Decoding Any Strumming Pattern by Ear...In Seconds!

Total Page:16

File Type:pdf, Size:1020Kb

Decoding Any Strumming Pattern by Ear...In Seconds! LESSON #1 Pomaikai’i Keawe Lyman, granddaughter of legendary Hawaiian singer & entertainer Aunty Genoa Keawe, at the 2009 Aloha Falsetto Festival in Redondo Beach. Photo by Marsha Aguon THE BEST STRUM LESSON EVER! Strumming Unlock the secret to decoding any strumming pattern by ear...in seconds! Frustrated? Stuck in a rut? level skyrocket in a very short time they learned how to emulate what with just a few minutes a day. You’d they heard. Confused by the many so-called be surprised - when you look So dust off those old favorites, “experts” online and hard-to-grasp forward to practicing and you put revisit them with an open ear and instructional books? Stop wasting yourself in that mental state of HAVE FUN! hours of your valuable time trolling discovery mode, ten minutes easily discussion forums and spend just a turns into 30 minutes, 2 hours...all few minutes mastering these simple day! Contents techniques that will refresh your But in the end, there is no approach to strumming the ukulele Counting Beats 2 substitute for LISTENING. Eric and will allow you to decode any Clapton, Miles Davis, Jimi Hendrix, Swing vs Straight 3 given strum within SECONDS...BY Frank Sinatra - you can be sure they EAR! Ghost Strokes 4 all spent a LOT of time sitting by Practice the following concepts their record player lifting that needle Additional Resources 5 diligently and you will see your skill and replaying their favorite parts as Noteworthy George Harrison Ohta San Byron Yasui Tiny Tim Lyle Ritz Bryan Tolentino Ukulele Players Bill Tapia James Hill William H Macy (surprised at some of these names?) Jake Shimabukuro Troy Fernandez Greg Hawkes Benny Chong Abe Lagrimas Johnny Winter Other beat patterns 4/4 may be most recognizable to us but 3, 5 and even 7 beats in a measure are not uncommon. Here are some well-known examples: Three Beats Happy Birthday Star Spangled Banner Amazing Grace Edelweiss Rainbow Connection Sweet Baby James (James Taylor) Counting Beats Start with the C chord. Stick out your index finger Five Beats like a record player stylus, Mission Impossible If you can’t count “them”, how Take Five (Dave Brubeck) strum across the strings can you keep “it”? Whether you’re Everything's Alright (From Jesus down toward the ground Christ Superstar) playing solo, or in a group, a strong and count ”ONE”. Now move your sense of timing and rhythm is of the hand across Seven Beats utmost importance. the strings Solsbury Hill (Peter Gabriel) The most common time signature toward the Money (Pink Floyd) is 4/4 time which means that in a ceiling and given song or piece of music there is say “AND”. an underlying pulse of four strong On the beats. In fact, 4/4 is so common, it’s next downward strum count “TWO”, also known as “Common Time” and is followed by an “AND” on the way often represented on a sheet of music back up. Repeat with “THREE AND with the letter “C”. FOUR AND” for one full measure Don’t worry - just because you Count out loud while you are (phrase) of 4/4 time. Be sure to give practicing strumming. If you’ve didn’t know the terminology doesn’t equal volume to both up and been having a hard time mean you weren’t feeling it all along. downstrokes. Yes, upstrokes feel a coordinating singing and Notice how you tend to tap your foot little weird at first but you’ll get used strumming, this will help you on beats 1, 2, 3, and 4 naturally to it quickly. Consistent practice is immensely when listening to a catchy song on key. the radio? You’ll see quicker results when Ever been to a concert or event you practice strumming very where they want to fire up the crowd robotically at first, with a certain by getting them to clap their hands emotional detachment. In a way, together? You’ll know what I’m when we practice, we should “It takes a lot of devotion and talking about if you’ve ever attended “behave and feel like scientists, work, or maybe I should say a Jewish wedding or seen the scene observing, dispassionately, the play, ‘cause if you love it, from the movie “The Deer Hunter”. results of our experiments.”