BFI FILM SALES CATALOGUE CONTENTS 2 4 Introduction
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Heather Henson Presents
RI INTERNATIONAL FILM FESTIVAL NEWS P.O. Box 162, Newport, RI 02840 • 96 Second St., Newport, RI 02840 PHONE 401/861-4445 • FAX 401/490-6735 E-mail: [email protected] • Web: www.RIFilmFest.org FOR IMMEDIATE RELEASE Written by: Marya Errin Jones Rogue Press 401.323.2615 Contact: Adam Short 401/861-4445 [email protected] SMALL SCALE HITS THE BIG TIME Heather Henson presents Handmade Puppet Dreams, along with a rare, vintage Jim Henson's Muppet film at the Rhode Island International Film Festival SATURDAY, AUGUST 12 @ 12:30 Columbus Theatre Arts Center, Providence Providence, Rhode Island, August 3, 2006—Heather Henson presents Handmade Puppet Dreams-- independent puppet films, along with a rare Jim Henson film to be screened and presented by Heather Henson at screened at The Rhode Island International Film Festival on Saturday, August 12th at 12:30pm, at the Cinematheque—located in the historic Columbus Theatre Arts Center, 270 Broadway, Providence. Cost: Film Screening (Adult) - $10.00 Film Screening (Flickers Member) - $7.00. For more information contact the Rhode Island Film Festival @ 401. 861.4445 or visit their web site at www.film-festival.org. Fresh from showings at the Cannes Marche' du Film 2006, and the 30th Annual Atlanta Film Festival, Heather Henson presents Handmade Puppet Dreams, a touring festival of independent artists' films exploring the art of handmade craft especially for cinema. Even the Westside hipsters will love Handmade Puppet Dreams; a provocative, challenging, and savvy collection of puppet shorts created by the next generation of small-scale artists. In the spirit of handmade craft and unique puppetry, Heather Henson, daughter of Jim Henson visionary creator of the Muppets, is a graduate of Rhode Island School of Design. -
DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
FESTIVAL to the Volcanoes of Auvergne – Unforgettable
InsPIrIng you to reach your dreams #19 /JuLy-AUGUST 2010 Glorious Cannes, Glamorous summer MICK JAGGER A Stone in exile? PAlme d’oR wInner Exclusive interview AlEx Cox British film expert BElGIAn EU PRESIdEnCY Back in business? EDITORIAL Cannes-tastic! Cannes is one of those places cocktails, courtesy of chivas and the utter where you feel anything could exhilaration of being handed the controls of J happen. Away from the glitz craft’s latest speedboat the Torpedo as it and glamour of La Croisette topped 40 knots in Cannes harbour, we did our best to enjoy ourselves. and its famous red carpet, a whole industry throbs in the Of course, it’s not all parties. Closer to home, Andy background. Carling returns with a sideways look at how Belgium may handle its six months as head of n such a city of movers and shakers, a the EU’s rotating presidency. There’s still time to place which seems practically never to get yourself in trim for the beach, too – let Together sleep and a town in which new stars are and Power Plate Institute Brussels introduce you born, Together is right at home. To save to the latest exercise craze, with our fantastic you the trouble of trekking the thousand- readers giveaway. oddI kilometres to Cannes, we selflessly ventured there to bring you the very best in fashion shows, Plus, as we know you’ve come to expect and private parties and everything you might expect enjoy by now, there’s a beautiful fashion from the hardest working (and hardest partying) photoshoot, Kimberley Lovato’s sensual magazine in Brussels. -
