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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
CFP Edition 01-09-20
75¢ COLBY Thursday January 9, 2014 Volume 125, Number 005 Serving Thomas County since 1888 8 pages FFREEREE PPRESSRESS Challenge kicks off with torch A Quinter doctor showed off mer Olympics. He ran through the the torch he carried for the 2012 English town of Ascot, near Lon- London Olympics as he gave a don, with athletes and nonathletes pep talk Monday to kick off the of all ages. Runners in the relay Thomas County Wellness Chal- pass the Olympic flame between lenge, urging everyone to live gas burners within their torches, healthy in the new year. Gruenbacher said, so they got to Dr. Doug Gruenbacher spoke keep their torches. His had 8,000 to about 35 people Monday in holes in it to represent each of the the Student Union at Colby Com- torchbearers that year. munity College to open the chal- “My kids always say, ‘Oh, this lenge, which starts Monday. The one’s you, Dad,’” he said with a audience heard about his efforts smile. at keeping himself and others The audience got to pass Gru- healthy and fit. enbacher’s torch around as he “Expectations are huge,” Gru- showed pictures of him and his enbacher said. “They (kids) don’t family in England and France. think twice about being physically He did not compete in the active.” games, but is an avid runner who After-school trip to China He said his son Eli had insisted regularly runs in races here. This on running a 10-kilometer race – summer, he said, he ran 50 miles SAM DIETER/Colby Free about six miles. -
I 100 Migliori Dischi Glam Metal
I TIFONI 5 www.tsunamiedizioni.com Web Tsunami Facebook Copyright © 2012 A.SE.FI. Editoriale Srl Tsunami Edizioni è un marchio registrato di proprietà di A.SE.FI. Editoriale Srl Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com - [email protected] Prima edizione, ottobre 2012 - I Tifoni 5 Curatore: Federico Martinelli Progetto copertina: Moreno Lissoni Gra ca interna: Eugenio Monti Stampato in digitale nel mese di ottobre 2012 da Rotomail Italia S.p.A ISBN: 978-88-96131-46-6 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato, senza l’autorizzazione scritta dell’Editore Sebbenewww.tsunamiedizioni.com sia stato fatto ogni sforzo per rintracciare i titolari dei diritti delle foto pubblicate, ciò non è stato sempre possibile. L’editore rimane a disposizione per essere contattato dagli aventi diritto. i 100 migliori dischi glam metal www.tsunamiedizioni.com INDICE Introduzione ..........................................................................................................9 Aerosmith permanent vacation .......................................................... 14 Alice Cooper Trash .......................................................................................... 16 alleycat scratch deadboys in trash city .................................................... 18 almighty (the) soul destruction ................................................................20 asphalt ballet asphalt ballet .....................................................................22 Babysitters (THE) -
January 1992
VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments -
Blaze out Tabü King Kobra Queen Zakk Wylde Y Además
Nº 54 Blaze Out Tabü King Kobra Queen Zakk Wylde Y además... GIRLSCHOOL, HANS ZIMMER, KILMARA, PRIMAL FEAR, TAKO, GATILLAZO, LEO, ALHANDAL, BEETHOVEN R., COP. UK, BLACK RAIN, LAST IN LINE… n los últimos años, gracias a la expansión de Internet y de tener una mínima posibilidad en el rock estatal. Esto no sería Elas redes sociales, apoyado por la facilidad de crear blogs un inconveniente si los grupos no tuvieran que pagar para sin apenas conocimiento, han proliferado las páginas webs ver sus discos reseñados o sus conciertos comentados. Estos especializadas en rock y metal. Esto a priori puede parecer chupópteros actúan como