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Stock up on Homespun Dvds for the Holidays!
PRESENTS Happy Traum of Homespun shares the joy of music in the holiday season. ACCORDION BEGINNING BLUEGRASS BANJO LEARN TO PLAY taught by Pete Wernick STOCK UP ON CAJUN ACCORDION Pete (Dr. Banjo) Wernick will have taught by Dirk Powell HOMESPUN you picking right from the start of DVD 1: Powell teaches how to hold this DVD. By the time you finish, the instrument, use the bellows, DVDS FOR you’ll be accompanying songs, find the notes, and play “double” playing solos, and will have THE HOLIDAYS! (octaves). Includes detailed instruc- learned basic chords, slides, tion for playing some popular Cajun hammer-ons and pull-offs, right- dance tunes. 75 MIN • INCLUDES Now that DVD players are mainstream hand “rolls” in the three-finger bluegrass style and lots more. LYRICS • NOVICE LEVEL More than a dozen easy bluegrass songs are taught. in homes across the country, DVDs DVD 2: Covers topics such as ornamentation, syncopation, 100 MIN • INCLUDES TAB • NOVICE LEVEL phrasing, anticipating the bellows changes, creating rhythmic effects 00641606 DVD .....................................................$29.95 from Homespun will make great gifts and other techniques. 60 MIN • EARLY INTERMEDIATE LEVEL 00641849 2-DVD Set ............................................$49.95 for instrumentalists everywhere this HOW TO PLAY THE 00641844 DVD One Only .....................................$29.95 5-STRING BANJO holiday season! 00641845 DVD Two Only .....................................$29.95 taught by Pete Seeger with special guest appearance by Doc Watson TEX-MEX ACCORDION Covering all styles of music from America’s most beloved banjo taught by Flaco Jiménez picker teaches his playing bluegrass, jazz and country to folk, blues and Tim Alexander, techniques and more than a dozen with Max Baca, bajo sexto and rock, Homespun’s love of music and songs. -
Jazzletter P-Q Ocrober 1986 P 5Jno;..1O
Jazzletter P-Q ocrober 1986 P 5jNo;..1o . u-1'!-an J.R. Davis,.Bill Davis, Rusty Dedrick, Buddy DeFranco, Blair The Readers . Deiermann, Rene de Knight,‘ Ron Della Chiesa (WGBH), As of August 25, I986, the JazzIetrer’s readers were: Louise Dennys, Joe Derise, Vince Dellosa, Roger DeShon, Michael Abene, John Abbott, Mariano F. Accardi, Harlan John Dever, Harvey Diamond, Samuel H. Dibert’, Richard Adamcik, Keith Albano, Howard Alden, Eleanore Aldrich, DiCarlo, Gene DiNovi, Victor DiNovi, Chuck Domanico, Jeff Alexander, Steve Allen, Vernon Alley, Alternate and Arthur Domaschenz, Mr. and Mrs. Steve Donahue, William E. Independent Study Program, Bill Angel, Alfred Appel J r, Ted Donoghue, Bob Dorough, Ed Dougherty, Hermie Dressel, Len Arenson, Bruce R. Armstrong, Jim Armstrong, Tex Arnold, Dresslar, Kenny Drew, Ray Drummond, R.H. Duffield, Lloyd Kenny Ascher, George Avakian, Heman B. Averill, L. Dulbecco, Larry Dunlap, Marilyn Dunlap, Brian Duran, Jean Bach, Bob Bain, Charles Baker (Kent State University Eddie Duran, Mike Dutton (KCBX), ' School of Music), Bill Ballentine, Whitney Balliett, Julius Wendell Echols, Harry (Sweets) Edison,Jim_Eigo, Rachel Banas, Jim Barker, Robert H. Barnes, Charlie Barnet, Shira Elkind-Tourre, Jack Elliott, Herb Ellis, Jim Ellison, Jack r Barnett, Jeff Barr, E.M. Barto Jr, Randolph Bean, Jack Ellsworth (WLIM), Matt Elmore (KCBX FM), Gene Elzy Beckerman, Bruce B. Bee, Lori Bell, Malcolm Bell Jr, Carroll J . (WJR), Ralph Enriquez, Dewey Emey, Ricardo Estaban, Ray Bellis MD, Mr and Mrs Mike Benedict, Myron Bennett, Dick Eubanks (Capital University Conservatory of Music), Gil Bentley, Stephen C. Berens MD, Alan Bergman, James L. Evans, Prof Tom Everett (Harvard University), Berkowitz, Sheldon L. -
Ukulele CD List.Xlsx
1 UKULELE: List of CDs 2015-08-24 Title Artist (Musicians) Extras Chotto Matte Kudasai (Wait for Me) / Ohta-san Ohta,Herb (Ohta-san) Photos Cool Touch / Various Ohta,Herb (Ohta-san) Lyrics Déjà Vu: The Romantic Sound of Ukulele / Various Ohta,Herb (Ohta-san) Liner Notes Duo: I'll Keep Remembering / Various Ohta,Herb (Ohta-san), Hamada, Funai Liner Notes Finer Things, The : The Songs of Herb Ohta and Jim Beloff Ohta, Herb and Jim Beloff Lyrics Herb Ohta meets Pete Jolly/ Various Ohta, Herb and Pete Jolly Photos Holiday for Strings - Ukulele Solo / Various Ohta,Herb (Ohta-san) Liner Notes Ka Mea Ho-okani 'ukulele: Ohta-san/ Various Ohta,Herb (Ohta-san) Liner