5 out Motion Offense – Complete Coaching Guide
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1-4 Continuity Offense - Pg
1-4 Continuity Offense - pg. 1 1-4 Continuity Offense Table of Contents 1. Set-up Game 2 2. Wing Entry 3 3. Post Entry 5 4. Dribble Entry 6 All Contents Proprietary 1-4 Continuity Offense - pg. 2 Set-up Game 1-4 From Stack Alignment 2 3 2 and 3 Cross and Posts Flash to Elbow 4 5 Timing Critical 1 1-4 From Diamond Alignment 2 man go off either side and 3 goes opposite 3 5 4 2 1 1-4 From Box Set 3 2 Posts Downscreen and Flash to Elbow 5 4 1 All Contents Proprietary 1-4 Continuity Offense - pg. 3 Wing Entry Pass to either wing after set-up game to 1-4 2 3 5 4 1 Ball side post sprints to top of the key Weakside post cuts behind defense to 1st hash above block Point Guard cuts through the elbow and waits for ball reversal opposite wing cheats in for block to block screen 3 5 4 2 1 Key to the play is how quickly we can reverse the ball from wing to wing. The ball pust be passed from 2 to 1 as quickly as possible. 1 3 5 2 4 Small on Big Cross-Screen Post Player must wait to receive screen and will always go low off of the 3 5 screen. Guard then receives downscreen from post player 1 2 4 If a shot is not available, the posts immediately flash to elbows and offense resumes 5 4 2 1 3 All Contents Proprietary 1-4 Continuity Offense - pg. -
Man to Man Motion Offense Summary This Play Is Great to Use for Youth Coaches, Because It Is Very Simple to Teach, Yet Effective
Simple Baskeball Offenses Man to Man Motion Offense Summary This play is great to use for youth coaches, because it is very simple to teach, yet effective. You can also use this as a simple, continuity offense that you will run over and over. The offense starts in a basic 1-3-1 set. It will provide dribble-drive opportunities. Personnel You want Players 4 & 5 to be your post players. You want players 1, 2, & 3 to have good ball handling skills. Instructions 1. Player 1 can pass to either wing, Player 2 or 3. If the player is on the block on the ball side, he will cut to the opposite block to clear out the ball side. In this case, Player 4 goes to the opposite block for Player 1 to make a basket cut. It will also create an opportunity for Player 2 to dribble drive, if he/she sees an advantage. (Figure 1) 2. Player 1 fakes towards the opposite wing, then brushes his man off Player 5 as he cuts to the basket. (Figure 2) 3. When Player 1 reaches the block area, Player 5 flashes to the high post. Player 2 can pass to either Player 1 or Player 5. If Player 5 gets the ball in the high post, he can also dump the ball down to Player 1. If Player 1 can get the defensive player on his outside hip, he can get an easy score. (Figure 3) 4. If player 1 is not open, he/she cuts to the opposite wing, and Player 5 replaces him on the low block. -
George Mason University's Building the Full Court Scramble
GEORGE MASON UNIVERSITY'S BUILDING THE FULL COURT SCRAMBLE By Eric Konkol Assistant Basketball Coach George Mason Univeristy Applying effective full court pressure is an excellent way of taking your opponent out of their comfort zone in two simple ways. Its immediate effect is placing duress on the ball handlers, potentially forcing dribbling on passing errors, well before they get across half court and into the scoring area. In the long term, the effects of persistent pressure, constant guessing, and an increase in tempo can cause additional physical and mental fatigue on your opponent and give you a great opportunity for success. Nearly eight years ago, Jim Larranga inherited a George Mason University men’s basketball program that suffered through seven losing seasons including four last place finishes in the Colonial Athletic Association. After implementing an intense style of pressure defense that includes the Full Court Scramble, George Mason now has the most wins in the CAA as well as four postseason tournament appearances in the past six years. At George Mason, we believe that being successful at the Full Court Scramble requires three inner qualities before our players ever step onto the floor. Our three-part philosophy includes: attitude, commitment, and class. First, everyone must have a positive attitude. Each of us makes a decision each day on what type of attitude we will have. We emphasize enthusiasm, passion, along with hard work in our program. There is going to be adversity, and how we bounce back is vital. Secondly, everyone must be totally and unconditionally committed. We must work hard to improve every day, no matter the circumstances. -
Double / Triple Screen Offense Double / Triple Screen Continuity Offense
