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Obituaries for Cookeville City Cemetery, Cookeville, Tn D
OBITUARIES FOR COOKEVILLE CITY CEMETERY, COOKEVILLE, TN & additional information D - G (Compiled by Audrey J. (Denny) Lambert for her website at: http://www.ajlambert.com ) Sources: Putnam County Cemeteries by Maurine Ensor Patton & Doris (Garrison) Gilbert; Allison Connections by Della P. Franklin, 1988; Boyd Family by Carol Bradford; Draper Families in America, 1964; census records; Putnam County Herald & Herald-Citizen obts; Tennessee DAR GRC report, S1 V067: City Cemetery Cookeville, Putnam Co., TN, 1954; names, dates and information obtained from tombstones and research by Audrey J. (Denny) Lambert and others. Office & Cemetery located at: 241 S Walnut Ave Cookeville, TN 38501 (931) 372-8086 GPS Coordinates: Latitude: 36.15947, Longitude: -85.50776 Earl Jefferson Dabbs b. 22 June 1901, TN – d. 11 March 1976, md on the 26th of May 1934 to Linnie Belle (Cleghorn) Dabbs, b. 29 July 1904 – d. 15 March 1971. Earl J. Dabbs, s/o William Jefferson Dabbs (1872-1947) & Nora Edna Williams (1882-1941). *See William Jefferson Dabbs Obt. (1910 census 1st Civil Dist., Cookeville Town, Railroad St., Putnam Co., TN: Dwl: 311 – William J. Dabbs is head of household, 37 yrs. old, TN (father born in VA, mother, TN), Occupation: Police Town, md 10 yrs. to Nora, 27 yrs. old, TN, 5 children born, 5 children living. Children: Earl J., 8 yrs. old; William H., 5 yrs. old; Balie C., 3 yrs. old; Mary A., 2 yrs. old & Peat J. Dabbs, 2/12 yrs. old. All born in TN). (1920 census 1st Civil Dist., Cookeville Town, Broad Street, Putnam Co., TN: Dwl: 515-151-176 - William J. -
Jason Newsted, Art and Loud
Jason Newsted: Art Out Loud By Juan Sagarbarria ! JUPITER, FL October 30, 2017 An energetic and highly amplified electronic rock music having a hard beat, that is how Merriam-Webster defines heavy metal. If there was a viable channel in which to personify this description, then Jason Newsted would surely be one of its embodiments. A six-time Grammy winner, Rock and Roll Hall of Fame artist, Newsted—also known as “Jasonic”—is the former bassist of the band that arguably bred the metal genre—Metallica. From 1986 to 2001, Newsted forged his name in the annals of rock history with his beefy, fast-paced, and at times, nostalgic bass lines, as Metallica took the world by storm. Eternal staples like “Enter Sandman,” “The Unforgiven,” “Nothing Else Matters,” “One,” and “Fuel,” are but a brief sampling of the songs that were hatched during Newsted’s tenure. By singing lead on a few songs during the band’s live performances and astounding countless audiences with his remarkable bass solos, Newsted stamped his musical footprint. He even took over lead vocals for a whole show at the Kentucky Speedway during the 1999 Summer Sanitarium Tour, while frontman James Hetfield recovered from injury—and fiercely delivered. “I got to join my favorite band,” Newsted remarks. “I got real, real f***** lucky and got to travel around the world five times. Just imagine being in a dreamlike state for 15 years—that is the only way I could sum up what the experience entailed. Suffice it to say, I had too much fun.” Upon meeting Newsted, my impression of him was that, although he did not have his characteristic long hair that flailed aggressively during his early days with Metallica, he is still as spirited as ever; a character’s character. -
COMUNICATO STAMPA NR. 07 a Gordevio Una Tre Giorninel Segno
