THE SECOND DOCTOR WHO QUIZ BOOK Also by Nigel Robinson
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Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Sample File Under Licence
THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CREDITS LINE DEVELOPER: Gareth Ryder-Hanrahan WRITING: Darren Pearce and Gareth Ryder-Hanrahan ADDITIONAL DEVELOPMENT: Nathaniel Torson EDITING: Dominic McDowall-Thomas COVER: Paul Bourne GRAPHIC DESIGN AND LAYOUT: Paul Bourne CREATIVE DIRECTOR: Dominic McDowall-Thomas ART DIRECTOR: Jon Hodgson SPECIAL THANKS: Georgie Britton and the BBC Team for all their help. “My First Begins With An Unearthly Child” The First Doctor Sourcebook is published by Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Find out more about us and our games at www.cubicle7.co.uk © Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and devices) are trade marks of the British Broadcasting Corporation and are used Sample file under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2009. TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. Printed in the USA THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CONTENTS CHAPTER ONE 4 CHAPTER SEVEN 89 Introduction 5 The Chase 90 Playing in the First Doctor Era 6 The Time Meddler 96 The Tardis 12 Galaxy Four 100 CHAPER TWO 14 CHAPTER EIGHT 104 An Unearthly Child 15 The Myth Makers 105 The Daleks 20 The Dalek’s Master Plan 109 The Edge of Destruction 26 The Massacre 121 CHAPTER THREE 28 CHAPTER NINE 123 Marco Polo 29 The Ark 124 The Keys of Marinus 35 The Celestial Toymaker 128 The -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Issue 30 Easter Vacation 2005
The Oxford University Doctor Who Society Magazine TThhee TTiiddeess ooff TTiimmee I ssue 30 Easter Vacation 2005 The Tides of Time 30 · 1 · Easter Vacation 2005 SHORELINES TThhee TTiiddeess ooff TTiimmee By the Editor Issue 30 Easter Vacation 2005 Editor Matthew Kilburn The Road to Hell [email protected] I’ve been assuring people that this magazine was on its way for months now. My most-repeated claim has probably Bnmsdmsr been that this magazine would have been in your hands in Michaelmas, had my hard Wanderers 3 drive not failed in August. This is probably true. I had several days blocked out in The prologue and first part of Alex M. Cameron’s new August and September in which I eighth Doctor story expected to complete the magazine. However, thanks to the mysteries of the I’m a Doctor Who Celebrity, Get Me Out of guarantee process, I was unable to Here! 9 replace my computer until October, by James Davies and M. Khan exclusively preview the latest which time I had unexpectedly returned batch of reality shows to full-time work and was in the thick of the launch activities for the Oxford Dictionary of National Biography. Another The Road Not Taken 11 hindrance was the endless rewriting of Daniel Saunders on the potentials in season 26 my paper for the forthcoming Doctor Who critical reader, developed from a paper I A Child of the Gods 17 gave at the conference Time And Relative Alex M. Cameron’s eighth Doctor remembers an episode Dissertations In Space at Manchester on 1 from his Lungbarrow childhood July last year. -
Bcsfazine #528 | Felicity Walker
The Newsletter of the British Columbia Science Fiction Association #528 $3.00/Issue May 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................6 News-Like Matter..............................................................11 Turncoat (Taral Wayne)....................................................17 Art Credits..........................................................................18 BCSFAzine © May 2017, Volume 45, #5, Issue #528 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Friday 19 May: Submission deadline for June BCSFAzine (ideally). Sunday 14 May at 7 PM: May BCSFA meeting—at Ray Seredin’s, 707 Hamilton Street (recreation room), New Westminster. -
Introduction
Cambridge University Press 978-1-107-00526-6 - The Italian Renaissance and Cultural Memory Patricia Emison Excerpt More information ONE INTRODUCTION Perché delle cose rare e ben fatte ognun sa la difficultà.1 enaissance art, like that of antiquity, has suffered from Rits success. It is both loved and resented, sometimes simultaneously. High Renaissance style defined a norm for centuries afterwards, sometimes deemed Classical, sometimes termed more generically Old Master art. When the Modernists swept aside tradition and tried to start again from scratch, the Renaissance art enshrined in palatial museums soon began to seem rather dusty by comparison with newer and sleeker models. In an age of photog- raphy, repeated reproduction made it all too familiar. Additionally, the gross simplification of its theoretical aims to mimesis, or the imitation of nature, made it sound obsolete. So if the art of the fifteenth and sixteenth centuries wasn’t ignored by twentieth-century sophisticates, it was parodied – except in the hands of art historians, whose discipline was burgeoning during the middle years of the century, and in the hands of collectors who could still buy important Renaissance paintings. In the 1920s and early 30s, the Hermitage Museum (in what is now St. Petersburg) sold off many of its most admired paintings, not a few of which were purchased by Andrew Mellon and later 1 “Because everyone knows the difficulty of unusual and well done things”; Baldassare Castiglione, Il libro del Cortegiano (Venice, 1528), I, xxvi. 1 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00526-6 - The Italian Renaissance and Cultural Memory Patricia Emison Excerpt More information 2 THE ITALIAN RENAISSANCE AND CULTURAL MEMORY given to the National Gallery of Art in Washington, D.C., which opened in 1941.2 Since then the influential attention of collectors has turned elsewhere. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
Plague of the Daleks Iris Wildthyme
