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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
Simon Russell Beale Photo: Charlie Carter
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Russell Beale Photo: Charlie Carter Location: London Other: Equity Height: 5'7" (170cm) Eye Colour: Grey Playing Age: 51 - 55 years Hair Colour: Greying Appearance: White Hair Length: Short Stage 2018, Stage, The Lehman Trilogy, The National Theatre, Sam Mendes 2016, Stage, Prospero, The Tempest, Royal Shakespeare Company, Gregory Doran 2015, Stage, Mr Foote, Mr Foote's Other Leg, Hampstead Theatre/Haymarket (transfer), Richard Eyre 2015, Stage, The Dean, Temple, Donmar Warehouse, Howard Davies 2014, Stage, King Lear, King Lear, National Theatre, Sam Mendes 2013, Stage, Acting Captain Terri Dennis, Privates on Parade, Noel Coward Theatre, Michael Grandage 2013, Stage, Roote, The Hothouse, Trafalgar Studios, Jamie Lloyd 2012, Stage, Timon of Athens (Critics' Circle Award 2013), Timon of Athens, National Theatre, Nicholas Hytner 2011, Stage, Jimmy, Bluebird, Atlantic Theatre Company, New York, Gaye Taylor Upchurch 2011, Stage, Stalin, Collaborators, National Theatre, Nicholas Hytner 2010, Stage, Sydney, Deathtrap, Noel Coward Theatre, Matthew Warchus 2010, Stage, Sir Harcourt Courtly, London Assurance, National Theatre, Nicholas Hytner 2009, Stage, Lopahkin, The Cherry Orchard, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2009, Stage, Leontes, The Winter's Tale, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2008, Stage, Edward, A Slight Ache, National Theatre, Iqbal Khan 2008, Stage, Landscape, National Theatre, -
New Threads 2021 Staged Reading Series by Hassan Abdulrazzak
New Threads 2021 Staged Reading Series by Hassan Abdulrazzak, Hannah Khalil and Mona Mansour directed by Evren Odcikin Cast Love in the Time of by Mona Mansour Lee Gianna DiGregorio Rivera* Sam Abraham Makany* Will Patrick Russell* Helen Elissa Beth Stebbins* A Delicate Poison by Hassan Abdulrazzak Carla Gianna DiGregorio Rivera* Dan John Ferreira Fabio Abraham Makany* Chris Liam Vincent* The Cure by Hannah Khalil MaaMaa Nora el Samahy* Mummy Elissa Beth Stebbins* Nurse Gianna DiGregorio Rivera* Voice Liam Vincent* The Believers by Mona Mansour Charlotte Nora el Samahy* Brock Patrick Russell* Stage Manager Lisa Tateosian Zoom Manager Wendy Reyes * Member of Actor’s Equity Hassan Abdulrazzak’s plays include The Special Relationship (Soho Theatre, 2020), And Here I Am (Arcola Theatre, 2017 and UK tour; Europe, Middle East and Africa tour, 2018-2019), Love, Bombs and Apples (Arcola Theatre, 2016 and UK tour; Golden Thread, San Francisco, 2018 followed by a second UK tour; Kennedy Centre, Washington DC, 2019), The Prophet (Gate theatre, 2012) and Baghdad Wedding (Soho Theatre, London 2007; BBC Radio 3, 2008; Belvoir St Theatre, Sydney 2009; Akvarious productions, Delhi & Mumbai 2010). He had translated numerous Arabic language plays including Chronicles of a City We Never Knew by Wael Qadour (reading at the Gate Theatre 2019), Voluntary Work by Laila Soliman (reading at The Royal Court Theatre 2012) and 603 by Imad Farajin (reading at the Royal Court Theatre 2008). He has adapted Baghdad Wedding into a feature film for Focus Features, wrote an original screenplay called Cutting Season about FGM for New Century. He has also written four episodes for HWJN, an upcoming TV series commissioned by O3 and Image Nation productions. -
Keith Madden Costume Designer
