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The Sugar Shoppe the Sugar Shoppe Mp3, Flac, Wma
The Sugar Shoppe The Sugar Shoppe mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: The Sugar Shoppe Country: UK Released: 2013 Style: Easy Listening, Vocal MP3 version RAR size: 1914 mb FLAC version RAR size: 1871 mb WMA version RAR size: 1786 mb Rating: 4.6 Votes: 264 Other Formats: ADX MMF MP4 ASF AU MPC VQF Tracklist Hide Credits The Original Album Skip-a-long Sam 1 3:00 Written-By – Donovan Leitch* The Attitude 2 2:18 Written-By – Peter Mann Baby Baby 3 3:18 Written-By – Helen Lewis, Kay Lewis Take Me Away 4 2:59 Written-By – Jackie Trent, Tony Hatch Let The Truth Come Out 5 2:57 Written-By – Peter Mann Follow Me (From "Camelot") 6 2:30 Written-By – F. Loewe - A.J. Lerne* Poor Papa 7 2:24 Written-By – Billy Rose, Harry Woods Privilege (From The Film "Privilege") 8 3:08 Written-By – Michael Leander* Papa, Won't You Let Me Go To Town With You 9 3:30 Written-By – Bobbie Gentry The Candy Children Song 10 2:35 Written-By – L. Hood*, P. Mann*, V. Garber* Hangin' Together 11 2:29 Written-By – L. Hood*, P. Mann*, V. Garber* The Bonus Tracks Skip A Long Sam (Mono 45) 12 3:02 Written-By – Donovan Leitch* Let The Truth Come Out (Mono 45) 13 2:59 Written-By – Peter Mann Privilege (From The Film "Privilege") (Mono 45) 14 3:12 Written-By – Michael Leander* Poor Papa (Mono 45) 15 2:26 Written-By – Billy Rose, Harry Woods Save The Country (Acetate) 16 3:04 Written-By – Laura Nyro Easy To Be Hard (Acetate) 17 3:51 Written-By – G. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 20 BE MY BABY, The Ronettes Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 116 1963 Billboard: #2 DA DOO RON RON, The Crystals Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 112 1963 Billboard: #3 CHRISTMAS (BABY PLEASE COME HOME), Darlene Love Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 119 1963 Did not make pop charts To hear folks talk, Phil Spector made music out of a solitary vision. But the evidence of his greatest hits insists that he was heavily dependent on a variety of assistance. Which makes sense: Record making is fundamentally collaborative. Spector associates like engineer Larry Levine, arranger Jack Nitzsche, and husband-wife songwriters Jeff Barry and Ellie Greenwich were simply indispensable to his teen-art concoctions. Besides them, every Spector track featured a dozen or more musicians. The constant standouts were' drummer Hal Blaine, one of the most inventive and prolific in rock history, and saxophonist Steve Douglas. Finally, there were vast differences among Spector's complement of singers. An important part of Spector's genius stemmed from his ability to recruit, organize, and provide leadership within such a musical community. Darlene Love (who also recorded for Spector with the Crystals and Bob B. Soxx and the Blue Jeans) ranks just beneath Aretha Franklin among female rock singers, and "Christmas" is her greatest record, though it was never a hit. (The track probably achieved its greatest notice in the mid-eighties, when it was used over the opening credits of Joe Dante's film, Gremlins.) Spector's Wall of Sound, with its continuously thundering horns and strings, never seemed more massive than it does here. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Griffin Yours Till Forever / New York Boy Mp3, Flac, Wma
Griffin Yours Till Forever / New York Boy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Yours Till Forever / New York Boy Country: US Released: 1970 MP3 version RAR size: 1870 mb FLAC version RAR size: 1284 mb WMA version RAR size: 1650 mb Rating: 4.5 Votes: 559 Other Formats: VOX VOC MMF XM APE AHX WMA Tracklist Hide Credits Yours Till Forever A Written-By – Kenny Nolan New York Boy B Written-By – Neil Diamond Credits Arranged By – Tommy Oliver Bass – Lyle Ritz (tracks: A) Drums – Jim Gordon (tracks: A), Ron Tutt (tracks: A) Guitar – John Morell (tracks: A), Michael Anthony (tracks: A), Mike Deasy (tracks: A) Keyboards – Don Randi (tracks: A), Larry Muhoberac (tracks: A), Pete Jolly (tracks: A) Percussion – Frank Capp (tracks: A) Producer – Kelly L. Gordon* Saxophone – Thomas Scott* (tracks: A) Strings – Anthony Zungolo (tracks: A), Harry Bluestone (tracks: A), Mischa Russell (tracks: A), Richard S. Kaufman* (tracks: A), Shari Zippert (tracks: A) Trombone – Gilbert Falco* (tracks: A) Trumpet – William Peterson* (tracks: A), A.D. Brisbois* (tracks: A), Lou Klass (tracks: A) Vocals – Gary Duckworth (tracks: A), George Green (tracks: A), Mike Brady (tracks: A), Vince Morton (tracks: A) Woodwind – James Horn* (tracks: A) Related Music albums to Yours Till Forever / New York Boy by Griffin Various - The Count Basie Bunch: Cool Too Mike Peters - Breathe: The Acoustic Sessions Colouring - Colouring Dimension 5 - Unreleased Tracks [2] / Live Tracks [4] James Litherland - 4th Estate Bill Monroe - Classic Bluegrass Instrumentals Benny Goodman - Orchestras & Groups Spike Milligan - The Best Of Milligan's Wake/The World Of Beachcomber Sonny Stitt - The Verve Years Ronnie Spector - Best Christmas Ever Sam Morgan's Jazz Band / The Get-Happy Band / The Blue Ribbon Syncopators - Sam Morgan Etc. -
Leon Russell – Primary Wave Music
ARTIST:TITLE:ALBUM:LABEL:CREDIT:YEAR:LeonThisCarneyTheW,P1972TightOutCarpentersAA&MWNow1973IfStopP1974LadyWill1975 SongI Were InRightO' Masquerade &AllBlueRussellRope The Thenfor Thata Stuff CarpenterYouWoodsWisp Jazz LEON RUSSELL facebook.com/LeonRussellMusic twitter.com/LeonRussell Imageyoutube.com/channel/UCb3- not found or type unknown mdatSwcnVkRAr3w9VBA leonrussell.com en.wikipedia.org/wiki/Leon_Russell open.spotify.com/artist/6r1Xmz7YUD4z0VRUoGm8XN The ultimate rock & roll session man, Leon Russell’s long and storied career included collaborations with a virtual who’s who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues, and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, Oklahoma, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector’s renowned studio group, Russell played on many of the finest pop singles of the ’60s, also arranging classics like Ike & Tina Turner’s monumental “River Deep, Mountain High”; other hits bearing his input include the Byrds’ “Mr. Tambourine Man,” Gary Lewis & the Playboys’ “This Diamond Ring,” and Herb Alpert’s “A Taste of Honey.” In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP. -
A Guide to an In-Home Gathering Place: August 16, 2020 Flea Market
A Guide to an in-Home Gathering Place: August 16, 2020 Flea Market Memories Greetings Gathering Place Friends! CarePartners and our Gathering Places may be on hold through August 31st, but that does not mean you can’t bring elements of the Gathering Place into your own home! This week, we are going to think back to all those vintage items (and memories) that we love! In this packet you will find everything you need to have a fun, joyful, and active Gathering Place in your own home. We would love to hear back from you with pictures and stories of how you are enjoying your activities this week! If you have pictures or stories you are willing to share, please send them to [email protected] or call us at 713-682-5995. We miss you terribly and would love to hear from you! So, enjoy the craft! Play the games! Sing the songs! And, above all, have fun! Flea Market Reminiscing 1. What kind of items would you expect to see at a flea market? 2. What time of year would you want to visit a flea market? 3. Have you ever owned an antique? 4. Have you ever tried to sell anything at a flea market? 1 Word Games and Art Pages 2 3 4 5 The Price is Right Game The Price is Right is one of the longest running TV game shows in history. Contestants try to win the game by guessing the actual retail value. Contestants are asked to guess the price of several items numbered 1–10 that are laid out in front of them to see. -
Weeksville Lost Jazz Shrines
1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
TOTO: the Synth Statesmen of Progressive Pop Return Slideshow
