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Blog Export: Please God No
Blog Export: Please God No, http://www.pleasegodno.com/ Thursday, September 30. 2021 Posted by at 19:41 My heart and my prayers go out to the 12 year old dog, left alone for days at home awaiting a beating and further abuse because it couldn't wait to go to the bathroom. Animal cruelty is a felony is some jurisdictions. It's not a matter of political correctness, it's just simple human decency to the creatures of this world. I beg you, please take your dog to the local animal shelter where it will receive much more decent care than you're capable of giving it. I hope the neighbors will hear you beating the dog and call the police to arrest you.........no dog deserves to live like this, and you don't deserve to own a dog. Anonymous on Apr 15 2007, 03:09 When will al and jessie and all the other negro biggots ask crystal gail magnum to apologize for falsley accusing the duke lacrosse team members of rape?When will they ask the club she strips at to fire her from her job for ruining the players lives?When,when,when,never,never,never!All you hypocrites slay me. Anonymous on Apr 15 2007, 09:05 Ode to the Iman: Im a peckerwood in a cowboy hat Got a pretty wife and my wallet's fat Soon I'll be on satelite Tellin everyone what's wrong and right I cant change a thing about what's been said Al and Jessie really want me dead Actualy they done me a favor All the publicity one day I'll savor And when Im laughin to the bank With my new contract Tell all the brillo headed bozos That the Iman is back! Anonymous on Apr 15 2007, 22:11 I agree. -
Comedians, Characters, Cable Guys & Copyright Convolutions
Legal Lessons in On-Stage Character Development: Comedians, Characters, Cable Guys & Copyright Convolutions Clay Calvert⊗ ABSTRACT This article addresses the trials and tribulations faced by stand-up comedians who seek copyright protection for on-stage characters they create, often during solo performances. The article initially explores the current, confused state of the law surrounding the copyrightability of fictional characters. The doctrinal muddle is magnified for comedians because the case law that addresses the fictional character facet of copyright jurisprudence overwhelmingly involves characters developed within the broader framework of plots and storylines found in traditional media artifacts such as books, comic strips, cartoons and movies. The article then deploys the 2014 federal court ruling in Azaria v. Bierko as a timely analytical springboard for addressing comedic-character copyright issues. Finally, the article offers multiple tips and suggestions for comedians and actors seeking copyright protection in their on- stage characters. I. INTRODUCTION The Whacky World of Jonathan Winters aired on television from 1972 through 1974.1 The humor of its star, Jonathan Winters,2 came primarily “from his construction of outrageously fantastic situations and characters.”3 Those characters included the Oldest Airline Stewardess4 and, perhaps most notably, ⊗ Professor & Brechner Eminent Scholar in Mass Communication and Director of the Marion B. Brechner First Amendment Project at the University of Florida, Gainesville, Fla. B.A., 1987, Communication, Stanford University; J.D. (Order of the Coif), 1991, McGeorge School of Law, University of the Pacific; Ph.D., 1996, Communication, Stanford University. Member, State Bar of California. The author thanks students Kevin Bruckenstein, Karilla Dyer, Alexa Jacobson, Tershone Phillips and Brock Seng of the University of Florida for their research, suggestions and editing assistance that contributed to this article. -
LA Comedy Guide Looking for Some Laughs but Don't Know Where to Find Them? Check out These Tips From
