DOCSLIB.ORG

Fiction-Kenilworth by Sir Walter Scott Th Cott

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fiction-Kenilworth by Sir Walter Scott Th Cott FICTION-KENILWORTHTH BY SIR WALTER SCOTTCOTT MRS. S. ANNIE Objectives introduce the learners historical novel as a literary form enable the learner to comprehend, analyse and appreciate English historical novels. motivate students to read Kenilworth by Walter Scott enable the students to appreciate Kenilworth Students would define a historical novel Students were able to list the characteristics of a historical novel Would have gained the background information about the novel and the author Would have gained knowledge to appreciate, comprehend and analyse the novel Cultivate an interest to read more historical novels Historical Novel A novel set in a period off hishistory and attempts to conv the spirit, manners and sociasocial conditions of a past age May deal with actual historicatorical personages, or a mixtu of fictional and historicalal chacharacters Focus on a single historicalrical eevent Attempts to portray a borderorder view of a past society in which great events are reflecreflected by their impact on the private lives of fictional indivindividuals Became popular with Sirir WalWalter Scott’s Waverley Characteristics off GreGreat Historical fiction must exhibit a high level off writiwriting Setting is a slice from history Events and characters appropriropriate to historical timeline Fictional characters merge with history-seems real Plot intertwined with real andnd ficfictitious events yet seamless At the end of the novel the readreader may want more of the sto During and after reading the reareader does research on actua historical facts out of curiositysity Sir Walter Scott [1771-1832] Sottish poet, historical novelist & playwright s a Novelist Started writing after gaining popularity as a poet Wrote on Scottish, British & Irish histories from 11th to 16th centuries Known for his Waverley novels orks (Novels):- Waverley (1814) Guy Mannering (1815) The Antiquary (1816) The Black Dwarf (Tales of My Landlord, First SeriesSeries) (1816) The Tale of Old Mortality (Tales of My Landlord, FirFirst Series) (1816) Rob Roy (1817) The Heart of Midlothian (Tales of My Landlord, SecSecond Series) (1818) The Bride of Lammermoor (Tales of My Landlord, TThird Series) (1819) A Legend of Montrose (Tales of My Landlord, Third Series) (1819) Ivanhoe (1819) The Monastery (1820) The Abbot (1820) Kenilworth (1821) The Pirate (1821) The Fortunes of Nigel (1822) Peveril of the Peak (1823) Quentin Durward (1823) Saint Ronan's Well (1823) Redgauntlet (1824) The Betrothed (Tales of the Crusaders) (1825) The Talisman (Tales of the Crusaders) (1825) Woodstock (1826) Chronicles of the Canongate, First Series (1827) The Fair Maid of Perth (Chronicles of the Canongatngate, Second Series) (1828) Anne of Geierstein (1829) Count Robert of Paris (Tales of My Landlord, Fourth Series) (1831) volumes 13th of the Waverley novels Wrote about Queen of Scotts The Abbott so wanted to wrote about Queen Elizabeth Kenilworth Cumnor Hall was the original title suggested by the publisher Constable His source of inspiration for the novel is the poem “Cumnor Hall” by William Julius Mickel Title - Kenilworth It refers to Dudley’s Kenilworth Castle in Kenilworth, Warwickshire It is the seat of power and fortress to the English Built in 1122, it has been altered, extended and strengthened at various times by Henry II, John of Gaunt and Robert Dudley It has the record of sustaining the longest siege during the Wars of Roses It was partially demolished during the Civil War It is now the largest castle ruin in England Setting Set in 1575 Elizabethan England The novel opens at Cumnor place, near Abingdon in Berkshire (now Oxfordshire) and moves on to Kenilworth Castle and the Royal Palace in London Centres on the secret marriage of Robert Dudley, Earl of Leicester and Amy Robsart Amy betrothed to Tressilian, loves Dudley and flees her father. Even though Dudley loves her, courting the favour of Queen Elizabeth I, keeps the marriage a secret The queen discovers the truth But its too late because Amy is murdered by the earl’s ambitious steward Varney ThemTheme Selfishness vs Selflessness Ambition vs love 13 day reception of the Earll to QuQueen Elizabeth to win her hear The queen’s noble justice Finest characterisation Ambition driven Earl, stoops to deceit to attain goals- but loves Amy and finally gives up pride and ambition and confesses his marriage Amy pretty, spoiled - her tragic situation teaches her maturity and determination - but too late Tressilian - serious, and steadfast in love who finally dies of heart break Varney- greedy and ambitious with no bounds-pushes the Earl beyond limits to secure power -murdering Amy Style Great story teller in 3rd person narrative -but jumps to 1st person when he wants to explain something important Disjointed flashbacks - picks a thread of story to a logical point and goes back to pick another, thus weaving a colourful pattern Leaves structural clues all along Starts each chapter with a reference quotes from a poem relating to the events in the chapter Has some historical inaccuracies for the sake of the plot-time of Amy’s death, secrecy of Dudley’s marriage, Shakespeare in court, race of mankind woulwould perish did they ce aid each other. We cancannot exist without mut . All therefore that nneed aid have a right it from their fellow-men; and no one who power of granting can refuse it without guil - Walteralter Scott .
