of publications by members of the Rothschild family and now, 1,840 entries by fifty-one individuals further on, we are perhaps ready to acknowledge that critical mass has been reached whilst accepting that completion may never be achieved. The initial motivation for producing The Rothschild bibliography was a desire to bring some kind of intellectual order to this not insignificant aspect of the activities of the Rothschild family. It has been a mapping of a wide and diverse terrain and revealed some previously uncharted areas. Beyond this, and the greater insight allowed into the lives and interests of many members of the family, the bibliography has brought some other benefits to the Archive. New acquisitions have followed from our greater knowledge and awareness of the publications; and the ever-expanding database of references has also built up into a guide for locating material, whether held at the Archive or at another institution.
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Lady Almina and the Real Downton Abbey the Lost Legacy of Highclere Castle
You loved your last book...but what are you going to read next? Using our unique guidance tools, Lovereading will help you find new books to keep you inspired and entertained. Opening Extract from… Lady Almina and the Real Downton Abbey The Lost Legacy of Highclere Castle Written by the Countess of Carnarvon Published by Hodder & Stoughton All text is copyright © of the author This Opening Extract is exclusive to Lovereading. Please print off and read at your leisure. 8824X_tx.indd24X_tx.indd iiiiii 118/08/20118/08/2011 110:050:05 First published in Great Britain in 2011 by Hodder & Stoughton An Hachette UK company 1 Copyright © 8th Countess of Carnarvon 2011 The right of the Countess of Carnarvon to be identiﬁ ed as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser. A CIP catalogue record for this title is available from the British Library. Hardback ISBN 978 1 444 73082 1 Trade Paperback ISBN 978 1 444 73083 8 eBook ISBN 978 1 444 73086 9 Typeset in Bembo by Palimpsest Book Production Limited, Falkirk, Stirlingshire Printed and bound by Clays Ltd, St Ives plc Hodder & Stoughton policy is to use papers that are natural, renewable and recyclable products and made from wood grown in sustainable forests.
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Jewish Country Houses: a Resource Pack
jch.history.ox.ac.uk @JCHJewishHouses Jewish Country Houses A Resource Pack for UK Heritage Professionals ‘Jewish Country Houses: Objects, Networks, People’ is a research project led by the University of Oxford and funded by the Arts and Humanities Research Council Resources Contents Jewish Country Houses in the UK 2 - 6 Jewish Country Houses in Europe 7 - 8 Timeline – Anglo-Jewish history in context 9 - 17 Antisemitism, Jews, and Heritage: an essay by 18 - 27 David Feldman Putting it into action: Waldegrave and Stern at 28 - 30 Strawberry Hill Suggested Reading 31 - 35 Front cover: South Front, Waddesdon Manor Photo Studio 8 © National Trust, Waddesdon Manor 2 Jewish Country Houses in the UK Project partners and National Trust properties Hughenden Manor (Benjamin Disraeli) Ightham Mote (Frieda Cohen) Lindisfarne Castle (Edward de Stein) Monks House (Leonard Woolf) Nymans (above left) (Ludwig Messels, Messels family) Strawberry Hill House (Lady Waldegrave, Stern family) Upton House (left) (Lord and Lady Bearstead) Waddesdon Manor (Ferdinand de Rothschild, Rothschild family) 3 The ‘best of the rest’ Jewish Country Houses (UK) Bletchley Park (Herbert Samuel Leon MP, code-breaking) Sir Samuel Leon MP was a liberal politician and a committed Rationalist – a typically Jewish combination, more common in continental Europe. He is buried at Willesden Jewish Cemetery, and members of the Leon family continued to marry into families like the Raphaels and Montefiores over several generations. https://bletchleypark.org.uk/ https://en.wikipedia.org/wiki/Herbert_Leon East Cliff Lodge and the Montefiore Synagogue and Mausoleum, Ramsgate (Sir Moses and Lady Judith Montefiore, international Jewish leaders) Montefiore was a stockbroker and financier who made his fortune during the Napoleonic wars and their aftermath, facilitated by his friendship with his brother-in-law Nathan Rothschild.