LA Comedy Guide Looking for some laughs but don't know where to find them? Check out these tips from Highlights of the Month The Naughty Show Thursday, January 27 10pm Hollywood Improv Sam Tripoli serves as ringmaster for this variety show straight from Sodom & Gomorrah. Sketch comedy, stand-up, mind-blowing pole dancing, porn star fan mail, songs, videos and the Golden Schlong Award make this one of the most fun ways to spend a couple of hours with your clothes on. The Walsh Brothers Show Tuesday, Jan 25 11 pm UCB Theater The phrase “alt comedy” gets thrown around a lot. But the Walsh Brothers put on a show that's truly something different and exciting. Absurd characters, “are they serious?” sketches and straight stand up are all on tap for this rocking good time. This is Not Happening Feb 3rd Hollywood Improv Ari Shaffir produces this monthly event that lets great comedians stretch themselves a little and just tell a story. There's still plenty of laughs, though, as each one spins a great yarn on the chosen topic like fights, drugs, love, or run-ins with the law. LA Comedy Guide January 2011 comedygroupie.com Everyday Awesomeness There's great comedy every day, check out these regular shows and great performers Red Rock Comedy Sundays 9 pm - $5 suggested donation 8782 Sunset (at Holloway) Dinah Leffert & Classy Lauren Brenner have assembled some of the most fun comedians around - like Shawn Halpin, Eliot Chang, Kato Kaelin (yes, that one!), Bryan Callen and The Greg Wilson – to keep you laughing while you get good and drunk Meltdown Show Wednesdays 8:30 pm - $8 Meltdown Comics - 7522 Sunset (at Gardner) comedymeltdown.com Nerd alert! Smart comedy from funny folks like Moshe Kasher, Kyle Kinane, Jackie Kashian, Rob Delaney and hosts Kumail Nanjiani and Jonah Ray. -
South Park: (Des)Construção Iconoclasta Das Celebridades
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades São Paulo Agosto de 2012 2 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades Dissertação de mestrado apresentada ao Programa de Estudos Pós-Graduados em Comunicação e Semiótica da PUC-SP Orientador: Prof. Dr. José Luis Aidar Prado São Paulo Agosto de 2012 3 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades Dissertação de mestrado apresentada ao Programa de Estudos Pós-Graduados em Comunicação e Semiótica da PUC-SP Orientador: Prof. Dr. José Luis Aidar Prado Comissão examinadora: __________________________________________ __________________________________________ __________________________________________ __________________________________________ __________________________________________ __________________________________________ São Paulo Agosto de 2012 4 AGRADECIMENTOS À CAPES, pelo financiamento parcial da pesquisa. Ao Prof. Dr. José Luis Aidar Prado pela paciência e disponibilidade. Aos meus pais, irmãos e amigos, pela compreensão diante de minhas recusas. Aos meus colegas de curso, em especial, André Campos de Carvalho, Cynthia Menezes Mello e Fabíola Corbucci, Pela amizade e inestimável incentivo. Aos professores integrantes das bancas de qualificação e defesa, pelas orientações e disponibilidade. À Celina de Campos Horvat, por todos os motivos descritos acima. Toda piada é uma pequena revolução. (George Orwell) 5 Resumo O intuito desta pesquisa é estudar a construção social contemporânea das celebridades, bem como o papel que ela exerce na civilização midiática. -
Übersetzungsprobleme Bei Untertitelungen Diplomarbeit
Übersetzungsprobleme bei Untertitelungen Kraftausdrücke und Kulturspezifika in der Animationsserie South Park Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Julia Payer am Institut für Theoretische und Angewandte Translationswissenschaft Begutachterin Univ.-Prof. Dr. phil. habil. Hanna Risku Graz, 2013 Danksagung An dieser Stelle möchte ich mich bei allen bedanken, die mich während meines Studiums begleitet haben. Allen voran danke ich meinen Eltern, die mich nicht nur finanziell unterstützt haben, sondern auch immer ein offenes Ohr für mich haben und mir in allen Lebenslagen zur Seite stehen. Meinem Papa bin ich sehr dankbar dafür, dass er den theoretischen Teil meiner Diplomarbeit korrekturgelesen und konstruktiv kritisiert hat. Ebenso danke ich besonders meinen Großeltern, die mir in den ersten Jahren meines Studiums ein Zuhause gegeben haben, in dem ich mich sehr wohl gefühlt habe. Ein weiterer Dank gilt Frau Univ.-Prof. Dr. phil. habil. Hanna Risku, die mir bereits bei der Konzepterstellung wertvolle Tipps gegeben hat und deren Rat während des Schreibens unverzichtbar war. Außerdem möchte ich meinen Freunden und meiner gesamten Familie danken, mit denen ich während meines Studiums immer viel Spaß hatte und die auf mein Können vertrauten, wenn sie Hilfe bei Übersetzungen benötigten. Zu guter Letzt danke ich meinem Freund, der es vor allem in der Schlussphase beim Verfassen meiner Diplomarbeit sicher nicht immer leicht mit mir hatte, mich aber trotzdem -
