Sir Walter Scott
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The Rhinehart Collection Rhinehart The
The The Rhinehart Collection Spine width: 0.297 inches Adjust as needed The Rhinehart Collection at appalachian state university at appalachian state university appalachian state at An Annotated Bibliography Volume II John higby Vol. II boone, north carolina John John h igby The Rhinehart Collection i Bill and Maureen Rhinehart in their library at home. ii The Rhinehart Collection at appalachian state university An Annotated Bibliography Volume II John Higby Carol Grotnes Belk Library Appalachian State University Boone, North Carolina 2011 iii International Standard Book Number: 0-000-00000-0 Library of Congress Catalog Number: 0-00000 Carol Grotnes Belk Library, Appalachian State University, Boone, North Carolina 28608 © 2011 by Appalachian State University. All rights reserved. First Edition published 2011 Designed and typeset by Ed Gaither, Office of Printing and Publications. The text face and ornaments are Adobe Caslon, a revival by designer Carol Twombly of typefaces created by English printer William Caslon in the 18th century. The decorative initials are Zallman Caps. The paper is Carnival Smooth from Smart Papers. It is of archival quality, acid-free and pH neutral. printed in the united states of america iv Foreword he books annotated in this catalogue might be regarded as forming an entity called Rhinehart II, a further gift of material embodying British T history, literature, and culture that the Rhineharts have chosen to add to the collection already sheltered in Belk Library. The books of present concern, diverse in their -
Hogg, Byron, Scott, and John Murray of Albemarle Street Douglas S
Studies in Scottish Literature Volume 35 | Issue 1 Article 23 2007 Hogg, Byron, Scott, and John Murray of Albemarle Street Douglas S. Mack University of Stirling, Emeritus Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Mack, Douglas S. (2007) "Hogg, Byron, Scott, and John Murray of Albemarle Street," Studies in Scottish Literature: Vol. 35: Iss. 1, 307–325. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/23 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Douglas S. Mack Hogg, Byron, Scott, and John Murray of Albemarle Street For a' that, and a' that, Its comin yet for a' that, That Man to Man the warld o'er, Shall brothers be for a' that. Robert Burns Towards the end of January 1813 the young Edinburgh publisher George Goldie brought out a new book-length poem, The Queen's Wake. Somewhat unpromisingly, the book was by a little-known and impecunious former shep herd called James Hogg, whose recent attempts to launch a career, first as a farmer and later as a journalist, had ended in failure. Unexpectedly, the poem was very well received by reviewers and by the reading public, and by the au tumn of 1814 both fame and fortune appeared to be within the grasp of the author of The Queen's Wake. -
1 Mathew and Henry Carey, Archibald Constable, and the Discourse
1 Mathew and Henry Carey, Archibald Constable, and the Discourse of Materiality in the Anglophone Periphery Joseph Rezek, Boston University A Paper Submitted to “Ireland, America, and the Worlds of Mathew Carey” Co-Sponsored by: The McNeil Center for Early American Studies The Program in Early American Economy and Society The Library Company of Philadelphia, The University of Pennsylvania Libraries Philadelphia, PA October 27-29, 2011 *Please do not cite without permission of the author 2 British and American literary publishing were not separate affairs in the early nineteenth century. The transnational circulation of texts, fueled by readerly demand on both sides of the Atlantic; a reprint trade unregulated by copyright law and active, also, on both sides of the Atlantic; and transatlantic publishing agreements at the highest level of literary production all suggest that, despite obvious national differences in culture and circumstance, authors and booksellers in Britain and the United States participated in a single literary field. This literary field cohered