TAIWAN Vision & Mission
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CONTEMPORARY PROXIMITY FICTION. GUEST EDITED by NADIA ALONSO VOLUME IV, No 01 · SPRING 2018
CONTEMPORARY PROXIMITY FICTION. GUEST EDITED BY NADIA ALONSO VOLUME IV, No 01 · SPRING 2018 PUBLISHED WITH THE ASSISTANCE OF EDITORS ABIS – AlmaDL, Università di Bologna Veronica Innocenti, Héctor J. Pérez and Guglielmo Pescatore. E-MAIL ADDRESS ASSOCIATE EDITOR [email protected] Elliott Logan HOMEPAGE GUEST EDITORS series.unibo.it Nadia Alonso ISSN SECRETARIES 2421-454X Luca Barra, Paolo Noto. DOI EDITORIAL BOARD https://doi.org/10.6092/issn.2421-454X/v4-n1-2018 Marta Boni, Université de Montréal (Canada), Concepción Cascajosa, Universidad Carlos III (Spain), Fernando Canet Centellas, Universitat Politècnica de València (Spain), Alexander Dhoest, Universiteit Antwerpen (Belgium), Julie Gueguen, Paris 3 (France), Lothar Mikos, Hochschule für Film und Fernsehen “Konrad Wolf” in Potsdam- Babelsberg (Germany), Jason Mittell, Middlebury College (USA), Roberta Pearson, University of Nottingham (UK), Xavier Pérez Torio, Universitat Pompeu Fabra (Spain), Veneza Ronsini, Universidade SERIES has two main purposes: first, to respond to the surge Federal de Santa María (Brasil), Massimo Scaglioni, Università Cattolica di Milano (Italy), Murray Smith, University of Kent (UK). of scholarly interest in TV series in the past few years, and compensate for the lack of international journals special- SCIENTIFIC COMMITEE izing in TV seriality; and second, to focus on TV seriality Gunhild Agger, Aalborg Universitet (Denmark), Sarah Cardwell, through the involvement of scholars and readers from both University of Kent (UK), Sonja de Leeuw, Universiteit Utrecht (Netherlands), Sergio Dias Branco, Universidade de Coimbra the English-speaking world and the Mediterranean and Latin (Portugal), Elizabeth Evans, University of Nottingham (UK), Aldo American regions. This is the reason why the journal’s official Grasso, Università Cattolica di Milano (Italy), Sarah Hatchuel, languages are Italian, Spanish and English. -
Redalyc.Testing the Effectiveness of an Entertainment-Education Health
Investigación & Desarrollo ISSN: 0121-3261 [email protected] Universidad del Norte Colombia Arroyave, Jesús Testing the effectiveness of an entertainment-education health-focused soap opera: exposure and post-discussion in colombian young adults Investigación & Desarrollo, vol. 16, núm. 2, 2008, pp. 232-261 Universidad del Norte Barranquilla, Colombia Available in: http://www.redalyc.org/articulo.oa?id=26816204 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative testing the effectiveness of an entertainment-education health-focused soap opera: exposure and post-discussion in colombian young adults Jesús Arroyave jesús arroyave cabrera ph. d. en comunicaciones, univeristy of miami, usa master in communication and information studies, rutgers university, usa. magíster en educación, universidad javeriana – norte. profesor asistente, universidad del norte. [email protected] investigación y desarrollo vol. 16, n° 2 (2008) - issn 0121-3261 232 abstract Entertainment-Education interventions were evaluated using quantitative and qualitative methodologies to assess what specific variables may make communication strategy more effective. Varia- bles including length of the Entertainment-Education serial dra- ma and the post-viewing discussion sessions in their relation to cognitive, attitudinal and behavioral intentional outcomes were examined using experimental design and focus group discussions. It was concluded that the length of the Education-Entertainment serial drama did not produce significant change in the overall efficacy of the intervention. Overall the goal of this paper is to extend the research on a promising form of health intervention that has the potential to make the difference in our society. -
Transnationalization of Turkish Television Series
