Does Confucianism Matter in the Study of Korea? Isabelle Sancho
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Modern Literature After the 1960S in Korea 25 DOI: 10.1515/Ijas-2016-0002
DE SANGGUM LI. Modern literature after the 1960s in Korea 25 DOI: 10.1515/ijas-2016-0002 Research Note SANGGUM LI PUSAN NATIONAL UNIVERSITY Modern Literature after the 1960s in Korea Abstract (English): Since the beginning of the 1990s in Korea, the category and definition of new generation literature have become the topic of heated debate. One may understand this tendency as ‘generation severance’, ‘alienation between social classes’, or the ‘consumption- oriented culture of the masses’. Here, we call the literary youth born in approximately 1960 ‘the new generation’. In literature, the new generation refers to the appearance of a new culture and way of thinking. This generation passed their childhood in the 1970s and faced no such great difficulties as their parents combating poverty. However, they grew up under the indirect influence of a dark political outlook and suppression. Generally, they have a great affection for the culture produced by mass media. If we compare their development process with the literary stream in Korea, the 1960s could be defined as the era of literature for independence and strong self-awareness, the 1970s as the era for people, the 1980s as the era for the rights or emancipation of labour, and the 1990s as the era of new generation literature. Meanwhile, the appearance of the ‘Korean Wave’, or so-called ‘Hallyu’, has become one of the most beloved popular cultural phenomena both in Asia and in other countries since the late 1990s. Abstract (Korean): 특히 문학에서 1990년대 후반의 신세대가 새로운 문화의 등장과 새로운 사고로 특징되는 배경은 70년대에 유년시절을 그들의 부모세대와 달리 큰 어려움을 겪지 않고, 경제적으로도 궁핍하지 않게 성장할 수 있었기 때문일 것이다. -
Christian Communication and Its Impact on Korean Society : Past, Present and Future Soon Nim Lee University of Wollongong
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Christian communication and its impact on Korean society : past, present and future Soon Nim Lee University of Wollongong Lee, Soon Nim, Christian communication and its impact on Korean society : past, present and future, Doctor of Philosphy thesis, School of Journalism and Creative Writing - Faculty of Creative Arts, University of Wollongong, 2009. http://ro.uow.edu.au/theses/3051 This paper is posted at Research Online. Christian Communication and Its Impact on Korean Society: Past, Present and Future Thesis submitted in fulfilment of the requirements for the award of the degree of Doctor of Philosophy University of Wollongong Soon Nim Lee Faculty of Creative Arts School of Journalism & Creative writing October 2009 i CERTIFICATION I, Soon Nim, Lee, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the Department of Creative Arts and Writings (School of Journalism), University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Soon Nim, Lee 18 March 2009. i Table of Contents Certification i Table of Contents ii List of Tables vii Abstract viii Acknowledgements x Chapter 1: Introduction 1 Chapter 2: Christianity awakens the sleeping Hangeul 12 Introduction 12 2.1 What is the Hangeul? 12 2.2 Praise of Hangeul by Christian missionaries -
KOREA's LITERARY TRADITION 27 Like Much Folk and Oral Literature, Mask Dances Ch'unhyang Chòn (Tale of Ch'unhyang)