through linked publishing practices and a shared English-language literary heritage, although it was also marked by internal division and cultural inequalities. Recent scholarship in the history of books, reading, and the dissemination of texts has suggested that literary producers in Ireland, Scotland, and the United States occupied analogous positions as they nursed long- standing rivalries with England and depended on English publishers and readers for cultural legitimation. Nowhere is such rivalry and dependence more evident than in the career of the most popular author in the period, Walter Scott, whose books were printed in Edinburgh but distributed mostly in London, where they reached their largest and most lucrative audience. -
Waverley (Novel) - Wikipedia, the Free Encyclopedia
Waverley (novel) - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Waverley_(novel) From Wikipedia, the free encyclopedia Waverley is an 1814 historical novel by Sir Walter Scott. Initially Waverley published anonymously in 1814 as Scott's first venture into prose fiction, Waverley is often regarded as the first historical novel. It became so popular that Scott's later novels were advertised as being "by the author of Waverley". His series of works on similar themes written during the same period have become collectively known as the "Waverley Novels". In 1815, Scott was given the honour of dining with George, Prince Regent, who wanted to meet "the author of Waverley". It is thought that at this meeting Scott persuaded George that as a Stuart prince he could claim to be a Jacobite Highland Chieftain, a claim that would be dramatised when George became King and visited Scotland.[1] Illustration to 1893 edition, by J. Pettie. Waverley Abbey is noted by English Heritage to be Sir Walter Scott's inspiration for this novel.[2] However, this was probably Author Sir Walter Scott not the case.[3] Country United Kingdom Language English, Lowland Scots, some Scottish Gaelic and French Series Waverley Novels 1 Plot introduction 2 Plot summary Genre(s) Historical novel 3 Characters Publisher Archibald Constable 4 Major themes 5 Allusions/references to other works Publication date 1814 6 Literary significance & criticism Followed by Guy Mannering 7 Allusions/references from other works 8 Allusions/references to actual history, geography and current science 9 Miscellany 10 See also 11 References 12 External links Waverley is set during the Jacobite Rebellion of 1745, which sought to restore the Stuart dynasty in the person of Charles Edward Stuart (or 'Bonnie Prince Charlie'). -
Copyright and the Profitability of Authorship - * Evidence from Payments to Writers in the Romantic Period
COPYRIGHT AND THE PROFITABILITY OF AUTHORSHIP - * EVIDENCE FROM PAYMENTS TO WRITERS IN THE ROMANTIC PERIOD MEGAN MACGARVIE, BOSTON UNIVERSITY AND NBER, AND PETRA MOSER, STANFORD UNIVERSITY AND NBER JULY 31, 2013 Proponents of stronger copyright terms have argued that stronger copyright terms encourage creativity by increasing the profitability of authorship. Empirical evidence, however, is scarce, because data on the profitability of authorship is typically not available to the public. Moreover, at current copyright lengths of 70 years after the author’s death, further extensions may not have any effects on the profitability of authorship. To investigate effects of copyright at lower pre-existing levels of protection, this chapter introduces a new data set of publishers’ payments to authors of British fiction between 1800 and 1830. These data indicate that payments to authors nearly doubled following an increase in the length of copyright in 1814. These findings suggest that - starting from low pre-existing levels of protection - policies that strengthen copyright terms may, in fact, increase the profitability of authorship. * We wish to thank Xing Li, Hoan Nguyen, and Alex Pitzer for excellent research assistance, and Stanford’s Second-Year Graduate Research Program, the NBER Program on the Economics of Digitization, the Kauffman Foundation, and the National Science Foundation through CAREER Grant 1151180 for financial support. To encourage creativity, copyright creates intellectual property rights for “original works of authorship” in literature and music, computer software, web content, and many other important sectors of the digital economy.1 Extensions in the length of copyright have emerged as a key policy lever by which national governments attempt to strengthen property rights in ideas. -