Newsletter Double / triple screen offense Double / Triple Screen Continuity Offense The Double / Triple Screen Offense is a "play call" for us. Our primary offense is the dribble motion, but we will mix in some sets and this continuity offense. I have chosen, for now, this Double / Triple Screen Continuity Offense. Our players run there normal lanes. #5 always runs down the middle of the court and then to the block away from the ball. We run to these alignments so that we can start our Dribble Motion....if not, we are able to begin our Double / Triple Screen Continuity Offense with a "play call". Double / Triple Screen Continuity Offense BASIC CONTINUITY #1 will dribble up into the right wing area. As #1 dribbles in... • #2 cuts to the ball side low block • #4 cuts to the FT line ball side elbow • #3 cuts to the back side FT line elbow • #5 steps out a few feet from the opposite block Double / Triple Screen Continuity Offense BASIC CONTINUITY From here, we will begin everybody's favorite..."America's Play", by screening across with #2 for #5. #5 has stepped out a few feet from the lane so that he will have more room to setup his defender. #3 and #4 are ready to set a double down screen for #2. Since #3 and #4 will be setting a triple screen immediately after this screen, we ask them to stay out of the lane until #5 comes off of the screen from #2. If #5 is open, #1 will deliver the ball to the low post. -
Motion Drills
Motion Offense Practice - pg. 1 Motion Drills V-Cut Drill V-Cut, Back-Cut Drill Motion Drills Motion Drills 2 2 2 3 2 1 2 1 1 Teach your perimeter players to V-cut, replace themselves, and After teaching the V-cut, teach the back-cut, which is used when receive the pass. Make sure they catch the ball in triple threat the defender over-plays, or denies, the pass. Have your X2 position. Use groups of three, and start with no defense, or token defender deny the pass, and teach O2 to recognize this situation defense (no deny). The players reverse the ball around several and make the back-cut for the pass from O1. Initially, use token times. Then you yell "Go!", and anything goes with the offense defense, and then go 2-on-2 with hard defense. The O2 offensive attempting a quick score, using a dribble move, a cut and pass, player must learn to read the defender, and learn when to v-cut, screen, back-cut, etc and when to back-cut Point Guard Give'n Go Drill Dribble-Entry, Rotate Drill Motion Drills Motion Drills 2 3 2 1 2 1 1 The X2 defender plays "soft" and allows the pass from O1 to O2. If O1 is not able to make the pass to the wing, he/she may simply O1 fakes left, and makes the basket cut looking for the return dribble to the wing and replace the wing. The wing player must pass from O2. Have the X1 defender play token defense at first. -
“3-ON-3” K, 1 St & 2 Nd GRADE DEVELOPMENT PROGRAM
“3-ON-3” K, 1 st & 2 nd GRADE DEVELOPMENT PROGRAM 2013-14 GABL OPERATIONS GUIDE 1. Introduction 2. Sample 8-Week Overview 3. Program Policies 4. Playing Rules 5. Grade Addendums PRESENTED BY Great American Basketball League 6740 Antioch * Suite 250 * Merriam, Kansas 66204-1261 Telephone: 913/236-8833 * Fax: 913/236-9188 * Website: www.gabl.net Managed by Sports Management Associates, L.C. INTRODUCTION The mission of the “3-on-3” program is to allow kindergarten, first and second graders the opportunity to learn the fundamental skills of basketball while having fun and developing a love for the game. This program has a unique structure that provides eight (8) 60-minute sessions for children to learn and enjoy the game of basketball. Here is an overview of a typical session: Organization – First 10-minutes Teams arrive at their assigned gym locations. Head coaches meet with GABL reps and review the day’s session. GABL Rep demonstrates the “Theme of the Day” to all teams in the gym Practice – 15-25 Minutes This is a time to work on fundamental skills. For example, coaches should spend time working on offensive skills such as dribbling, passing, shooting, cutting. The last part of this time could be used to work on defensive skills such as rebounding, the proper way to play man-to-man defense, and getting back on defense. Coaches should have a prepared outline. The Game – 15-25 Minutes Players will receive the opportunity to apply the skills they have learned in 3-on-3 game situations. “Games” will consist of two 10-15-minute halves, with a brief half time. -
50 Series Motion Offense Package