Notes Manuela Boy / Various Ohta,Herb (Ohta-san) none Ohana-Ukulele Duo: Ohta-san & Herb Ohta, Jr. / Hawaiian Ohta-san and Herb Ohta, Jr. Liner Notes Ohta-san Trio: Hiroshima Japan 2001 / Various Ohta,Herb (Ohta-san), Albanese, Hamada None Ohta-san: Spotlight / Various Ohta,Herb (Ohta-san) Liner Notes Ohta-San: Together Again/ Various Ohta,Herb (Ohta-san) Liner Notes Rainforest/Herb Ohta Ohta,Herb (Ohta-san) Liner Notes Swing Time in Hawaii: Anita O'Day & Herb Ohta/ Various Ohta, Herb and Anita O'Day Liner Notes Tokyo Hot Club Band with Herb Ohta: Take a Holy-Day/Various Ohta,Herb (Ohta-san) Lyrics (some) Ukulele Bach / Bach/Gounod Ohta,Herb (Ohta-san) Liner Notes/Japanese Ukulele Bossa Nove: Tribute to Antonio Carlos Jobim/Various Ohta,Herb (Ohta-san) Liner Notes Ukulele Duo: Ohta-san "Herb Ohta" & Lyle Ritz / Various Ohta, Herb and Lyle Ritz Liner Notes Ukulele Romance/ Herb Ohta Jr. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Griffin Yours Till Forever / New York Boy Mp3, Flac, Wma
Griffin Yours Till Forever / New York Boy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Yours Till Forever / New York Boy Country: US Released: 1970 MP3 version RAR size: 1870 mb FLAC version RAR size: 1284 mb WMA version RAR size: 1650 mb Rating: 4.5 Votes: 559 Other Formats: VOX VOC MMF XM APE AHX WMA Tracklist Hide Credits Yours Till Forever A Written-By – Kenny Nolan New York Boy B Written-By – Neil Diamond Credits Arranged By – Tommy Oliver Bass – Lyle Ritz (tracks: A) Drums – Jim Gordon (tracks: A), Ron Tutt (tracks: A) Guitar – John Morell (tracks: A), Michael Anthony (tracks: A), Mike Deasy (tracks: A) Keyboards – Don Randi (tracks: A), Larry Muhoberac (tracks: A), Pete Jolly (tracks: A) Percussion – Frank Capp (tracks: A) Producer – Kelly L. Gordon* Saxophone – Thomas Scott* (tracks: A) Strings – Anthony Zungolo (tracks: A), Harry Bluestone (tracks: A), Mischa Russell (tracks: A), Richard S. Kaufman* (tracks: A), Shari Zippert (tracks: A) Trombone – Gilbert Falco* (tracks: A) Trumpet – William Peterson* (tracks: A), A.D. Brisbois* (tracks: A), Lou Klass (tracks: A) Vocals – Gary Duckworth (tracks: A), George Green (tracks: A), Mike Brady (tracks: A), Vince Morton (tracks: A) Woodwind – James Horn* (tracks: A) Related Music albums to Yours Till Forever / New York Boy by Griffin Various - The Count Basie Bunch: Cool Too Mike Peters - Breathe: The Acoustic Sessions Colouring - Colouring Dimension 5 - Unreleased Tracks [2] / Live Tracks [4] James Litherland - 4th Estate Bill Monroe - Classic Bluegrass Instrumentals Benny Goodman - Orchestras & Groups Spike Milligan - The Best Of Milligan's Wake/The World Of Beachcomber Sonny Stitt - The Verve Years Ronnie Spector - Best Christmas Ever Sam Morgan's Jazz Band / The Get-Happy Band / The Blue Ribbon Syncopators - Sam Morgan Etc. -
THE WRECKING CREW DINNER, MOVIE, SHOW Joey’S Casa Italiana FORMERLY LE BISTRO 9 Lakeside • Hewitt (In West Milford), NJ 07421 973-728-4722 • Joeyscasaitaliana.Com D
THEY WERE THE TRUE CREATORS OF ROCK N’ ROLL THEY BROKE ALL OF THE RULES AND TURNED THE WORLD OF MUSIC ON ITS HEAD! NOW HEAR AND SEE THE STORY OF THEIR SUCCESS, UP CLOSE AND PERSONAL. THE WRECKING CREW DINNER, MOVIE, SHOW Joey’s Casa Italiana FORMERLY LE BISTRO 9 Lakeside • Hewitt (in West Milford), NJ 07421 973-728-4722 • Joeyscasaitaliana.com D. RANDI / N. SINATRA Our NEW Happy Hour starts 4pm-7pm THE BEACH BOYS OPEN DAILY 11:30 AM -1 AM This is an exclusive movie not yet released to the public! After showing clips of the most famous songs of our time, it takes us behind the lives of the unknown musicians who made the rock stars we know and love, famous. After the movie there will be a live show featuring the full length songs from the movie, and played by some of the musicians who wrote and recorded these songs! This movie is the story about a group of musicians in the 60’s who broke all the rules of music and impacted the music world forever. Thus calling them The Wrecking Crew! CHERCHER RESERVE YOUR TICKETS NOW! ADVANCE PURCHASE ONLY! SAMMY DAVIS JR. This event is not to be missed! SPECIAL LIVE GUEST APPEARANCES BY MUSICIANS FROM THE 60's and some original members of "THE WRECKING CREW" including DON RANDI (Pianist for Nancy Sinatra). Friday, April 29, 2011 (Dinner 7pm - 8 pm, Movie 8 pm - 9:30 pm, LIVE SHOW 9:30 UNTIL CLOSING) Saturday April 30, 2011 (Dinner 7pm - 8 pm, Movie 8 pm - 9:30 pm, LIVE SHOW 9:30 UNTIL CLOSING) May 1, 2011 (Dinner & LIVE SHOW 5pm - 7 pm, Movie 7 pm - 8:30 pm) DICK CLARK TOMMY TEDESCO SPECIAL LIVE APPEARANCE BY T.V. -