127179737.23.Pdf
n /. i PUBLICATIONS SCOTTISH HISTORY SOCIETY SECOND SERIES VOLUME XIX MISCELLANY {Third Volume) October 1919 V' MISCELLANY OF Clje I^tBtorp Sottetp (Third Volume) DUNDEE COURT-MARTIAL RECORDS, 1651 THE BISHOP OF GALLOWAY’S CORRESPONDENCE, 1679-1685 THE DIARY OF SIR JAMES HOPE, 1646-1654 INSTRUCTIONS FOR THE TRIAL OF PATRICK GRAHAM, 1476 THE SCOTTISH CONTRIBUTIONS TO THE DISTRESSED CHURCH OF FRANCE, 1622 THE FORBES BARON COURT BOOK, 1659-1678 EDINBURGH Printed at the University Press by T. and A. Constable for the Scottish History Society 1919 CONTENTS DUNDEE COURT-MARTIAL RECORDS, 1651, Edited by Godfrey Davies, M.A. Introduction, ..... 3 Court-Martial Records, .... 9 THE BISHOP OF GALLOWAY’S CORRESPOND- ENCE, 1679-1685, Edited by William Douglas Introduction, . .71 The Bishop of Galloway’s Correspondence, . 74 THE DIARY OF SIR JAMES HOPE, 1646-1654, Edited by Sir James Balfour Paul, C.V.O., LL.D. Introduction, . -99 Diary of Sir James Hope, . 126 INSTRUCTIONS FOR THE TRIAL OF PATRICK GRAHAM, 1476, Edited by Robert Kerr Hannay Introduction, . .171 Instructions for the Trial of Patrick Graham, 176 THE SCOTTISH CONTRIBUTIONS TO THE DIS- TRESSED CHURCH OF FRANCE, 1622, Edited by D. Hay Fleming, LL.D. Introduction, . .181 The Contribution of Haddingtonshire . 190 The Contribution of St. Cuthbert’s, Edin- burgh, . .193 Vi CONTENTS THE FORBES BARON COURT BOOK, 1659-1678, Edited by J. Maitland Thomson, LL.D. Introduction, ..... 205 Appendix A, . • • .218 Appendix B, . ■ • 220 Appendix C, . • • .221 The Forbes Baron Court Book, . 224 INDEX .323 DUNDEE COURT-MARTIAL RECORDS 1651 Edited by GODFREY DAVIES, M.A. Late Scholar of Pembroke College, Oxford INTRODUCTION Cromwell was besieging Perth when the first rumours reached him that Charles n. -
Flesh on the Bones
FIFE FAMILY HISTORY SOCIETY JOURNAL NEW SERIES No 34 Summer 2015 CONTENTS Contents,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,1 Editorial,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,.,,,,,,,,,,,,,,,,,,,,,.,,,2 Flesh On The Bones,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,3 Crail Fishing Disaster,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,31 Miss Betty Stott,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,32 The Fife Family History Society,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,33 Waterloo,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,..,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,.34 Shorts,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,36 The Fife Gravestones Conference,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,39 The End of An Era,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,; ,,,,,,,,,,,,,40 Buffalo Bill in Kirkcaldy. ByTom Cunningham,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,42 John Goodsir. A Scottish Anatomist and Pioneer. By Michael Tracy,,,,,,,,,,,,,44 Chairman`s Report: AGM, 9 June 2015,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,62 Fife Family History Society: Accounts, 2014-15,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,64 -
Blake, the Grave, and Edinburgh Literary Society
