DOCSLIB.ORG

2: Book Reviews

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2: Book Reviews Church Monuments Vols I–XXXI (1985–2016) Book reviews Arnold, C., Necropolis: London and its dead. Berndt, R, ed., Wider das Vergessen und für (2006). Reviewed by K. Bristol, XXI: 199– das Seelenheil: Memoria und 200 Totengedenken im Mittelalter. (2013). Ayres, J., Art, artisans and apprentices: Reviewed by J. Olchawa, XXIX: 189–191 Apprentice painters and sculptors in the Berresford, S. and Freidus, R., Italian early modern British tradition. (2014). memorial sculpture 1830–1940. (2004). Reviewed by J. Wilson, XXX: 216–218 Reviewed by J. Physick, XX: 127–128 Bertram, J., Bishops and burgers, dukes and Badham, S., Medieval church and churchyard knights. (2011). Reviewed by J.S. Curl, monuments. (2011). Reviewed by R. XXVIII: 159–160 Biebrach, XXVI: 137–138 Bertram, J., Icon and epigraphy. The meaning Badham, S., Monumental brasses. (2009). of European brasses and slabs. (2015). Reviewed by K. Wilson-Lee, XXIV: 143– Reviewed by S. Badham, XXX: 210–212 144 Bertram, J., ed., The Catesby family and their Badham, S. Seeking salvation: brasses at Ashby St Ledgers. (2006). commemorating the dead in the late- Reviewed by B. Kemp, XXII: 144–145 medieval English parish. (2015). Reviewed Binski, P., Becket’s crown: art and by P. Coss, XXXI: 229–31 imagination in Gothic England, 1170– Badham, S. and Blacker, G., Northern rock: 1300. (2004). Reviewed by N. Saul, XIX: the use of Egglestone marble for 142–143 monuments in medieval England. (2009). Binski, P. and Massing, A., eds., The Reviewed by T. Palmer, XXIV: 129 Westminster Retable: history, technique, Badham, S. and Cockerham, P., eds., ‘The conservation. (2009). Reviewed by S. beste and fayrest of al Lincolnshire’. The Badham, XXV: 175–176 church of St Botolph, Boston, Lincolnshire, Binski, P. and New, E.A., eds., Patrons and and its medieval monuments. (2012). professionals in the Middle Ages. (2012). Reviewed by R.A. Wood, XXVIII: 164– Reviewed by S. Badham, XXVII: 122–124 165 Bitter, P., Bonenkampová, V. and Goudriaan, Badham, S. and Oosterwijk, S., eds., K, eds., Graven spreken. Perspectieven op Monumental industry: the production of grafcultuur in de middeleeuwse en tomb monuments in England and Wales in vroegmoderne Nederlanden. (2013). the long fourteenth century. (2010). Reviewed by S. Oosterwijk, XXIX: 154– Reviewed by J.S. Alexander, XXV: 171– 158 172 Blachowicz, J., From slate to marble: Baker, M., The Marble Index. Roubiliac and Gravestone carving traditions in Eastern sculptural portraiture in eighteenth-century Massachusetts 1750–1850, vol. 2. (2015). Britain. (2014). Reviewed by K. Eustace, Reviewed by J. Kewley, XXXI: 259–60 XXX: 228–230 Bloore, P. and Martin, E., eds., Wingfield Barlow, J. et al., Edward II: his last months College and its patrons. Piety and prestige and his monument. (2015). Reviewed by in medieval Suffolk. (2015). Reviewed by D.M. Palliser, XXXI: 235–7 N. Saul, XXXI: 237–8 Baresel-Brand, A., Grabdenkmäler Boffey, J. and Davis, V., eds., Recording nordeuropäischer Fürstenhäuser im medieval lives. (2009). Reviewed by P.J. Zeitalter der Renaissance 1550–1650. Lankester, XXV: 181–182 (2007). Reviewed by S. Knöll, XXII: 156– Borngässer, B. et al, eds., Grabkunst und 157 Sepulkralkultur in Spanien und Portugal – Barnes, R., The art of memory. Sculpture in the Arte funerario y cultura sepulcral en cemeteries of London. (2016). Reviewed by España y Portugal. (2006). Reviewed by S. R. Bowdler, XXXI: 260–2 Knöll, XXI: 196–197 Baron, F. et al., Les tombeaux des ducs de Brenner, E, Cohen, M. and Franklin–Brown, Bourgogne. Création, destruction, M, eds., Memory and commemoration in restauration. (2009). Reviewed by S. medieval culture. (2013). Reviewed by D. Oosterwijk, XXV: 183–184 Lepine, XXIX: 167–168 Barron, C.M. and Burgess, C., eds., Memory Brine, D., Pious memories. The wall-mounted and commemoration in medieval England. memorial in the Burgundian Netherlands. (2010). Reviewed by P.J. Lankester, (2015). Reviewed by J. Luxford, XXXI: XXVI: 138–140 244–7 Baxter, R., The Royal Abbey of Reading. Brinkmann, I., Grabdenkmäler, Grablegen und (2016). Reviewed by D.M. Palliser, XXXI: Begräbniswesen des lutherischen Adels. 231–2 Church Monuments Vols I–XXXI (1985–2016) Book reviews (2010). Reviewed by S. Knöll, XXV: 185– Crook, J., English medieval shrines. (2011). 186 Reviewed by S. Badham, XXVII: 116–117 Bromley, J. and D., Wellington’s men Curl, J.S., Funerary monuments and remembered. A register of memorials to memorials in St Patrick’s Cathedral, soldiers who served in the Peninsular War Armagh. (2013). Reviewed by P. and at Waterloo 1808–1815. (2012, 2015). Cockerham, XXVIII: 161–163 Reviewed by R. Bowdler, XXX: 204–205 Curl, J.S. and Wilson, S., The Oxford Burgess, C. and Duffy, E., eds., The parish in dictionary of architecture. 3rd ed. (2015). late medieval England. (2006). Reviewed Reviewed by N. Hammond, XXX: 231– by P.J. Lankester, XXII: 148–150 232 Burman, P., ed., Treasures on Earth. (1994). Reviewed by I.R., XIV: 143–144 Davies, M. and Prescott, A., eds., London and Byrne, M., Beautiful churches saved by the the kingdom. Essays in honour of Caroline Churches Conservation Trust. (2013). M. Barron. (2008). Reviewed by S. Reviewed by J. Kelsall, XXIX: 188–189 Badham, XXIII: 146–148 Davis, M., Necropolis, city of the dead. Cannon, J. and Williamson, B., eds., The Undercliffe Victorian cemetery. (2015). medieval art, architecture and history of Reviewed by J. Litten, XXX: 233–234 Bristol Cathedral. An enigma explored. Dorgerloh, A. et al., Grab und memoria im (2011). Reviewed by R. Biebrach, XXVIII: frühen landschaftsgarten. (2015). 153–154 Reviewed by M. Spies, XXXI: 252–3 Capwell, T., Armour of the English knight Downing, M., Medieval military monuments in 1400–1450. (2015). Reviewed by P Lincolnshire. (2010). Reviewed by R. Lankester, XXXI: 242–4 Knowles, XXV: 178–179 Champion, M., Medieval graffiti: The lost Downing, M., Military effigies of England and voices of England’s churches. (2015). Wales, volume 1: Bedfordshire– Reviewed by J.S. Alexander, XXXI: 247–8 Derbyshire. (2010). Reviewed by B. and Chaney, E. and Wilks, T., The Jacobean M. Gittos, XXVI: 136–137 Grand Tour. Early Stuart travellers in Dressler, R.A., Of armor and men in medieval Europe. (2014). Reviewed by C. Bailey, England. (2004). Reviewed by S. Badham XXIX: 175–176 and P.J. Lankester, XIX: 130–140 Cheetham, F., Alabaster images of medieval Duffy, M., Royal tombs of medieval England. England. (2003). Reviewed by J. Bayliss, (2003). Reviewed by R. Knowles, XVIII: XIX: 141–142 90 Cherry, B., Ivy-mantled tower. A