Dangerous Boys Free
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
CFP Edition 01-09-20
75¢ COLBY Thursday January 9, 2014 Volume 125, Number 005 Serving Thomas County since 1888 8 pages FFREEREE PPRESSRESS Challenge kicks off with torch A Quinter doctor showed off mer Olympics. He ran through the the torch he carried for the 2012 English town of Ascot, near Lon- London Olympics as he gave a don, with athletes and nonathletes pep talk Monday to kick off the of all ages. Runners in the relay Thomas County Wellness Chal- pass the Olympic flame between lenge, urging everyone to live gas burners within their torches, healthy in the new year. Gruenbacher said, so they got to Dr. Doug Gruenbacher spoke keep their torches. His had 8,000 to about 35 people Monday in holes in it to represent each of the the Student Union at Colby Com- torchbearers that year. munity College to open the chal- “My kids always say, ‘Oh, this lenge, which starts Monday. The one’s you, Dad,’” he said with a audience heard about his efforts smile. at keeping himself and others The audience got to pass Gru- healthy and fit. enbacher’s torch around as he “Expectations are huge,” Gru- showed pictures of him and his enbacher said. “They (kids) don’t family in England and France. think twice about being physically He did not compete in the active.” games, but is an avid runner who After-school trip to China He said his son Eli had insisted regularly runs in races here. This on running a 10-kilometer race – summer, he said, he ran 50 miles SAM DIETER/Colby Free about six miles. -
I 100 Migliori Dischi Glam Metal
I TIFONI 5 www.tsunamiedizioni.com Web Tsunami Facebook Copyright © 2012 A.SE.FI. Editoriale Srl Tsunami Edizioni è un marchio registrato di proprietà di A.SE.FI. Editoriale Srl Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com - [email protected] Prima edizione, ottobre 2012 - I Tifoni 5 Curatore: Federico Martinelli Progetto copertina: Moreno Lissoni Gra ca interna: Eugenio Monti Stampato in digitale nel mese di ottobre 2012 da Rotomail Italia S.p.A ISBN: 978-88-96131-46-6 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato, senza l’autorizzazione scritta dell’Editore Sebbenewww.tsunamiedizioni.com sia stato fatto ogni sforzo per rintracciare i titolari dei diritti delle foto pubblicate, ciò non è stato sempre possibile. L’editore rimane a disposizione per essere contattato dagli aventi diritto. i 100 migliori dischi glam metal www.tsunamiedizioni.com INDICE Introduzione ..........................................................................................................9 Aerosmith permanent vacation .......................................................... 14 Alice Cooper Trash .......................................................................................... 16 alleycat scratch deadboys in trash city .................................................... 18 almighty (the) soul destruction ................................................................20 asphalt ballet asphalt ballet .....................................................................22 Babysitters (THE) -
January 1992
VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments -
Newspaper $D.Bu — — 6
ApriL Newspaper $d.bU — — 6 Geffen Recordspromotion executive Marko THE DIVINE ONE JANE SAYS.. .GET Babineau has moved over to be general manager for the DIES Sarah Vaughan, one LOST: The former manager DGC label. In turn, Babineau an- of the greatest jazz singers of all of Jane's Addiction, Gary Kur- his promotional time, died of lung cancer last first, is suing the band. He nounced DGC team: Leavitt as Tuesday at the age of 66. "The claims that they fired him in Steve CHR Divine One," as she was aptly violation of a three-year con- promotion director, Hugh Surratt nicknamed, began her career in tract that does not expire until as AOR promotion director, and 1942, after winning an amateur August, 1991. Kurfirst alleges Mark Kates as alternative promo- contest at New York's Apollo at the time of the filing date tion director. DGC has also an- Theatre. For nearly 50 years, (January 25), lead singer Perry nounced thirteen regional her remarkable instrument Farrell was enrolled in a Bever- promotion managers: Mark which, amazingly, seemed to ly Hills drug rehab center, and Burger / Dallas, Lorren Cor- improve with age—has been lead guitarist Dave Navaro was nelius / St. Louis, Jim Gallis / heard on thousands of record- in a methadone program. He Midwest, Ed Green /Philadel- ings and in thousands of con- feels that the band members' phia, Angela Jones / Nashville, cert halls and jazz clubs. With alleged drug problems resulted Alek Maye/Cleveland, Sue O’- Billie Holiday and Ella in clouded judgement, result- Connell/New England, Zak Phil- Fitzgerald, she represented one ing in his dismissal. -