Keyboard Guitar Player Bass Player Electronic Musician Guitar Aficianado Guitar World Mi Pro Music Week Revolver More... AV/PRO AUDIO Audio Media Audio Pro AV Technology Installation Mix Pro Sound News Pro Sound News Europe Residential Systems BROADCAST/RADIO/TV/VIDEO Broadcast & Production Digital Video Government Video Licensing.biz Radio Magazine Radio World CONSUMER ELECTRONICS/GAMING Bike Biz Develop MCV Mobile Entertainment PCR Toy News EDUCATION Edu Wire School CIO Tech & Learning Pubs Guitar Player Search Keyboardmag.com Search Keyboardmag.com Like 755 Follow @keyboardmag Gear Artists Lessons Blogs Video Store Subscribe! Search Keyboardmag.com Gear Artists Lessons Blogs Video Store Subscribe! Gear Keys and Synths Virtual Instruments Live and Studio Accessories News Contests! Native Instruments introduces Symphony Series Brass Console maker Harrison has a $79 DAW that goes up against the big boys MoMinstruments Elastic Drums app reviewed Artists Features Reviews News Martin Gore goes crazy for classic and modular synths on his new solo album TOTO: The Synth Statesmen of Progressive Pop Return Cameron Carpenter plays “Singing in the Rain” Lessons Play Like … Theory Technique How To Keyboard 101 Style Learn Gregg Allman’s classic rock organ style in 5 easy steps Get bigger, better synth pads with these 5 simple techniques 5 ways to play like Jimmy McGriff Blogs Video Store SUBSCRIBE! All Access Subscription Tablet Subscriptions Renew Customer Service Give a Gift Newsletter Subscription TOTO: The Synth Statesmen of Progressive Pop Return BY JERRY KOVARSKY July 13, 2015 Their stats are staggering. The members of Toto have collectively performed on over 500 albums over the course of 38 years, amassing over half a billion unit sales and 200 Grammy nominations. -
Us Presse-Schau
Media Information im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] US PRESSE-SCHAU http://www.rollingstone.com/music/news/beach-boys-to-officially-release-long-incomplete-album-smile-this- year-20110311 Beach Boys to Officially Release Long-Incomplete Album 'Smile' This Year Recordings will be sold as double CD and box set Kent Gavin/Hulton Archive/Getty Capitol Records have announced that they will be releasing the Beach Boys' lost, incomplete album Smile later this year. Smile was originally planned as the follow-up to the band's 1966 classic Pet Sounds, but the material was mostly abandoned due to creative mastermind Brian Wilson's fragile mental health at the time. Though no release date has been set, the official release of Smile will be sold as a two-CD set and as a deluxe box set including four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book penned by Beach Boys historian Dominic Priore. The final track listing has not been announced, but disc one of the CD set and the first three sides of the vinyl edition will contain a close approximation of the Smile album, with the remainder collecting outtakes and alternate versions from the sessions. The Smile sessions have been widely bootlegged among fans for decades, but the proper track listing for the album has never been established, largely due to the fact that the record was never completed as intended. According to engineer Mark Linett, Brian Wilson's 2004 version of Smile has been used as the template for this project, though it could turn out a bit different depending on input from Wilson and the surviving members of the group. -
The Wrecking Crew—Whether You Knew It Or Not
HISTORY JUNE 2012 Kent Hartman “You are in for a big surprise!” —Dusty street The Inside StoryWrecking of Rock and Roll’s Best-Kept Crew Secret Part Hit Men and part Laurel Canyon, this hidden history of rock and roll chronicles the uncredited studio musi- cians who provided the soundtrack for a generation dur- ing the 1960s and 1970s. If you were a fan of popular music in the 1960s and early ’70s, you were a fan of the Wrecking Crew—whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves as the driving sound of pop music—sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recording stars. Mining invaluable interviews, the author follows the Read by Dan John Miller careers of such session masters as drummer Hal Blaine Category: History/Music and keyboardist Larry Knechtel, as well as trailblazing Running Time: 10 hrs 30 min - Unabridged bassist Carol Kaye. Listeners will discover the Wrecking Hardcover: 02/14/2012 (35,000 Thomas Dunne Books) Territory: US and Canada Crew members who would forge careers in their own right, On Sale Date: 06/18/2012 including Glen Campbell and Leon Russell, and learn of Trade 9781452608068 9 Audio CDs $39.99 the relationship between the Crew and such legends as Phil Library 9781452638065 9 Audio CDs $83.99 Spector and Jimmy Webb.