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Film Club Sky 328 Newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping you are all well and enjoying a Lyons Maid or two on the hotter days while watching Talking Pictures TV – your own personal trip to the flicks every day and no fleas! This month we bring you a wonderful new DVD Box set from Renown Pictures – The Comedy Collection Volume 3! We thought it was time we all had a jolly good laugh and with 11 films over 3 discs, starring some of the greatest British character actors you will see, it’s an absolute bargain at £20 for all 3 discs with free UK postage. Titles include: A Hole Lot of Trouble with Arthur Lowe, Victor Maddern and Bill Maynard; A Touch of The Sun with Frankie Howerd, Ruby Murray and Alfie Bass, once lost British comedy Just William’s Luck, fully restored to its former glory, Come Back Peter, with Patrick Holt and Charles Lamb, also once lost and never before released on DVD, as well as Where There’s A Will with George Cole and Kathleen Harrison, plus many more! More details overleaf. There’s an extra special deal on our Comedy Collection Volumes 1 and 2 as well. Regarding our events this year and next year, there is good news and bad news. Finally, the manager at the St Albans Arena has come back to the office and has secured 28th March 2021 for us. Sad news as it doesn’t look like we will be able to go ahead with any other event this year, including Stockport on Sunday 4th October. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
A Hybrid Documentary Genre: Animated Documentary and the Analysis of Waltz with Bashir (2008) Movie Barış Tolga Ekinci, [email protected]
A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) movie Barış Tolga Ekinci, [email protected] Volume 6.1 (2017) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2017.144 | http://cinej.pitt.edu Abstract The word documentary has been described as an advice in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to seperate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is a form of hybrid documentary has been concerned with Baudrillard’s theory. In this context, Ari Folman’s animated documentary Waltz with Bassir (2008) has been analyzed with genre criticism method. Keywords: Documentary, animated documentary, Waltz with Bassir, reality, hybrid genres. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. A Hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) movie Barış Tolga Ekinci Introduction History of animated documentary1 is old as much as history of traditional documentary. However, in any period, animated documentaries have not been reached the popularity of traditional documentaries. -
Brook + Wilder + Taylor + Kovalev
BROOK + WILDER + TAYLOR + KOVALEV MARCH 1 2018 Every week THE AWARD-WINNING WORLD’S BEST FIGHT MAGAZINE EST. 1909 T WWW.BOXINGNEWSONLINE.NE NEVER FORGET Scott Westgarth 1986-2018 9 NO. 74 VOL. £3.49 Est. 1909 WHERE DOES YOUR FAVOURITE BRITISH BOXER RANK? Order today at www.boxingnewsonline.net/shop quoting GBB17 Also available at local newsagents or via the Boxing News app Retail price £7.99 ContMarchen 1, 2018 ts R.I.P SCOTT WESTGARTH 38 Tragedy strikes in a British ring, as 31-year-old loses his life Photos: ACTION IMAGES/ADAM HOLT & ED MULHOLLAND/HBO DON’T MISS HIGHLIGHTS >> 10 BROOK IS BACK >> 4 EDITOR’S LETTER An exclusive interview with Kell, as well This must serve as a wake-up call as a preview of the Rabchenko clash >> 5 GUEST COLUMN >> 16 POWER SURGE A comment from the BBBofC Who will win the world heavyweight title clash between Wilder and Ortiz? >> 26 THE OBSESSION Catching up with Jazza Dickens – >> 20 KEEP ON KRUSHIN’ a man who is addicted to boxing Looking ahead to Kovalev’s collision with his fellow Russian, Mikhalkin >> 30 FIGHT OF THE YEAR! A ringside report from the sensational >> 22 SCOTTISH SUPPORT Srisaket-Estrada super-fly spectacle Taylor prepares to face a late 30 substitute in front of his home fans >> 32 FITTING FINALE Smith sets up a mouth-watering WBSS final with Groves – injury-permitting DOWNLOAD OUR APP TODAY >> 42 AMATEURS For more details visit The Lionhearts head to Liverpool WWW.BOXINGNEWSONLINE.NET/SUBSCRIPTIONS >> 46 60-SECOND INTERVIEW ‘AS I REALLY DEVELOPED IN THE SPORT, I ALWAYS LOOKED UP TO BERNARD -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Filme 09 Final.Indd