Avegno, 25 luglio 2021 COMUNICATO STAMPA NR. 07 Le foto delle serate si trovano al seguente link: https://www.dropbox.com/sh/zwqce6h9fgktaxf/AACXZsvVoCAenY4jUB3C27SWa?dl=0 A Gordevio una tre giorni nel segno del Flower Power e dei mitici anni ’70. Per quanto riguarda la qualità delle proposte musicali il Vallemaggia Magic Blues ha mantenuto tutte le promesse della vigilia, anzi con qualcosina in più. Ora spazio alla tre giorni di Gordevio, quasi tutta nel segno del Flower Power e dei mitici anni ’70: “50 years - From Flower Power to Hard Rock”. Sul campetto aleggeranno gli spiriti di Jimi Hendrix, John Lennon e dei Thin Lizzy. La prima serata, “Let's celebrate John Lennon and Jimi Hendrix“ prevede un doveroso omaggio a John Lennon (a 41 anni dalla morte, a Jimi Hendrix (che ci ha lasciati 51 anni fa). Gli Instant Karma sono la prima John Lennon Tribute Band in Svizzera, nata a Lugano e attiva da tempo non solo in Ticino, ma anche nel resto della Svizzera e nella vicina penisola. Spesso si pensa a John Lennon come leader dei Beatles o come autore di grandi pezzi ormai ritenuti dei classici, come Imagine, Woman o Jealous Guy. L’intendo della band è invece quello di riproporre ad un vasto pubblico il repertorio di un artista poliedrico, che spazia attraverso vari generi e decenni. Così gli Instant Karma partono dai brani del Lennon solista, passando attraverso pezzi degli ultimi Beatles, energici e graffianti come Come together, per poi rendere omaggio al Rock’n’Roll degli anni 50, una delle grandi passioni di Lennon. -
Drummer Bracket Template
First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice -
OP 323 Sex Tips.Indd
BY PAUL MILES Copyright © 2010 Paul Miles This edition © 2010 Omnibus Press (A Division of Music Sales Limited) Cover and book designed by Fresh Lemon ISBN: 978.1.84938.404.9 Order No: OP 53427 The Author hereby asserts his/her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages. Exclusive Distributors Music Sales Limited, 14/15 Berners Street, London, W1T 3LJ. Music Sales Corporation, 257 Park Avenue South, New York, NY 10010, USA. Macmillan Distribution Services, 56 Parkwest Drive Derrimut, Vic 3030, Australia. Printed by: Gutenberg Press Ltd, Malta. A catalogue record for this book is available from the British Library. Visit Omnibus Press on the web at www.omnibuspress.com For more information on Sex Tips From Rock Stars, please visit www.SexTipsFromRockStars.com. Contents Introduction: Why Do Rock Stars Pull The Hotties? ..................................4 The Rock Stars ..........................................................................................................................................6 Beauty & Attraction .........................................................................................................................18 Clothing & Lingerie ........................................................................................................................35 -
Episode 34: Catch a Kite 4 Air Date: September 11, 2019
Episode 34: Catch a Kite 4 Air Date: September 11, 2019 Cori Thomas: [00:00] I'm Cori Thomas, writer of the play Lockdown. This episode of Ear Hustle contains explicit language. Please be advised, this may not be for every listener. Discretion is advised. [00:11] [Footsteps on concrete backed by minimal music that fades out] Rahsaan “New York” Thomas: [00:16] Can you show Nigel the two signs you showed me today? [Tommy laughs] Tommy Wickerd: [00:24] Really? [Laughs] Nigel Poor: [00:24] [Inaudible] [From a distance] Did they get it? New York: [00:26] That’s the sign for bullshit. [All laugh] Nigel: [00:29] [Laughs] You think I'm not going to learn that one right away? Well everyone… Tommy: [00:31] I was all thinking Ear Hustle, right? Nigel: [00:34] [Still in the distance] I gotta admit that’s… 1 New York: [00:35] Teach us that! How do you do the Ear Hustle sign? Tommy: [00:36] Grab your ear, make an “H” and go twice. New York: [00:39] [In the distance] What after this? Just like this? Tommy: [00:40] “H” Nigel: [00:41] Oh. Tommy: [00:41] Ear. Hustle. That’s the sign for the day. [Laughs] [00:46] [Opening theme music begins] New York: [00:52] You are now tuned into Ear Hustle from PRX’s Radiotopia. I am Rahsaan “New York” Thomas, a resident of San Quentin State Prison in California. Nigel: [1:02] And I'm Nigel Poor. I've been working with the guys here at San Quentin for about eight years now. -
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork
Mötley Crüe Successfully Moves for Dismissal of Suit Involving Copyright in “Too Fast for Love” Album Artwork October 15, 2012 by Jeffrey A. Wakolbinger On October 9, 2012, Judge Grady, in the United States District Court for the Northern District of Illinois, dismissed a copyright-infringement action against rock band Mötley Crüe for lack of personal jurisdiction.1 The suit was brought by Ron Toma, who owns copyrights in certain photographs of band members Vince Neil, Nikki Sixx, Mick Mars, and Tommy Lee. One of those photographs was a close up of singer Vince Neil’s waist area, featuring a prominent studded belt buckle (the “Belt Buckle Image”). The photograph was taken by Michael Pinter in 1981 and used as the cover artwork for Mötley Crüe’s debut album, “Too Fast for Love.” Toma acquired the copyright in that image in 2008 through assignment. In September 2011, he filed a complaint in the Northern District of Illinois 1 Toma v. Motley Crue, Inc., No. 11 C 6766 (N.D. Ill. Oct. 9, 2012). These materials have been prepared by Pattishall, McAuliffe, Newbury, Hilliard & Geraldson LLP for general informational purposes only. They are not legal advice. They are not intended to create, and their receipt by you does not create, an attorney-client relationship. against Motley Crue, Inc., alleging that the defendants infringed his copyright in the Belt Buckle Image by projecting it on screen during live performances. He later amended the complaint to add the band’s touring company, Red White & Crue, Inc, as a defendant. The only specific example of alleged infringement in the complaint is a link to a YouTube video showing live footage from a concert in Las Vegas, during which the Belt Buckle Image was displayed on a screen while the band performed the title track of the album. -
Steinweiss.Pdf
@flq., h +, Eis*u*'"rn*d}..+. *{% \Ahile playing with the Dap-Kings was back at it-no one noticed. I'm where I'll be like, "ba-boom-boom," occupies much of Steinweiss's time, kind of shocked that it worked. I'm a but using the left and right on the it's hardly his entire workload. Homer left-foot drummer now. " "ba-boom" instead of doubling up serves as the house drummer for MD caught up with Steinweiss as he on the left. many artists on the Dap-Kings'label, was resting both feet during some rare MD: Do you intend to get back to using Daptone, in addition to co-ornning downtime before the Dap-Kings' pre- your right foot on the kick? his or,nrr soul- and R&B-rooted label Christmas Australian dates. Homer: I don't know. This sryle is really and studio, Dunham Records and feeling good. Even the guys in the band Dunham Studios. MD: Using your left foot on the double say, "Ever since you went to the left And since the producer Mark pedal and keeping the hi-hat closed, foot, your time got better." I've thought Ronson used the Dap-Kings on Amy don't you miss the kicks where you about doing a double bass drum thing, Winehouse's 2007 breakthrough open and close the hi-hat? That's a with fwo different tones. I've thought album, Back To Black, Steinweiss has foundational element of a lot of soul about turning the drumset left-handed become an in-demand session drum- and funk drumming. -
Producer Any- -Where from 2-10 Years to Really Become Articulate with Their Craft
says www.AudioFanzine.com Prologue.................................................................................................08 Chapter One: Getting Started Why the Niche Exists....................................................................................09 History of the Niche......................................................................................10 Ethics of Selling Beats Online.......................................................................11 Other Beat Selling Courses............................................................................12 Placements Vs. Selling Online.......................................................................13 On-Foot Sales Vs. Online Sales......................................................................15 Why People Fail to Sell Beats........................................................................16 Selling Beats and