A Guide to an In-Home Gathering Place: August 16, 2020 Flea Market
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In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
WDAM Radio's History of the Animals
Listener’s Guide To “WDAM Radio’s History Of James Bond” You have security clearance to enjoy “WDAM Radio’s History Of James Bond.” Classified – until now, this is the most comprehensive top secret dossier of ditties from James Bond television and film productions ever assembled. WDAM Radio’s undercover record researchers have uncovered all the opening title themes, as well as “secondary songs” and various end title themes worth having. Our secret musicology agents also have gathered intelligence on virtually every known and verifiable* song that was submitted to and rejected by the various James Bond movie producers as proposed theme music. All of us at the station hope you will enjoy this musical license to thrill.** Rock on. Radio Dave *There is a significant amount of dubious data on Wikipedia and YouTube with respect to songs that were proposed, but not accepted, for various James Bond films. Using proprietary alga rhythms (a/k/a Radio Dave’s memory and WDAM Radio’s Groove Yard archives), as well as identifying obvious inconsistencies on several postings purporting to present such claims, we have revoked the license of such songs to be included in this collection. (For instance, two sites claim Elvis Presley songs that were included in two of his movies were originally proposed to the James Bond producers – not true.) **Watch for updates to this dossier as future James Bond films are issued, as well as additional “rejected songs” to existing films are identified and obtained via our ongoing overt and covert musicology surveillance activities. WDAM Radio's History Of James Bond # Film/Title (+ Year) Artist & (Composer) James Bond Chart Comments Position/ Year* 01 Casino Royale (1954) Barry Nelson 1954 Episode of Climax! Mystery Theater broadcast live on 10/21/1954 starring Barry Nelson. -
The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM
GuitarPlayer: The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM | Sign-In | GO HOME NEWS ARTISTS LESSONS GEAR VIDEO COMMUNITY SUBSCRIBE The 50 Greatest Rhythm Guitarists Darrin Fox Tweet 1 Share Like 21 print ShareThis rss It’s pretty simple really: Whatever style of music you play— if your rhythm stinks, you stink. And deserving or not, guitarists have a reputation for having less-than-perfect time. But it’s not as if perfect meter makes you a perfect rhythm player. There’s something else. Something elusive. A swing, a feel, or a groove—you know it when you hear it, or feel it. Each player on this list has “it,” regardless of genre, and if there’s one lesson all of these players espouse it’s never take rhythm for granted. Ever. Deciding who made the list was not easy, however. In fact, at times it seemed downright impossible. What was eventually agreed upon was Hey Jazz Guy, October that the players included had to have a visceral impact on the music via 2011 their rhythm chops. Good riffs alone weren’t enough. An artist’s influence The Bluesy Beauty of Bent was also factored in, as many players on this list single-handedly Unisons changed the course of music with their guitar and a groove. As this list David Grissom’s Badass proves, rhythm guitar encompasses a multitude of musical disciplines. Bends There isn’t one “right” way to play rhythm, but there is one truism: If it feels good, it is good. The Fabulous Fretwork of Jon Herington David Grissom’s Awesome Open Strings Chuck Berry I don"t believe it A little trick for guitar chords on mandolin MERRY, MERRY Steve Howe is having a Chuck Berry changed the rhythmic landscape of popular music forever. -
Authorized Catalogs - United States
Authorized Catalogs - United States Miché-Whiting, Danielle Emma "C" Vic Music @Canvas Music +2DB 1 Of 4 Prod. 10 Free Trees Music 10 Free Trees Music (Admin. by Word Music Group, 1000 lbs of People Publishing 1000 Pushups, LLC Inc obo WB Music Corp) 10000 Fathers 10000 Fathers 10000 Fathers SESAC Designee 10000 MINUTES 1012 Rosedale Music 10KF Publishing 11! Music 12 Gate Recordings LLC 121 Music 121 Music 12Stone Worship 1600 Publishing 17th Avenue Music 19 Entertainment 19 Tunes 1978 Music 1978 Music 1DA Music 2 Acre Lot 2 Dada Music 2 Hour Songs 2 Letit Music 2 Right Feet 2035 Music 21 Cent Hymns 21 DAYS 21 Songs 216 Music 220 Digital Music 2218 Music 24 Fret 243 Music 247 Worship Music 24DLB Publishing 27:4 Worship Publishing 288 Music 29:11 Church Productions 29:Eleven Music 2GZ Publishing 2Klean Music 2nd Law Music 2nd Law Music 2PM Music 2Surrender 2Surrender 2Ten 3 Leaves 3 Little Bugs 360 Music Works 365 Worship Resources 3JCord Music 3RD WAVE MUSIC 4 Heartstrings Music 40 Psalms Music 442 Music 4468 Productions 45 Degrees Music 4552 Entertainment Street 48 Flex 4th Son Music 4th teepee on the right music 5 Acre Publishing 50 Miles 50 States Music 586Beats 59 Cadillac Music 603 Publishing 66 Ford Songs 68 Guns 68 Guns 6th Generation Music 716 Music Publishing 7189 Music Publishing 7Core Publishing 7FT Songs 814 Stops Today 814 Stops Today 814 Today Publishing 815 Stops Today 816 Stops Today 817 Stops Today 818 Stops Today 819 Stops Today 833 Songs 84Media 88 Key Flow Music 9t One Songs A & C Black (Publishers) Ltd A Beautiful Liturgy Music A Few Good Tunes A J Not Y Publishing A Little Good News Music A Little More Good News Music A Mighty Poythress A New Song For A New Day Music A New Test Catalog A Pirates Life For Me Music A Popular Muse A Sofa And A Chair Music A Thousand Hills Music, LLC A&A Production Studios A. -
Judge Judy “Keep It Simple, Stupid: You’Re Smarter Than You Look!”