history of the Dumitran, D. and Rotar, M, eds., Places of church and churchyard of St Mary, memory: Cemeteries and funerary Hornsey, Middlesex. (2015). Reviewed by practices throughout the Time. (2015). J. Kelsall, XXXI: 263–4 Reviewed by S. Oosterwijk, XXXI: 248–9 Chlíbec, J. and Roháček, J., Figure and Dunning, R. ed., Somerset churches and lettering. Sepulchral sculpture of the chapels: building, repair and restoration. Jagiellonian period in Bohemia. (2014). (n.d.). Reviewed by B. and M. Gittos, Reviewed by J. Bertram, XXX: 209–210 XXIII: 158–159 Cockerham, P., Continuity and change: Dyson, J., Dead famous London. (2013). memorialisation and the Cornish funeral Reviewed by P. Armstrong, XXIX: 184– monument industry 1497–1660. (2006). 185 Reviewed by J. Bayliss, XXII: 145–147 “My body to be buried in my owne Eales, R. and Tyas, S., eds., Family and monument”: the social and religious dynasty in late medieval England. (2003). context of Co. Kilkenny funeral Reviewed by S. Badham, XVIII: 91–92 monuments, 1600–1700. (2009). Reviewed Egmond, A-M. J. van and Chavannes–Mazel, by J.S. Curl, XXVIII: 159–160 C.A., eds., Medieval art in the Northern Coss, P., The foundations of gentry life. The Netherlands before Van Eyck: New facts Multons of Frampton and their world and features. (2014). Reviewed by S 1270–1370. (2010). Reviewed by S. Oosterwijk, XXX: 213–214 Badham, XXV: 179–181 Craske, M., The silent rhetoric of the body: a Fanous, S., ed., Epitaphs: A dying art. (2016). history of monumental sculpture and Reviewed by J.S. Curl, XXXI: 267–8 commemorative art in England, 1720– Fehrmann, A., Grab und Krone. 1770. (2007). Reviewed by S. Watney, Königsgrabmäler im mittelalterlichen XXIII: 156–158 England und die postume Selbstdarstellung Church Monuments Vols I–XXXI (1985–2016) Book reviews der Lancaster. (2008). Reviewed by S. Gunn, S. and Monkton, L., eds., Arthur Tudor, Oosterwijk., XXIV: 130–131 Prince of Wales. Life, death and Fincham, K. and Tyacke, N., eds., Altars commemoration. (2009). Reviewed by S. restored: the changing face of English Oosterwijk, XXIV: 136–138 religious worship, 1547–c.1700. (2007). Reviewed by J. Bertram, XXIII: 152–153 Halliday, R., Suffolk graves. A history of Fornerod, A. ed., Funding religious heritage. Suffolk gravestones. (2013) and Suffolk (2015). Reviewed by R. Bowdler, XXX: graves. Graves of the famous and notable. 237–238 (2013). Reviewed by R. Bowdler, XXIX: Forsyth-Moser, T., ed., Who do you think they 183–184 were? The memorials of Ripon cathedral. Hart, S., Medieval church window tracery in (2008). Reviewed by P. Hacker, XXIII: England. (2012). Reviewed by E. Pridgeon, 159–160 XXVIII: 154–156 Friedman, T., The Georgian parish church: Hauschke, S., Die Grabdenkmäler der monuments to posterity. (2004). Reviewed Nürnberger Vischer-Werkstatt 1453–1544. by C.J. Easter, XX: 127 (2006). Reviewed by S. Knöll, XXII: 152– 154 Gaimster, D. and Gilchrist, R., eds., The Heale, M., ed., The prelate in England and archaeology of Reformation 1480–1580. Europe 1300–1560. (2014). Reviewed by (2004). Reviewed by P.G. Lindley, XX: D. Meara, XXX: 214–216 117–120 Hearn, K. and Hulse, L., eds., Lady Anne Giles, K. and Dyer, C., eds., Town and country Clifford: culture, patronage and gender in in the Middle Ages: contrasts, contacts and seventeenth–century Britain.
