Kenilworth: a Romance Free
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The Rhinehart Collection Rhinehart The
The The Rhinehart Collection Spine width: 0.297 inches Adjust as needed The Rhinehart Collection at appalachian state university at appalachian state university appalachian state at An Annotated Bibliography Volume II John higby Vol. II boone, north carolina John John h igby The Rhinehart Collection i Bill and Maureen Rhinehart in their library at home. ii The Rhinehart Collection at appalachian state university An Annotated Bibliography Volume II John Higby Carol Grotnes Belk Library Appalachian State University Boone, North Carolina 2011 iii International Standard Book Number: 0-000-00000-0 Library of Congress Catalog Number: 0-00000 Carol Grotnes Belk Library, Appalachian State University, Boone, North Carolina 28608 © 2011 by Appalachian State University. All rights reserved. First Edition published 2011 Designed and typeset by Ed Gaither, Office of Printing and Publications. The text face and ornaments are Adobe Caslon, a revival by designer Carol Twombly of typefaces created by English printer William Caslon in the 18th century. The decorative initials are Zallman Caps. The paper is Carnival Smooth from Smart Papers. It is of archival quality, acid-free and pH neutral. printed in the united states of america iv Foreword he books annotated in this catalogue might be regarded as forming an entity called Rhinehart II, a further gift of material embodying British T history, literature, and culture that the Rhineharts have chosen to add to the collection already sheltered in Belk Library. The books of present concern, diverse in their -
Hogg, Byron, Scott, and John Murray of Albemarle Street Douglas S
Studies in Scottish Literature Volume 35 | Issue 1 Article 23 2007 Hogg, Byron, Scott, and John Murray of Albemarle Street Douglas S. Mack University of Stirling, Emeritus Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Mack, Douglas S. (2007) "Hogg, Byron, Scott, and John Murray of Albemarle Street," Studies in Scottish Literature: Vol. 35: Iss. 1, 307–325. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/23 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Douglas S. Mack Hogg, Byron, Scott, and John Murray of Albemarle Street For a' that, and a' that, Its comin yet for a' that, That Man to Man the warld o'er, Shall brothers be for a' that. Robert Burns Towards the end of January 1813 the young Edinburgh publisher George Goldie brought out a new book-length poem, The Queen's Wake. Somewhat unpromisingly, the book was by a little-known and impecunious former shep herd called James Hogg, whose recent attempts to launch a career, first as a farmer and later as a journalist, had ended in failure. Unexpectedly, the poem was very well received by reviewers and by the reading public, and by the au tumn of 1814 both fame and fortune appeared to be within the grasp of the author of The Queen's Wake. -
1 Mathew and Henry Carey, Archibald Constable, and the Discourse
1 Mathew and Henry Carey, Archibald Constable, and the Discourse of Materiality in the Anglophone Periphery Joseph Rezek, Boston University A Paper Submitted to “Ireland, America, and the Worlds of Mathew Carey” Co-Sponsored by: The McNeil Center for Early American Studies The Program in Early American Economy and Society The Library Company of Philadelphia, The University of Pennsylvania Libraries Philadelphia, PA October 27-29, 2011 *Please do not cite without permission of the author 2 British and American literary publishing were not separate affairs in the early nineteenth century. The transnational circulation of texts, fueled by readerly demand on both sides of the Atlantic; a reprint trade unregulated by copyright law and active, also, on both sides of the Atlantic; and transatlantic publishing agreements at the highest level of literary production all suggest that, despite obvious national differences in culture and circumstance, authors and booksellers in Britain and the United States participated in a single literary field. This literary field cohered through linked publishing practices and a shared English-language literary heritage, although it was also marked by internal division and cultural inequalities. Recent scholarship in the history of books, reading, and the dissemination of texts has suggested that literary producers in Ireland, Scotland, and the United States occupied analogous positions as they nursed long- standing rivalries with England and depended on English publishers and readers for cultural legitimation. Nowhere is such rivalry and dependence more evident than in the career of the most popular author in the period, Walter Scott, whose books were printed in Edinburgh but distributed mostly in London, where they reached their largest and most lucrative audience. -
Waverley (Novel) - Wikipedia, the Free Encyclopedia