Arguing the Politics of Race and Jobs BFA to Show Award-Winning Film • Two Leading African-Americans Focus on Affirmative Action in Lecture
C E L E B R ATING 60 YEA PUBLICATION eaton November 6,1995 • WILLIAM PATERSON COLLEGE Holocaust talk aims at teachers A seminar entitled "Caring Makes a Difference: Incorporating the Holocaust curriculum K-8," will be held in William Paterson College's Sarah Byrd Askew Library Nov. 7. The keynote address, "Germany and Jews in 1955: View of the Past and Current Attitudes," will be given by Michael Adonia Moscovici, cultural attache' of the Embassy of the Federal Republic of Germany. The seminar will run from 8:30 a.m. to 3:30 p.m. with the keynote address being given at noon. Admission is $10. To register contact WPC's Center for Continuing Education at 595-2966. WPC to host newspaper lecture William Paterson College's Center for Continuing Education presents "From Print to Online: The American Newspaper," the last in a series of four lec- tures showcasing WPC faculty. The lecture will be given on Nov. 8 by Tina Lesher, an assistant professor of communication, at 7:30 p.m. in room 324 of the Student Center. Two members of the OLAS prepare to celebrate Puerto Rican Heritage Month. See related story below. Gena Zak/The Beacon Admission is $5. For more information, contact the Center for Continuing Education at 595-2436. Arguing the politics of race and jobs BFA to show award-winning film • Two leading African-Americans focus on Affirmative Action in lecture. William Branch, an award-winning author, play- tall, some are short. Some of us are community has become divided wright, television and film producer and director, will By Clementina Pope among itself. -
Lemmy Kilmister Was Born in Stoke-On-Trent
Lemmy Kilmister was born in Stoke-on-Trent. Having been a member of the Rocking Vicars, Opal Butterflies and Hawkwind, Lemmy formed his own band, Motörhead. The band recently celebrated their twenty-fifth anniversary in the business. Lemmy currently lives in Los Angeles, just a short walk away from the Rainbow, the oldest rock ’n’ roll bar in Hollywood. Since 1987, Janiss Garza has been writing about very loud rock and alternative music. From 1989 to1996 she was senior editor at RIP, at the time the World’s premier hard music magazine. She has also written for Los Angeles Times, Entertainment Weekly, and New York Times, Los Angeles. ‘From heaving burning caravans into lakes at 1970s Finnish festivals to passing out in Stafford after three consecutive blowjobs, the Motörhead man proves a mean raconteur as he gabbles through his addled heavy metal career résumé’ Guardian ‘As a rock autobiography, White Line Fever is a keeper’ Big Issue ‘White Line Fever really is the ultimate rock & roll autobiography . Turn it up to 11 and read on!’ Skin Deep Magazine First published in Great Britain by Simon & Schuster UK Ltd, 2002 This edition first published by Pocket, 2003 An imprint of Simon & Schuster UK Ltd A Viacom Company Copyright © Ian Kilmister and Janiss Garza, 2002 This book is copyright under the Berne Convention. No reproduction without permission. All rights reserved. The right of Ian Kilmister to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988. Simon & Schuster UK Ltd Africa House 64-78 Kingsway London WC2B 6AH www.simonsays.co.uk Simon & Schuster Australia Sydney A CIP catalogue record for this book is available from British Library Paperback ISBN 0-671-03331-X eBook ISBN 978-1-47111-271-3 Typeset by M Rules Printed and bound in Great Britain by Cox & W yman Ltd, Reading, Berks PICTURE CREDITS The publishers have used their best endeavours to contact all copyright holders. -
Bio KEVIN FOWLER
KEVIN FOWLER "KEVIN FOWLER REPRESENTE CETTE NOUVELLE FORCE DANS LA REVOLUTION MUSICALE DU TEXAS. C'EST UN TRÈS GRAND HOMME DE SCÈNE, UN TRÈS GRAND COMPOSITEUR, QUI A MON AVIS, IRA TRÈS LOIN." Willie Nelson Kevin Fowler fait de la country music. En effet, de la COUNTRY music. Pas cette espèce de daube que Music City essaye de faire passer pour de la country music, mais plutôt cette musique qui arrive à rassembler des milliers de Texans pour boire et danser dans les honky-tonks, dancehalls, nightclubs, roadhouses et cantinas à travers tout le Lone Star State. Et en faisant de la country music authentique, Kevin Fowler est devenu l'un des tout meilleurs artistes de country du Texas. Beer, Bait & Ammo, le premier album auto-produit de Kevin Fowler en 2000, a fait un véritable tabac au Texas avec ce son typiquement honky-tonk et cette country authentique. Ce disque s'est vendu à presque 30,000 exemplaires rien qu'au Texas, et est resté des mois au Texas Music Chart, avec 4 titres qui passaient régulièrement dans les meilleures stations de radio. Tout cela a propulsé Kevin Fowler au sommet de la hiérarchie sur le circuit country du Texas, où il faisait régulièrement salle comble dans les clubs les plus grands et les plus populaires. Et qui plus est, "Beer, Bait & Ammo" est devenu un hymne populaire servant de titre d'ouverture a chacun des concerts de Mark Chesnutt. Il a été aussi repris et enregistré par Sammy Kershaw. "Je fais de la musique pour les fans de Country: ceux qui travaillent de leurs mains, qui conduisent des pick-ups, qui portent des Wranglers, des gens comme moi. -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS SEPTEMBER 23, 2019 | PAGE 1 OF 23 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Bentley “Living” It Up On Chart Cody Johnson, “God’s Country” And The >page 4 Evolution Of The Classic Country Song Chuck Dauphin Remembered When the Nashville Songwriters Association International his second Warner Music Nashville album, Durango — owned >page 10 (NSAI) gave out its annual awards on Sept. 17, songwriter of by Howie Edelman — decided that throwing a party for some the year Josh Osborne (“Hotel Key,” “Kiss Somebody”) and of the old guard might familiarize them with Johnson’s music the trio that penned song of the year “Break Up in the End” — and inspire them to dig into their catalogs for the gems that Chase McGill, Jessie Jo Dillon and Jon Nite — claimed their never quite got cut. Brantley Gilbert’s trophies on the stage of the historic Ryman Auditorium. Durango A&R executive Scott Gunter specifically asked Tootsie’s Role But when Durango Management held a Sept. 18 event to for songs that were written before 2000, and by the next day, >page 12 find songs for untapped music Cody Johnson, and thankful those current notes were hitmakers were already rolling in Luke Bryan Switches not on the invite from the likes of It Up list. Instead, the Allen Shamblin >page 12 aptly named ( “ T h e H o u s e back-alley That Built Me”), h a n g o u t O l d Steve Bogard Makin’ Tracks: Glory filled up (“Carried Away”) Chris Young’s with writers such and Kerry Kurt as Mike Reid Phillips ( “ I “Drowning” STRAIT JOHNSON OSBORNE >page 17 (“Stranger in Don’t Need Your My House”), Jim Rockin’ Chair”), McBride (“Chattahoochee”), Michael P. -
Artist 5Th Dimension, the 5Th Dimension, the a Flock of Seagulls
Artist 5th Dimension, The 5th Dimension, The A Flock of Seagulls AC/DC Ackerman, William Adam and the Ants Adam Ant Adam Ant Adam Ant Adams, Bryan Adams, Bryan Adams, Ryan & the Cardinals Aerosmith Aerosmith Alice in Chains Allman, Duane Amazing Rhythm Aces America America April Wine Arcadia Archies, The Asia Asleep at the Wheel Association, The Association, The Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Autry, Gene Axe Axton, Hoyt Axton, Hoyt !1 Bachman Turner Overdrive Bad Company Bad Company Bad Company Bad English Badlands Badlands Band, The Bare, Bobby Bay City Rollers Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beatles, The Beatles, The Beatles, The Beatles, The Beaverteeth Bennett, Tony Benson, George Bent Left Big Audio Dynamite II Billy Squier Bishop, Elvin Bishop, Elvin Bishop, Stephen Black N Blue Black Sabbath Blind Faith Bloodrock Bloodrock Bloodrock Bloodstone Blue Nile, The Blue Oyster Cult !2 Blue Ridge Rangers Blues Brothers Blues Brothers Blues Brothers Blues Pills Blues Pills Bob Marley and the Wailers Bob Wills and His Texas Playboys BoDeans Bonham Bonoff, Karla Boston Boston Boston Boston Symphony Orchestra Bowie, David Braddock, Bobby Brickell, Edie & New Bohemians Briley, Martin Britny Fox Brown, Clarence Gatemouth Brown, Toni & Garthwaite, Terry Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Bruce -
Artist Song Album Blue Collar Down to the Line Four Wheel Drive
Artist Song Album (BTO) Bachman-Turner Overdrive Blue Collar Best Of BTO (BTO) Bachman-Turner Overdrive Down To The Line Best Of BTO (BTO) Bachman-Turner Overdrive Four Wheel Drive Best Of BTO (BTO) Bachman-Turner Overdrive Free Wheelin' Best Of BTO (BTO) Bachman-Turner Overdrive Gimme Your Money Please Best Of BTO (BTO) Bachman-Turner Overdrive Hey You Best Of BTO (BTO) Bachman-Turner Overdrive Let It Ride Best Of BTO (BTO) Bachman-Turner Overdrive Lookin' Out For #1 Best Of BTO (BTO) Bachman-Turner Overdrive Roll On Down The Highway Best Of BTO (BTO) Bachman-Turner Overdrive Take It Like A Man Best Of BTO (BTO) Bachman-Turner Overdrive Takin' Care Of Business Best Of BTO (BTO) Bachman-Turner Overdrive You Ain't Seen Nothing Yet Best Of BTO (BTO) Bachman-Turner Overdrive Takin' Care Of Business Hits of 1974 (BTO) Bachman-Turner Overdrive You Ain't Seen Nothin' Yet Hits of 1974 (ELO) Electric Light Orchestra Can't Get It Out Of My Head Greatest Hits of ELO (ELO) Electric Light Orchestra Evil Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Livin' Thing Greatest Hits of ELO (ELO) Electric Light Orchestra Ma-Ma-Ma Belle Greatest Hits of ELO (ELO) Electric Light Orchestra Mr. Blue Sky Greatest Hits of ELO (ELO) Electric Light Orchestra Rockaria Greatest Hits of ELO (ELO) Electric Light Orchestra Showdown Greatest Hits of ELO (ELO) Electric Light Orchestra Strange Magic Greatest Hits of ELO (ELO) Electric Light Orchestra Sweet Talkin' Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Telephone Line Greatest Hits of ELO (ELO) Electric Light Orchestra Turn To Stone Greatest Hits of ELO (ELO) Electric Light Orchestra Can't Get It Out Of My Head Greatest Hits of ELO (ELO) Electric Light Orchestra Evil Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Livin' Thing Greatest Hits of ELO (ELO) Electric Light Orchestra Ma-Ma-Ma Belle Greatest Hits of ELO (ELO) Electric Light Orchestra Mr. -
Jack Ingram and the Roots of the Texas Country Scene Rich Kelly
32 Jack Ingram and the Roots of the Texas Country Scene Rich Kelly Jack Ingram performing at Gruene Hall, March 31, 2000. Photo by and courtesy of Jeremy Elliott. In May of 2016 Guy Clark, a songwriting giant in both his native Texas and his adopted Nashville, passed away. A week later, a bus of Clark’s Tennessee friends delivered their mentor’s cremated remains to fellow artist Terry Allen’s Santa Fe home for a wake for the legend. The intimate picking party featured a who’s who of alternative country luminaries including Steve Earle, Emmylou Harris, Vince Gill, Joe Ely, Rodney Crowell, Lyle Lovett, 33 and Robert Earl Keen. Among the impressive gathering of singer-songwriters, only two were under sixty years old: Allen’s son Bukka, an accomplished accordionist, and Jack Ingram.1 The 45-year-old Ingram had come a long way from his musical beginnings in Dallas’s Deep Ellum more than twenty- five years earlier. Along with the chance to honor one of his heroes and inspirations, the invitation signaled Ingram’s ascension into the pantheon of Texas’s elite singer-songwriters. Along the way Ingram pushed against the prevailing musical winds, played a key role in reviving fan interest in original Texas country music, and served as the key inspiration for the early artists of the emerging Texas Country scene. In the 1990s in college cities and towns throughout Texas, a Kacey Musgraves. Despite the genre’s widespread popularity, regional country music scene developed. The artists and fans there has been little academic examination of its beginnings or in this musical movement consciously strove to revive the values impact.