verdaderas estrellas del rock & bueno, pero citando a Paracelso: “Nada es veneno, todo es roll -por encima de los propios músicos- reclamando caches, veneno: la diferencia está en la dosis”. Esto significa que cuan- camerinos o alojamiento para ir a cubrir festivales. Parte de do hay mucho de algo, se puede convertir en un problema. culpa puede que la tengan los fans, que alimentan el ego de En este mundillo hay gente muy válida, pero mucha otra que estos personajes pidiéndoles fotos, autógrafos y actuando se apunta al carro de ser “prensa” para recibir material o ir como grupies alocadas. Desde estas líneas hacemos un llama- EDITORIAL!gratis a los conciertos a cambio de cuatro líneas dejando bien miento a grupos, organizadores y promotores para ignorar al grupo o a la promotora de turno. Ya no vamos a entrar en a estos carroñeros, creando una red de medios de comuni- si escriben mejor o peor, hay correctores para eso, pero la cación especializados humildes y honestos con el público, falta de cohesión o la forma de expresarte no te la arregla donde poder consultar la actualidad de nuestra música sin la ningún programa informático. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros. -
Newspaper $D.Bu — — 6
ApriL Newspaper $d.bU — — 6 Geffen Recordspromotion executive Marko THE DIVINE ONE JANE SAYS.. .GET Babineau has moved over to be general manager for the DIES Sarah Vaughan, one LOST: The former manager DGC label. In turn, Babineau an- of the greatest jazz singers of all of Jane's Addiction, Gary Kur- his promotional time, died of lung cancer last first, is suing the band. He nounced DGC team: Leavitt as Tuesday at the age of 66. "The claims that they fired him in Steve CHR Divine One," as she was aptly violation of a three-year con- promotion director, Hugh Surratt nicknamed, began her career in tract that does not expire until as AOR promotion director, and 1942, after winning an amateur August, 1991. Kurfirst alleges Mark Kates as alternative promo- contest at New York's Apollo at the time of the filing date tion director. DGC has also an- Theatre. For nearly 50 years, (January 25), lead singer Perry nounced thirteen regional her remarkable instrument Farrell was enrolled in a Bever- promotion managers: Mark which, amazingly, seemed to ly Hills drug rehab center, and Burger / Dallas, Lorren Cor- improve with age—has been lead guitarist Dave Navaro was nelius / St. Louis, Jim Gallis / heard on thousands of record- in a methadone program. He Midwest, Ed Green /Philadel- ings and in thousands of con- feels that the band members' phia, Angela Jones / Nashville, cert halls and jazz clubs. With alleged drug problems resulted Alek Maye/Cleveland, Sue O’- Billie Holiday and Ella in clouded judgement, result- Connell/New England, Zak Phil- Fitzgerald, she represented one ing in his dismissal. -
Arguing the Politics of Race and Jobs BFA to Show Award-Winning Film • Two Leading African-Americans Focus on Affirmative Action in Lecture
C E L E B R ATING 60 YEA PUBLICATION eaton November 6,1995 • WILLIAM PATERSON COLLEGE Holocaust talk aims at teachers A seminar entitled "Caring Makes a Difference: Incorporating the Holocaust curriculum K-8," will be held in William Paterson College's Sarah Byrd Askew Library Nov. 7. The keynote address, "Germany and Jews in 1955: View of the Past and Current Attitudes," will be given by Michael Adonia Moscovici, cultural attache' of the Embassy of the Federal Republic of Germany. The seminar will run from 8:30 a.m. to 3:30 p.m. with the keynote address being given at noon. Admission is $10. To register contact WPC's Center for Continuing Education at 595-2966. WPC to host newspaper lecture William Paterson College's Center for Continuing Education presents "From Print to Online: The American Newspaper," the last in a series of four lec- tures showcasing WPC faculty. The lecture will be given on Nov. 8 by Tina Lesher, an assistant