DIE FILME nordmedia-geförderte Produktionen funded by nordmedia – completed 2009 DIE FILME nordmedia-geförderte Produktionen funded by nordmedia – completed 2009 1 Impressum: Herausgeber/publisher: nordmedia Fonds GmbH Expo Plaza 1 30539 Hannover Tel. +49 (0)511/123 456-0 Fax +49 (0)511/123 456-29 E-Mail: [email protected] www.nordmedia.de Geschäftsführer/chief executive: Thomas Schäffer Geschäftsbereichsleiter Förderung und Standort/ head of funding and development: Jochen Coldewey Redaktion/editor: Susanne Lange Gestaltung/design: Designbüro John Form Übersetzung/translations: Dr. Ian Westwood Redaktionelle Mitarbeit/editorial contributor: Cornelia Groterjahn Druck/printers: Leinebergland Druck GmbH und Co.KG, Alfeld Aufl age/circulation: 2.000 Titel/cover: SOUL KITCHEN © corazón international GmbH & Co KG/Gordon Timpen Die Informationen zu den einzelnen Filmen sind auch im Internet unter www.nordmedia.de abrufbar. Sie beruhen auf den Angaben der Produzenten und Produzentinnen. Information on individual fi lms may be found in the internet under www.nordmedia.de. The fi lm descriptions are based on information provided by the producers. Februar 2010/February 2010 2 Vorwort/foreword Thomas Schäffer Jochen Coldewey Geschäftsführer/ Geschäftsbereichsleiter chief executive Förderung und Standort/ head of funding and development Auf der Zielgeraden zum 10-jährigen nordmedia-Jubiläum Ende 2010 On the home stretch to the nordmedia ten-year anniversary at the end of dokumentiert der vorliegende Katalog detailliert die Produktionsförde- 2010, this year’s catalogue gives a detailed account of the sponsored rungen, die in 2009 fertiggestellt wurden. Vorgestellt werden 51 Produkti- productions completed in 2009. A total of 51 productions are presented – onen – davon viele, die erst ganz frisch zum Jahreswechsel auf den Markt many of which have just appeared on the market in all freshness at the turn gekommen sind beziehungsweise in 2010 noch Premiere haben werden. -
Filmfestival Rotterdam Op Naar Miljoen Bezoekers?
Colofon Eindredactie Paul Verstraeten Met bijdragen van Simon Field, Sandra den Hamer, Mirjam Klootwijk, Geert Hoeven, Carlie Janszen, Femke Wolting Fotografie André Bakker, Cynthia van Elk Vormgeving Publish, Amsterdam / Jan Pieter Ekker Druk Tripiti, Rotterdam Omslag Max Kisman Het Jaarverslag is een uitgave van de Stichting Film Festival Rotterdam Kruiskadehof 36b Postbus 21696 3001 AR Rotterdam telefoon 010 411 80 80 fax OIO 413 51 32 e-mail [email protected] Vooraf Citaten uit de media 3 Awards 4 Festivai in cijfers 5 Inleiding 6 1 Programma 1.1 Tiger Awards competitie 9 1.2 Hubert Bals Fonds Oogst 9 1.3 Hoofdprogramma 9 1.4 The Cruel Machine 10 1.5 Exploding cinema 11 1.6 Film-makers in Focus 12 1.7 Italian Exploitation 12 1.8 Dutch Perspective 12 1.9 Critics’Choice 12 2 Festival als evenement 2.1 Samenwerkingsverbanden en co-producties 13 2.2 Gasten 14 2.3 Opening en sluiting 14 2.4 Lezingen, talkshows en introducties 14 3 CineMart 3.1 Inleiding 15 3.2 Werving en selectie projecten 15 3.3 Programma CineMart 16 3.4 CineMart Consultancy Service 16 3.5 Industry Office 17 3.6 CineMart USA 17 3.7 Resultaten en reacties 17 4 Hubert Bals Fonds 4.1 Inleiding 19 4.2 Jaaroogst 1998 19 4.3 Hubert Bals Fonds Conferentie 19 4.4 Geselecteerde projecten 97/98 20 4.5 Distributie 20 4.6 Overige activiteiten en samenwerking 21 5 Communicatie & Marketing 5.1 Kaartverkoop en publiekssamenstelling 22 5.1.1 Inleiding 22 5.1.2 Toegangsprijzen en kaartenbeleid 22 5.1.3 Resultaten publieksonderzoek 23 5.2 Media en promotionele acties 25 5.2.1 Inleiding 25 5.2.2