Using South Park to Teach Public Choice
The Journal of Private Enterprise 30(3), 2015, 103–108 EDUCATIONAL NOTE Did You Say That Voting Is Ridiculous? Using South Park to Teach Public Choice Adam J. Hoffer University of Wisconsin, La Crosse George R. Crowley Troy University ______________________________________________________ Abstract We describe an approach to teaching public choice perspectives on voting using an episode from Comedy Central’s animated television show, South Park. The episode depicts the events surrounding a vote for a new school mascot and demonstrates the near-zero value of an individual vote, the value individuals place on the act of voting itself, the problems that arise when voters must choose among undesirable candidates, and the role of political campaigning. The episode mirrors the public’s perception of major-party candidates in most elections. ______________________________________________________ JEL Codes: A22, D72 Keywords: South Park, voting, elections, teaching public choice I. Introduction Recent economics education literature has advocated moving away from the pure lecture style of classroom instruction. Scholars have suggested the incorporation of movie clips (Mateer and Li 2008; Mateer and Stephenson 2011), video clips (Diamond 2009), comic strips (Lawson 2006), podcasts (Hall 2012), and academic entrepreneurship from student presentations (Hoffer 2013). Hall (2005), Holian (2011), and Ghent, Grant, and Lesica (2011) recommend the use of television clips, describing economics in The Simpsons, The Drew Carey Show, and Seinfeld, respectively. We describe a similar methodology using the television show South Park, with a particular focus on the use of a 2004 episode to illustrate key concepts in public choice. Compared with programs discussed in the The authors thank the editor and anonymous reviewers for helpful comments. -
Gruda Mpp Me Assis.Pdf
MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK ASSIS 2011 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Orientador: Prof. Dr. José Sterza Justo Trabalho financiado pela CAPES ASSIS 2011 Dados Internacionais de Catalogação na Publicação (CIP) Biblioteca da F.C.L. – Assis – UNESP Gruda, Mateus Pranzetti Paul G885d O discurso politicamente incorreto e do escracho em South Park / Mateus Pranzetti Paul Gruda. Assis, 2011 127 f. : il. Dissertação de Mestrado – Faculdade de Ciências e Letras de Assis – Universidade Estadual Paulista Orientador: Prof. Dr. José Sterza Justo. 1. Humor, sátira, etc. 2. Desenho animado. 3. Psicologia social. I. Título. CDD 158.2 741.58 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM “SOUTH PARK” Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Data da aprovação: 16/06/2011 COMISSÃO EXAMINADORA Presidente: PROF. DR. JOSÉ STERZA JUSTO – UNESP/Assis Membros: PROF. DR. RAFAEL SIQUEIRA DE GUIMARÃES – UNICENTRO/ Irati PROF. DR. NELSON PEDRO DA SILVA – UNESP/Assis GRUDA, M. P. P. O discurso do humor politicamente incorreto e do escracho em South Park. -
The Kids Come up with the Funniest Joke of All Time in an All-New 'South Park' on Wednesday, April 8 at 10:00 P.M
The Kids Come Up With the Funniest Joke of All Time in an All-New 'South Park' on Wednesday, April 8 at 10:00 p.m. on COMEDY CENTRAL(R) NEW YORK, April 6 -- Creative differences ruin friendships in an all-new episode of "South Park" titled, "Fishsticks," premiering on Wednesday, April 8 at 10:00 p.m. on COMEDY CENTRAL. Cartman decides to help Jimmy with his comedy routine. Everyone loves the new joke they come up with. The joke starts to take off and it even hits all the late-night talk shows. The boys are thrilled with how popular it's become until somebody tries to take all the credit. Launched in 1997, "South Park," now in its 13th season, remains the highest-rated series on COMEDY CENTRAL. "South Park" repeats Wednesdays at 12:00 a.m., Thursdays at 10:00 p.m. and 12:00 a.m. and Sundays at 11:00 p.m. and 2:00 a.m. Co-creators Trey Parker and Matt Stone are executive producers, along with Anne Garefino, of the Emmy® and Peabody® Award-winning "South Park." Frank C. Agnone II is the supervising producer. Eric Stough, Adrien Beard, Bruce Howell, Vernon Chatman, Bill Hader and Erica Rivinoja are producers. "South Park's" Web site is www.southparkstudios.com. COMEDY CENTRAL, the only all-comedy network, currently is seen in more than 95 million homes nationwide. COMEDY CENTRAL is owned by, and is a registered trademark of, Comedy Partners, a wholly-owned division of Viacom Inc.'s (NYSE: VIA and VIA.B) MTV Networks. -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ). -