TRANSNATIONALIZATION OF TURKISH TELEVISION SERIES EDITORS Özlem ARDA, Pınar ASLAN, Constanza MUJICA TRANSNATIONALIZATION OF TURKISH TELEVISION SERIES EDITORS Özlem ARDA Assoc. Prof. Dr., Istanbul University, Faculty of Communication, Radio, Television and Cinema Department, Istanbul, Turkey Pınar ASLAN Assoc. Prof. Dr., Üsküdar University, Faculty of Communication, Public Relations and Publicity, Istanbul, Turkey Constanza MUJICA Assoc. Prof. Dr., Pontificia Universidad Católica de Chile, Facultad de Comunicaciones, Santiago, Chile Published by Istanbul University Press Istanbul University Central Campus IUPress Office, 34452 Beyazıt/Fatih Istanbul - Turkey https://iupress.istanbul.edu.tr Book Title: Transnationalization of Turkish Television Series Editors: Özlem Arda, Pınar Aslan, Constanza Mujica E-ISBN: 978-605-07-0756-4 DOI: 10.26650/B/SS18.2021.004 Istanbul University Publication No: 5277 Published Online in July, 2021 It is recommended that a reference to the DOI is included when citing this work. This work is published online under the terms of Creative Commons Attribution- NonCommercial 4.0 International License (CC BY-NC 4.0) https://creativecommons.org/licenses/by-nc/4.0/ This work is copyrighted. Except for the Creative Commons version published online, the legal exceptions and the terms of the applicable license agreements shall be taken into account. iv EDITORS Assoc. Prof. Dr. Özlem ARDA Istanbul University, Faculty of Communication, Radio, Television and Cinema Department, Istanbul, Turkey Assoc. Prof. Dr. Pınar ASLAN Üsküdar University, Faculty of Communication, Public Relations and Publicity, Istanbul, Turkey Assoc. Prof. Dr. Constanza MUJICA Pontificia Universidad Católica de Chile, Facultad de Comunicaciones, Santiago, Chile ADVISORY BOARD Prof. Dr. Ergün YOLCU Istanbul University, Faculty of Communication, Istanbul, Turkey Prof. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 112 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 112 CONGRESS, SECOND SESSION Vol. 158 WASHINGTON, WEDNESDAY, MAY 16, 2012 No. 70 House of Representatives The House met at 10 a.m. and was tion. Republicans and Democrats alike communities safe by prosecuting called to order by the Speaker pro tem- have supported the legislation in all criminals and protecting victims. pore (Mr. BARTON of Texas). subsequent reauthorizations because of The House bill would decentralize the f the recognition for the vital nature of Violence Against Women immigration the services that are provided and the adjudication process, bypassing exam- DESIGNATION OF SPEAKER PRO impact that it has not just on women, iners who are trained in domestic vio- TEMPORE but on the children in these families. lence and sexual assault, instead, man- The SPEAKER pro tempore laid be- That’s why it was reauthorized in 2000 dating additional interviews on bat- fore the House the following commu- and then again in 2005 under a Repub- tered immigrants. These are people nication from the Speaker: lican administration with President who usually have very limited options WASHINGTON, DC, Bush. to protect themselves. We should not May 16, 2012. In this Congress, that tradition of bi- complicate the lives of some of the I hereby appoint the Honorable JOE BAR- partisan support continues in the Sen- most vulnerable people in the United TON to act as Speaker pro tempore on this ate, which has approved a stronger States. These victims of violence—usu- day. -
Delbert Mann (Director), H.R
FILMOGRAPHY Dates of available productions in bold print. Sense and Sensibility 1950: Delbert Mann (director), H.R. Hays (writer), NBC, live, 60 min. 1971: David Giles (director), Denis Constanduros (writer), BBC, miniseries, 4 parts, 200 min. 1981: Rodney Bennett (director), Alexander Baron and Denis Constanduros (writers), BBC, miniseries, 7 parts, 174 min. 1995: Ang Lee (director) Emma Thompson (writer), Columbia Pictures, feature film, 136 min. 2008: John Alexander (director), Andrew Davies (writer), BBC, miniseries, 3 parts, 180 min. Modern setting versions: 1990: Sensibility and Sense, David Hugh Jones (director), Richard Nelson (writer), American Playhouse, season 9 episode 1. 2000: Kandukondain Kandukondain (I have found it). Rajiv Menon (director and writer), Sujatha (writer). Sri Surya Films, Tamil with English subtitles, 151 min. 2011: From Prada to Nada, Angel Gracia (director), Fina Torres, Luis Alfaro, Craig Fernandez (writers), OddLot Entertainment, Spanish/English, 107 min. 2011: Scents and Sensibility, Brian Brough (director), Silver Peak Productions, 89 min. (Only available in America.) Pride and Prejudice 1938: Michael Barry (director/writer), BBC, 55 min. 1940: Robert Z. Leonard (director), Aldous Huxley and Jane Murfin (writers), Metro-Goldwyn-Mayer, feature film, 118 min. 1949: Fred Coe (director), Samuel Taylor (writer), NBC, live, 60 min. 1952: Campbell Logan (director), Cedric Wallis (writer), BBC, live, miniseries, 6 parts, 180 min. 1958: Barbara Burnham (director), Cedric Wallis (writer, same script as 1952), BBC, live, miniseries, 6 parts, 180 min. 38 Irony and Idyll 1967: Joan Craft (director), Nemone Lethbridge (writer), BBC, miniseries, 6 parts, 180 min. 1980: Cyril Coke (director), Fay Weldon (writer), BBC, miniseries, 5 parts, 259 min. -