MINUTE PARTICULAR Blake, The Grave, and Edinburgh Literary Society David Groves Blake/An Illustrated Quarterly, Volume 24, Issue 1, Summer 1990, pp. 251- 252 Summer 1990 BLAKE/AN ILLUSTRATED QUARTERLY 251 Blake, The Grave, And ing, and at least does Blake the favor ly too bold; nor is there any thing in of taking his designs seriously. How- the manner which can atone for the defect in the original conception. We Edinburgh Literary ever, the critic raises one objection could conceive that by representing Society (which probably derives from his only those parts of the body in religious beliefs) concerning "the rep- which the soul speaks, as it were, resentation of the soul in a bodily and by giving to these a certain de- David Groves form." This anonymous review is now gree of faintness and exility, some- thing might be produced, approaching reprinted in full for the first time: to our idea of an incorporeal sub- stance. But nothing can be more hen R. H. Cromek's edition of remote from such an idea, than the II. The Grave, a Poem; by Robert Blair: round, entire, and thriving figures, The Grave with Blake's illustra- W Illustrated by Twelve Engravings, from by which it is here represented. It tions was published in London in Original Designs, by William Blake; would even have been tolerable had August 1808, its printed title page iden- engraved by Schiavonetti. 4to. 21. 12s. the soul been introduced by itself, tified the firm of Archibald Constable boards. without its bodily companion, for as the distributor for the book in Edin- this the mind might have conceived ALTHO' this work, strictly speaking, by a single effort; instead of which burgh. -
Broadly Speaking : Scots Language and British Imperialism
BROADLY SPEAKING: SCOTS LANGUAGE AND BRITISH IMPERIALISM Sean Murphy A Thesis Submitted for the Degree of PhD at the University of St Andrews 2017 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/11047 This item is protected by original copyright Sean Murphy, ‘Broadly Speaking. Scots language and British imperialism.’ Abstract This thesis offers a three-pronged perspective on the historical interconnections between Lowland Scots language(s) and British imperialism. Through analyses of the manifestation of Scots linguistic varieties outwith Scotland during the nineteenth century, alongside Scottish concerns for maintaining the socio-linguistic “propriety” and literary “standards” of “English,” this discussion argues that certain elements within Lowland language were employed in projecting a sentimental-yet celebratory conception of Scottish imperial prestige. Part I directly engages with nineteenth-century “diasporic” articulations of Lowland Scots forms, focusing on a triumphal, ceremonial vocalisation of Scottish shibboleths, termed “verbal tartanry.” Much like physical emblems of nineteenth-century Scottish iconography, it is suggested that a verbal tartanry served to accentuate Scots distinction within a broader British framework, tied to a wider imperial superiorism. Parts II and III look to the origins of this verbal tartanry. Part II turns back to mid eighteenth-century Scottish linguistic concerns, suggesting the emergence of a proto-typical verbal tartanry through earlier anxieties to ascertain “correct” English “standards,” and the parallel drive to perceive, prohibit, and prescribe Scottish linguistic usage. It is argued that later eighteenth-century Scottish philological priorities for the roots and “purity” of Lowland Scots forms – linked to “ancient” literature and “racially”-loaded origin myths – led to an encouraged “uncovering” of hallowed linguistic traits. -
Nineteenth Century Literary Manuscripts, Part 4
Nineteenth Century Literary Manuscripts, Part 4 NINETEENTH CENTURY LITERARY MANUSCRIPTS Part 4: The Correspondence and Papers of John Gibson Lockhart (1794-1854), Editor of the Quarterly Review, from the National Library of Scotland Contents listing PUBLISHER'S NOTE CONTENTS OF REELS DETAILED LISTING EXTRACTS: On the Cockney School of Poetry When Youthful Faith has Fled Nineteenth Century Literay Manuscripts, Part 4 Publisher's Note John Gibson Lockhart (1794-1854) desrves our attention for many reasons: He was one of the most important critics of the 19th century He was Editor of The Quarterly Review He became Scott’s Boswell, writing an acknowledged masterpiece of biography He played an important part in the rise of the novel as a literary form His letters provide a detailed account of literary society in Edinburgh and London His papers are now opened to a wider audience through the publication of this microform edition. They include: 14 volumes