HOME SPORTING EVENTS Oct 15 Vs
Relevar Metro Detroit Events Calendar: October-November HOME SPORTING EVENTS Oct 15 vs. Canucks Oct 17 vs. Calgary Flames Oct 18 vs. Oilers Oct 22 vs. Canucks Oct 23 vs. Senators Oct 25 vs. Sabres Oct 27 vs. Blues Oct 29 vs. Oilers Nov 4 vs. Predators Nov 6 vs, Rangers Nov 8 vs. Bruins Nov 10 vs. Golden Knights Nov 12 vs. Ducks Nov 19 vs. Senators Nov 21 vs. Blue Jackets Nov 23 vs. Devils DETROIT FC – KEYWORTH Nov 24 vs. Hurricanes STADIUM Nov 27 vs. Maple Leafs https://www.detcityfc.com/schedule2019 Nov 29 vs. Flyers Nov 30 vs. Capitals Oct 8 vs. Michigan Stars Oct 19 vs. Milwaukee Torrent DETROIT PISTONS – LITTLE DETROIT LIONS – FORD FIELD CAESARS ARENA https://www.detroitlions.com/schedule/ https://www.nba.com/pistons/schedule Oct 20 vs. Minnesota Vikings Oct 7 vs. Orlando Magic (Pre) Oct 27 vs. New York Giants Oct 9 vs. Dallas Mavericks (Pre) Nov 17 vs. Dallas Cowboys Oct 11 vs. Cleveland Cavaliers (Pre) Nov 28 vs. Chicago Bears Oct 24 vs. Atlanta Hawks Oct 26 vs. 76ers DETROIT RED WINGS – LITTLE Oct 28 vs. Indiana Pacers CAESARS ARENA Nov 2 vs. Brooklyn Nets Nov 6 vs. New York Knicks https://www.nhl.com/redwings Nov 11 vs. Minnesota Timberwolves Nov 22 vs. Atlanta Hawks Oct 5 vs. Nashville Predators Nov 25 vs. Orlando Magic Oct 6 vs. Stars Nov 29 vs. Charlotte Hornets Oct 8 vs. Ducks Oct 10 vs. Canadiens Oct 12 vs. Maple Leafs Do you have something we should add? Let us know! For additional news and happenings, follow Relevar Home Care on Facebook and LinkedIn. -
The-Knockoff-Economy-Excerpt-Raustiala-Sprigman.Pdf
THE KNOCKOFF ECONOMY HOW IMITATION SPARKS INNOVATION KAL RAUSTIALA AND CHRISTOPHER JON SPRIGMAN 3 RAUSTIALA-titlepage-Revised Proof iii June 1, 2012 9:11 PM Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2012 by Kal Raustiala and Christopher Jon Sprigman Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. CIP to come ISBN-13: 9780195399783 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper RAUSTIALA-copyright-Revised Proof iv May 31, 2012 5:48 AM THE KNOCKOFF ECONOMY RAUSTIALA-halftitle2-Revised Proof 1 June 1, 2012 9:11 PM INTRODUCTION Every spring, millions of viewers around the world tune in to watch the Academy Awards. Ostensibly, the Oscars are about recognizing the year’s best movies. But for many people the Oscars are really about fashion. Fans and paparazzi press against the rope line to see Hollywood stars pose on the red carpet in expensive designer gowns. -
Representations of Abortion in Adult Animated Television Comedy
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2019 Brrap Brrap Pew Pew: Representations of Abortion in Adult Animated Television Comedy Erika A. Byrnison The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3003 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BRRAP BRRAP PEW PEW: REPRESENTATIONS OF ABORTION IN ADULT ANIMATED TELEVISION COMEDY by ERIKA A. BYRNISON A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2019 i © 2019 ERIKA A. BYRNISON All Rights Reserved ii Braap Brrap Pew Pew: Representations of Abortion in Adult Animated Comedy by Erika A. Byrnison This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Dr. Jean Halley Thesis Advisor Date Dr. Elizabeth Macaulay-Lewis Acting Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Braap Brrap Pew Pew: Representations of Abortion in Adult Animated Comedy by Erika A. Byrnison Advisor: Dr. Jean Halley This thesis charges that representation of abortion in American adult animated comedy is under- examined and significant because representation on television in other genres has traditionally been absent or misleading.