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Waddesdon Unveils 2021 Programme
Life-sized elephants, painterly images of beautiful roses, the kitchen where Queen Victoria sent her own chef to learn and unseen paintings by Gustave Moreau – Waddesdon announces its 2021 programme Emerging from the gloom of 2020, next year looks rosier. Not least because Waddesdon’s 2021 season includes the second instalment of Nick Knight’s Roses from my Garden, a series of superb large-scale still life images with echoes of artists like Brueghel and van Huysum, yet wholly contemporary, extended from 2020. Also, from February, the history and secrets of the Manor’s kitchen and the people who worked in it will be revealed in a fascinating new display, while an exhibition of Gustave Moreau’s watercolours that have not been seen in public for 115 years is sure to be a highlight of summer. History of the Manor Kitchen 3 February – 7 March Manor Restaurant As a summer retreat from London and a magnificent setting for weekend house parties, Baron Ferdinand de Rothschild’s Waddesdon was the last word in luxury and refinement, not least through what was served from its cellars and large kitchen. Guests included Queen Victoria and her son, the Prince of Wales (and future King Edward VII). In 1891, just 24 staff ran the house, but this number would double when the Baron was entertaining and his French chef and Italian pastry-chef came down from London. Such was their artistry in the kitchen, that Queen Victoria sent her own chef to learn from Ferdinand’s after her visit in 1890. Waddesdon – A Rothschild House & Gardens, Aylesbury, Buckinghamshire, HP18 0JH England www.waddesdon.org.uk When the house was bequeathed to the National Trust in 1957, the Manor Kitchen was converted to a tearoom.
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Francesco Guardi Masterpiece
PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE | T h u r s d a y , 27 February, 20 14 FRANCESCO GUARDI MASTERPIECE VENICE, THE BACINO DI SAN MARCO WITH THE PIAZZETTA AND THE DOGE’S PALACE TO BE OFFERED FOR THE FIRST TIME IN OVER A CENTURY FROM THE BARON HENRI DE ROTHSCHILD COLLECTION AT CHRISTIE’S IN LONDON, JULY 2014 Francesco Guardi (1712-1793) Venice, the Bacino di San Marco with the Piazzetta and the Doge‟s Palace Oil on canvas 27 ⅜ x 40 ⅛ in. (69.5 x 102 cm.) Estimate: £8-10 million/ $13-16.5 million / €9.5-12 million London – Christie’s is proud to announce that Venice, the Bacino di San Marco with the Piazzetta and the Doge‟s Palace by Francesco Guardi (1712-1793) From The Baron Henri de Rothschild Collection will be offered for the first time in over a century, in the London Old Master & British Paintings Evening Sale, on Tuesday 8 July (estimate: £8-10 million/ $13-16.5 million / €9.5-12 million). Executed at the height of Guardi’s maturity and depicting one of the most celebrated prospects of Venice, centering on the Doge’s Palace, the caliber of this work is matched by its exceptional provenance. Originally in the collection of The Earls of Shaftesbury; it was acquired by Baron James-Edouard de Rothschild (1844-1881) and was in turn owned by his daughter Jeanne- Sophie-Henriette, Baronne Léonino (1875-1929) and then by her brother Baron Henri-James-Charles-Nathan de Rothschild (1872-1947), from whom it was inherited by the present owners.
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Table of Contents
Table of contents I. ARE THEY STILL THERE? 1. A Procession at Pauillac 3 2. Chutzpah and Orchids 8 3. A Golden Silence 10 II. JEW STREET 1. Little Orphan Mayer 15 2. A Dreamer in the Ghetto 17 3. Mayer's Serenity 21 4. A Dynasty Aborning 24 III. FIVE FLYING CARPETS 1. The Boys Erupt 28 2. Something Rotten in Denmark 33 IV. ROTHSCHILD VERSUS NAPOLEON 1. Round One: Contraband 37 2. Round Two: A Million-Pound Idea 42 3. Round Three: The Giant Gold Smuggle 45 4. Round Four: The Scoop of Scoops 48 http://www.light1998.com/Rothschilds-Book/Table_of_contents.htm (1 of 3) [11/8/2000 2:11:08 PM] Table of contents 5. Round Five: Conquering the Victors 50 V. THE MISHPOCHE MAGNIFICENT 1. By No Other Name as Great 56 2. The Escutcheon 59 3. The Five Demon Brothers 63 (a) MR. NATHAN 63 (b) BEAU JAMES 70 (c) KING SALOMON 78 (d) CARL, THE MEZZUZAH BARON 89 (e) AMSCHEL OF THE FLOWERS 93 VI. RUNNING EUROPE 1. The Peacemongers 101 2. Short-Term and Long 107 3. The Railway Madness 109 (a) AUSTRIA 109 (b) FRANCE 116 4. Il Est Mort 118 5. The Grandest Larceny Ever 123 6. Monsters' Duel 126 VII. THE MlSHPOCHE JUNIOR 1. lnside Society 142 (a) ANSELM 142 (b) LIONEL AND BROTHERS 144 (c) COUNTRY SQUIRES 152 2. Kings of the Jews 157 3. Storming Parliament 163 4. Three Suns at Noon 170 (a) NATTY 172 (b) SWEET LEO 177 http://www.light1998.com/Rothschilds-Book/Table_of_contents.htm (2 of 3) [11/8/2000 2:11:08 PM] Table of contents (c) THE INCOMPARABLE ALFRED 179 5.