E-Commerce......................................................................18 Marketing is Everything.................................................................................19 How Important are the Beats?......................................................................20 Competition Vs. Saturation............................................................................21 Chapter Two: Free Market The Sensibility of Free Beats........................................................................23 Foreign Buyers (Internationals)...................................................................25 iTunes Strategy ($0.99 -
November 1987
EDUCATION DRIVER'S SEAT Playing In Two or Four by Ed Shaughnessy 48 IN THE STUDIO Those First Sessions by Craig Krampf 50 ROCK 'N' JAZZ CLINIC Two-Surface Riding: Part 1 by Rod Morgenstein 52 CORPS SCENE Flim-Flams by Dennis DeLucia 66 MASTER CLASS Portraits in Rhythm: Etude #9 by Anthony J. Cirone 76 ELECTRONIC INSIGHTS MIDI System Interconnections by Jim Fiore 78 ROCK CHARTS Carl Palmer: "Brain Salad Surgery" by William F. Miller 80 Cover Photo by Michael S. Jachles ROCK PERSPECTIVES Ringo Starr: The Middle Period by Kenny Aronoff 90 RANDY CASTILLO JAZZ DRUMMERS' WORKSHOP Imagine this: You are at home with a broken leg, and you get a Your Drum Setup call to audition for Ozzy Osbourne. That happened to Randy by Peter Erskine 94 Castillo, and he got the gig. Here, he discusses such topics as SOUTH OF THE BORDER his double bass drum work and showmanship in drumming. Latin Rhythms On Drumset by John Santos 96 by Robyn Flans 16 CONCEPTS The Natural Drummer CURT CRESS by Roy Burns 104 Known for his work in Germany's recording studios and his CLUB SCENE playing with the band Passport, Curt Cress has also recorded Hecklers And Hasslers with Freddie Mercury, Meatloaf, and Billy Squier. Curt by Rick Van Horn 106 explains why the German approach is attracting British and EQUIPMENT American artists and producers. SHOP TALK by Simon Goodwin 22 Evaluating Your Present Drumset by Patrick Foley 68 PRODUCT CLOSE-UP DRUMMERS OF Pearl MLX/BLX Pro Series Drumkits by Bob Saydlowski, Jr 110 CONTEMPORARY ELECTRONIC REVIEW Korg DDD-1 Drum Machine CHRISTIAN MUSIC: by Rick Mattingly 112 NEW AND NOTABLE 124 PART 1 PROFILES John Gates, Art Noble, and Keith Thibodeaux discuss their PORTRAITS work with a variety of Christian music bands, and clarify what Thurman Barker Christian music is and what it is not. -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
Sharon Jones & the Dap-Kings
MARCH/APRIL 2010 ISSUE MMUSICMAG.COM Q&A Gabriel Roth, Fernando Velez, Homer Steinweiss , Thomas Brenneck, Sharon Jones, Neal Sugarman, Dave Guy, Laura Hanifi n Laura Hanifi Ian Hendrickson-Smith, Binky Griptite SHARON JONES & THE DAP-KINGS One of soul’s leading ladies brings the boys back home THE MASTER FUNKATEERS IN THE It’s been a few years since Winehouse Move on. If I’d lived my life listening to what Dap-Kings have earned mainstream borrowed the Dap-Kings for her people had to say—too big, too short, too fat, attention over the last several years back-up band. How do you look at once you pass 50 you’re too old—I wouldn’t for their work with big-name artists like that now? be where I’m at right now. Amy Winehouse and Jay-Z, but their one The whole thing took me a little by surprise. true leader is soul singer extraordinaire The Dap-Kings didn’t even know what In the 1980s you worked as a Sharon Jones. Their new album together was going on when Mark came to them. guard at New York’s notorious Rikers as Sharon Jones and the Dap-Kings, Actually while they were out with Amy, a Island. Anything from that experience I Learned the Hard Way, is the fourth of little opportunity came for me, the movie, affect your music? their almost decade-long collaboration so it all worked out. [Jones appeared in That just taught me to not be afraid. But and their fi rst since 2007’s critically acclaimed 2007’s The Great Debaters.] But I don’t it didn’t take jail to show me that, because 100 Days, 100 Nights.