Korea’s Literary Tradition Bruce Fulton Introduction monks and the Shilla warrior youth known as hwarang. Corresponding to Chinese Tang poetry Korean literature reflects Korean culture, itself and Sanskrit poetry, they have both religious and a blend of a native tradition originating in Siberia; folk overtones. The majority are Buddhist in spirit Confucianism and a writing system borrowed from and content. At least three of the twenty-five sur- China; and Buddhism, imported from India by way viving hyangga date from the Three Kingdoms peri- of China. Modern literature, dating from the early od (57 B.C. – A.D. 667); the earliest, "Sòdong yo," 1900s, was initially influenced by Western models, was written during the reign of Shilla king especially realism in fiction and imagism and sym- Chinp'yòng (579-632). Hyangga were transcribed in bolism in poetry, introduced to Korea by way of hyangch'al, a writing system that used certain Japan. For most of its history Korean literature has Chinese ideographs because their pronunciation embodied two distinct characteristics: an emotional was similar to Korean pronunciation, and other exuberance deriving from the native tradition and ideographs for their meaning. intellectual rigor originating in Confucian tradition. The hyangga form continued to develop during Korean literature consists of oral literature; the Unified Shilla kingdom (667-935). One of the literature written in Chinese ideographs (han- best-known examples, "Ch'òyong ka" (879; “Song of mun), from Unified Shilla to the early twentieth Ch'òyong”), is a shaman chant, reflecting the influ- century, or in any of several hybrid systems ence of shamanism in Korean oral tradition and sug- employing Chinese; and, after 1446, literature gesting that hyangga represent a development of written in the Korean script (han’gùl). -
Windows to ICH
Windows to ICH Republic of Korea Munmyo Jerye ( ᢥᑙ⑂⑥), Grand Ceremony in Honor of Confucius Song, Ji-won (Research Professor, Kyujanggak Institute for Korean Studies, Seoul National University, Korea) unmyo is a Confucian shrine in which a few days in advance for the ritual. On the day ceremony are called Paleum ( 屉ꋑ ), literally meaning various spiritual-tablets of past of the ritual, o#cials welcome the spirits of great eight sounds. These musical instruments construct M Confucian scholars rest. In this shrine, a scholars with full respect and present to them the Deunga and Heonga orchestras, and the dancers total of thirty nine spiritual-tablets are enshrined sacrificial offerings. They also prepare for them who perform Palilmu are accompanied by this music. that belong to Confucius, four disciples, sixteen an attractive arrangement of food and wine and Dance and music make the traditional Korean custom Chinese Confucian scholars, and eighteen Korean then partake in tasting the wine as a blessing Munmyo Jerye magnificent to observe. Munmyo Jerye , Confucian scholars. Currently, the Munmyo from the spirits. The ritual is concluded with the which materialises through Deunga, Heonga and shrine is located in Sungkyunkwan, which was an burning of tribute paper by an o#cial. Palilmu , reflects the sounds of the universe which are institution of higher education during the Joseon Munmyo Jerye ( 灥榽葋蒌 ) is carried out in greater than that of the human world. dynasty and is now Sungkyunkwan University a solemn mood while traditional music plays located in Seoul. Every February and August, throughout the ceremony. During the Joseon according to the lunar calendar, commemorative dynasty, people who were ruled by Confucianism rites are prepared and called Munmyo Jerye or contributed to this combination of the ritual’s refined Seokjeonje . -
Discourses and Practices of Confucian Friendship in 16Th-Century Korea Isabelle Sancho
Discourses and Practices of Confucian Friendship in 16th-Century Korea Isabelle Sancho To cite this version: Isabelle Sancho. Discourses and Practices of Confucian Friendship in 16th-Century Korea. Licence. European Program for the Exchange of Lecturers (EPEL)- The Association for Korean Studies in Europe, Bucharest, Romania. 