Waverley (novel) - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Waverley_(novel) From Wikipedia, the free encyclopedia Waverley is an 1814 historical novel by Sir Walter Scott. Initially Waverley published anonymously in 1814 as Scott's first venture into prose fiction, Waverley is often regarded as the first historical novel. It became so popular that Scott's later novels were advertised as being "by the author of Waverley". His series of works on similar themes written during the same period have become collectively known as the "Waverley Novels". In 1815, Scott was given the honour of dining with George, Prince Regent, who wanted to meet "the author of Waverley". It is thought that at this meeting Scott persuaded George that as a Stuart prince he could claim to be a Jacobite Highland Chieftain, a claim that would be dramatised when George became King and visited Scotland.[1] Illustration to 1893 edition, by J. Pettie. Waverley Abbey is noted by English Heritage to be Sir Walter Scott's inspiration for this novel.[2] However, this was probably Author Sir Walter Scott not the case.[3] Country United Kingdom Language English, Lowland Scots, some Scottish Gaelic and French Series Waverley Novels 1 Plot introduction 2 Plot summary Genre(s) Historical novel 3 Characters Publisher Archibald Constable 4 Major themes 5 Allusions/references to other works Publication date 1814 6 Literary significance & criticism Followed by Guy Mannering 7 Allusions/references from other works 8 Allusions/references to actual history, geography and current science 9 Miscellany 10 See also 11 References 12 External links Waverley is set during the Jacobite Rebellion of 1745, which sought to restore the Stuart dynasty in the person of Charles Edward Stuart (or 'Bonnie Prince Charlie'). -
Kenilworth Plot Summary and Themes.Pdf
KENILWORTH By Sir Walter Scott Plot introduction Kenilworth is apparently set in 1575, and centers on the secret marriage of Robert Dudley, 1st Earl of Leicester, and Amy Robsart, daughter of Sir Hugh Robsart. The tragic series of events begins when Amy flees her father and her betrothed, Tressilian, to marry the Earl. Amy passionately loves her husband, and the Earl loves her in return, but he is driven by ambition. He is courting the favour of Queen Elizabeth I, and only by keeping his marriage to Amy secret can he hope to rise to the height of power that he desires. At the end of the book, the queen finally discovers the truth, to the shame of the Earl. But the disclosure has come too late, for Amy has been murdered by the Earl's even more ambitious steward, Varney. Explanation of the novel's title The title refers to Dudley's Kenilworth Castle in Kenilworth, Warwickshire. The novel opens, however, at Cumnor Place, near Abingdonin Berkshire (now Oxfordshire). Plot summary Giles Gosling, the innkeeper, had just welcomed his scape-grace nephew Michael Lambourne on his return from Flanders. He invited the Cornishman, Tressilian, and other guests to drink with them. Lambourne made a wager he would obtain an introduction to a certain young lady under the steward Foster's charge at Cumnor Place, seat of the Earl of Leicester, and the Cornish stranger begged permission to accompany him. On arriving there Tressilian found that this lady was his former lady-love, Amy. He would have carried back to her home, but she refused; and as he was leaving he quarrelled with Richard Varney, the earl's squire, and might have taken his life had not Lambourne intervened. -
Copyright and the Profitability of Authorship - * Evidence from Payments to Writers in the Romantic Period
COPYRIGHT AND THE PROFITABILITY OF AUTHORSHIP - * EVIDENCE FROM PAYMENTS TO WRITERS IN THE ROMANTIC PERIOD MEGAN MACGARVIE, BOSTON UNIVERSITY AND NBER, AND PETRA MOSER, STANFORD UNIVERSITY AND NBER JULY 31, 2013 Proponents of stronger copyright terms have argued that stronger copyright terms encourage creativity by increasing the profitability of authorship. Empirical evidence, however, is scarce, because data on the profitability of authorship is typically not available to the public. Moreover, at current copyright lengths of 70 years after the author’s death, further extensions may not have any effects on the profitability of authorship. To investigate effects of copyright at lower pre-existing levels of protection, this chapter introduces a new data set of publishers’ payments to authors of British fiction between 1800 and 1830. These data indicate that payments to authors nearly doubled following an increase in the length of copyright in 1814. These findings suggest that - starting from low pre-existing levels of protection - policies that strengthen copyright terms may, in fact, increase the profitability of authorship. * We wish to thank Xing Li, Hoan Nguyen, and Alex Pitzer for excellent research assistance, and Stanford’s Second-Year Graduate Research Program, the NBER Program on the Economics of Digitization, the Kauffman Foundation, and the National Science Foundation through CAREER Grant 1151180 for financial support. To encourage creativity, copyright creates intellectual property rights for “original works of authorship” in literature and music, computer software, web content, and many other important sectors of the digital economy.1 Extensions in the length of copyright have emerged as a key policy lever by which national governments attempt to strengthen property rights in ideas. -