A Guide to an In-Home Gathering Place: August 16, 2020 Flea Market
A Guide to an in-Home Gathering Place: August 16, 2020 Flea Market Memories Greetings Gathering Place Friends! CarePartners and our Gathering Places may be on hold through August 31st, but that does not mean you can’t bring elements of the Gathering Place into your own home! This week, we are going to think back to all those vintage items (and memories) that we love! In this packet you will find everything you need to have a fun, joyful, and active Gathering Place in your own home. We would love to hear back from you with pictures and stories of how you are enjoying your activities this week! If you have pictures or stories you are willing to share, please send them to [email protected] or call us at 713-682-5995. We miss you terribly and would love to hear from you! So, enjoy the craft! Play the games! Sing the songs! And, above all, have fun! Flea Market Reminiscing 1. What kind of items would you expect to see at a flea market? 2. What time of year would you want to visit a flea market? 3. Have you ever owned an antique? 4. Have you ever tried to sell anything at a flea market? 1 Word Games and Art Pages 2 3 4 5 The Price is Right Game The Price is Right is one of the longest running TV game shows in history. Contestants try to win the game by guessing the actual retail value. Contestants are asked to guess the price of several items numbered 1–10 that are laid out in front of them to see. -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
In the Studio: the Role of Recording Techniques in Rock Music (2006)
21 In the Studio: The Role of Recording Techniques in Rock Music (2006) John Covach I want this record to be perfect. Meticulously perfect. Steely Dan-perfect. -Dave Grohl, commencing work on the Foo Fighters 2002 record One by One When we speak of popular music, we should speak not of songs but rather; of recordings, which are created in the studio by musicians, engineers and producers who aim not only to capture good performances, but more, to create aesthetic objects. (Zak 200 I, xvi-xvii) In this "interlude" Jon Covach, Professor of Music at the Eastman School of Music, provides a clear introduction to the basic elements of recorded sound: ambience, which includes reverb and echo; equalization; and stereo placement He also describes a particularly useful means of visualizing and analyzing recordings. The student might begin by becoming sensitive to the three dimensions of height (frequency range), width (stereo placement) and depth (ambience), and from there go on to con sider other special effects. One way to analyze the music, then, is to work backward from the final product, to listen carefully and imagine how it was created by the engineer and producer. To illustrate this process, Covach provides analyses .of two songs created by famous producers in different eras: Steely Dan's "Josie" and Phil Spector's "Da Doo Ron Ron:' Records, tapes, and CDs are central to the history of rock music, and since the mid 1990s, digital downloading and file sharing have also become significant factors in how music gets from the artists to listeners. Live performance is also important, and some groups-such as the Grateful Dead, the Allman Brothers Band, and more recently Phish and Widespread Panic-have been more oriented toward performances that change from night to night than with authoritative versions of tunes that are produced in a recording studio. -
Download the Blood on the Fields Playbill And
Thursday–Saturday Evening, February 21 –23, 2013, at 8:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. BLOOD ON THE FIELDS JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone, Tuba CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto & Soprano Saxophones TED NASH, Alto & Soprano Saxophones VICTOR GOINES, Tenor & Soprano Saxophones, Clarinet, Bass Clarinet WALTER BLANDING, Tenor & Soprano Saxophones CARL MARAGHI, Baritone Saxophone, Clarinet, Bass Clarinet ELI BISHOP, Guest Soloist, Violin ERIC REED, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Featuring GREGORY PORTER, Vocals KENNY WASHINGTON, Vocals PAULA WEST, Vocals There will be a 15-minute intermission for this performance. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.