professor of communication, at 7:30 p.m. in room 324 of the Student Center. Two members of the OLAS prepare to celebrate Puerto Rican Heritage Month. See related story below. Gena Zak/The Beacon Admission is $5. For more information, contact the Center for Continuing Education at 595-2436. Arguing the politics of race and jobs BFA to show award-winning film • Two leading African-Americans focus on Affirmative Action in lecture. William Branch, an award-winning author, play- tall, some are short. Some of us are community has become divided wright, television and film producer and director, will By Clementina Pope among itself. -
952 Pour Que La Marque Propose Un Contrat À Lester Polfuss
2/28 EDITO Le Z7 s’est imposé au fil des années, comme l’une des salles incontournables du vieux continent, grâce à la qualité de sa programmation, puisque tous les courants métalliques y sont représentés, du plus mélodique au plus extrême. Les groupes qui viennent y fouler les planches ne sont d’ailleurs pas les derniers à vanter la qualité du Z7, tant pour le professionnalisme de l’équipe technique, que pour la restauration et les conditions d’accueil avec toujours une pensée pour la machine à laver le linge, équipement fort apprécié des musiciens en tournée. Le public lui aussi à contribué au succès de cette salle en répondant et de manière de plus en plus nombreuse, au fil des années et cela ne risque pas de diminuer puisque l’offre des concerts proposés par le Z7 frise des records : plus de soixante concerts jusqu’à la fin de l’année : du jamais vu !!!! Au vu de cette offre pléthorique, j’ai voulu tout simplement dire merci à Norbert et à son équipe à travers cet édito, tout en omettant pas de remercier également les autres organisateurs, Free &Virgin, Zone 51, le Noumatrouff, La Laiterie, New Symphony, l’Association Hopla, le Rock City, le Downstairs Pub, Music For Ever, Music Machine, Base Production, les clubs, qui eux aussi essaient, chacun avec leurs propres moyens, d’organiser des concerts. (Yves) HARDCORE SUPERSTAR – BEG FOR IT (2009 – durée : 48’21’’ – 12 morceaux) Après un premier titre, pour le moins surprenant, puisque instrumental et très mexicain (le titre "This Worm’s For Ennio" est d’ailleurs un clin d’œil à Morricone), on retrouve toute la force de Hardcore Superstar à travers ce sixième opus : du sleaze métal, puissant, qui se décline à travers des morceaux "straight in your face" mais qui ont conservé une bonne dose de mélodie. -
Lemmy Kilmister Was Born in Stoke-On-Trent
Lemmy Kilmister was born in Stoke-on-Trent. Having been a member of the Rocking Vicars, Opal Butterflies and Hawkwind, Lemmy formed his own band, Motörhead. The band recently celebrated their twenty-fifth anniversary in the business. Lemmy currently lives in Los Angeles, just a short walk away from the Rainbow, the oldest rock ’n’ roll bar in Hollywood. Since 1987, Janiss Garza has been writing about very loud rock and alternative music. From 1989 to1996 she was senior editor at RIP, at the time the World’s premier hard music magazine. She has also written for Los Angeles Times, Entertainment Weekly, and New York Times, Los Angeles. ‘From heaving burning caravans into lakes at 1970s Finnish festivals to passing out in Stafford after three consecutive blowjobs, the Motörhead man proves a mean raconteur as he gabbles through his addled heavy metal career résumé’ Guardian ‘As a rock autobiography, White Line Fever is a keeper’ Big Issue ‘White Line Fever really is the ultimate rock & roll autobiography . Turn it up to 11 and read on!’ Skin Deep Magazine First published in Great Britain by Simon & Schuster UK Ltd, 2002 This edition first published by Pocket, 2003 An imprint of Simon & Schuster UK Ltd A Viacom Company Copyright © Ian Kilmister and Janiss Garza, 2002 This book is copyright under the Berne Convention. No reproduction without permission. All rights reserved. The right of Ian Kilmister to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988. Simon & Schuster UK Ltd Africa House 64-78 Kingsway London WC2B 6AH www.simonsays.co.uk Simon & Schuster Australia Sydney A CIP catalogue record for this book is available from British Library Paperback ISBN 0-671-03331-X eBook ISBN 978-1-47111-271-3 Typeset by M Rules Printed and bound in Great Britain by Cox & W yman Ltd, Reading, Berks PICTURE CREDITS The publishers have used their best endeavours to contact all copyright holders. -