Ruins in Sir Walter Scott's Historical Novel:A Case of Diachronic
Ruins in Sir Walter Scott’s unknown reasons. The state of ruins clearly presents the distance from the past, while by appreciating ruins Historical Novel:A Case of one feels close to the bygone era. Architectural ruins Diachronic Interpretation of then present diametrical relationships between the past and the present: identification and distanciation, Architecture to use Paul Ricoeur’s terminology. This paper will trace this function of architecture and identifying its Rumiko Handa, University pedigree in the nineteenth century, in which literary authors, artists, and stage managers incorporated of Nebraska-Lincoln buildings’ depictions to feed the historical imagination. In particular, it will discuss the role architectural ruins Abstract played in Sir Walter Scott’s historical novel, referring In cultural studies of architecture the terms “place” and to his Kenilworth: A Romance. “performance” suggest a need to consider its particular scope that is not often discussed in Firstly, Scott used actual buildings as the setting, architectural history and criticism. As David restoring them to the time of the events. The specific Leatherbarrow observed in his recent book, names of the building and their parts and their spatial Architecture Oriented Otherwise, “So much writing relationships substantiated the story. Secondly, Scott about architecture tends to evaluate it on the basis of narrated the building’s history, referring to the its intentions: how closely it corresponds to the artistic associated individuals and events, or creating his own will of the designer, the technical skills of the builder, nomenclature to give a genealogical meaning. He also or whether it reflects the spirit of the place and time in described the building's ornamentations, both actual which it was built.” We do not require a reminder from and imagined, referring to the past. -
127179737.23.Pdf
n /. i PUBLICATIONS SCOTTISH HISTORY SOCIETY SECOND SERIES VOLUME XIX MISCELLANY {Third Volume) October 1919 V' MISCELLANY OF Clje I^tBtorp Sottetp (Third Volume) DUNDEE COURT-MARTIAL RECORDS, 1651 THE BISHOP OF GALLOWAY’S CORRESPONDENCE, 1679-1685 THE DIARY OF SIR JAMES HOPE, 1646-1654 INSTRUCTIONS FOR THE TRIAL OF PATRICK GRAHAM, 1476 THE SCOTTISH CONTRIBUTIONS TO THE DISTRESSED CHURCH OF FRANCE, 1622 THE FORBES BARON COURT BOOK, 1659-1678 EDINBURGH Printed at the University Press by T. and A. Constable for the Scottish History Society 1919 CONTENTS DUNDEE COURT-MARTIAL RECORDS, 1651, Edited by Godfrey Davies, M.A. Introduction, ..... 3 Court-Martial Records, .... 9 THE BISHOP OF GALLOWAY’S CORRESPOND- ENCE, 1679-1685, Edited by William Douglas Introduction, . .71 The Bishop of Galloway’s Correspondence, . 74 THE DIARY OF SIR JAMES HOPE, 1646-1654, Edited by Sir James Balfour Paul, C.V.O., LL.D. Introduction, . -99 Diary of Sir James Hope, . 126 INSTRUCTIONS FOR THE TRIAL OF PATRICK GRAHAM, 1476, Edited by Robert Kerr Hannay Introduction, . .171 Instructions for the Trial of Patrick Graham, 176 THE SCOTTISH CONTRIBUTIONS TO THE DIS- TRESSED CHURCH OF FRANCE, 1622, Edited by D. Hay Fleming, LL.D. Introduction, . .181 The Contribution of Haddingtonshire . 190 The Contribution of St. Cuthbert’s, Edin- burgh, . .193 Vi CONTENTS THE FORBES BARON COURT BOOK, 1659-1678, Edited by J. Maitland Thomson, LL.D. Introduction, ..... 205 Appendix A, . • • .218 Appendix B, . ■ • 220 Appendix C, . • • .221 The Forbes Baron Court Book, . 224 INDEX .323 DUNDEE COURT-MARTIAL RECORDS 1651 Edited by GODFREY DAVIES, M.A. Late Scholar of Pembroke College, Oxford INTRODUCTION Cromwell was besieging Perth when the first rumours reached him that Charles n. -
Flesh on the Bones
FIFE FAMILY HISTORY SOCIETY JOURNAL NEW SERIES No 34 Summer 2015 CONTENTS Contents,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,1 Editorial,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,.,,,,,,,,,,,,,,,,,,,,,.,,,2 Flesh On The Bones,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,3 Crail Fishing Disaster,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,31 Miss Betty Stott,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,32 The Fife Family History Society,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,33 Waterloo,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,..,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,.34 Shorts,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,36 The Fife Gravestones Conference,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,39 The End of An Era,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,; ,,,,,,,,,,,,,40 Buffalo Bill in Kirkcaldy. ByTom Cunningham,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,42 John Goodsir. A Scottish Anatomist and Pioneer. By Michael Tracy,,,,,,,,,,,,,44 Chairman`s Report: AGM, 9 June 2015,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,62 Fife Family History Society: Accounts, 2014-15,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,64 -