of correspondence received by Lockhart as Editor of The Quarterly Review, 1825-1854 (NLS MSS.923-936); 3 volumes of letters from Lockhart to Whitwell Elwin, his successor as Editor (NLS MSS.145, 341 & 2262); 3 volumes of correspondence between Lockhart and Scott, 1818-1832 (NLS.MSS.142-143, & 859); 7 volumes of family letters, 1820-1854 (NLS.MSS.1552-1558); 1 volume of letters from Lockhart to Allan Cunningham about the Lives of British Painters (NLS.MS.820); and 10 volumes of literary manuscripts by Lockhart (NLS.MSS.1623-1626, 3995 & 4817-4822). The Editorial correspondence is especially rich and includes letters from Byron, Coleridge, Croker, Disraeli, Edgeworth (one entire volume and numerous other letters besides), Murray, Norton, Southey (“a willing and ready assistant in your new undertaking”), and Wordsworth. -
Family History 8 Unstoun
THE HISTORY OF THE FIFE PITCAIRNS ISBN 978-1-909634-23-7 FAMILY BRANCH 8 ARMS OF PITCAIRNE OF PITCAIRNE William Pitcairn, 17th Laird of that Ilk and Forthar sold Pitcairn in 1650 to his uncle John Pitcairn of Unstoun. His son Alexander Pitcairn of that Ilk took out his Arms. Pitcairn of that Ilk: Quarterly, 1st and 4th argent, Three Lozenges Gules; 2nd and 3rd Argent, an Eagle with Wings displayed Sable, for Ramsay. Crest: a Moon in her Complement Proper. Motto: Plena Refulget. ARMS OF DR ARCHIBALD PITCAIRN Argent, three Lozenges Gules, within a Bordure Ermine Crest . A Moon in her Complement Proper Motto . Plena refulgent. PITCAIRNES OF PITCAIRNE & UNSTOUN FAMILY BRANCH VIII. THE PITCAIRNES OF PITCAIRNE AND UNSTOUN ARMS OF PITCAIRNE OF PITCAIRNE William Pitcairn, 17th Laird of that Ilk and Forthar sold Pitcairn in 1650 to his uncle John Pitcairn of Unstoun. His son Alexander Pitcairn of that Ilk took out his Arms. Pitcairn of that Ilk: Quarterly, 1st and 4th argent, Three Lozenges Gules; 2nd and 3rd Argent, an Eagle with Wings displayed Sable, for Ramsay. Crest: a Moon in her Complement Proper. Motto: Plena Refulget. The Arms of Pitcairne of Pitcairn : – The following is from Nisbet’s Scottish Heraldry, vol.i.p.215. The sirname, of Pitcairn, argent three mascles gules, as in Pont’s manuscript. But in our New Register they are called lozenges. Pitcairn of that Ilk; Quarterly, 1st and 4th argent, three lozenges gules (so-called); 2nd and 3rd argent, an eagle with wings displayed sable, for Ramsay. They got the lands of Forthar by marrying the heiress, from which the family is non-designed. -
Kenilworth: a Romance Free
FREE KENILWORTH: A ROMANCE PDF Sir Walter Scott,J. Alexander | 528 pages | 01 Sep 1999 | Penguin Books Ltd | 9780140436549 | English | London, United Kingdom Kenilworth | novel by Scott | Britannica Hareshwar Roy, November 14, Sir Walter Scott is a great novelist. He has been called the father of historical novel in England. In his works we find a more serious and responsible approach towards history. He blended facts and fiction, history and romance. His Kenilworth is also a beautiful blend of history and romance. It seems that Kenilworth is a historical novel. It is because it deals with historical events and characters. It is set against a historical background. The time of the plot is The locale is England. The time is that of Queen Elizabeth's reign. The characters bear historical names. Here we have an excellent picture of Queen Elizabeth and the Earl of Leicester. The main events are also distilled from history. Above all the spirit of Elizabeth's age is exhibited most artistically and realistically. On the basis of these facts, Kenilworth is categorised as a historical novel. Though we get historical reflections in this novel, but here we get a number of historical inaccuracies also. The fact is that Scott always treated history with perfect disregard of inconvenient facts and dates. These are many illustrations of this in Kenilworth. The entire story is not factual. He has changed the order of events which never occurred at all. The conclusion of Kenilworth is also mysterious. It is completely different from the historical records. In short, this novel is not a pure history.