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Travels in Europe: 'Stray Leaves from My Journey, 1867'
Travels in Europe: ‘Stray Leaves From My Journey, 1867’ Melanie Aspey explains how one of the highlights among new accessions provided the excuse to revisit some of the earliest material deposited in the Archive. The abiding interest in photography of generations of the Rothschild family – as commissioners, collectors and practitioners – will be well known to readers of previous issues of this Review.¹ Baron Lionel de Rothschild (1808‒1879) appreciated the potential of photographs as evidence in litigation, as he tried to prevent the planting of unsightly telegraph poles by the United Kingdom Electric Telegram Company. His wife Charlotte (1819‒1884) was most probably res- ponsible for assembling an album of works by photographic pioneers such as Oscar Reijlander, Roger Fenton and Julia Margaret Cameron. She was certainly the recipient of a print of Cameron’s The Kiss of Peace, which the photographer inscribed to her and which is one of several examples of her work in the album.² The couple’s grandson, Lionel (1882‒1942), left proof of his talents as a photographer in his collection of autochromes taken in the years before World War I. Did this fascination with photography skip a generation? We now know for certain that it Lithograph of Moscow: did not, with the arrival in the Archive of a back-breakingly impressive volume with the rather Couvent de St Simeon nonchalant title, ‘Stray Leaves From My Journey, 1867’.³ The volume was compiled by Leopold from ‘Stray Leaves From de Rothschild (1845‒1917) – son and father of the Lionels above – and contains photographs My Journey’, compiled by Leopold de Rothschild, and prints of European cities, often captioned in Leopold’s own hand.
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Books As Art Objects: Baron Ferdinand De Rothschild's Library At
Books as art objects: Baron Ferdinand de Rothschild’s library at Waddesdon Manor Figure 1 : The south facade of Waddesdon Manor, overlooking the garden Waddesdon Manor, a fantasy 19th-century château embedded in a county once nicknamed “Rothschildshire” because of the number of properties owned by the family in such a limited geographical area, is an excellent representation of what may be known as the goût Rothschild. The manor, whose architectural style is an association of decorative elements taken from various French Renaissance Loire Valley castles, was designed to host Ferdinand de Rothschild’s art collection and accommodate it for week-end enjoyment and guests’ entertainment. The visual identity of the site, common to many Rothschild’s possessions, originates from the juxtaposition of French 18th=century decorative art and English 18th-century portraits. Figure 2 : The grey drawing room, on the ground floor is representative of the Rothschild taste. It allies 18th century British portraits and 18th century French decorative arts. The fortune of the Rothschild family can be traced back to the career of Ferdinand’s great- grandfather Mayer Amschel Rothschild, born in 1743 or 1744 in the Jewish ghetto of Frankfurt am Main, an independent imperial city. His family, who derived their name from the house of a 16th century ancestor, Zum roten Schield – “At the Red Schield” – had been involved in the textile trade, but Mayer specialised in antique dealing, and ran a mail-order business of coins and other antiquities. The capital he accumulated from this enterprise and the links it gave him with princely collectors enabled him to branch into banking.
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Rothschild Family Archives
The Rothschild Archive :: Exhibitions ‹ Rothschild Timeline Search the site: Welcome to The Rothschild Archive's website Sources for business history: detail of bond for the Chilean loan: 1896 Rothschild Timeline Chronology c.1450 to the present day Rothschild Timeline Selected milestones in the history of the family and key dates in the history of the development of the Faith & Charity Rothschild businesses are detailed here. Click on a year date for images. Scroll over the text to reveal further information about the events that shaped history. Rothschild Gardens Rothschilds and the First World War 1450s From Bank to Westminster 1450s The first identified Rothschild ancestor in Frankfurt Motoring Rothschilds Horse Racing Rothschilds Rothschilds and Brazil The Art of Natural History The Rothschilds in Caricature The primary sources for the first ten generations of the 1973 family tree were 'Die Inschriften des alten Friedhofs der israelitischen Gemeinde zu Frankfurt A.M.' by M. Horovuitz (J .Kauffmann, Frankurt a.M.); the Memorbuch of the Frankfurt Jewish Community (National Library, Jerusalem); the Burial Society Record of the Frankfurt Jewish Community (sefer ha-Kabranim) and the Parish Registers in the State Archives of Wiesbaden. 1530s 1530 House of the 'Red Shield' built in Frankfurt https://www.rothschildarchive.org/exhibitions/timeline The Rothschild Archive :: Exhibitions ‹ Rothschild Timeline The Frankfurter Judengasse (from German: “Jews' Alley”) was the Jewish ghetto of Frankfurt and one of the earliest ghettos in Germany. It existed from 1462 until 1796 and was home to Germany's largest Jewish community in early modern times. At the end of the 19th century, most of the buildings in the Judengasse were demolished.