Sir Walter Scott and Cinema Page 1 of 14
The Great Uncredited: Sir Walter Scott and Cinema Page 1 of 14 • Current Issue • Back Issues • Occasional Papers • Publications • Webteque • Events • About Us • Archives The Great Uncredited: Sir Walter Scott and Cinema Tim Dolin Scott’s reputation in the film age When Sir Walter Scott died in 1832 he was the most famous novelist the world had ever known. Remarkably, Scott took up fiction only in middle age, after abandoning narrative poetry when he found himself eclipsed by Byron’s mega-celebrity and greater poetic originality and vigour. Over a twenty-year long career as a novelist he achieved phenomenal popularity and esteem, producing some twenty-five novels and collections of tales.[1] His first novel, Waverley, appeared anonymously in 1814, when he was 42 years old, and sold out six editions in its first year.[2] Having established what was then an entirely new literary form, a hybrid of history and fiction, he wrote eight further novels set in Scotland and for the most part in the eighteenth century, and transformed attitudes to Scottish culture and history in the process.[3] With the publication of Ivanhoe in 1820, where he was still identified on the title page only as “By the Author of http://www.screeningthepast.com/2012/08/the-great-uncredited-sir-walter-scott-and-ci... 12/03/2013 The Great Uncredited: Sir Walter Scott and Cinema Page 2 of 14 Waverley &c.,” Scott began to adapt his historical fiction to other places and other periods, shifting with apparent ease from medieval England to the France of Louis XI to the Palestine of the Crusades. -
Blake, the Grave, and Edinburgh Literary Society
MINUTE PARTICULAR Blake, The Grave, and Edinburgh Literary Society David Groves Blake/An Illustrated Quarterly, Volume 24, Issue 1, Summer 1990, pp. 251- 252 Summer 1990 BLAKE/AN ILLUSTRATED QUARTERLY 251 Blake, The Grave, And ing, and at least does Blake the favor ly too bold; nor is there any thing in of taking his designs seriously. How- the manner which can atone for the defect in the original conception. We Edinburgh Literary ever, the critic raises one objection could conceive that by representing Society (which probably derives from his only those parts of the body in religious beliefs) concerning "the rep- which the soul speaks, as it were, resentation of the soul in a bodily and by giving to these a certain de- David Groves form." This anonymous review is now gree of faintness and exility, some- thing might be produced, approaching reprinted in full for the first time: to our idea of an incorporeal sub- stance. But nothing can be more hen R. H. Cromek's edition of remote from such an idea, than the II. The Grave, a Poem; by Robert Blair: round, entire, and thriving figures, The Grave with Blake's illustra- W Illustrated by Twelve Engravings, from by which it is here represented. It tions was published in London in Original Designs, by William Blake; would even have been tolerable had August 1808, its printed title page iden- engraved by Schiavonetti. 4to. 21. 12s. the soul been introduced by itself, tified the firm of Archibald Constable boards. without its bodily companion, for as the distributor for the book in Edin- this the mind might have conceived ALTHO' this work, strictly speaking, by a single effort; instead of which burgh. -
Fiction-Kenilworth by Sir Walter Scott Th Cott
FICTION-KENILWORTHTH BY SIR WALTER SCOTTCOTT MRS. S. ANNIE Objectives introduce the learners historical novel as a literary form enable the learner to comprehend, analyse and appreciate English historical novels. motivate students to read Kenilworth by Walter Scott enable the students to appreciate Kenilworth Students would define a historical novel Students were able to list the characteristics of a historical novel Would have gained the background information about the novel and the author Would have gained knowledge to appreciate, comprehend and analyse the novel Cultivate an interest to read more historical novels Historical Novel A novel set in a period off hishistory and attempts to conv the spirit, manners and sociasocial conditions of a past age May deal with actual historicatorical personages, or a mixtu of fictional and historicalal chacharacters Focus on a single historicalrical eevent Attempts to portray a borderorder view of a past society in which great events are reflecreflected by their impact on the private lives of fictional indivindividuals Became popular with Sirir WalWalter Scott’s Waverley Characteristics off GreGreat Historical fiction must exhibit a high level off writiwriting Setting is a slice from history Events and characters appropriropriate to historical timeline Fictional characters merge with history-seems real Plot intertwined with real andnd ficfictitious events yet seamless At the end of the novel the readreader may want more of the sto During and after reading the reareader does research on actua historical