Ukulele: Re/Creating Ethno·Musical Identities in Hawai'i
UNIVERSITY OF HAWAI'I LIBRARY VIRTUOSIC 'UKULELE: RE/CREATING ETHNO·MUSICAL IDENTITIES IN HAWAI'I A THESIS SUBMITIED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAW AI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC AUGUST 2008 By Chadwick S. Pang Thesis Committee: Jane Moulin, Chairperson Thomas Osborne TyTengan We certify that we have read this thesis and that, in our opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in Music. THESIS COMMITIEE Chairperson ACKNOWLEDGEMENTS First and foremost, I would like to express great thanks and appreciation to Byron Yasui, Benny Chong, and Jake Shimabukuro for sharing their lives, knowledge, and artistry with me. Their openness and willingness to tell their stories made this project both possible and enjoyable. Making time to meet with me at gigs, emailing me while traveling and talking between recording sessions were examples of the graciousness, kindness, and sincerity of these three virtuosos. Mahalo nui loa to U'iJani Bobbitt, Michelle Kanehe, Justin Ka'upu and Shaun Pe'ahu for acting as emotional sound boards and for helping me organize my ideas, process my data, and overcome those unexpected technical challenges. Their friendship and goodwill helped me to get from start to finish. Arigato gozaimasu to my aunt, June Shimana for magically appearing in the 11 th hour. Her unswerving commitment and goodwill helped me to leap over my daunting hurdles, meet my challenges head on, and to persevere in the most difficult of times. Mauru'uru to Jane Freeman Moulin for her guidance, patience, and support as my adviser.
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