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Principal Acquisitions 1 April 2000-31 March 2001 This List Is Not Comprehensive but Attempts to Record All Acquisitions of Most Immediate Relevance to Research
508964AR.CHI 8/23/02 12:19 PM Page 30 Principal Acquisitions 1 April 2000-31 March 2001 This list is not comprehensive but attempts to record all acquisitions of most immediate relevance to research. Some items listed here may, however, remain closed to access for some time and for a variety of reasons. Researchers should always enquire as to the availability of specific items before visiting the Archive, quoting the reference number which appears at the end of each paragraph Family papers collected by Nathaniel Mayer (Natty), 1st Lord Rothschild (1840-1915), his wife Emma Louisa and their descendants, including: sale particulars and correspondence re the purchase of the Gunnersbury estate by Nathan Mayer Rothschild (1777-1836); letters from Charlotte de Rothschild (1819-1884) to her husband Lionel (1808-1879); correspondence from Hannah Rothschild (née Cohen, 1783-1850), and her children to her husband Nathan Mayer, 1824-25; letters from Evelyn (1886- 1917) and Anthony de Rothschild (1887-1961) and other serving officers, 1915; collections of bills and returns relating to the Rothschild property at 148 Piccadilly; lists, notes and valuations of works of art at Tring Park and 148 Piccadilly; correspondence addressed to Lionel de Rothschild (1808-1879) from various political figures; letters of condolence addressed to Nathaniel Mayer on the death of his father, Lionel, in 1879; letters to Nathaniel Mayer, 1st Lord Rothschild, from staff of The Times and from George V and Queen Alexandra re the paper’s Red Cross appeal, 1915; letters to
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Constance Battersea Et La Philanthropie Artistique Des Rothschild D'outre-Manche
Pauline Prevost-Marcilhacy, Laura de Fuccia et Juliette Trey (dir.) De la sphère privée à la sphère publique Les collections Rothschild dans les institutions publiques françaises Publications de l’Institut national d’histoire de l’art L’exception anglaise ? Constance Battersea et la philanthropie artistique des Rothschild d’outre- manche Thomas Stammers DOI : 10.4000/books.inha.11212 Éditeur : Publications de l’Institut national d’histoire de l’art Lieu d'édition : Paris Année d'édition : 2019 Date de mise en ligne : 4 décembre 2019 Collection : Actes de colloques ISBN électronique : 9782917902875 http://books.openedition.org Référence électronique STAMMERS, Thomas. L’exception anglaise ? Constance Battersea et la philanthropie artistique des Rothschild d’outre-manche In : De la sphère privée à la sphère publique : Les collections Rothschild dans les institutions publiques françaises [en ligne]. Paris : Publications de l’Institut national d’histoire de l’art, 2019 (généré le 18 décembre 2020). Disponible sur Internet : <http://books.openedition.org/inha/ 11212>. ISBN : 9782917902875. DOI : https://doi.org/10.4000/books.inha.11212. Ce document a été généré automatiquement le 18 décembre 2020. L’exception anglaise ? Constance Battersea et la philanthropie artistique des... 1 L’exception anglaise ? Constance Battersea et la philanthropie artistique des Rothschild d’outre- manche Thomas Stammers Je tiens à remercier Lindsay Macnaughton, Joseph Plumb et Juliette Trey pour leur aide à la traduction en français. 1 La publication monumentale sur les Rothschild français, dirigée par Pauline Prevost- Marcilhacy, met en relief leur rôle remarquable de mécènes au cours de la IIIe République. Alphonse de Rothschild est à compter parmi les donateurs de premier rang, il légua près de deux mille œuvres d’art à environ deux cent cinquante musées de province, c’est-à-dire une bonne moitié des musées français fondés avant la Grande Guerre.
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