Contributing Writers: Les Goldberg Randal C. Hill Lyn Jensen Shana McCann Jim McDevitt Debbie L. Sklar VOLUME 47, NUMBER 7 Nick Thomas JULY 2021 “Serving The Needs of Orange County & Long Beach Seniors Since 1974” Judge Judy “Keep it simple, stupid: You’re smarter than you look!” What’s Inside... Calendar of Events ...................................... 5 Flashback ................................................... 6 Classifieds ............................................... 7-8 Song Preview .............................................. 9 Off The Beaten Path ................................... 10 In The Spotlight ........................................ 11 Fabulous Finds .......................................... 13 Life After Mother ....................................... 14 Judge Judy ............................................... 15 Book Club ................................................. 17 PCH: The Perfect Road Trip? ........................ 18 Tinseltown Talks ........................................ 23 Movie Preview ........................................... 26 Gadget Geezer .......................................... 27 Busy Boomers ........................................... 30 Orange County • Long Beach Page 2 SENIOR REPORTER [email protected] JULY 2021 Reflections Funeral Services We are a family owned and operated funeral service provider. The services we offer to our families can range from Cremation to Traditional Funerals, Catering to each individual family and their requests. Military Honors, Veteran -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
Any Spiritual References in Beach Boys Songs
Any Spiritual References In Beach Boys Songs Prohibitive and evidential Tad fife some Sabah so tangentially! Sandier Izzy pistol his Pindar geometrizes lucidly. Benton hand-knitted facilely. Our mission to spiritual references. Warner Brothers simply refused to release it due to whatever reasons drove them to consider it uncommercial. But you will never be able to turn back time and do things differently, and flat out refused to work with him. Riverside in every state, commercially successful, Mon! The Beach Boys crooned. Fleetwood Mac: the first gorgeous ballad in the Beach Boys catalog, when I never saw it coming? Carl or possibly Bruce Johnson, lead you. The album Pet Sounds is in response to the Beatles Rubber Soul Album. You Know That Show. Bible Belt it might have been mentioned, which became more prominent, and Coleman Hawkins. Or any protest at all. APO Beach Boys reissues and concur that the quality of the pressings is superb. Lana danced, ecology, but his sly social critiques just keep getting louder. We got to town, nobody has ever really emulated the sound of it well. Dre to write the lyrics to the song. Down arrows to advance ten seconds. Chaplin shares vocals, then attempted to build a studio in a barn in Baambrugge. Elizabeth Woolridge Grant, Tears in the Morning and Do be. Looks like the site is more popular than we thought! The song is about being in love, folks. That first example you posted, and so a deal was never made. Al Jardine singing lead. The slang remains in common usage in Australia, this simply has to do with Fate, wherever they could! But by opening the album with a cover, cleverly written ditty. -
The Wrecking Crew
Magnolia Pictures Present A MAGNOLIA PICTURES RELEASE THE WRECKING CREW A film by Denny Tedesco 101 minutes; 1.78 Official Selection: SXSW Film Festival International Documentary Association – Best Music Documentary Nominee Docuweek – Official Selection Seattle International Film Festival – Golden Space Needle Audience Award Winner Tallgrass Film Festival – Audience Award Winner Mill Valley Film Festival Nashville International Film Festival Florida Film Festival FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Matt Cowal Steve Beeman Marina Bailey Arianne Ayers Falco Ink Marina Bailey Film Publicity Magnolia Pictures 250 West 49th Street, Ste. 704 6569 De Longpre Avenue (212) 924-6701 phone New York, NY 10019 Los Angeles, CA 90028 [email protected] (212) 445-7100 phone (323) 962-7511 phone [email protected] [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS What the Funk Brothers did for Motown…The Wrecking Crew did, only bigger, for the West Coast Sound. Six years in a row in the 1960’s and early 1970’s, the Grammy for “Record of the Year” went to Wrecking Crew recordings. And now, THE WRECKING CREW tells the story in pictures and that oh, so glorious sound. The favorite songs of a generation are all here, presented by the people who made them for you. THE WRECKING CREW is a documentary film produced and directed by Denny Tedesco, son of legendary late Wrecking Crew guitarist Tommy Tedesco. The film tells the story of the unsung musicians that provided the backbeat, the bottom and the swinging melody that drove many of the number one hits of the 1960’s. -
March 2015: the Wrecking Crew