Load more

Recommended publications
  • Holy Trinity Church
    Holy Trinity Church Ingham - Norfolk HOLY TRINITY CHURCH INGHAM Ingham, written as “Hincham” in the Domesday Book, means “seated in a meadow”. Nothing of this period survives in the church, the oldest part of which now seems the stretch of walling at the south west corner of the chancel. This is made of whole flints, as against the knapped flint of the rest of the building, and contains traces of a blocked priest’s doorway. In spite of the herringboning of some of the rows of flints, it is probably not older than the thirteenth century. The rest of the body of the church was rebuilt in the years leading up to 1360.Work would have started with the chancel, but it is uncertain when it was begun. The tomb of Sir Oliver de Ingham, who died in 1343, is in the founder’s position on the north side of the chancel, and since the posture of the effigy is, as we shall see, already old fashioned for the date of death, it seems most likely that it was commissioned during his life time and that he rebuilt the chancel (which is Pevsner’s view), or that work began immediately after his death by his daughter Joan and her husband, Sir Miles Stapleton, who also rebuilt the nave. The Stapletons established a College of Friars of the Order of Holy Trinity and St Victor to serve Ingham, and also Walcot. The friars were installed in 1360, and originally consisted of a prior, a sacrist, who also acted as vicar of the parish, and two more brethren.
    [Show full text]
  • "Wherein Taylors May Finde out New Fashions"1
    "Wherein Taylors may finde out new fashions"1 Constructing the Costume Research Image Library (CRIL) Dr Jane Malcolm-Davies Textile Conservation Centre, Winchester School of Art 1) Introduction The precise construction of 16th century dress in the British Isles remains something of a conundrum although there are clues to be found in contemporary evidence. Primary sources for the period fall into three main categories: pictorial (art works of the appropriate period), documentary (written works of the period such as wardrobe warrants, personal inventories, personal letters and financial accounts), and archaeological (extant garments in museum collections). Each has their limitations. These three sources provide a fragmentary picture of the garments worn by men and women in the 16th century. There is a need for further sources of evidence to add to the partial record of dress currently available to scholars and, increasingly, those who wish to reconstruct dress for display or wear, particularly for educational purposes. The need for accessible and accurate information on Tudor dress is therefore urgent. Sources which shed new light on the construction of historic dress and provide a comparison or contrast with extant research are invaluable. This paper reports a pilot project which attempted to link the dead, their dress and their documents to create a visual research resource for 16th century costume. 2) The research problem There is a fourth primary source of information that has considerable potential but as yet has been largely overlooked by costume historians. Church effigies are frequently life-size, detailed and dressed in contemporary clothes. They offer a further advantage in the portrayal of many middle class who do not appear in 1 pictorial sources in as great a number as aristocrats.
    [Show full text]
  • Download 2011 Transactions
    Monumental Brass Society 2011 TRANSACTIONS Monumental Brass Society Volume XVIII, Part 3, 2011. ISSN 0143-1250 The Hastings Brass at Elsing: A Contextual Analysis 193 Julian Luxford The Inscriptions of the Blodwell Brass at Balsham, Cambridgeshire 212 Reinhard Lamp Jankyn Smith of Bury St. Edmunds and his Brass 227 Margaret Statham and Sally Badham The Indent of John Aylward: Glass and Brass at East Harling 251 David King Conservation of brasses, 2010 268 William Lack Reviews 273 Portfolio of Small Plates 281 Contributors are solely responsible for all views and opinions contained in the Transactions, which do not necessarily represent those of the Society. © Monumental Brass Society and the authors, 2011 Registered Charity No. 214336 www.mbs-brasses.co.uk The Hastings Brass at Elsing: A Contextual Analysis Julian Luxford While the brass of Hugh Hastings at Elsing, Norfolk, monument at Elsing belongs to the ebb and has been studied heavily and well in the past, nobody has flow of history – historical events helped to attempted to situate it firmly in its pre-Reformation shape it, conditioned its reception, and account environment. This is not surprising, perhaps, because its for both its survival and partial destruction – the style and imagery solicit close, object-based analysis. nature and quality of its execution assert its However, some detailed evidence exists for the place of the materiality at each encounter. brass in social and religious contexts during the late middle ages. The study of this evidence is potentially This short investigation of the Hastings brass valuable, because it helps one to appreciate how the brass in relation to elements of its social and may have been experienced by medieval viewers, and how religious setting is not blind to these points.