Nodame Cantabile: a Japanese Television Drama and Its Promotion of Western Art Music in Asia
NODAME CANTABILE: A JAPANESE TELEVISION DRAMA AND ITS PROMOTION OF WESTERN ART MUSIC IN ASIA Yu-Ting Tung A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC May 2009 Committee: David Harnish, Advisor Robert Fallon © 2009 Yu-Ting Tung All Rights Reserved iii ABSTRACT David Harnish, Advisor The fictional Japanese TV drama series, Nodame Cantabile (!"#$%&'()), based on the lives of Western art music performance majors in a Japanese music conservatory, has successfully reached out and appealed to the Japanese common audience since it was first aired in Japan in October, 2006. It has also attracted an international following, been aired in various Asian countries (including Taiwan, Hong Kong, and Malaysia), and found mass audiences beyond national boundaries. Why is a TV drama depicting such a specific group (i.e. music majors) able to cater to a mass audience in Japan and even to millions of viewers beyond Japan? In this thesis, I will argue that Nodame Cantabile not only has the typical prerequisites to be a successful Japanese TV drama, it also enchants its spectators by employing a unique, almost unprecedented approach—using Western art music as the thematic music and main soundtrack— which results in a whimsical, sensational, cross-cultural success. By contrast, most music in similar drama series uses Japanese pop music and electronic music. I will decode how this drama attracts mass audiences by interpreting/elucidating it from different perspectives, including: 1) how it portrays/reflects the Japanese music conservatory culture; 2) how it reflects the long-term popularity of certain Western art music compositions in/among Japanese music consumers; and, most interestingly; 3) how this drama further changes the perception of mass audiences, especially fans in Taiwan, about Western art music, and serves to increase the popularity of this music in Asian countries. -
European High-End Fiction Series. State of Play and Trends
European high-end fiction series: State of play and trends This report was prepared with the support of the Creative Europe programme of the European Union. If you wish to reproduce tables or graphs contained in this publication, please contact the European Audiovisual Observatory for prior approval. The analysis presented in this publication cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members or the Council of Europe. The European Commission support for the production of this publication does not constitute an endorsement of the contents, which reflect the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. European high-end fiction series: State of play and trends Gilles Fontaine Marta Jiménez Pumares Table of contents Executive summary .................................................................................................. 1 Scope and methodology .......................................................................................... 5 1. Setting the scene in figures ............................................................................. 8 1.1. The production of high-end fiction series in the European Union .................................................................... 8 1.1.1. The UK is the primary producer of high-end series in Europe ................................................... 10 1.1.2. International co-productions: small but growing .......................................................................... -
Capitalism and Religion Paper B
Capitalism and Religion * [First Revision: June, 2015] Carl Mosk ** * This paper is a product of a larger study I intend to summarize in a book, tentatively entitled Purification and Progress: Religion in Economic Evolution. Comments would be much appreciated. However please do not cite without the permission of the author. ** www.carlmosk.com; e-mail: [email protected] 1 Abstract The essence of capitalism is credit creation driven by the mobility of capital; the essence of religion is purifying faith. Pervading the great religions of the Classical Era – Judaism, nascent Christianity, Greek philosophy, Buddhism, Confucianism, and Taoism - was contempt for the merchant, nascent capitalism’s agent. To priests domestic merchants were corrupters, impure; to rulers foreign merchants – notably the nomadic peoples of the Central Asian Steppes adhering to the Central Asian Complex – were potential military enemies. Ultimately pummelled by invasions swirling out of Central Asian that terrified their elites, the great civilizations slipped into