* that’s what it amounts to. I haven’t found any shortcuts, *On Practising by Ricardo Iznaola Let’s apply counting beats in and I’ve been looking for a common time as it relates to playing long time.” - Chet Atkins the ukulele. Kunia Galdeira, grandson of Hawaiian music pioneer Swing vs Straight- Gabby Pahinui, in his appearance at the 2010 style Strumming Southern California Slack Key Festival in Los Angeles. Photo by Oceanfront Here are some well- Photography known examples of songs in both styles Swing Little Grass Shack Tiny Bubbles In The Mood All Of Me Pearly Shells Love Me Do Eight Days A Week Can’t Buy Me Love Five Foot Two New York, New York Swing strumming Bye Bye Love Probably the most natural thing to do when one picks up the ukulele for the first time. This style of strumming swings - ala Tiny Tim, Count Basie big Straight/”Rock” band - with the up a little softer than the down - ka-CHUNK ka-CHUNK ka- Twist & Shout CHUNK. Think tropical breezes, sipping a drink, relaxing on a hammock La Bamba under a palm tree...ahhhhh..... Brown-eyed Girl See the sidebar on the left for some very familiar examples of this style. Under The Boardwalk I Wanna Hold Your Hand Rock You Like A Hurricane (Just checking to see if you’re Straight/“Rock and Roll” Strumming paying attention) I call this the rock strum because so many of the songs people love to play on the ukulele are simply adaptations of popular rock and pop songs originally written for guitar, such as “By Bye Love”, “Under The Boardwalk”, etc. Notice how these songs do not fit the image of a big band performing them alongside tunes like “Unforgettable” or “Fly Me To The Moon? In this style of strumming we give equal volume and conviction to every beat - both up and down strums - with the consistency of a metronome. Of As you listen to the songs listed course, rarely will we play a song the whole way through like this and that’s above, it will help you get a where the magic of Ghost Strokes - the topic on the next page - comes in! feel for the strums if you cover the ukulele strings with your Visit www.UkuleleWebsite.com for a complete listing of products, including left hand (muting the sound) the video companion to this lesson. Plus: and strum along lightly with your right. • Advanced Strumming Techniques • Create complete harmony/melody ukulele solos! • A super-easy method to learn chords & keys just 1, 2, 3, 4, like the Strumming Variations beginning of “Benny and the Jets” (G chord) Using straight-style or “Sandman” by strumming, practice America (Em chord). ghost strokes to get the Try one of the patterns familiar sounds of in the left sidebar. these well-known tunes (Note: the “Rock/Folk” pattern is one of the (x = ghost stroke) most prolific strum As of this writing, Bill Tapia is still going strong at 102! patterns out there) Blowin’ In The Wind Once you’ve played one a couple times, (Bob Dylan) “Ghost Strokes” 1 x 2 x 3 & 4 & stop counting and focus on the Here is where it gets fun! This is sound itself as you assign the probably the single most important movement to muscle memory. Leather and Lace lesson you’ll ever learn on the Muscle memory is important - at (Stevie Nicks) subject of strumming and it will work some point you have to stop thinking 1 x 2 x x & 4 & equally well for both swing and and start feeling. straight “rock” styles and can be The fun part comes from creating Best Of My Love easily adapted to guitar and your own patterns as you practice (Eagles) mandolin as well. omitting different beats at random and replacing them with ghost 1 & 2 & x & x x Ghost Strokes is a term strokes. Sit down with your uke and originally used by drummers but I play whatever comes to mind - Angel Mine find it to be a perfect way to you’re bound to stumble across a (Cowboy Junkies) describe what one needs to do to strumming pattern for that favorite 1 x 2 & x & 4 & emulate any strum while maintaining song of yours that you’d been trying a strong sense of rhythm and pulse to figure out for the longest time. regardless of whether the tempo is Combining different strum Sister Golden Hair slow or fast. patterns with different chord (America) A ghost stroke can fall on either progressions such as C-G7-C, G-C- 1 x 2 x 3 & 4 & a downbeat or an upbeat and a D7-G, F-Dm-Gm-C7-F, etc. will help x & 2 x x & 4 & variation/combination of both will keep things interesting and make it produce familiar sounding grooves even easier to “discover” songs. (see sidebar on the left). Check out the video companion to Start with a repeating pattern of this report if you need even more strumming all beats: 1& 2 & 3 & 4 clarity. &. Now replace all the “&”’s with a “The music has generated all Several other strumming secrets silent upstroke, completely missing the techniques I use. When I sit will help you recreate the sounds the strings but moving your hand as down to learn to play you hear and the songs you love - if you were strumming them.
Recommended publications
  • Presenting the 2008 SBA Small Business Award Winners!