50 Series Motion Offense Package David Preheim Introduction One of my favorite discussions to have with coaches is over the debate Motion Offense vs. Patterned / Continuity Offense. Many coaches, such as Jay Wright, Coach K, Bob Huggins, and Bobby Knight, have had a lot of success with motion based offenses. The same could be same about continuity coaches such as Bo Ryan, Gary Williams, and Mark Few. Most motions coach like motion based offenses because they don’t have to teach their players particular plays, but rather how to play the game. There is a certain level of control that motion coaches give their players, however. You don’t know who is going to be where in a given period of time necessarily. However, by teaching player roles and what your expectations are as a coach can help your players understand what type of shots the offense should generate and what type of shots are in each player’s game. The 50 Series Offense is an open post motion offense package that uses a numbering system to designate specific motion actions. Each number is assigned an offensive focus; however, any motion concept (basket cut, ball screen, post feed) can be used at any particular moment of the offense. For example, if you are in 50, which focus on ball screens, a player can still use a backdoor cut on a defensive overplay or any other motion concept. As a coach, if you know a team struggles at ball screen defense (run 50) or if as a game goes along, you realize that defenders are not jumping the pass (run 51), you can easily communicate to your players a specific motion action you want to take place while still staying in your motion set. -
Women's Lacrosse Basics
Women's Lacrosse Basics Rules of Play The Youth and HS have different rules, and the youth have different levels of play based on age. The guides on https://www.uslacrosse.org/rules/girls-rules can get you more familiarized for your athletes age level. The rest of the information here can give you a sense of the flow of play. Start of the game The game begins at the start of each half and after each goal with a draw at the center of the field. The team that takes possession of the ball during the draw is on offense. Offense and Defense Offense: Women’s lacrosse is a fast-paced game; since players are spread across a large field, speed is the key factor to success. Teamwork is critical! Good passing leads to scoring chances and prevents the opposition from taking possession of the ball. Field players run while cradling the ball and look to pass to open teammates with the objective of creating an open shot at the goal. Some basic offense strategies include settle, motion, drive, cut and shoot. • Settle Offence: • Motion Offence: • Drive: • Cut: • Shoot: Defense: The defense attempts to stop the offense from scoring by deflecting or intercepting passes, taking the ball from the opponent, or forcing bad shots. Physical contact is not permitted; however the defender can guide the offensive player out of the 8M and safely stick check the opponent’s Crosse to knock the ball loose. Defenders will either play “man-to-man” defense, in which each player is assigned to guard a certain opponent, or “zone defense,” in which defensive players guard a specific area of the field. -
The Maryland Offense
20_001.qxd 31-05-2006 13:16 Pagina 1 MAY / JUNE 2006 20 FOR BASKETBALL EVERYWHERE ENTHUSIASTS FIBA ASSIST MAGAZINE ASSIST Zoran Kovacic WOMEN’S U19 SERBIA AND BRENDA FRESE MONTENEGRO OFFENSE Aldo corno and mario buccoliero 1-3-1 zone trap Nancy Ethier THE MARYLAND THE IMPORTANCE OF MENTORSHIP ESTHER WENDER FIBa EUROPE’S YEAR OF WOMEN’s basketball OFFENSE Donna O’Connor THE “OPALS” STRENGTH AND CONDITIONING ;4 20_003.qxd 31-05-2006 12:03 Pagina 4 TABLE OF CONTENTS 2006 FIBA CALENDAR COACHES MAY FUNDAMENTALS AND YOUTH BASKETBALL 19 - 23.05 FIBA Women’s World Women’s U19 Serbia and Montenegro Offense 4 League, PR Group A, in by Zoran Kovacic Shaoxing, P.R. of China 31.05 - 08.06 FIBA Asia Champions Shooting Drills 8 Cup for Men in Kuwait by Francis Denis June OFFENSE 28.06 - 02.07 FIBA Women’s World 11 League, PR Group B, The High-Post and the Triangle Offenses in Pecs, Hungary by Geno Auriemma 28.06 - 02.07 FIBA Americas U18 The Maryland Offense 16 FIBA ASSIST MAGAZINE Championship for Men by Brenda Frese IS A PUBLICATION OF FIBA in San Antonio, USA International Basketball Federation 51 – 53, Avenue Louis Casaï CH-1216 Cointrin/Geneva Switzerland 28.06 - 02.07 FIBA Americas U18 The Rational Game 20 Tel. +41-22-545.0000, Fax +41-22-545.0099 Championship for by Tamas Sterbenz www.fiba.com / e-mail: [email protected] Women in Colorado IN COLLABORATION WITH Giganti-BT&M, Cantelli Springs, USA Editore, Italy deFENSE PARTNER WABC (World Association of 1-3-1 Zone Trap 23 Basketball Coaches), Dusan Ivkovic President July 04 - 14.07 Wheelchair World by Aldo Corno e Mario Buccoliero Championship for Men, Editor-in-Chief in Amsterdam, HOOP MARKET Giorgio Gandolfi Netherlands Women's Basketball 30 18 - 27.07 FIBA Europe U18 by Raffaele Imbrogno Editorial Office: Cantelli Editore, Championship for Men V. -
CHARLES R. SMITH, JR. Story & Libretto
Our missions is: • to create new operas that enchant, challenge, and inspire our diverse global community & encourage new ways of seeing our world; • to make opera relevant to our 21st century world, nation, and communities We do this: • by engaging new audiences & new generations in the process and the performance of the opera; • by partnering with producers and community organizations to extend our reach both within and far outside the walls of the opera house. Opera was first created as a theatrical form for the people. Our mission is to help keep it that way. Ardea Arts, Inc. is a not-for-profit 501(c)(3) corporation. All donations are tax-deductible to the full extent allowed by law. [email protected] // 463 BROOME ST, NEW YORK, NY 10013 // TEL 212.431.7039 ARDEAARTS.COM WWW.ARDEAARTS.COM/BOUNCE Promo Pack: www.artistecard.com/bounce Produced and developed by ARDEA ARTS // Development Partner UNIVERSITY OF KENTUCKY OPERA THEATRE 463 Broome St // New York, NY 10013 // Tel 212.431.7039 // www.ArdeaArts.com ABOUT THE SHOW BOUNCE Promo Kit: www.artistecard.com/bounce “...a new form of Opera and a cast of wonderful young people...” From an Audience Member at our March Presentation 2017 Produced and developed by ARDEA ARTS // Development Partner UNIVERSITY OF KENTUCKY OPERA THEATRE 463 Broome St // New York, NY 10013 // Tel 212.431.7039 // www.ArdeaArts.com CREDITS BOUNCE THE BASKETBALL OPERA Concept & Direction: Grethe Barrett Holby Story & Libretto: Charles R. Smith, Jr. Lead Composer: Glen Roven Additional Music: Tomás Doncker Basketball EDM Tracks: Ansel Elgort aka DJ Ansolo Co-Producer & Conductor: Everett McCorvey Location: Basketball courts or large flexible theatrical space. -
John Calipari Dribble Drive Motion 5 Offense
John Calipari Dribble Drive Motion 5 Offense It's been a while since I've revisted the dribble drive offense with any depth and since John Calipari's DVDs have finally debuted, I thought I would release the hounds with Calipari's version of Walberg's system. There a few continuity-based halfcourt sets that Calipari has added to the system while at Memphis and will likely use at Kentucky. It will take a few posts to get them all through, but this is the first one. Motion 5 To preface the diagrams, remember that at all times the goal of the offense is to get to the rim. Once a player gets into the 'rack zone', DDM terminology for 'in the key', the goal is to dunk it (or layup). Ordinarily, O5 is down low, but in this case O4 is down low and O5 is up top. The continuity starts with O1 trying to beat his defender off the dribble. If he cannot get past, he passes to O2 who comes straight up from the corner. O1 loop cuts to the corner after the pass O2 attempts to take his defender off the dribble by turning the corner with a middle drive. O5 relocates cross the lane up top. O3 steps up out of the corner to the opposite free- throw line extended. O4 relocates block to block. If O2 is unable to turn the corner, he can find O4. If O4 is not open, then the pass goes to O3, The same action repeats except with O3 driving and O1 in the opposite corner coming up to the opposite free-throw line extended, Now, you can run that action over and over again, just like any traditional continuity offense like a flex, etc. -
The “Dribble, Drive, Motion” Offense
november / december 2008 / december november 35 FOR basketball enthusiasts everywhere enthusiasts basketball FOR FIBA ASSIST MAGAZINE FIBA ASSIST assist Slobodan klipa u20 serbian men’s vance walberg secondary fastbreak steve smith the oak hill “32 series” the “dribble, antonio pagano the entertainment factor drive, motion” one-on-one chuck daly offense tables of contents 2009-10 FIBA CALENDAR COACHES 2009 FUNDAMENTALS AND YOUTH BASKETBALL The Oak Hill "32 Series" 4 June 2009 07 - 20.06 EuroBasket Women by Steve Smith in Latvia July 2009 U20 Serbian Men's Secondary Fastbreak 8 02 - 12.07 FIBA U19 World Championship for Men in by Slobodan Klipa Auckland (NZL) 23.07 -02.08 FIBA U19 World Championship for Women in Bangkok (THA) Drills After the Warm Up - Part II 14 FIBA ASSIST MAgAZINE september 2009 by Pepu Hernandez IS A PUBLICATION OF FIBA International Basketball Federation 07 - 20.09 EuroBasket Men in Poland 51 – 53, Avenue Louis Casaï 23 - 27.09 FIBA Americas CH-1216 Cointrin/Geneva Switzerland Championship for Women OFFENSE Tel. +41-22-545.0000, Fax +41-22-545.0099 in Mato Groso (BRA) www.fiba.com / e-mail: [email protected] 24 - 03.10 FIBA Africa The "Dribble, Drive, Motion" Offense 20 Championship for Women IN collaboration wITH Giganti del Basket, by Vance Walberg Cantelli Editore, Italy in Bamako (MLI) Partner WABC (World Association of Basketball Coaches), Dusan Ivkovic President 2010 HOOP MARKET July 2010 The New Frontier of the Offense 28 Editor-in-Chief 02 - 11.07 FIBA U17 World Giorgio Gandolfi Championship for Men by Raffaele Imbrogno (site tbd) 16 - 26.07 FIBA U17 World Editorial Office: Cantelli Editore, Championship for Women V.