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Violence and Masculinity in Hollywood War Films During World War II a Thesis Submitted To
Violence and Masculinity in Hollywood War Films During World War II A thesis submitted to: Lakehead University Faculty of Arts and Sciences Department of History In partial fulfillment of the requirements for the degree in Master of Arts Matthew Sitter Thunder Bay, Ontario July 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-84504-2 Our file Notre référence ISBN: 978-0-494-84504-2 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
World War Ii and Us Cinema
ABSTRACT Title of Document: WORLD WAR II AND U.S. CINEMA: RACE, NATION, AND REMEMBRANCE IN POSTWAR FILM, 1945-1978 Robert Keith Chester, Ph.D., 2011 Co-Directed By: Dr. Gary Gerstle, Professor of History, Vanderbilt University Dr. Nancy Struna, Professor of American Studies, University of Maryland, College Park This dissertation interrogates the meanings retrospectively imposed upon World War II in U.S. motion pictures released between 1945 and the mid-1970s. Focusing on combat films and images of veterans in postwar settings, I trace representations of World War II between war‘s end and the War in Vietnam, charting two distinct yet overlapping trajectories pivotal to the construction of U.S. identity in postwar cinema. The first is the connotations attached to U.S. ethnoracial relations – the presence and absence of a multiethnic, sometimes multiracial soldiery set against the hegemony of U.S. whiteness – in depictions of the war and its aftermath. The second is Hollywood‘s representation (and erasure) of the contributions of the wartime Allies and the ways in which such images engaged with and negotiated postwar international relations. Contrary to notions of a ―good war‖ untainted by ambiguity or dissent, I argue that World War II gave rise to a conflicted cluster of postwar meanings. At times, notably in the early postwar period, the war served as a progressive summons to racial reform. At other times, the war was inscribed as a historical moment in which U.S. racism was either nonexistent or was laid permanently to rest. In regard to the Allies, I locate a Hollywood dialectic between internationalist and unilateralist remembrances. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z FEBRUARY 2021 D 12 Angry Men (1957) 2/27 D Black Panthers (1968) 2/28 D Convicts 4 (1962) 2/10 a ADVENTURE z 20,000 Years in Sing Sing (1932) 2/3 D Black Patch (1957) 2/19 D The Corn is Green (1945) 2/21 m 42nd Street (1933) 2/7 D Blackboard Jungle (1955) 2/3 sD The Cossacks (1928) 2/21 c COMEDY S z Blackwell’s Island (1939) 2/3 D Countryman (1982) 2/21 –––––––––––––––––––––– ––––––––––––––––––––––– A y Blazing Saddles (1974) 2/6 u Crossfire (1947) 2/9 z CRIME u Act of Violence (1949) 2/9 y Blood on the Moon (1948) 2/19 R Crossing Delancey (1988) 2/12 S c Adam’s Rib (1949) 2/22 D Body and Soul (1947) 2/9 D Cry, the Beloved Country (1951) 2/3 o DOCUMENTARY a The Adventures of Huckleberry Finn (1939) 2/10 D Bombshell (1933) 2/21 c The Affairs of Martha (1942) 2/24 a Boom Town (1940) 2/25 P –––––––––––––––––––––– D ––––––––––––––––––––––– D DRAMA c Affectionately Yours (1941) 2/10 D Born to Be Bad (1950) 2/9 y Dances with Wolves (1990) 2/27 u After Office Hours (1935) 2/1 c Born Yesterday (1950) 2/21 D Dancing Co-Ed (1939) 2/8 e EPIC P R The Age of Innocence (1993) 2/14 c Boys’ Night Out (1962) 2/11 D Dangerously They Live (1941) 2/23 S S S w Air Force (1943) 2/23 D The Breaking Point (1950) 2/9 R Daughters Courageous (1939) 2/16 S HORROR/SCIENCE-FICTION z Al Capone (1959) 2/16 R Brief Encounter (1945) 2/12 D Days of Wine and Roses (1962) 2/28 P m sc Algie the Miner (1912) 2/7 m Brigadoon (1954) 2/18, 2/25 D Death in Venice (1971) 2/23 MUSICAL y Along The Great Divide (1951) 2/19 D Broadway Musketeers (1938) 2/6 cR Design for Living (1933) 2/21 R ROMANCE HD The Amazing Mr. -
Of the Many Hundreds of American Novels About the Second World
Jonathan Lighter Battle Cry Revisited: “Don’t Worry, Mom, Everything is Going to be All Right” f the many hundreds of American novels about the Second World War, none has equaled the popular success of ex-Pfc. Leon Uris’s Battle Cry (1953), a spirited celebration of the U.S. Marines in the Pacific—in loveO and war, in combat and out. An indifferent student from an unhappy family background, Uris dropped out of high school in Baltimore early in 1942 to enlist in the U.S. Marine Corps at the age of seventeen: during the ‘50s and ‘60s he became one of the top-selling American novelists in publishing history. As a radioman with Headquarters Company, 2nd Battalion, 6th Marines, Uris served at Guadalcanal and Tarawa before bouts of dengue fever and recurrent malaria resulted in his evacuation to Oak Knoll Naval Hospital in California; after an appropriate convalescence, he worked on war bond projects till the end of the war. Battle Cry, his first novel, was published in January, 1953, to immediate popular acclaim. As the book climbed the national bestseller lists, Uris told the press that he’d begun working on it in 1950, about four years after leaving the service. In the years since the war he’d worked at several jobs, most notably as home-delivery manager in the circulation department of the San Francisco Call-Bulletin. Ex-sergeant Merle Miller, a journalist, who had covered Eniwetok and Kwajalein for Yank: The Army Weekly and published a realistic novel, Island 49 (1945), about a Pacific invasion, hailed Battle Cry in the prestigious Saturday Review of Literature as “a wonderfully different kind of war novel,” which he hoped would be the start of a “whole new and healthy trend in American war literature.”1 As critics William Darby, Philip Beidler, and Kathleen Shine Cain have observed, Battle Cry—dedicated “to the United States Marines, and to one in particular, Staff Sergeant Betty Beck Uris,” the author’s wife—is “wonderfully different” from its blockbuster war-novel predecessors in several ways. -
To Download the Spring 2014 Newsletter As a PDF (Opens in A
SPRING 2014 DHA Newsletter © Disability History Association 2 MESSAGE FROM THE PRESIDENT Penny Richards 3 ANNOUNCEMENTS 8 UPCOMING CONFERENCES 9 CONFERENCE REPORT: American Society for Legal History (November 7-10, 2013, Miami, Florida) Lauren MacIvor Thompson 11 ! Casebooks, Photographs, and Institutional Intimacy Stef Eastoe 15!! Post-Modern American Heroism: Anti-War War Heroes, Survivor Heroes, and the Eclipse of Traditional Warrior Values David A. Gerber 1 MESSAGE FROM THE PRESIDENT Penny L. Richards WELCOME! A few weeks ago, there was a Civil Rights Summit at the LBJ Presidential Library in Austin TX, marking the 50th anniversary of the Civil Rights Act. The four living presidents attended, which marks any event as major. Panels at the event considered the legacy of the civil rights movement, including in music, in sports, in gay marriage, in immigration, in education, in social justice. And until a few days before the event, there was no mention of disability rights as a civil rights movement. When this omission was pointed out, by the National Council on Disability among others, the program committee quickly added Lex Frieden to the social justice panel, and rightly so. But why didn’t they think to include someone to talk about disability rights sooner? Disability historians, when this sort of thing happens, we know there’s plenty of work to be done. Especially as the 25th anniversary of the Americans with Disabilities Act approaches, remember that, even in civil rights circles, the story of disability rights is still too often unfamiliar or misunderstood. Have you renewed your DHA membership for 2014? Please consider doing that right now, while you’re enjoying the newsletter, it won’t take but a moment. -
Akron1185381373.Pdf (1.49
© 2007 DAVID ZIETSMA ALL RIGHTS RESERVED IMAGINING HEAVEN AND HELL: RELIGION, NATIONAL IDENTITY, AND U.S. FOREIGN RELATIONS, 1930-1953 A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy David Zietsma August, 2007 IMAGINING HEAVEN AND HELL: RELIGION, NATIONAL IDENTITY, AND U.S. FOREIGN RELATIONS, 1930-1953 David Zietsma Dissertation Approved: Accepted: _____________________________ _____________________________ Advisor Department Chair Dr. Walter L. Hixson Dr. Walter L. Hixson _____________________________ _____________________________ Committee Member Dean of the College Dr. T. J. Boisseau Dr. Ronald F. Levant _____________________________ _____________________________ Committee Member Dean of the Graduate School Dr. Mary Ann Heiss Dr. George R. Newkome _____________________________ _____________________________ Committee Member Date Dr. Brant T. Lee _____________________________ Committee Member Dr. Elizabeth Mancke ii ABSTRACT This dissertation argues that religiously framed narratives of national identity conditioned the United States approach to the world from 1930 to 1953. When the Great Depression called into question U.S. manifest destiny, Americans reified their divine chosenness first through a “good neighbor” national image and later through a narrative imagining the United States as a righteous nation battling evil enemies. During the Franklin Roosevelt and Harry Truman administrations, competing religious groups/organizations -
September 24, 2013 (XXVII:5) Delmer Daves, 3:10 to YUMA (1957, 92 Min)
September 24, 2013 (XXVII:5) Delmer Daves, 3:10 TO YUMA (1957, 92 min) National Film Registry—2012 Directed by Delmer Daves Written by Halsted Welles (screenplay) and Elmore Leonard (story) Music by George Duning Cinematography by Charles Lawton Jr. Edited by Al Clark Glenn Ford...Ben Wade Van Heflin...Dan Evans Felicia Farr...Emmy Richard Jaeckel...Charlie Prince DELMER DAVES (director)(b. Delmer Lawrence Daves, July 24, 1904, San Francisco, California—d. August 17, 1977, La Jolla, California) Daves wrote 50 films, among them 1965 The Battle of the Villa Fiorita, 1964 Youngblood Hawke, 1963 Spencer's Alma, Michigan—d. January 24, 1990) wrote 44 films and Mountain, 1959 A Summer Place, 1957 An Affair to Remember television shows, including 1976 “Doctors' Hospital” (TV (screenplay), 1956 The Last Wagon (screenplay), 1955 White series), 1973-1974 “Kojak” (TV series), 1971-1973 “Rod Feather (screenplay), 1954 Drum Beat (screenplay and story), Serling's Night Gallery” (TV series), 1969 “Mannix” (TV series), 1947 Dark Passage (screenplay), 1943 Destination Tokyo 1966 “12 O'Clock High” (TV series), 1965-1966 “The (screenplay), 1943 Stage Door Canteen (screenplay), 1940 The Virginian” (TV series), 1959-1962 “Alfred Hitchcock Presents” Farmer's Daughter (story), 1936 The Petrified Forest (TV series), 1960 “Bonanza” (TV series), 1957 3:10 to Yuma (screenplay), 1932 Divorce in the Family (screenplay and story), (screenplay), 1957 “The George Sanders Mystery Theater” (TV and 1929 Queen Kelly. In addition to writing, Daves directed 30 series), 1957 “Playhouse 90” (TV series), 1955 “Lux Video films, including 1965 The Battle of the Villa Fiorita, 1964 Theatre” (TV series), and 1949 The Lady Gambles (adaptation). -
NEWSLETTER Cbirleo F
WORLD WAR TWO STUDIES ASSOCIATION (formerly American Committee on the History of the Second World War) ISBN 0-89126-060·9 NEWSLETTER CbIrleo F. DelzeI V_ Unlva'Iity Anbur 1. funt ISSN 0885-5668 GainaYille, fIoridlI No. 50 Fall 1993 ~H~California, tls.no;J, CONTENTS P~.!.Torp1ia Tenna cqJiriDc 1993 WWISA General Information 2 Dean C. Allard Naval HiitorlcaJ Center TheN~~~u 2 SlcI>bcn E. Ambrooe Onivenity of New Orleans Annual Membership Dues 3 Robert DaM Notes from the Chairman, by Donald S. Detwiler 3 Univcnity of California, Loo AnsCJcs Harold C. DeulKb St. Pau~ Minnesota FORTHCOMING CONFERENCES RK.fIiot "&bcnoo,G.."p "MacArthur's Return to the Philippines, 1944" 5 David Kahn "The Holocaust: Progress and Prognosis, G.- N<ek, New Yod 1934-1994" 5 Ric:banI tl K.obn U~ of Nonh CatoIina at Ulapd HiG "World War II in the Pacific" 5 Carol M. PeIiIIo American Historical Association Annual Meeting 6 Booton~ Robert W~e Other Conferences 6 National An:bM:s Tenna c:qJiriDc 19M RECENTPROGRAMS Jamc:o 1. C<>Uios. Jr. Micldlcburs. V"qinia ''America at War, 1941-1945, Part 1: From the Jobn Lewis Oaddio Beginning to the 'End of the Beginning, , Obio Um-wity Robin Higl>Bm 1941-1943" 8 1'8..- SIaIe Univcnity "World War II: 1943-1993; A 50-Year Warren P. Kimball Rutg:n Univcnity, Ncwart Perspective" 9 Aancs P. PcIcnOD t100vcr Insliwlion on War, "Wartime Plans for Postwar Europe (1940 RcvoIulion and Peace 1947)" 11 RUSICII F. Wciglcy TettlpIe Univenily Naval History Symposium 12 Roberta Woblaldler "Eating for Victory: American Foodways ~ ~=-'~fomia and World War If' 13 J"'lfn=- of California, l.oo AnFlco Society for Historians ofAmerican Foreign Tenna c:qJirin& 1995 Relations 13 Martin BlumcnJon ''American Women During the War" 14 Wubinp1n, D.C. -
Demetrius and the Gladiators the Incomparable Composer Franz Waxman, So Kind of Battle in Messalina’S Bedchamber
Demetrius and the Gladiators The incomparable composer Franz Waxman, so kind of battle in Messalina’s bedchamber. But the strange and discomfiting. (Film music fans will on the story goes, was so outraged by the Academy apparent death of his beloved Lucia (Fifties heart- occasion be reminded of Alex North, a recent arrival of Motion Picture Arts and Science’s failure to even throb Debra Paget) at the brutal hands of another in Hollywood who, while forging his own distinctive nominate colleague Alfred Newman for an Oscar in gladiator (a young and very chesty Richard Egan) style, would certainly be influenced by Waxman.) recognition of his monumental achievement with The shatters his faith, and before long he is thrillingly Beginning with a pulse-pounding “Prelude” which Robe (1953) that he promptly resigned his member- running roughshod over the Commandments, twines Newman’s themes with his own, Waxman ship in the august Academy. Bristling with integrity, slaughtering a cohort of colleagues without a second moves on to one stunning cue after another. Stand- this extravagant gesture takes on even further luster thought and enthusiastically submitting to Messali- outs include the stirring—and pointedly disturb- when we realize that Waxman had only recently be- na’s seductive wiles. ing—brass marches, “Claudius and Messalina” and come the first composer to win the Oscar two years “Gladiator March”; “Temple of Isis,” which blends, in in a row: for Sunset Boulevard (1950) and A Place Some of the credit for the cut-loose liveliness of dramatically -
Martin Scorsese and Film Culture
Martin Scorsese and Film Culture: Radically Contextualizing the Contemporary Auteur by Marc Raymond, B.A., M.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Institute of Comparative Studies in Literature, Art and Culture: Cultural Mediations Carleton University Ottawa, Canada January, 2009 > 2009, Marc Raymond Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-47489-1 Our file Notre reference ISBN: 978-0-494-47489-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Texto Completo Libro (Pdf)
La discapacidad en el La discapacidad en el cine en 363 películas © Luis Alberto Jiménez Acevedo Diseño y Maquetación: Luis Alberto Jiménez Acevedo y Chus Jiménez Diseño de Portada y Contraportada: JJSG Foto solapa: Lucía Gismero Armendáriz Correcciones: Mercedes Jiménez Edita: Fundación ONCE y el autor Distribuye: Fundación ONCE y el autor Imprime: ESPAGRAF Impresores S.L. Segunda edición: junio de 2017 Depósito legal: M-28220-2014 ISBN: 978-84-88934-32-1 Permitido el uso de datos de este libro citando su procedencia. “Oscar” es una marca registrada de la Academia de Artes y Ciencias Cinematográficas de Hollywood. Todas las imágenes del libro pertenecen a sus respectivos autores y/o productoras/distribuidoras. A mis padres y hermanos. Porque sin su apoyo, comprensión y ayuda, no hubiera llegado a ser lo que soy en la vida. Prólogo segunda edición Cuando hice la primera edición de este libro que tienes en las manos, no sabía si tendría aceptación, ni si recibiría el reconocimiento a todo el esfuerzo que puse en llevar a cabo este proyecto, lo cual era lo de menos para mí porque lo que quería era hacer un libro de consulta, donde se pudieran encontrar datos referentes a las películas de las que hablo. Las expectativas no pudieron ser mejores. El libro causó grata impresión en quien lo leyó. A las diferentes Asociaciones, Fundaciones, Federaciones y Centros que trabajan en el mundo de la discapacidad, donde llegó la obra para sus bibliotecas, les pareció interesante, por lo que mis expectativas estaban cumplidas. Pero hubo muchas demandas y los libros se agotaron pronto, por lo que me embarqué en preparar una segunda edición. -
Iraq War Films: Defining a Subgenre
IRAQ WAR FILMS: DEFINING A SUBGENRE A Master’s Thesis by MAGDALENA AGATA YÜKSEL Department of Communication and Design İhsan Doğramacı Bilkent University Ankara 2015 IRAQ WAR FILMS: DEFINING A SUBGENRE Graduate School of Economics and Social Sciences of Ihsan Doğ ramacı Bilkent University by MAGDALENA AGATA YÜKSEL In Partial Fulfilment of the Requirements for the Degree of MASTER OF ARTS in THE DEPARTMENT OF COMMUNICATION AND DESIGN IHSAN DOĞ RAMACI BILKENT UNIVERSITY ANKARA January 2015 I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in Media and Visual Studies. --------------------------------- Asst. Prof. Colleen Kennedy-Karpat Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in Media and Visual Studies. --------------------------------- Asst. Prof. Ahmet Gürata Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in Media and Visual Studies. --------------------------------- Asst. Prof. Andrew J. Ploeg Examining Committee Member Approval of the Graduate School of Economics and Social Sciences --------------------------------- Prof. Erdal Erel Director ABSTRACT IRAQ WAR FILMS: DEFINING A SUBGENRE Yüksel, Magdalena Agata M.A., Department of Communication and Design Supervisor: Asst. Prof. Colleen Kennedy-Karpat January 2015 This thesis analyzes a new subgenre of war films, concentrating on particular case of Iraq War films.