2014. hal-02905241 HAL Id: hal-02905241 https://hal.archives-ouvertes.fr/hal-02905241 Submitted on 24 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Friday May 30, 2014 University of Bucharest - EPEL talk Isabelle SANCHO CNRS-EHESS Paris “Discourses and Practices of Confucian Friendship in 16th-Century Korea” The original Confucian school might be described as starting with a group of disciples and friends gathering together around the central figure of a master: Confucius, Master Kong. The man Confucius, as he has been staged in the text of the Analects, is always surrounded by a few key figures with distinct personalities, social backgrounds, and trajectories: the practical and straight-talker Zilu with military training, the gifted and politically skilled Zigong coming from a wealthy family, the youngest and favorite disciple Yan Hui from humble origins whose premature death left the Master inconsolable, Zengzi keen on transmitting the supposed true teachings of Confucius and to whom is attributed the Book of Filial Piety, etc. -
No. 22 How Did North Korean Dance Notation Make Its Way to South
School of Oriental and African Studies University of London SOAS-AKS Working Papers in Korean Studies No. 22 How did North Korean dance notation make its way to South Korea’s bastion of traditional arts, the National Gugak Center? Keith Howard http://www.soas.ac.uk/japankorea/research/soas-aks-papers/ How did North Korean dance notation make its way to South Korea’s bastion of traditional arts, the National Gugak Center? Keith Howard (SOAS, University of London) © 2012 In December 2009, the National Gugak Center published a notation for the dance for court sacrificial rites (aak ilmu). As the thirteenth volume in a series of dance notations begun back in 1988 this seems, at first glance, innocuous. The dance had been discussed in relation to the music and dance at the Rite to Confucius (Munmyo cheryeak) in the 1493 treatise, Akhak kwebŏm (Guide to the Study of Music), and had also, as part of Chongmyo cheryeak, been used in the Rite to Royal Ancestors. Revived in 1923 during the Japanese colonial period by members of the court music institute, then known as the Yiwangjik Aakpu (Yi Kings’ Court Music Institute), the memories and practice of former members of that institute ensured that the music and dance to both rites would be recognised as intangible cultural heritage within the post-liberation Republic of Korea (South Korea), with Chongymo cheryeak appointed Important Intangible Cultural Property (Chungyo muhyŏng munhwajae)1 1 in December 1964 and a UNESCO Masterpiece of the Oral and Intangible Heritage in 2001, and the entire Confucian rite (Sŏkchŏn taeje) as Intangible Cultural Property 85 in November 1986.2 In fact, the director general of the National Gugak Center, Pak Ilhun, in a preface to volume thirteen, notes how Sŏng Kyŏngnin (1911–2008), Kim Kisu (1917–1986) and others who had been members of the former institute, and who in the 1960s were appointed ‘holders’ (poyuja) for Intangible Cultural Property 1, taught the dance for sacrificial rites to students at the National Traditional Music High School in 1980. -
Korean Sijo Poems and Their Transformations
KOREAN SIJO POEMS AND THEIR TRANSFORMATIONS Kyong-geun OH Institute of Linguistics Department of Korean Studies Adam Mickiewicz University in Poznań [email protected] Abstract: Sijo is an original genre of short Korean poems with a strictly defined structure reflecting the rhythm of a traditional Korean song. Sijo poems are the only traditional genre of Korean poetry, which is still practised by contemporary Korean poets. It gained tremendous popularity during the reign of the Joseon dynasty, espe- cially among the Confucian scholars and noblemen who ruled the country. Sijo poetry has undergone a transformation as far as the topics and structure of sijo poems are concerned. Initially the authors of sijo belonged to the ruling class and were solely men (Confucian scholars). But with the passage of time and the development of socie- ty the representatives of the middle class started writing sijo poems as well. The sijo transformations also included the linguistic changes, which may be observed through the course of sijo history. The topics also changed as new types of sijo appeared be- side traditional sijo devoted mainly to Confucian ideas formulated in a refined lan- guage. Keywords: Sijo, Dan-sijo, Yeon-sijo, Saseol-sijo, Gangho-sijo, Gyohun-sijo, Gagaek- sijo, Confucianism, Confucian scholar, Gisaeng 한국의 전통시가 시조의 변화상 개요: 시조는 한국 전통시가의 운율을 바탕으로 엄격하게 규정된 형태와 구조를 지닌 한국 고유의 단시이다. 시조는 한국의 전통시가들 중에서는 유일하게 현재까지도 창작되는 장르이다. 조선시대에 시조는 지배계급이었던 사대부- 23 International Journal of Korean Humanities and Social Sciences, vol. 1/2015 유학자들 사이에서 크게 애호되었다. 시조는 그 역사 속에서 주제 및 형태가 변화되었다. -