Load more

Recommended publications
  • Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart.
    [Show full text]
  • Kenilworth Plot Summary and Themes.Pdf
    KENILWORTH By Sir Walter Scott Plot introduction Kenilworth is apparently set in 1575, and centers on the secret marriage of Robert Dudley, 1st Earl of Leicester, and Amy Robsart, daughter of Sir Hugh Robsart. The tragic series of events begins when Amy flees her father and her betrothed, Tressilian, to marry the Earl. Amy passionately loves her husband, and the Earl loves her in return, but he is driven by ambition. He is courting the favour of Queen Elizabeth I, and only by keeping his marriage to Amy secret can he hope to rise to the height of power that he desires. At the end of the book, the queen finally discovers the truth, to the shame of the Earl. But the disclosure has come too late, for Amy has been murdered by the Earl's even more ambitious steward, Varney. Explanation of the novel's title The title refers to Dudley's Kenilworth Castle in Kenilworth, Warwickshire. The novel opens, however, at Cumnor Place, near Abingdonin Berkshire (now Oxfordshire). Plot summary Giles Gosling, the innkeeper, had just welcomed his scape-grace nephew Michael Lambourne on his return from Flanders. He invited the Cornishman, Tressilian, and other guests to drink with them. Lambourne made a wager he would obtain an introduction to a certain young lady under the steward Foster's charge at Cumnor Place, seat of the Earl of Leicester, and the Cornish stranger begged permission to accompany him. On arriving there Tressilian found that this lady was his former lady-love, Amy. He would have carried back to her home, but she refused; and as he was leaving he quarrelled with Richard Varney, the earl's squire, and might have taken his life had not Lambourne intervened.
    [Show full text]
  • Ruins in Sir Walter Scott's Historical Novel:A Case of Diachronic
    Ruins in Sir Walter Scott’s unknown reasons. The state of ruins clearly presents the distance from the past, while by appreciating ruins Historical Novel:A Case of one feels close to the bygone era. Architectural ruins Diachronic Interpretation of then present diametrical relationships between the past and the present: identification and distanciation, Architecture to use Paul Ricoeur’s terminology. This paper will trace this function of architecture and identifying its Rumiko Handa, University pedigree in the nineteenth century, in which literary authors, artists, and stage managers incorporated of Nebraska-Lincoln buildings’ depictions to feed the historical imagination. In particular, it will discuss the role architectural ruins Abstract played in Sir Walter Scott’s historical novel, referring In cultural studies of architecture the terms “place” and to his Kenilworth: A Romance. “performance” suggest a need to consider its particular scope that is not often discussed in Firstly, Scott used actual buildings as the setting, architectural history and criticism. As David restoring them to the time of the events. The specific Leatherbarrow observed in his recent book, names of the building and their parts and their spatial Architecture Oriented Otherwise, “So much writing relationships substantiated the story. Secondly, Scott about architecture tends to evaluate it on the basis of narrated the building’s history, referring to the its intentions: how closely it corresponds to the artistic associated individuals and events, or creating his own will of the designer, the technical skills of the builder, nomenclature to give a genealogical meaning. He also or whether it reflects the spirit of the place and time in described the building's ornamentations, both actual which it was built.” We do not require a reminder from and imagined, referring to the past.