    Presenting the 2008 SBA Small Business Award Winners! Small Business Person Minority Small Business of the Year Champion of the Year State of Hawai‘i State, Region IX & National Beverly Gannon Johnson W. K. Choi Hali‘imaile General Store Hong Kong.China.Hawai‘i and Nene Grill dba Joe’s Bar Chamber of Commerce Small Business Exporter Financial Services Champion Small Business Journalist State of Hawai‘i & Region IX State of Hawai‘i & Region IX State of Hawai‘i & Region IX David Fell & Sandy Kasman Bill Spencer Pamela Tumpap Hawaiian Sunshine Nursery Hawai‘i Venture Capital Association Maui Chamber of Commerce SBA Young Entreprenuer SBA Family-Owned Business Women in Business Champion Entrepreneurial Success State of Hawai‘i State of Hawai‘i State of Hawai‘i State of Hawai‘i Tom Park Jonathan Ota Joann Seery Rex Matsuno Leather Soul Tip Top Café & Bakery BNI International & Referral Institute Suisan Company, Ltd. Small Business Person Small Business Person Small Business Person Entreprenuerial Success City & County of Honolulu County of Hawai‘i County of Kaua‘i County of Maui Robert Iopa, Lawrence Cunha, John & Donna Rozett Mary Valenzuela Richard S. Ouye Mark Higa & Daniel Kanekuni Rozett‘s Nursery Ink Spot Printing Corporation Service Rentals & Supplies WCIT Architecture SBA Family-Owned Business SBA Family-Owned Business SBA Family-Owned Business Small Business Exporter County of Maui County of Hawai‘i City & County of Honolulu County of Kaua‘i Neil Hasegawa Michael Tokunaga Roy & Kathy Sakuma Lori Cardenas Hasegawa General Store S. Tokunaga Store Roy Sakuma Productions Aunty Lilikoi Small Business Exporter SBA Young Entreprenuer SBA Young Entreprenuer Small Business Journalist City & County of Honolulu County of Maui City & County of Honolulu City & County of Honolulu Alan Hornstein Brennan K.
    [Show full text]
  • Movable the Secret to Instantly Increasing Your Chord Vocabulary!
    LESSON #4 THE SECRET TO INSTANTLY INCREASING Chords YOUR CHORD VOCABULARY Movable Movable The secret to instantly increasing your chord vocabulary! Rediscover the ukulele How does one learn how to use So dust off those old favorites, those frets and the rest of the neck to revisit them with an open ear, strum Breathe new life into those tired spice things up and add interest to along and HAVE FUN! old songs you’ve been playing at songs? the club, impress the other members As you apply what you’re about - Mitch Chang and have more fun! Learn what just to learn in the following pages, one finger and a tiny bit of music remember - there is no substitute for theory can do and how to go LISTENING. From jazz to rock to Contents beyond chord shapes that have had country - all the greats spent a LOT you stuck at the first and second frets First things first 2 of time sitting by their record player for years. lifting that needle and replaying The shape of things 3 As anyone can see, the ukulele their favorite parts as they learned fretboard doesn’t stop at the third Mix and match 4 how to emulate what they heard. If fret. So what are all those other frets they can take the time to do it, so Additional Resources 5 higher up on the neck for, anyway? can you. Noteworthy George Harrison Ohta San Byron Yasui Tiny Tim Lyle Ritz Bryan Tolentino Ukulele Players Bill Tapia James Hill William H Macy (surprised at some of these names?) Jake Shimabukuro Troy Fernandez Greg Hawkes Benny Chong Abe Lagrimas Johnny Winter hands are physically moving.
    [Show full text]
  • Ukulele: Re/Creating Ethno·Musical Identities in Hawai'i
    UNIVERSITY OF HAWAI'I LIBRARY VIRTUOSIC 'UKULELE: RE/CREATING ETHNO·MUSICAL IDENTITIES IN HAWAI'I A THESIS SUBMITIED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAW AI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC AUGUST 2008 By Chadwick S. Pang Thesis Committee: Jane Moulin, Chairperson Thomas Osborne TyTengan We certify that we have read this thesis and that, in our opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in Music. THESIS COMMITIEE Chairperson ACKNOWLEDGEMENTS First and foremost, I would like to express great thanks and appreciation to Byron Yasui, Benny Chong, and Jake Shimabukuro for sharing their lives, knowledge, and artistry with me. Their openness and willingness to tell their stories made this project both possible and enjoyable. Making time to meet with me at gigs, emailing me while traveling and talking between recording sessions were examples of the graciousness, kindness, and sincerity of these three virtuosos. Mahalo nui loa to U'iJani Bobbitt, Michelle Kanehe, Justin Ka'upu and Shaun Pe'ahu for acting as emotional sound boards and for helping me organize my ideas, process my data, and overcome those unexpected technical challenges. Their friendship and goodwill helped me to get from start to finish. Arigato gozaimasu to my aunt, June Shimana for magically appearing in the 11 th hour. Her unswerving commitment and goodwill helped me to leap over my daunting hurdles, meet my challenges head on, and to persevere in the most difficult of times. Mauru'uru to Jane Freeman Moulin for her guidance, patience, and support as my adviser.