Artist 5Th Dimension, the 5Th Dimension, the a Flock of Seagulls
Artist 5th Dimension, The 5th Dimension, The A Flock of Seagulls AC/DC Ackerman, William Adam and the Ants Adam Ant Adam Ant Adam Ant Adams, Bryan Adams, Bryan Adams, Ryan & the Cardinals Aerosmith Aerosmith Alice in Chains Allman, Duane Amazing Rhythm Aces America America April Wine Arcadia Archies, The Asia Asleep at the Wheel Association, The Association, The Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Autry, Gene Axe Axton, Hoyt Axton, Hoyt !1 Bachman Turner Overdrive Bad Company Bad Company Bad Company Bad English Badlands Badlands Band, The Bare, Bobby Bay City Rollers Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beatles, The Beatles, The Beatles, The Beatles, The Beaverteeth Bennett, Tony Benson, George Bent Left Big Audio Dynamite II Billy Squier Bishop, Elvin Bishop, Elvin Bishop, Stephen Black N Blue Black Sabbath Blind Faith Bloodrock Bloodrock Bloodrock Bloodstone Blue Nile, The Blue Oyster Cult !2 Blue Ridge Rangers Blues Brothers Blues Brothers Blues Brothers Blues Pills Blues Pills Bob Marley and the Wailers Bob Wills and His Texas Playboys BoDeans Bonham Bonoff, Karla Boston Boston Boston Boston Symphony Orchestra Bowie, David Braddock, Bobby Brickell, Edie & New Bohemians Briley, Martin Britny Fox Brown, Clarence Gatemouth Brown, Toni & Garthwaite, Terry Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Bruce -
100 Depuis Quelques Semaines, Mais La Journée Du 16 Mai 2010 a Jeté Un Voile Sombre Sur Le Mode Du Métal En Général
2/28 EDITO Bien que très pris par le temps, entre mes occupations familiales, obligations professionnelles et même sportives, j’avais déjà pris le temps de réfléchir à l’édito de ce numéro 100 depuis quelques semaines, mais la journée du 16 mai 2010 a jeté un voile sombre sur le mode du métal en général. En effet, Ronnie James Dio, l’un des plus grands chanteurs de métal de tous les temps, s’est éteint des suites d’un cancer de l’estomac. L’annulation récente de la tournée européenne d’Heaven & Hell prévue cette année, n’augurait rien de bon, mais tout le monde espérait revoir le petit lutin sur les planches rapidement. La maladie en a décidé autrement et c’est une grande tristesse qui s’est abattue sur tous les fans du chanteur et d’ailleurs les hommages n’ont cessé d’affluer depuis ce 16 mai et cela va des plus grands artistes du métal (Metallica, Scorpions, Kiss, Anthrax, ….) en passant par les fans, le tout étant repris par les plus grands médias et pas seulement musicaux, puisque même le Monde consacrait un article sur le chanteur le 17 mai. Pour ma part, je dirai simplement que sans Dio, ma passion ne serait certainement pas la même, car ses albums avec Elf, Rainbow, Black Sabbath, sous son nom et récemment sous Heaven & Hell ont été mes albums de chevet pendant de nombreuses années. L’album "Heaven & Hell" reste d’ailleurs pour moi l’un des meilleurs albums de hard de tous les temps. De plus, ayant vu le chanteur à de nombreuses reprises, celui-ci ne m’a jamais déçu (même lorsqu’il était grippé au Z7, il avait tenu à assurer le concert et à monter sur scène) et je garde un souvenir ému de sa première prestation live en tant qu’artiste solo, lors de la sortie de l’album "Holy Diver", où le 20 août 1983, il avait enflammé les Monsters of Rock à Donington aux côtés de Diamond Head, Twisted Sister, ZZ Top, Meat Loaf et Whitesnake.