    [Show full text]
  • Download Redgauntlet
    Redgauntlet by Sir Walter Scott Redgauntlet by Sir Walter Scott * REDGAUNTLET by Sir Walter Scott, Bart. * CONTENTS. Introduction Text Letters I - XIII Chapters I - XXIII Conclusion Notes Glossary * page 1 / 806 Note: Footnotes in the printed book have been inserted in the etext in square brackets ("[]") close to the place where they were referenced by a suffix in the original text. Text in italics has been written in capital letters. There are some numbered notes at the end of the text that are referred to by their numbers with brief notes, also in square brackets, embedded in the text. * INTRODUCTION The Jacobite enthusiasm of the eighteenth century, particularly during the rebellion of 1745, afforded a theme, perhaps the finest that could be selected for fictitious composition, founded upon real or probable incident. This civil war and its remarkable events were remembered by the existing generation without any degree of the bitterness of spirit which seldom fails to attend internal dissension. The Highlanders, who formed the principal strength of Charles Edward's army, were an ancient and high-spirited race, peculiar in their habits of war and of peace, brave to romance, and exhibiting a character turning upon points more adapted to poetry than to the prose of real life. Their prince, young, valiant, patient of fatigue, and despising danger, heading his army on foot in the most toilsome marches, and page 2 / 806 defeating a regular force in three battles--all these were circumstances fascinating to the imagination, and might well be supposed to seduce young and enthusiastic minds to the cause in which they were found united, although wisdom and reason frowned upon the enterprise.
    [Show full text]
  • Find Book » Peveril of the Peak, By: Sir Walter Scott. Waverley Novels
    W9MPOUQ4UYKK » Kindle » Peveril of the Peak, by: Sir Walter Scott. Waverley Novels-Historical Novel: With... Get Doc PEVERIL OF THE PEAK, BY: SIR WALTER SCOTT. WAVERLEY NOVELS- HISTORICAL NOVEL: WITH STEEL PLATES FROM DESING BY: GEORGE CRUIKSHANK(27 SEPTEMBER 1792 - 1 FEBRUARY 1878), H. MELVILLE(AUGUST 1, 1819 - SEPTEMBER 28, 1891) Createspace Independent Publishing Platform, 2016. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Peveril of the Peak (1823) is the longest novel by Sir Walter Scott. Along with Ivanhoe, Woodstock and Kenilworth, this is one of Scott s English novels, with the main action taking place around 1678. *Plot summary*Sir Geoffrey Peveril and Major Bridgenorth had been boys together; and although they adopted different views in religion and politics, the major s influence had saved... Download PDF Peveril of the Peak, by: Sir Walter Scott. Waverley Novels-Historical Novel: With Steel Plates from Desing By: George Cruikshank(27 September 1792 - 1 February 1878), H. Melville(august 1, 1819 - September 28, 1891) Authored by Sir Walter Scott Released at 2016 Filesize: 4.98 MB Reviews This pdf may be worth acquiring. It can be writter in easy words and phrases and not hard to understand. I am pleased to tell you that this is basically the finest book i have read through during my personal existence and might be he greatest pdf for at any time. -- Jeffry Tromp A really awesome ebook with perfect and lucid reasons. Indeed, it is engage in, still an amazing and interesting literature. I am just very easily could possibly get a satisfaction of reading a composed publication.
    [Show full text]
  • The Author of Waverley, with His Various Personas, Is a Highly
    Promoting Saint Ronans Well: Scotts Fiction and Scottish Community in Transition MATSUI Yuko The Author of Waverley, with his various personas, is a highly sociable and com- municative writer, as we observe in the frequent and lively exchanges between the author and his reader or characters in the conclusions of Old Mortality1816 and Redgauntlet1824 , or in the prefaces to The Abbot1820 and The Betrothed1825 , to give only a few examples. Walter Scott himself, after giving up his anonymity, seems to enjoy an intimate author-reader relationship in his prefaces and notes to the Magnum Opus edition. Meanwhile, Scott often adapts and combines more than one historical event or actual person, his sources or originals, in his attempt to recre- ate the life of a particular historical period and give historical sense to it, as books like W. S. Crocketts The Scott Originals1912 eloquently testify, and with the Porteous Riot and Helen Walker in The Heart of Midlothian1818 as one of the most obvious examples. Both of these characteristics often tend to encourage an active interaction between the real and the imagined, or their confluence, within and outwith Scott＇s historical fiction, perhaps most clearly shown in the development of tourism in 19th century Scotland1. In the case of Saint Ronan’s Well1824 [1823], Scotts only novel set in the 19th century, its contemporaneity seems to have allowed that kind of interaction and confluence to take its own vigorous form, sometimes involving an actual commu- nity or other authors of contemporary Scotland. Thus, we would like to examine here the ways in which Scott adapts his sources to explore his usual interest in historical change in this contemporary fiction and how it was received, particularly in terms of its effect on a local community in Scotland and in terms of its inspiration for his fellow authors, and thus reconsider the part played by Scotts fiction in imagining and pro- moting Scotland in several ways, in present and past Scotland.