Korean Heritage
KOREAN HERITAGE Summer 2013 | Vol 6 No.2 SUMMER 2013 Vol. 6 No. 2 Vol. ISSN 2005-0151 1 | 1 KOREAN HERITAGE Quarterly Magazine of the Cultural Heritage Administration KOREAN HERITAGE SUMMER 2013 Cover Red symbolizes summer. The symbol- ism originates from the traditional “five directional colors” based on the ancient Chinese thought of wuxing, or ohaeng in Korean. The five colors were associated with seasons and other phenomena in nature, including the fate of humans. The cover features Sungnyemun, the South Gate of Seoul, recently restored. For more stories about the gate, see p. 14. KOREAN HERITAGE is also available on the website (http://English.cha.go.kr) and smart devices. 2 | 3 KOREAN HERITAGE CHA News Vignettes Sacred Relics Moved for Repairs on Seokgatap Naengmyeon, Refreshing Noodle Dish to Chase Korean Flavor Reliquaries containing sarira, or sacred remains of Buddhist spiritual Away Summer Heat masters, were removed from the second story of Seokgatap (Sakyamuni Naengmyeon, a dish aptly described by its name (literally, Pagoda) in April, as the three story stone pagoda at Bulguksa Temple cold noodles), is made of long thin noodles typically served in Gyeongju, South Gyeongsang Province is being disassembled for in an iced broth and garnished with a variety of toppings repairs. The pagoda is part of the temple complex, which along with the such as julienned cucumber, slices of pear, pieces of boiled neighboring Seokguram Grotto was inscribed on the UNESCO World meat, and hard-boiled egg. This refreshing summertime Heritage List in 1995. Dismantling of the pagoda structure started in dish is recorded in Dongguk sesigi (Seasonal Customs of the September 2012. -
Epapyrus PDF Document
Notes on Things Korean Copyright © 1995 by Suzanne Crowder Han Illustrated by Kahyon Kim All rights reserved. First published in 1995 Tenth pri nting, 2010 by Hollym Intemational Corp. 18 Donald Place, Elizabeth, New Jersey 07208, USA Phone 908 353 1655 Fax 908 353 0255 httpJ/www.hollym.com fJ Hollym Published simultaneously in Korea by Hollym Corp., Publishers 13-13 Gwancheol-dong, Jongno-gu, Seoul 11 0-111 Korea Phone +82 2 7345087 Fax +82 2 7308192 http://www.hollym.co.kr e-Mail [email protected] ISBN: 978-1-56591-019-5 Ubrary of Congress Control Number: 97-76496 Printed in Korea 6 ~ Contents Contents Preface 5 Introduction 12 Chronology 15 BELIEFS AND CUSTOMS Ancestral Rites, Chesa 19 Birth 21 Birthdays,Saeng-il 21 Hundredth Day, Paegil 21 First Birthday, Tol 22 Sixtieth Birthday, Hwan-gap 22 Buddhism, Pulgyo 23 Buddhist Deities 25 Buddhas, Puch'o 25 Bodhisattvas, Posal 26 Other Deities 27 Guardians 28 Changsung, Spirit Posts 28 Ch'ondogyo, Religion of the Heavenly Way 30 Confudanism, Yugyo 31 Fortunetelling, Cham 32 Furierals, Changrye 33 Geomancy, P'ungsu 34 Marriage, Kyolhon 35 Rites for Confudus, Sokchan 38 Rites for Household Gods, Kosa 39 Rites for Royalty, Chehyang 41 Sebae, New Year's Obeisance 42 Shamanism, Musok 43 Taejonggyo 45 Talismans, Pujok 45 Taoism, Togyo 46 Zodiac,Shibiji 47 LIFESlYLE Dress 51 Family System 53 Food 54 Housing 55 Contents ~ 7 Lunar Calendar S8 Names S9 Seals, Tojang 61 Traditional Medicine, Hanbang 62 SPECIAL DAYS Ch'op'ail, Buddha's Birthday 67 Ch'usok, Harvest Moon Festival 68 Hanshik, Cold Food -
Coexistence of Classical Music and Gugak in Korean Culture1