    [Show full text]
  • List of Publications in Society's Library
    OXFORD ARCHITECTURAL AND HISTORICAL SOCIETY LIBRARY RICHMOND ROOM, ASHMOLEAN MUSEUM Classified Shelf-List (Brought up-to-date by Tony Hawkins 1992-93) Note (2010): The collection is now stored in the Sackler Library CLASSIFICATION SCHEME A Architecture A1 General A2 Domestic A3 Military A4 Town Planning A5 Architects, biographies & memoirs A6 Periodicals B Gothic architecture B1 Theory B2 Handbooks B3 Renaissance architecture B4 Church restoration B5 Symbolism: crosses &c. C Continental and foreign architecture C1 General C2 France, Switzerland C3 Germany, Scandinavia C4 Italy, Greece C5 Asia D Church architecture: special features D1 General D2 Glass D3 Memorials, tombs D4 Brasses and incised slabs D5 Woodwork: roofs, screens &c. D6 Mural paintings D7 Miscellaneous fittings D8 Bells E Ecclesiology E1 Churches - England, by county E2 Churches - Scotland, Wales E3 Cathedrals, abbeys &c. F Oxford, county F1 Gazetteers, directories, maps &c. F2 Topography, general F3 Topography, special areas F4 Special subjects F5 Oxford diocese and churches, incl RC and non-conformist F6 Individual parishes, alphabetically G Oxford, city and university G1 Guidebooks G2 Oxford city, official publications, records G3 Industry, commerce G4 Education and social sciences G5 Town planning G6 Exhibitions, pageants &c H Oxford, history, descriptions & memoirs H1 Architecture, incl. church guides H2 General history and memoirs H3 Memoirs, academic J Oxford university J1 History J2 University departments & societies J3 Degree ceremonies J4 University institutions
    [Show full text]
  • Download Detailed Bibliography
    KEY BOOKS ON MONUMENTS This is a more detailed survey of older books about church monuments, which, instead of following the usual practice, has been compiled in the main in the datal order of their publication. None of these books is specifically about monumental brasses or churchyard memorials, although they may contain references to these subjects. There are many books about such memorials which may be found elsewhere. Most of these books are now out of print. However – with the exception of the antiquarian books - they should be readily available from most libraries, where it may be possible to at least have sight of the antiquarian books also. All these books may be also found for sale from time to time on the web sites of antiquarian and second hand booksellers. The antiquarian books are, as might be expected, very expensive. As well as books about church monuments alone, there is very often information and illustrations in books on sculpture, architecture, churches, topography and county histories, such as the Victoria County History series on England. For example, much valuable information may be found in the Pevsner series – The Buildings of England, of Scotland and of Wales, all of which are in print. Also well worth consulting are the series of county inventories from The Royal Commission of Historical Monuments of England and The Royal Commission of Ancient and Historical Monuments of Scotland and of Wales; most of these volumes are no longer in print. From an earlier age, topographical and architectural books will describe monuments as they appeared at the time of their writing and, even more importantly, describe monuments which are now lost, sometimes illustrating them.
    [Show full text]
  • The Rise of External Commemoration in Britain, Ireland and New England
    This is a repository copy of Popular attitudes to memory, the body, and social identity : the rise of external commemoration in Britain, Ireland, and New England. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/1922/ Article: Mytum, H. (2006) Popular attitudes to memory, the body, and social identity : the rise of external commemoration in Britain, Ireland, and New England. Post-Medieval Archaeology. pp. 96-110. ISSN 0079-4236 https://doi.org/10.1179/174581306X143061 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Post-Medieval Archaeology 40/1 (2006), 96–110 Popular attitudes to memory, the body, and social identity: the rise of external commemoration in Britain, Ireland and New England By HAROLD MYTUM SUMMARY: A comparative analysis of samples of external memorials from burial grounds in Britain, Ireland and New England reveals a widespread pattern of change in monument style and content, and exponential growth in the number of permanent memorials from the 18th century onwards.