    [Show full text]
  • Sir Walter Scott and Cinema Page 1 of 14
    The Great Uncredited: Sir Walter Scott and Cinema Page 1 of 14 • Current Issue • Back Issues • Occasional Papers • Publications • Webteque • Events • About Us • Archives The Great Uncredited: Sir Walter Scott and Cinema Tim Dolin Scott’s reputation in the film age When Sir Walter Scott died in 1832 he was the most famous novelist the world had ever known. Remarkably, Scott took up fiction only in middle age, after abandoning narrative poetry when he found himself eclipsed by Byron’s mega-celebrity and greater poetic originality and vigour. Over a twenty-year long career as a novelist he achieved phenomenal popularity and esteem, producing some twenty-five novels and collections of tales.[1] His first novel, Waverley, appeared anonymously in 1814, when he was 42 years old, and sold out six editions in its first year.[2] Having established what was then an entirely new literary form, a hybrid of history and fiction, he wrote eight further novels set in Scotland and for the most part in the eighteenth century, and transformed attitudes to Scottish culture and history in the process.[3] With the publication of Ivanhoe in 1820, where he was still identified on the title page only as “By the Author of http://www.screeningthepast.com/2012/08/the-great-uncredited-sir-walter-scott-and-ci... 12/03/2013 The Great Uncredited: Sir Walter Scott and Cinema Page 2 of 14 Waverley &c.,” Scott began to adapt his historical fiction to other places and other periods, shifting with apparent ease from medieval England to the France of Louis XI to the Palestine of the Crusades.
    [Show full text]
  • Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A
    Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A. M. Shepherd PhD – The University of Edinburgh – 2009 Contents Preface i Acknowledgements ii Abstract iii Chapter One: Opening the Debate, 1790-1810 1 1.1 Walter Scott, James Hogg and Literary Friendship 8 1.2 The Uncanny 10 1.3 The Supernatural in Scotland 14 1.4 The Minstrelsy of the Scottish Border, 1802-3, The Lay of the Last Minstrel, 1805, and The Mountain Bard, 1807 20 1.5 Testimony, Evidence and Authority 32 Chapter Two: Experimental Hogg: Exploring the Field, 1810-1820 42 2.1 The Highlands and Hogg: literary apprentice 42 2.2 Nineteenth-Century Edinburgh: ‘Improvement’, Periodicals and ‘Polite’ Culture 52 2.3 The Spy, 1810 –1811 57 2.4 The Brownie of Bodsbeck, 1818 62 2.5 Winter Evening Tales, 1820 72 Chapter Three: Scott and the Novel, 1810-1820 82 3.1 Before Novels: Poetry and the Supernatural 82 3.2 Second Sight and Waverley, 1814 88 3.3 Astrology and Witchcraft in Guy Mannering, 1815 97 3.4 Prophecy and The Bride of Lammermoor, 1819 108 Chapter Four: Medieval Material, 1819-1822 119 4.1 The Medieval Supernatural: Politics, Religion and Magic 119 4.2 Ivanhoe, 1820 126 4.3 The Monastery, 1820 135 4.4 The Three Perils of Man, 1822 140 Chapter Five: Writing and Authority, 1822-1830 149 5.1 Divinity Matters: Election and the Supernatural 149 5.2 Redgauntlet, 1824 154 5.3 The Private Memoirs and Confessions of a Justified Sinner, 1824 163 Chapter Six: Scott: Reviewing the Fragments of Belief, 1824-1830 174 6.1 In Pursuit of the Supernatural 174 6.2 ‘My Aunt Margaret’s Mirror’ and ‘The Tapestried Chamber’ in The Keepsake, 1828 178 6.3 Letters on Demonology and Witchcraft, addressed to J.
    [Show full text]
  • Villainy in Scottâ•Žs Fiction
    Studies in English Volume 13 Article 7 1972 Villainy in Scott’s Fiction George W. Boswell University of Mississipi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the Literature in English, British Isles Commons Recommended Citation Boswell, George W. (1972) "Villainy in Scott’s Fiction," Studies in English: Vol. 13 , Article 7. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol13/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Boswell: Villainy in Scott’s Fiction Villainy in Scott’s Fiction by George W. Boswell The natural disposition and career of Sir Walter Scott were so generally sunny that only a small handful of his many critics have seriously faulted any aspects of his character. Occasional objections have been adduced to the mystification and possible harshness of his business dealings with the Ballantynes, the maintenance of his incog­ nito with respect to authorship of the Waverley novels long beyond any credible reason for it, his jealousy of Robert Burns (though if existent this is certainly not very noticeable), and some of his Chester- fieldian letters to his son and heir; but these have seemed to pale into insignificance when set alongside his moral virtues. The latter in­ clude his industry, his openhandedness, his capacity for extensive friendships, his civil services, the generous praise of the literary pro­ ductions of his contemporaries, and above all the heroic stoicism with which “in his fifty-sixth year, already in uncertain health, he assumed a mountain of debt and sentenced himself to a lifetime of servi­ tude”1 in order to avoid bankruptcy and its stigma.