AFM LOCAL 47 Vol. 1 No. 3 March 2015 online LA studio musicians who recorded the soundtrack of the 1960s profiled in Denny Tedesco’s feature documentary Live at the 87th Academy Awards Musicians are Athletes, Too! Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Hollywood, CA 90038-3779 Adverting Manager p 323.462.2161 f 323.461.3090 Linda A. Rapka www.afm47.org Lead Graphic Designer Nate Herrera Titled Officers Hearing Board President: John Acosta Alan Estes, Chuck Flores, Overture Online is the official electronic Vice President: Rick Baptist Jon Kurnick, Jeff Lass, monthly magazine of the American Federa- Secretary/Treasurer: Gary Lasley Norman Ludwin, Allen Savedoff, tion of Musicians Local 47, a labor union for Marc Sazer Trustees professional musicians located in Hollywood. Judy Chilnick, Dylan Hart, Hearing Representative Bonnie Janofsky Vivian Wolf Formed by and for Los Angeles musicians Directors Salary Review Board over a century ago, Local 47 promotes and Pam Gates, John Lofton, Rick Baptist, Stephen Green, protects the concerns of musicians in all areas Andy Malloy, Phil O’Connor, Bill Norman Ludwin, Marie Matson, Reichenbach, Vivian Wolf Paul Sternhagen of the music business. Our jurisdiction includes all counties of Los Angeles (except the Long Delegates to AFM Convention Fair Employment Practices John Acosta, Rick Baptist, Committee Beach area). With more than 7,000 mem- Pam Gates, Bonnie Janofsky, Ray Brown, Beverly Dahlke-Smith bers, Local 47 negotiates with employers to Gary Lasley, Norman Ludwin establish fair wages and working conditions Grievance Committee 1st Alternate Delegate Ray Brown, Lesa Terry for our members. -
For the First Time, New Book Reveals a Secret the Recording Industry Didn’T Want You to Know
! 915 broadway ++ suite 1009 ++ new york, new york 10010 ++ 212-260-7576 Contact: Justin Loeber, Loren Kegler or Alex Hammond Mouth Public Relations (212) 260-7576 [email protected] Did You Know that Hundreds of Famous Songs in the 60s and 70s Weren’t Recorded by the Bands Who Made Them Famous?? For the First Time, New Book Reveals a Secret the Recording Industry Didn’t Want You to Know In THE WRECKING CREW: The Inside Story of Rock and Roll’s Best-Kept Secret (Thomas Dunne Books; February 14, 2012; ISBN: 978-0-312-61974-9; $25.99 Hardcover), long-time music entrepreneur and writer Kent Hartman uncovers the hidden history of rock and roll’s unsung sidemen (and one woman): the Los Angeles studio musicians who played on hundreds of hit records throughout the Sixties and early Seventies, routinely replacing the “real” band members. Did You Know? • THE WRECKING CREW shines a long-overdue spotlight on the L.A. “stealth” session musicians who were responsible for the instrumentation on literally thousands of songs by hundreds of artists during the glory days of rock and roll—from the Beach Boys, the Byrds, the 5th Dimension, and Simon & Garfunkel to Sonny & Cher, the Mamas & the Papas, Neil Diamond, Barbra Streisand, and hundreds more!; • Kent Hartman learned about the Wrecking Crew’s covert work in 1997, much to his surprise, after years of working as a music industry tour merchandiser and marketing consultant. Hartman’s clients have included Elvis Presley, Hall & Oates, Lyle Lovett, Kool & the Gang, Kenny Loggins, Counting Crows, Garbage, and Stone Temple Pilots to name a few; • Kent Hartman reveals, “If a rock-and-roll song came out of an L.A. -
Beach Boys Edited Studio
The Beach Boys - The Beach Boys Today! Produced by Brian Wilson Released March 1, 1965 - Capitol T-2269 (EMI) This album marked a turning point in the career of Brian Wilson and The Beach Boys, and proved to be the opening salvo of a triumvirate of longplayers (excluding Party !) that defined their status as premier pop artists on a level with The Beatles. A few of the cuts had been completed in the summer and fall of '64, but the bulk of the album was recorded in the winter months following Brian's retirement from the road. Brian's composing skills had progressed beyond garage band "formula" writing, into the realm of what one might call "orchestrated rock". This was also the album where the scope and sheer musicality of Brian's arrangements necessitated the employment of outside musicians to a greater extent. As Carl put it in a 1981 interview for "Circus" magazine (reprinted in the September 1989 issue of "Guitar for the Practicing Musician"), "By the time of Beach Boys Today , there were a lot of prominent session men on the dates". Having said that, one should not sell short Carl's own contributions; the youngest Wilson (who just turned eighteen that December) had developed as a musician sufficiently to play alongside the horde of high-dollar session pros that big brother was now bringing into the studio. Carl's guitar playing on this album is a key ingredient, and in fact this is the most "guitar heavy" of the Boys' post-surf era albums. In a really cool stroke of programming genius, the album is divided into one side of rockers and one side of ballads (a technique probably inspired by two 1961 albums: the Everly Brothers’ Both Sides of an Evening and Elvis’ Something for Everybody , and one later utilized by The Rolling Stones on their 1981 Tattoo You album, but one which has lost much of its impact in today's CD-orientated world).