    [Show full text]
  • Baptism and Burial in Stone : Materializing Pastoral Care in Anglo-Norman England
    This is a repository copy of Baptism and burial in stone : materializing pastoral care in Anglo-Norman England. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/144034/ Version: Published Version Article: McClain, Aleksandra Noel orcid.org/0000-0001-8201-3806 and Twomey, Carolyn Irene (2018) Baptism and burial in stone : materializing pastoral care in Anglo-Norman England. Fragments. ISSN 2161-8585 Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) licence. This licence only allows you to download this work and share it with others as long as you credit the authors, but you can’t change the article in any way or use it commercially. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Baptism and Burial in Stone: Materializing Pastoral Care in Anglo-Norman England ALEKSANDRA MCCLAIN University of York [email protected] CAROLYN TWOMEY St. Lawrence University [email protected] Abstract: During the eleventh and twelfth centuries the English parish church was undergoing an intense period of transformation, including the codification of the parochial system and the rights of pastoral care, as well as the standardization of the use of stone in church architecture and fixtures. This article examines a body of evidence compiled from documentary sources, baptismal fonts, and burial mark- ers from Anglo-Norman Yorkshire to reveal the intersections between pastoral care, liturgical practice, parochial formation, patronage, and materiality in this formative period.
    [Show full text]
  • The Hammer-Beam Roof: Tradition, Innovation and the Carpenter’S Art in Late Medieval England
    The Hammer-Beam Roof: Tradition, Innovation and the Carpenter’s Art in Late Medieval England Robert Beech A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies College of Arts and Law University of Birmingham September 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis is about late medieval carpenters, their techniques and their art, and about the structure that became the fusion of their technical virtuosity and artistic creativity: the hammer-beam roof. The structural nature and origin of the hammer-beam roof is discussed, and it is argued that, although invented in the late thirteenth century, during the fourteenth century the hammer-beam roof became a developmental dead-end. In the early fifteenth century the hammer-beam roof suddenly blossomed into hundreds of structures of great technical proficiency and aesthetic acumen. The thesis assesses the role of the hammer-beam roof of Westminster Hall as the catalyst to such renewed enthusiasm. This structure is analysed and discussed in detail.
    [Show full text]
  • CONTEXTS of the CADAVER TOMB IN. FIFTEENTH CENTURY ENGLAND a Volumes (T) Volume Ltext
    CONTEXTS OF THE CADAVER TOMB IN. FIFTEENTH CENTURY ENGLAND a Volumes (T) Volume LText. PAMELA MARGARET KING D. Phil. UNIVERSITY OF YORK CENTRE FOR MEDIEVAL STUDIES October, 1987. TABLE QE CONTENTS Volume I Abstract 1 List of Abbreviations 2 Introduction 3 I The Cadaver Tomb in Fifteenth Century England: The Problem Stated. 7 II The Cadaver Tomb in Fifteenth Century England: The Surviving Evidence. 57 III The Cadaver Tomb in Fifteenth Century England: Theological and Literary Background. 152 IV The Cadaver Tomb in England to 1460: The Clergy and the Laity. 198 V The Cadaver Tomb in England 1460-1480: The Clergy and the Laity. 301 VI The Cadaver Tomb in England 1480-1500: The Clergy and the Laity. 372 VII The Cadaver Tomb in Late Medieval England: Problems of Interpretation. 427 Conclusion 484 Appendix 1: Cadaver Tombs Elsewhere in the British Isles. 488 Appendix 2: The Identity of the Cadaver Tomb in York Minster. 494 Bibliography: i. Primary Sources: Unpublished 499 ii. Primary Sources: Published 501 iii. Secondary Sources. 506 Volume II Illustrations. TABU QE ILLUSTRATIONS Plates 2, 3, 6 and 23d are the reproduced by permission of the National Monuments Record; Plates 28a and b and Plate 50, by permission of the British Library; Plates 51, 52, 53, a and b, by permission of Trinity College, Cambridge. Plate 54 is taken from a copy of an engraving in the possession of the office of the Clerk of Works at Salisbury Cathedral. I am grateful to Kate Harris for Plates 19 and 45, to Peter Fairweather for Plate 36a, to Judith Prendergast for Plate 46, to David O'Connor for Plate 49, and to the late John Denmead for Plate 37b.