    [Show full text]
  • Lyle Ritz Free
    FREE LYLE RITZ PDF Lyle Ritz | 56 pages | 01 May 2001 | Hal Leonard Publishing Corporation | 9780634027642 | English | Los Angeles, CA, United States Lyle Ritz | Discography | Discogs Lyle Joseph Ritz January 10, — March 3, was Lyle Ritz American musician, known for his work on ukulele and bass both double bass and bass guitar. His early career in jazz as a ukulele player made him a key part of the Hawaii music scene in the s. By the s, he had begun working as a session musicianmore often on double bass or electric bass guitar. His prominence in the Los Angeles session scene made him a part of the Wrecking Crewan informal group of well-used Los Angeles-based musicians. Ritz contributed to many American pop hits from the mid s to the early s. Lyle Ritz in the mids, a rediscovery of his earlier ukulele work led to him becoming a fixture in live festivals, and a revival of his interest in playing the ukulele. Responsible for the small goods department, he demonstrated instruments including the Lyle Ritz, which was being popularized by Arthur Godfrey at the time. Stationed at Fort Ord, Ritz learned to play Lyle Ritz acoustic bass. After hearing Ritz play, Kessel approached him and made the connection that resulted in his first commercial records. Verve released Ritz's first ukulele record, Lyle Ritz About Uke? Both records became very popular in Lyle Ritz and started a wave of new ukulele players. To support himself, Ritz abandoned the ukulele and became a session musician on the bass guitar.
    [Show full text]
  • Hawaii Als Klischee: Sehnsucht Nach Dem Musikalischen Paradies. — Eine Analyse Anhand Paradiesvorstellungen, Songtexten & Instrumentation
    Hawaii als Klischee: Sehnsucht nach dem musikalischen Paradies. — Eine Analyse anhand Paradiesvorstellungen, Songtexten & Instrumentation Masterarbeit zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens Universität Graz vorgelegt von Christina HAUER am Institut für Musikästhetik an der Universität für Musik und darstellende Kunst Graz Begutachter: Herr Univ.Prof. Dr.phil. M.A. Andreas Dorschel Graz, 2018 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht verwendet und die den benutzten Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Graz, 21.03.2018 ………………………….. Christina Hauer 1 Gender Erklärung Aus Gründen der besseren Lesbarkeit wird in dieser Masterarbeit die Sprachform des generischen Maskulinums angewendet. Es wird an dieser Stelle darauf hingewiesen, dass die ausschließliche Verwendung der männlichen Form geschlechtsunabhängig verstanden werden soll. Dies soll jedoch keinesfalls eine Geschlechtsdiskriminierung oder eine Verletzung des Gleichheitsgrundsatzes zum Ausdruck bringen. 2 Ein großer Dank gilt meiner Familie und Freunden, welche mir in allen Lebenssituationen unterstützend zur Seite standen und weiterhin stehen werden. 3 Inhaltsverzeichnis 1. Einleitung 6 2. Musikalische Elemente aus Hawaii 8 2.1 Einleitung 8 2.2 Die Hawaiian Guitar 8 2.2.1 Historische Entwicklung 8 2.2.2 Tonale und mechanische Entwicklungen 11 2.3 Die Ukulele 16 2.3.1
    [Show full text]
  • Extended History of the Ukulele
    Extended History of the Ukulele © 2012 Dan Scanlan Two Hot Spots The Atlantic Ocean began to widen some 20 million years ago as the Earth distributed its lands globally. Southwest of the Rock of Gibraltar, off the coast of Morocco, a hot spot grew on the ocean’s floor where the Earth’s hot liquid center began to ooze through a thin spot in its skin. The ooze grew and coagulated ever larger until some seven million years ago, a series of islands appeared Madeira Island bubbled and hardened above the surface of the sea. Meanwhile, the Pacific Ocean was shrinking as the Americas drifted westward. Hot spots emerged near the center of that ocean, too, and seven million years or so ago a series of islands began to bubble to the surface of the water, an action that continues to build Hawaiian Islands islands today. Millions of years later humans found these island groups — Madeira in the Atlantic and Hawaii in the Pacific — and centuries after that their finding of one another would spawn the ukulele. Embracing that history is the first step to Love Uke. Two Peoples, Two Melting Pots Some historians believe that Phoenicians, Romans and North Africans must have stumbled onto Madeira Island some 2000 years ago. Others have suggested that Scandinavians approached it even earlier. Maps from the 1300s seem to show the islands. And there’s a legend of two lovers who were stranded and died there. But no humans were living on the islands in 1418 when João Gonçalves Zarco, a sea-faring explorer working for Portuguese Prince Henry the Navigator, found refuge from a storm at a small island he named Porto Santo, “Holy Port”.
    [Show full text]
  • Ukulele History Epub
    $4.99 “Cool Hand Uke” Copyright © 2013 by Dan Scanlan All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote short excerpts in a review. Printed in the United States of America First Printing: March 2013 ISBN-978-0-9626280-5-4 2 CONTENTS Forward ................................................................................................3 The Early Times ....................................................................................9 The Marriages .....................................................................................10 Early Ukulele .......................................................................................14 Players and the Songs .............................................................................17 Ukulele Cycles ......................................................................................21 Overtones .............................................................................................29 ©2013 Dan Scanlan This book is also published as an ebook: ISBN-978-0-9626280-5-4 Revision 1, July 2, 2013 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewers and scholars, who may quote short
    [Show full text]
  • Bulk Rate U.S. Postage Las Vegas, Nv Permit #2162
    BULK RATE U.S. POSTAGE PAID LAS VEGAS, NV PERMIT #2162 .. CONTENTS •••••••••••••••••••••••••••••• Meet Alex and Jane Nakatani ot Maui who have learned t.o carry F E ATU R E S S LA N D I-l OPP N G 011 after losing one son to murder p age 10 and two to aids; legendary singer Auntie Irmgard Aluli , who inspires her daughters Focus: and grandchild ren to carry 0/1 their heritage; Keali'i Reichel -­ and Amy Hanaiali'i and Willie K. Giving Las Vegas folks (Na Hoku Award winners) who n"'npl'"n," the great tradition their "Hawaiian Fix" of Hawaiian by Mel Ozeki 20 Music. Sep tembe r, th e harvest m a ll til . s umme r is over a ll d a utumn IlIusrrarioll h as arrived. by Leilelllw }flle ll 0 Cynt h ia W ickha m D E PA R T ME N T S 'Aukake -- A ugust Join Hawaii's television $29.95 each (includes shipping & handling) send check or money ordcl" to: Ke pake mapa -- Sep tembe r ALO HA FR O M SUNNY personality, Emme Tomimbang, CALIFORNIA EMME INC. by A lo h a J oe , 13 as she brings you the music, c/o Chris tine Biaggi Fo ur Ukulele the people and the culture that makes P.O. Box 90024 • Henderson, Nevada 89009 W ahines o f JO Y, C ALENDA R .7 1-702-565-4388 a "Jo y t o Beho ld" 5 Hawai'i unique and special. " payable to EMME INC. C LA SSIFIED .39 " The Envelo p e, Ple a se" D R.
    [Show full text]
  • Advancedstrummingtechniques
    LESSON #2 CJ “Boom” Helekahi. Photo by Oceanfront Photography ADVANCED TECHNIQUES Strumming Use these simple techniques to add some hipness to your strumming! What is hip? have a lot more fun and when you they heard. If they can take the time make it fun for them, you make it to do it, so can you. Now that you’ve mastered the easier for them to relax and play or So dust off those old favorites, basic strumming concepts presented sing in a more inspired way. This is revisit them with an open ear, strum in Lesson #1, it’s time to inject some hip. along and HAVE FUN! coolness into your comping chops Be sure to check out the song (Wanna sound hip? Say“comping” examples in the following pages to instead of “accompanying”). hear and better understand what Contents The simple techniques that follow others are doing and remember - will open your ears and solve a lot Left Hand Muting 2 there is no substitute for LISTENING. of mysteries for you. A fuller, more From jazz to rock to country - all the Right Hand Muting 3 sophisticated strum and a solid sense greats spent a LOT of time sitting by of rhythm will improve your solo Chromatic Slides 4 their record player lifting that needle singing performances drastically. As and replaying their favorite parts as Additional Resources 5 an accompanist, your jam-mates will they learned how to emulate what Noteworthy George Harrison Lyle Ritz Byron Yasui Tiny Tim James Hill William H Macy Ukulele Players Bill Tapia Troy Fernandez Greg Hawkes (surprised at some of these names?) Jake Shimabukuro Abe Lagrimas Don Henley Benny Chong Bryan Tolentino Johnny Winter Song Examples Listen closely to hear that scratching sound on the guitars in these songs: Peace Of Mind (Boston) One Thing Leads To Another (The Fixx) What I Like About You (Romantics) L-R: Aunty Geri Brigoli, Leokane Pryor, CJ Stir It Up “Boom” Helekahi.
    [Show full text]