the Dark Ages, trade faltering. As the great civilizations recovered from the Dark Ages, the Central Asian Complex merged with Classical Era religions in two regions: Western Europe and Japan, spawning feudalism. Exploiting reviving opportunities for Eurasian wide trade, a new religion Islam emerged. It promoted capital mobility, putting down the roots of Merchant Capitalism. To stay competitive Islam’s most fervent enemy, Western Europe Christendom, gradually copied and adopted Islam’s innovations, notably the bill of exchange, laying the foundation for banks and stock markets. Drawing upon Greek learning as interpreted and updated by Islamic scholars, and exploiting domestic advances in manufacturing precision machinery, Western Europe slowly wedded Merchant Capitalism to a second form of capitalism, Technological Capitalism. -
Where's High? Who's Low? What's New? Classification and Stratification
Available online at www.sciencedirect.com Poetics 36 (2008) 189–216 www.elsevier.com/locate/poetic Where’s high? Who’s low? What’s new? Classification and stratification inside cultural ‘‘Repertoires’’ Guy Bellavance * Institut national de la recherche scientifique (Universite´ du Que´bec), 385, rue Sherbrooke Est, bureau 5122, Montre´al, Que´bec H2X 1E3, Canada Available online 11 April 2008 Abstract This article uses a micro-qualitative approach to explore the apparent rise of eclecticism among the new upper middle class. It proposes an observation of six individual cases chosen from a Que´bec (Canada) sample made up of members of these higher categories of the status scale who are avid consumers of art and culture. This analysis of individual cultural repertoires, which takes into consideration the set of obvious items in relation to their uses – practical as well as symbolic – bears mainly on the principles of classification, hierarchical ordering and legitimation applied when dealing with the various components of repertoires. This leads to distinctions between different forms of cultural eclecticism on the basis of socio- professional domains and different meanings of these eclecticism practices at the level of the individual. It also leads to a test of the relevance of the high/low distinction on which most of the research on this topic has been based. Is this distinction the most useful one for evaluating the real degree of openness of people, and of their tastes? In this regard, we consider the role of the old/new distinction, which is rarely taken into account but which appears, on the ground, as an equally strong structuring and discriminating principle in the area of taste. -
Korean TV Soap Operas
Tourism Development Journal, Vol. 13, No. 1, 2015 Korean TV Soap Operas: An Assessment of the Academia-National Tourism Organisation (NTO) Professional Communication in the Korea Tourism Organization (KTO) 2013 Integrated Marketing Communication Strategy Alfred Ogle and Lana Lee Tsz Ying Abstract This paper extends the study of the Korean TV soap opera screen-tourism phenomenon by examining the professional communication linkage between academia and the Korea Tourism Organization (KTO), South Korea's National Tourism Organisation (NTO). The authors analysed a convenience sample of articles in the area of Korean screen-tourism in order to determine the extent to which the academic literature had informed the primary tourism pull factors namely the desire to a) eat what Koreans eat, b) play how Koreans play, c) visit where Koreans go, and d) wear what Koreans like to wear as identified by KTO in its 2013 National Integrated Marketing Communication (IMC) strategy. Given that visitor satisfaction could be optimised if each of these “products” are effectively marketed, NTOs should strive to formulate marketing strategies using empirical applied research inputs. This study seeks to determine if policy is congruent with academic research output within a three year period prior to the launch of the IMC strategy, and therefore indicate the role that academic research plays in the formulation of national tourism strategisation with respect to South Korea. Given that Korean TV soap operas have a strong international 'screen-tourism' effect engendered by the cultural phenomenon of Hallyu (Korean Wave), the country's tourism and hospitality industries have prospered. Content analysis of the eight (n=8) journal articles suggest that healthy professional communication between academia and industry exists in Korea. -
Contentious Comedy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository 1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace.