Tom Hollander to Star in 'A Private War'

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Tom Hollander to Star in 'A Private War'

14 Thursday, November 23, 2017 @MarkRuffalo Taking away #NetNeutrality is the Authoritarian dream. Consolidating information into the hands of a few controlled by a few. Dangerous territory. Tom Hollander to star in Los‘A Angeles Private War’ ctor Tom Hollander has joined the cast of ‘A Private War’. ‘The Night Manager’ star’s role in the film has Anot been revealed as yet. The film will be directed by Matthew Heineman and also features actors Rosamund Pike, Jamie Dornan and Jeremie Laheurte, according to reporter. Arash Amel penned the script, which has been XXXX adapted from Marie Brenners 2012 Vanity Los Angeles Fair article ‘Marie inger Selena Gomez says she faced a “life- Colvins Private War’. or-death” situation prior to her kidney Pike plays the role of transplant earlier this year. Colvin, who filed reports SThe 25-year-old singer received an organ from conflict zones from her friend Francia Raisa in including Sri Lanka, where a life-saving operation, which she lost her left eye in 2001. was needed as a result of her Basil Iwanyk and battle with Lupus. Charlize Gomez says because Theron along she wasn’t sure of the with Marissa warning signs, her health McMahon got to a point where her are life was at risk, reports producing eonline.com. the project. Speaking at the Lupus (PTI) Research Alliance Annual Gala on Monday, Gomez said: “I am really honoured to be here with all of you guys tonight, my lupus community. As many of you know, or might now know, I was diagnosed with lupus about five or six years ago. (IANS) Los Angeles inger Janet Jackson and her former boyfriend Jermaine Dupri are reportedly “getting close again”. SThere has been a lot of speculation about the relationship status of the exes, who split in 2009 after seven years together. A source told eonline.com that the two Miley Cyrus reconnected after Janet split from Wissam Al Mana and before she went on tour. They November 23, 1992 are “consistently in contact”. Janet split from Al Mana in April 2017 after five years of marriage. After becoming a child television star playing the title Before their split, they welcomed a son, character on Disney series Hannah Montana, she went Eissa Al Mana, in January. (IANS) on to become an international pop star with hit songs as “Party in the U.S.A.” and “Wrecking Ball.”.

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48Fd968dd0a4c3ebdeaaae91df3
present Produced by YRF ENTERTAINMENT and STONE ANGELS Co-produced by TF1 FILMS PRODUCTION, GAUMONT, LUCKY RED, OD SHOTS, UFILM NICOLE KIDMAN DIRECTED BY OLIVIER DAHAN WITH TIM ROTH FRANK LANGELLA PAZ VEGA RELEASE: MAY 14TH 2014 Length: 1h42 DISTRIBUTOR INTERNATIONAL PRESS GAUMONT ROGERS & COWAN Official site: www.gaumont.fr 30, av. Charles de Gaulle Mariangela Ferrario Hall 92200 Neuilly-sur-Seine Press site: marketing_graceofmonaco.gaumont.fr Tel: + 1 310 967 3407 Tel: +33 1 46 43 20 00 GRACEDEMONACO.LEFILM #GRACE [email protected] SYNOPSIS Grace Kelly is a huge movie star with the promise of a glittering career when she marries Prince Rainier of Monaco in 1956. Six years later, with her marriage in serious difficulty, Alfred Hitchcock offers her the chance to return to Hollywood to play the role of Marnie in his next film. But France is also threatening to annex Monaco, the tiny principality where she became the Princess. Grace is torn and forced to choose between the creative flame that still burns within her and her role as Her Serene Highness, Princess of Monaco. INTERVIEW WITH OLIVIER DAHAN “I was interested in telling how a torn woman finds it impossible – or at least very hard – to find the right balance between her life as a wife, a mother and a woman and her career” What did you find appealing about GRACE OF MONACO? Is it particularly difficult to direct an actress like her? Apart from anything else, it is the fact that she was an actress and an artist who had to give up on her career.
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Interactive Content and Convergence: Implications for the Information Society
Interactive content and convergence: Implications for the information society A Study for the European Commission (DG Information Society and Media) By Screen Digest Ltd, CMS Hasche Sigle, Goldmedia Gmbh, Rightscom Ltd Final Report October 2006 screendigest Interactive content and convergence: implications for the information society Interactive content and convergence: Implications for the information society screendigest Published October 2006 by Screen Digest Limited Screen Digest Limited Lymehouse Studios 30/31 Lyme Street London NW1 0EE telephone +44/20 7424 2820 fax +44/20 7424 2838 Contact: [email protected] Author: Screen Digest, Rightscom, Goldmedia, CMS Hasche Sigle Editor: Ben Keen, Vincent Letang Layout: Tom Humberstone, Leander Vanderbijl The opinions expressed in this study are those of the authors and do not necessarily refl ect the views of the European Commission. The observations, opinions or suggestions in this report do not necessarily refl ect the opinion of the authors, unless explicitly marked as such. Deliverables of the study Volume One: Executive summary and Main Final Report [this document] Volume Two: Annexes 2 Table of contents Table of contents 3 2.3 Television 71 2.3.1 TV Value chain and market trends 71 List of fi gures 7 2.3.2 Generic obstacles to digital TV distribution 80 Executive summary and main fi ndings 11 2.3.3 ‘Red button’ interactive TV 85 2.3.4 Walled garden networks 86 Introduction 19 2.3.5 Online TV (Internet based TV) 87 Consultation of stake-holders 20 2.3.6 IPTV 88 Taxonomy and
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Special Events & Big Nights
MVFF41 Press/Media Contacts: Shelley Spicer, Mill Valley Film Festival 415.526.5845; [email protected] Karen Larsen, Larsen Associates 415.957.1205; [email protected] Clara Franco, Hamilton Ink PR 415.381.8198; [email protected] (Above number and email are not for publication) CELEBRATING 41 YEARS Showcasing the Best in Independent and World Cinema Thursday, October 4 – 14, 2018 Special Events & Big Nights OPENING NIGHT Opening Night Gala following screening(s) will be held at Marin Country Mart in Larkspur A PRIVATE WAR | Thursday, October 4 IN PERSON: Matthew Heineman, Rosamund Pike A Private War US 2018 Director: Matthew Heineman Writer: Arash Amel (based on Vanity Fair Article by Marie Brenner) Cast: Rosamund Pike, Jamie Dornan, Stanley Tucci, Tom Hollander In a world where journalism is under attack, Marie Colvin (Academy Award nominee Rosamund Pike) is one of the most celebrated war correspondents of our time. Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while constantly testing the limits between bravery and bravado. After being hit by a grenade in Sri Lanka, she wears a distinctive eye patch and is still as comfortable sipping martinis with London’s elite as she is confronting dictators. Colvin sacrifices loving relationships, and over time, her personal life starts to unravel as the trauma she’s witnessed takes its toll. Yet, her mission to show the true cost of war leads her -- along with renowned war photographer Paul Conroy (Jamie Dornan) -- to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
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Embargoed Until 8:35Am Pt on July 16, 2015
EMBARGOED UNTIL 8:35AM PT ON JULY 16, 2015 67th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2014 – May 31, 2015 Los Angeles, CA, July 16, 2015– Nominations for the 67th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Uzo Aduba from the Netflix series Orange Is The New Black and Cat Deeley, the host of FOX’s So You Think You Can Dance. "This was truly a remarkable year in television,” said Rosenblum. “From the 40th Anniversary of Saturday Night Live, to David Letterman’s retirement and the conclusion of Mad Men, television’s creativity, influence and impact continue to grow and have never been stronger. From broadcast, to cable to digital services, our industry is producing more quality television than ever before. Television is the pre-eminent entertainment platform with extraordinarily rich and varied storytelling. The work of our members dominates the cultural discussion and ignites the passion of viewers around the world. All of us at the Academy are proud to be honoring the very best in television.” This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and UnBreakaBle Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academy- sanctioned switch from last year’s comedy nomination.
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Grace of Monaco
GRACE OF MONACO A film by Olivier Dahan Written by Arash Amel Starring: Nicole Kidman TRT: 103 MIN. | U.K. | LANGUAGE: ENGLISH | COLOUR Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html At the peak of stardom, Grace Kelly left a successful career as a Hollywood actress to marry Prince Rainier of Monaco in 1956. Six years later, faced with a crisis that threatened Monaco and her marriage, famed director Alfred Hitchcock offers her the chance to return to Hollywood for the starring role in his next film “Marnie”. Grace is at a crossroad: choose the life she thought she always wanted, or embrace the role of the woman she has now become: Her Serene Highness, The Princess of Monaco. “The idea of my life as a fairy tale is itself a fairy tale.” – Grace Kelly An YRF ENTERTAINMENT FILM A STONE ANGELS FILM Directed by Olivier DAHAN Written by Arash AMEL Nicole KIDMAN GRACE of MONACO Tim ROTH Frank LANGELLA Paz VEGA Produced By Pierre-Ange LE POGAM Uday CHOPRA Arash AMEL IN ASSOCIATION WITH SILVER REEL and LOTUS ENTERTAINMENT WITH THE PARTICIPATION OF WALLONIA CO-PRODUCED BY TF1 FILMS PRODUCTION GAUMONT LUCKY RED OD SHOTS UFILM ABOUT THE STORY Set in 1962, six years after her celebrated “Wedding of the Century”, GRACE of MONACO is an intimate snapshot of a year in the life
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A PRIVATE WAR Breganze
Cineforum G. Verdi RASSEGNA CINEFORUM dal 26 al 30 novembre 2019 45º anno sociale • 9º film A PRIVATE WAR Breganze ✒ LA NOSTRA RECENSIONE taccuino, “é una paura che io non potrò mai vanti ad ogni priorità la sua missione di provare” si risponde, consapevole che quello vita, il suo lavoro, a discapito di un’esisten- che ha sperimentato sulla sua pelle non la za serena. Gli sguardi della Pike, che per Capita molto spesso di sentire parlare di potrà abbandonare mai. prepararsi al ruolo ha visto numerosissimi conflitti, al giorno d’oggi, il più delle volte La forza della pellicola sta proprio nella ri- filmati della Colvin, sono colmi di dolore, però, quello che ascoltiamo non è che una cerca della verità (senza alcuna retorica) di così come i suoi sospiri che comunicano trasposizione semplificata di tutto ciò che ciò che vuole raccontare, la stessa verità che perfettamente lo stress a cui essa è sottopo- realmente accade nelle zone di guerra. l’inviata, nei suoi quasi trent’anni di attività sta accompagnati da una colonna sonora Questo perché spesso le dinamiche che ha cercato di comunicare al modo intero, che è pressoché assente e che lascia spazio smuovono quelli stessi conflitti sono il più mossa da una convinzione irrefrenabile in invece ai suoni reali di un conflitto che mar- delle volte nascoste, sotto i suoni delle ciò che stava facendo. tella continuamente le menti di tutti coloro esplosioni e sotto gli strati di sabbia e mace- “Raccontare una guerra può essere doloroso” che ne sono immersi. rie. dice ad un certo punto l’inviata, che ha spe- rimentato in anni di esperienza più conflitti di qualunque soldato inglese, che ha subito sulla sua stessa pelle l’orrore della violenza (sarà costretta dopo un’esplosione alla per- dita di un occhio), fisico ma soprattutto psi- cologico.
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COBERTURA DE GUERRA E ESTUDOS DE GÊNERO: UMA ANÁLISE DE CONTEÚDO EM A PRIVATE WAR1 Monica Martinez2 Bruna Emy Camargo3 RESUMO Esta pesquisa tem como objetivo contribuir para a compreensão da cobertura de guerra no contexto dos estudos de gênero, utilizando como objeto o filme A private war. Após realizar estado da arte sobre cobertura de guerra, abordamos a questão da mulher correspondente. Em seguida, utilizamos o método da análise de conteúdo (BARDIN, 2011) para estudar cinco categorias: a) coberturas de guerra; b) relação com os homens; c) relação com as mulheres; d) condição feminina; e) guerras pessoais. Os resultados sugerem que a jornalista Marie Colvin é representada como uma mulher corajosa, profissional, instintiva e transgressora. Em seus relacionamentos há parcerias amorosas e profissionais, amizades, mentorias e competitividade. São exibidos elementos que exaltam sua identidade feminina e seus conflitos pessoais. PALAVRAS-CHAVE: Cobertura de guerra; Estudos de gênero; Análise de conteúdo; A private war. WAR COVERAGE AND GENDER STUDIES: A CONTENT ANALYSIS IN A PRIVATE WAR ABSTRACT This research aims to contribute to the understanding of war coverage in the context of gender studies, using as object the movie A private war. After conducting a state of the art on war coverage, we addressed the issue of the corresponding woman. We then use the content analysis method (BARDIN, 2011) to study five categories: a) war coverages; b) relationship with men; c) relationship with women; d) female condition; and e) personal wars. The results suggest that journalist Marie Colvin is represented as a brave, professional, instinctive and transgressive woman. In her relationships there are loving and professional partnerships, friendships, mentoring and competitiveness.
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1 The Impact of Digital Technology on Documentary Distribution by Nicole Marie Nime A thesis submitted to the University of London for the degree of Doctor of Philosophy Department of Media Arts Royal Holloway, University of London 2012 2 Declaration of Authorship I, Nicole Marie Nime, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Nicole Marie Nime Date: 30 May 2012 3 Abstract The Internet and digital technologies have created an opportunity for documentaries to find new audiences; however, documentary’s capacity to overcome the challenges that the online market presents and achieve sustainability is not yet understood. This study brings together research in the areas of new media and documentary in order to comprehend and assess the significance of the growing overlap between the two. Focusing on documentary distribution post-2000, in the United States and the United Kingdom, the thesis examines how the online market has influenced both the culture of documentary and the economic structure of the methods used to distribute documentary films. This involves an exploration of the rise of digital media in relation to its impact upon the film industry and a historical review of the changes that have occurred within the documentary marketplace. The core analysis takes the form of a case study approach that sets out to identify trends in documentary distribution and generate insights into the new models that both documentary platforms and filmmakers have employed. What this research suggests is that documentary distribution via the Web requires a new framework for thinking about how films reach audiences and generate revenues.
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