ISSUE #10 DECEMBER 2009 FREE! NOT FOR RESALE PLAGUE OF THE DALEKS Susan Brown & Keith Barron take a trip to Stockbridge IRIS WILDTHYME Katy Manning and David Benson get into the Christmas spirit CYBERMAN 2 THERE IS NOTHING TO FEAR FROM MARK MCDONNELL & barnaby EDWARDS PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL THE BIG FINISH SALE Hello! This month’s editorial comes to you direct Now, this month, we have Sherlock Holmes: The from Chicago. I know it’s impossible to tell if that’s Death and Life, which has a really surreal quality true, but it is, honest! I’ve just got into my hotel to it. Conan Doyle actually comes to blows with Prices slashed from 1st December 2009 until 9th January 2010 room and before I’m dragged off to meet and his characters. Brilliant stuff by Holmes expert greet lovely fans at the Doctor Who convention and author David Stuart Davies. going on here (Chicago TARDIS, of course), I And as for Rob’s book... well, you may notice on thought I’d better write this. One of the main the back cover that we’ll be launching it to the public reasons we’re here is to promote our Sherlock at an open event on December 19th, at the Corner Holmes range and Rob Shearman’s book Love Store in London, near Covent Garden. The book will Songs for the Shy and Cynical. Have you bought be on sale and Rob will be signing and giving a either of those yet? Come on, there’s no excuse! couple of readings too. -
September Special
THE DOCTOR WHO PROJECT 2011 SPECIAL #1 1 THE DOCTOR WHO PROJECT 2011 SPECIAL #1 2 THE DOCTOR WHO PROJECT 2011 SPECIAL #1 Published by Jigsaw Publications/The Doctor Who Project Vancouver, BC, Canada First Published September 2011 Peace of Mind © 2011 by Daniel Tessier The moral right of the author has been asserted. Doctor Who © 1963, 2011 by BBC Worldwide The Doctor Who Project © & ™ 1999, 2011 by Jigsaw Publications A TDWP/Jigsaw Publications E-Book All rights reserved. No part of this publication may be reproduced by any means without the prior written permission of the publisher. All characters in this publication is fictitious and any resemblance to real persons, living or dead, is purely co-incidental. Typeset in Palatino Linotype Logo © 2005 The Doctor Who Project Cover © 2011 Alex Lydiate 3 THE DOCTOR WHO PROJECT 2011 SPECIAL #1 4 THE DOCTOR WHO PROJECT 2011 SPECIAL #1 The forest was almost silent, quiet as only such a truly natural environment could be, devoid of human influence. The only sounds were the chirps of insects, the subtle creak and rustle of the trees as the breeze gently bent their flexible upper branches. Occasionally, a bird or reptile let out a screech or squawk, momentarily breaking the calm, yet these natural sounds did not disrupt the peace. Had anyone been in the forest to appreciate it, they would have felt as if they were the only person in the world. They would have experienced something of a shock then, as a deafening roar tore through the air without warning, a grinding, wailing cacophony that betrayed its artificial origins as it ripped through the tranquility of the forest environment. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Doctor Returns to Gallifrey, He Learns That His Bio Data Extract Has Been Stolen from the Time Lords’ Master Computer Known As the Matrix
When the Doctor returns to Gallifrey, he learns that his bio data extract has been stolen from the Time Lords’ master computer known as the Matrix. The bio data extract is a detailed description of the Doctor’s molecular structure—and this information, in the wrong hands, could be exploited with disastrous effect. The Gallifreyan High Council believe that anti-matter will be infiltrated into the universe as a result of the theft. In order to render the information useless, they decide the Doctor must die... Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Sunmakers Doctor Who Crossword Book Doctor Who — Time-Flight Doctor Who — Meglos Doctor Who — Four to Doomsday Doctor Who — Earthshock GB £ NET +001.35 ISBN 0-426-19342-3 UK: £1.35 *Australia: $3.95 *Recommended Price ,-7IA4C6-bjdecf-:k;k;L;N;p TV tie-in DOCTOR WHO ARC OF INFINITY Based on the BBC television serial by Johnny Byrne by arrangement with the British Broadcasting Corporation TERRANCE DICKS A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & WyndhamCompany 44 Hill Street, London W1X 8LB First published in Great Britain by W.H. Allen & Co. Ltd 1983 Novelisation copyright © Terrance Dicks 1983 Original script copyright © Johnny Byrne 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 19342 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Doctor Who: Armageddon Factor
DOCTOR WHO AND THE ARMAGEDDON FACTOR By TERRANCE DICKS Based on the BBC television serial by Bob Baker and Dave Martin by arrangement with the British Broadcasting Corporation 1 The Vanishing Planet 'Atrios!' said the Doctor. 'Do you know, I've never been to Atrios.' Romana looked up from the TARDIS's control console. 'What about Zeos?' 'Where?' 'Zeos, its twin. "Atrios and Zeos are twin planets at the edge of the helical galaxy." Didn't they teach you anything at the Academy?' 'But we're not going to Zeos!' protested the Doctor. 'No, we're going to Atrios.' 'Well, what are we hanging about for? Why don't you get on with it?' Romana's hands moved skillfully over the controls. 'Atrios, here we come! I wonder what it's like?' The wandering Time Lord known as the Doctor and Romana his Time Lady companion, were nearing the end of a long and dangerous quest. Some time ago, the White Guardian, one of the most powerful beings in the cosmos had set them a vital task - to find and reassemble the six fragments of the Key to Time. Long ago the Key had been divided, and the segments scattered to the far corners of the cosmos. Now the Key was needed again, to enable the White Guardian to correct a state of temporal imbalance which was threatening the universe, and frustrate the schemes of the evil Black Guardian. The Doctor's task was complicated by the fact that the segments of the Key had a number of mysterious powers, including that of transmutation.