    [Show full text]
  • V ABSTRACT the LAST ABBEY
    ABSTRACT THE LAST ABBEY: CROSSRAGUEL ABBEY AND THE SCOTTISH REFORMATION by Kristin O’Neill Osborne Crossraguel Abbey, located in rural southwest Scotland, was one of the last remaining monasteries following the Reformation. Its story of survival past years of religious turmoil reveals a nuanced and complicated reaction to the Scottish Reformation, which stemmed from noble protection and devout faith in Catholicism. The community benefited from a very close relationship with the Kennedy family, who were the Earls of Cassillis and wealthy landowners. This community still possessed spiritual and financial power in their region despite years of monastic degradation across Scotland. This influence afforded them the privilege to work closely with the Kennedys to ensure their survival. It was the Kennedy family’s protection that enabled the abbot, Quintin Kennedy, to mount a resistance to Protestantism beginning in 1558. This resistance came through publications and debates launched by the abbot and later through a continuation of Catholic traditions by the monks. The intrinsic interest in Catholicism that existed throughout the community confirms that the Reformation was a slow and often messy process. This thesis shows how a Catholic community relied on lay protection, resisted the reformed religion, and reacted to the end of a long tradition whilst securing its place in an increasingly Protestant landscape. v THE LAST ABBEY: CROSSRGAUEL ABBEY AND THE SCOTTISH REFORMATION A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Kristin O’Neill Osborne Miami University Oxford, Ohio 2020 Advisor: Dr. P. Renée Baernstein Reader: Dr.
    [Show full text]
  • (2012) Hospitality, Nation and Empire in Walter Scott's Waverley Novels
    Chiu, Kang-Yen (2012) Hospitality, nation and empire in Walter Scott’s Waverley novels. PhD thesis. http://theses.gla.ac.uk/3729/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Hospitality, Nation and Empire in Walter Scott’s Waverley Novels Kang-yen Chiu Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of English Literature School of Critical Studies College of Arts University of Glasgow November 2012 2 Abstract This research is a study of the notion of hospitality in the novels of Sir Walter Scott from a postcolonial perspective. Through the analysis of various acts of hospitality in the Waverley Novels, this thesis intends to examine how the notion of hospitality is represented as one of the most significant, ancient Scottish traditions defended and performed by people who have less power in society, but is abused by those (often the ruling class) who intend to use it as a mechanism to increase their existing power. Therefore, through the analysis of power relations between various host and guest characters, this thesis attempts to demonstrate the ways in which those groups who are under the rule of hegemonic power are constructed as the subaltern, a postcolonial term derived from the Italian Marxist Antonio Gramsci’s usage in the Prison Notebooks.
    [Show full text]
  • Kenilworth: a Romance Free
    FREE KENILWORTH: A ROMANCE PDF Sir Walter Scott,J. Alexander | 528 pages | 01 Sep 1999 | Penguin Books Ltd | 9780140436549 | English | London, United Kingdom Kenilworth | novel by Scott | Britannica Hareshwar Roy, November 14, Sir Walter Scott is a great novelist. He has been called the father of historical novel in England. In his works we find a more serious and responsible approach towards history. He blended facts and fiction, history and romance. His Kenilworth is also a beautiful blend of history and romance. It seems that Kenilworth is a historical novel. It is because it deals with historical events and characters. It is set against a historical background. The time of the plot is The locale is England. The time is that of Queen Elizabeth's reign. The characters bear historical names. Here we have an excellent picture of Queen Elizabeth and the Earl of Leicester. The main events are also distilled from history. Above all the spirit of Elizabeth's age is exhibited most artistically and realistically. On the basis of these facts, Kenilworth is categorised as a historical novel. Though we get historical reflections in this novel, but here we get a number of historical inaccuracies also. The fact is that Scott always treated history with perfect disregard of inconvenient facts and dates. These are many illustrations of this in Kenilworth. The entire story is not factual. He has changed the order of events which never occurred at all. The conclusion of Kenilworth is also mysterious. It is completely different from the historical records. In short, this novel is not a pure history.
    [Show full text]