International Journal of Korean Humanities and Social Sciences Vol. 5/2019 DOI: http://dx.doi.org/10.14746/kr.2019.05.05 COEXISTENCE OF CLASSICAL MUSIC AND GUGAK IN KOREAN CULTURE1 SO HYUN PARK, M.A. Conservatory Orchestra Instructor, Korean Bible University (한국성서대학교) Nowon-gu, Seoul, South Korea [email protected] ORCID: https://orcid.org/0000-0002-7848-2674 Abstract: Classical music and Korean traditional music ‘Gugak’ in Korean culture try various ways such as creating new music and culture through mutual interchange and fusion for coexistence. The purpose of this study is to investigate the present status of Classical music in Korea that has not been 200 years old during the flowering period and the Japanese colonial period, and the classification of Korean traditional music and musical instruments, and to examine the preservation and succession of traditional Gugak, new 1 This study is based on the presentation of the 6th international Conference on Korean Humanities and Social Sciences, which is a separate session of The 1st Asian Congress, co-organized by Adam Mickiewicz University in Poznan, Poland and King Sejong Institute from July 13th to 15th in 2018. So Hyun PARK: Coexistence of Classical Music and Gugak… Korean traditional music and fusion Korean traditional music. Finally, it is exemplified that Gugak and Classical music can converge and coexist in various collaborations based on the institutional help of the nation. In conclusion, Classical music and Korean traditional music try to create synergy between them in Korean culture by making various efforts such as new attempts and conservation. Key words: Korean Traditional Music; Gugak; Classical Music; Culture Coexistence. -
A History of Korean Literature
AHISTORYOF KOREAN LITERATURE e dite d by PETER H. LEE publishe d by the pre ss syndicate of the unive rsity of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge unive rsity pre ss The Edinburgh Building, Cambridge, cb2 2ru,UK 40 West 20th Street, New York, ny 10011–4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Garamond 11/12.5 pt. System LATEX 2ε [tb] A catalogue record for this book is available from the British Library isbn 0 521 82858 9 hardback Contents List of illustrations page x List of contributors xi Preface xiii Note on the text xvi Korean dynasties xix Glossary xxi Introduction 1 Peter H. Lee 1. Language, forms, prosody, and themes 15 Ho-Min Sohn and Peter H. Lee 2. From oral to written literature 52 Peter H. Lee 3. Hyangga 66 Peter H. Lee 4. Silla writings in Chinese 87 Peter H. Lee 5. Koryo˘ songs 99 Peter H. Lee 6. Koryo˘ writings in Chinese 118 Peter H. Lee 7. Early Choson˘ eulogies 148 Peter H. Lee 8. Early Choson˘ sijo 168 Peter H. Lee vii viii Contents 9. -
Daoism, Neo-Confucianism, Or Numerology? Isabelle Sancho
Daoism, Neo-Confucianism, or Numerology? Isabelle Sancho To cite this version: Isabelle Sancho. Daoism, Neo-Confucianism, or Numerology?: Remarks about Hwadam’s Place in Korean Intellectual History.. 2015 AKSE Conference, University of Ruhr-Bochum, AKSE, Jul 2015, Bochum, Germany. hal-02904154 HAL Id: hal-02904154 https://hal.archives-ouvertes.fr/hal-02904154 Submitted on 21 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. AKSE Bochum 2015 Isabelle Sancho Daoism, Neo-Confucianism, or Numerology? Remarks about Hwadam’s Place in Korean Intellectual History. Sŏ Kyŏngdŏk, whose pen name is Hwadam after the toponym of his life-long place of residence (Hwadam, i.e. the "Hwa pond"), was a native of Songdo, today's Kaesŏng. He is a well-known figure of the Korean Confucian pantheon, to the extent that his Collected works have been selected by the AKS among the 100 Korean Classics to be translated into English, under the categories of "Philosophy" and "Confucianism." Despite his modern fame, Hwadam had never been enshrined during the Chosŏn period in the Munmyo, the official Confucian Shrine –even though his mother, Lady Han of Poan, is said to have dreamt of entering the gates of the shrine herself the very night he was conceived.