KEITH MADDEN COSTUME DESIGNER FILM & TELEVISION IRONBANK Director: Dominic Cooke Production Company: FilmNation, 42 & SunnyMarch Cast: Benedict Cumberbatch THE GOOD LIAR Director: Bill Condon Production Company: Giant Films Cast: Helen Mirren, Ian McKellen, Russell Tovey, Jóhannes Haukur Jóhannesson PATRICK MELROSE Director: Edward Berger Production Company: Little Island Productions Cast: Benedict Cumberbatch, Jennifer Jason Leigh, Hugo Weaving Nominated, Best Actor in a TV Movie or Limited Series, Golden Globes (2019) ON CHESIL BEACH Director: Dominic Cooke Production Company: BBC Films Cast: Saoirse Ronan, Billy Howle, Emily Watson Official Selection, London Film Festival (2017) THE CHILD IN TIME Director: Julian Farino Production Company: BBC Cast: Benedict Cumberbatch, Kelly Macdonald, Stephen Campbell Moore VICEROY’S HOUSE Director: Gurinder Chadha Production Company: BBC Films Cast: Hugh Bonneville, Gillian Anderson, Michael Gambon Official Selection, Berlin Film Festival (2017) MR. HOLMES LUX ARTISTS | 1 Director: Bill Condon Production Company: Miramax Cast: Ian McKellen, Laura Linney, Philip Davis Official Selection, Berlin Film Festival (2015) LUX ARTISTS | 2 GOOD PEOPLE Director: Henrik Ruben Genz Production Company: Millennium Films Cast: James Franco, Kate Hudson, Omar Sy THE WOMAN IN BLACK Director: James Watkins Production Company: Cross Creek Pictures Cast: Daniel Radcliffe, Ciarán Hinds, Janet McTeer CENTURION Director: Neil Marshall Production Company: Panthé Pictures International Cast: Michael Fassbender, Dominic West, Olga Kurylenko PERRIER’S BOUNTY Director: Ian Fitzgibbon Production Company: Parallel Film Productions Cast: Gabriel Byrne, Cillian Murphy, Jodie Whittaker Official Selection, Toronto Film Festival (2009) EDEN LAKE Director: James Watkins Production Company: The Weinstein Company Cast: Michael Fassbender, Kelly Reilly, Jack O’Connell ARTISTS WEBSITE LUX ARTISTS | 3. -
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Tadhg Murphy
Tadhg Murphy | Represented by Susannah Norris Tadhg most recently filmed Guy Ritchie’s WRATH OF MAN alongside Jason Statham, Niamh Algar, and Holt McCallany, the role of Nigel Braynor in RED ELECTION directed by Jill Robertson for A&E Studios, and Robert Eggers’ feature THE NORTHMAN. In 2019 he filmed the role of Kristophe in ABSENTIA for Amazon Studios, season two of Sky One’s BRASSIC (returning to his role as Gary Cullen), MISS SCARLET AND THE DUKE with Kate Philips for A+E Studios, the role of Ray Miller opposite Gemma-Leah Devereux in the feature DEAD HAPPY, and BLOODMOON directed by SJ Clarkson for HBO. Further recent credits include the feature adaptation of Caitlin Moran’s HOW TO BUILD A GIRL directed by Coky Giedroyc, COUNTERPART for Starz, and the part of Johann opposite Tanya Reynolds in the forthcoming BFI-backed feature UNDERGODS, directed by Chino Moya. Most recent stage credits include the role of Damus opposite Ruth Negga’s PORTIA COUGHLAN in a rehearsed reading of the play directed by Caroline Byrne for Kwame Kwei-Armah at the Young Vic, BALLYTURK written and directed by Enda Walsh, which ran at St. Ann’s Warehouse in New York to excellent reviews, and BAD ROADS opposite Ria Zmitrowicz, which was directed by Vicky Featherstone at the Royal Court Theatre, London. Tadhg is Dublin based. Playing Age: 30 - 40 Height: 5 ft. 8” Hair: Brown, shoulder-length Eyes: Blue Full driver’s licence and motorcycle licence FILM THE NORTHMAN | Eirikr Blaze-Eye New Regency Robert Eggers WRATH OF MAN | Shirley Miramax Guy Ritchie -
Marketing Fragment 6 X 10.5.T65
Cambridge University Press 978-0-521-86606-4 - The Cambridge Companion to August Wilson Edited by Christopher Bigsby Excerpt More information 1 CHRISTOPHER BIGSBY August Wilson: the ground on which he stood I am one of those warrior spirits. The battle since the first African set foot on the continent of North America has been a battle for the affirmation of the value and worth of one’s being in the face of this society that says you’re worthless. ...AsAfricans prior to coming over here, they existed, and they were the center. Everything revolved around them in their world view. Over here, all of that has been taken and stripped away. So I say, ‘Let’s look at it. The world is right here in this back yard.’ There is no idea that cannot be contained by black life. We have the entire world here...italldepends on where you’re standing...I’mstanding over here. August Wilson1 On 2 October 2005 August Wilson died at the Swedish Medical Centre in Seattle. It was just eight months after the death of another American playwright, Arthur Miller. They came out of different worlds. Miller was descended from immigrants on both sides of the family, Jews who went to America to escape persecution and seek their fortune. And if they sub- sequently lost the fortune they made, they nonetheless never lost belief in the system that had redeemed them from a far worse fate. To be sure, they encountered prejudice, but even so they slid with some ease into an Amer- ica which swiftly bore the impress of European Jews as they emerged as entrepreneurs, artists, scientists and intellectuals surprisingly ready to inter- pret America to itself. -
Written by Ben Woolf Edited by Sam Maynard and Katherine Igoe-Ewer Rehearsal and Production Photography by Johan Persson CONTENTS BACKGROUNDPRODUCTIONRESOURCES
Written by Ben Woolf Edited by Sam Maynard and Katherine Igoe-Ewer Rehearsal and Production Photography by Johan Persson CONTENTS BACKGROUNDPRODUCTIONRESOURCES Contents Introduction 3 Section 1: Background to CLOSER 4 CLOSER: An introduction 5 Characters 6 CLOSER in Context 10 Section 2: The Donmar’s Production 15 Cast and Creative Team 16 Rehearsal Diaries 17 An Interview with Playwright Patrick Marber 21 An Interview with the Cast of CLOSER 26 Section 3: Resources 30 Spotlight on Deborah Andrews, Costume Supervisor 31 Workshop Exercises 35 Bibliography 39 2 CONTENTS BACKGROUNDPRODUCTIONRESOURCES Introduction Welcome to this Behind the Scenes Guide to the Donmar Warehouse production of Patrick Marber’s CLOSER, directed by David Leveaux. The following pages contain an exclusive insight into the process of bringing this production from page to stage. Written by playwright and director Patrick Marber, CLOSER was critically acclaimed when it premiered at the National Theatre in 1997, winning Olivier, Evening Standard and New York Drama Critic’s Circle Awards. It has since been produced in the West End, Broadway, around the world and adapted into an international movie. This is its first major London revival. This guide aims to set the play and the production in context. It includes conversations with Patrick Marber and the cast who bring the characters to life. There are also extracts from Resident Assistant Director Zoé Ford’s rehearsal diary and practical exercises designed for use in the classroom. The guide has a particular focus on costume and includes a conversation with Deborah Andrews, the production’s costume supervisor, whose role is crucial in finding the right look for each character. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
BECKETT, SAMUEL, 1906-1989 Samuel Beckett Collection, 1955-1996
BECKETT, SAMUEL, 1906-1989 Samuel Beckett collection, 1955-1996 Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Beckett, Samuel, 1906-1989 Title: Samuel Beckett collection, 1955-1996 Call Number: Manuscript Collection No. 902 Extent: .5 linear foot (1 box), 1 oversized papers folder (OP), and 1.56 MB born digital materials (63 files) Abstract: Collection of handbills, playbills, and programs relating to Samuel Beckett productions in the United Kingdom. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Access to born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Beckett collection, University of Reading, Reading, England; Carlton Lake collection of Samuel Beckett papers and Samuel Beckett collection, Harry Ransom Humanities Research Center, Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Samuel Beckett collection, 1955-1996 Manuscript Collection No. 902 University of Texas at Austin; and Samuel Beckett papers, Washington University Libraries, Department of Special Collections.