    [Show full text]
  • Public Archaeology and Church Monuments Carly Mcevoy
    AP: Online Journal in Public Archaeology Special Volume 3 - 2018 p. 99-126 Public Archaeology and Church Monuments Carly McEVOY University of Chester Received: 06/09/2017 — Accepted: 10/07/2018 Abstract Church monuments within the parish church can provide a wealth of information to the public about the history of that community as well as broader social themes. However, traditionally, publicity available on monuments can be limited and churches operate disparate levels of public access and engagement. Where such access and information is available there is a tendency to focus on the most elaborate and anthropomorphic styles, such as effigies, with a concentration on who they represent. This article will consider why church monuments may be important to communities, and the impediments the public may face when engaging with church monuments, ranging from practical reasons such as accessibility, to the provision of misinformation, selective information, or the lack of any resources being provided. Finally, the article will consider how information about, and engagement with, funerary monuments within the parish church setting is consistent, well researched, and publicly available via digital and non-digital media. Keywords Cheshire, church monuments, community, identity, parish church 100 - Carly McEVOY - Public Archaeology and Church Monuments Introduction Researchers widely acknowledge that later medieval and early modern church monuments operated, and often continue to operate, as key components in both the secular and sacred landscapes of ecclesiastical buildings. They provide evidence of not only spiritual matters, but also support political ideologies in death (Aries 1977; Binski 1996; Litten 1991; Llewellyn 1991), commemoration (Badham 2015; Valdez del Alamo and Pendergast, 2000; Saul 2009), as well as status and lineage (Saul 2001).
    [Show full text]
  • D. Building Types
    D. BUILDING TYPES D3. FUNERARY AND OTHER MONUMENTS For general works on sculpture, some of which include monuments, see B1, B2, B3. Periodicals: see B1, B2, D1b; also Bulletin of the International Society for the Study of Church Monuments, from 1986 called Church Monuments; Transactions of the Monumental Brass Society; full bibliographies of recent work are in Bulletins for 1979, 1981, 1982 and 1983. Badham, S.F. 1990 London Standardisation and Provincial Idiosyncrasy: The Organisation and Working Practices of brass engravings workshops in pre-Reformation England, Church Monuments Journal 5, 3–25 Baggs, A.P. 1968 Sixteenth-century terracotta tombs in East Anglia, Archaeological Journal 125, 296–300 Bindman, D., and Baker, M. 1996 Roubiliac and the eighteenth-century monument: Sculpture as Theatre Brooks, C. 1989 Mortal Remains. The history and present state of the Victorian and Edwardian cemetery Burgess, F. 1963 English Churchyard Memorials Busco, M. 1994 Sir Richard Westmacott, sculptor Cameron, H.K. 1982 Flemish brasses to civilians in England, Archaeological Journal 139, 420–40 Cheetham, F. 1985 English Medieval Alabasters Cherry, B. 1984 An Early c16 London Tomb Design, Architectural History 27, 85–95 Cherry, B. 1990 Some new types of late medieval tombs in the London area, Medieval Art, Architecture and Archaeology in London (B.A.A. Conference Transactions 1984), 140–54 Cocke, T. 1980 Classical or Gothic: Lady Anne Clifford reconsidered, Country Life 167 (31 January), 324–6 Collinson, H. 1975 Country Monuments: their families and houses Colvin, H. 1991 Architecture and the Afterlife Crossley, F.H. 1921 English Church Monuments 1150–1550 Curl, J.S.
    [Show full text]
  • The Development of Roman Military Costume on English Church Monuments
    International Journal of Art and Art History June 2020, Vol. 8, No. 1, pp. 35-47 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v8n1p3 URL: https://doi.org/10.15640/ijaah.v8n1p3 The Development of Roman Military Costume on English Church Monuments Clive J Easter1 Abstract This paper considers the development of the portrayal of Roman military costume on English church monuments of the seventeenth and eighteenth centuries. The uses of such costume were rooted in the wider European Renaissance, the effects of which were felt in England from the early sixteenth century. Later Elizabethan and early Jacobean literature employed a wide variety of classical references, the culmination of which were the masques performed for the Jacobean and Caroline Courts which were the ultimate expression of classical ideas and ideals. The early seventeenth century saw the tentative uses of Roman military costume for commemorative sculpture but it was not until the post Restoration period that such costume became commonplace on the memorials of the social elites. The political significance of this dress is further explored as are the corresponding moral and civic associations. The paper concludes with the idea that by the mid eighteenth century such a costume style had become an anachronism and no longer appropriate for the monuments of the gentry. Introduction Most discussions of medieval commemorative monuments include some references to costume and these often focus on developments in defensive armour. By contrast, meaningful discussions of costume on monuments of the early modern period are very few indeed and are again limited to armour and, occasionally, female dress.
    [Show full text]