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Writing Alberta POD EPDF.Indd
WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
Ethnic Minority Writing: the Complexities Surrounding Authenticity, Translation, and Representation in a Global Environment
Ethnic Minority Writing: The Complexities Surrounding Authenticity, Translation, and Representation in a Global Environment Samuel Rose ※ Abstract: This paper discusses the complex issues surrounding authenticity and ethnic minority writing. It also addresses the broader global issues involved when an individual is educated in the West and then attempts to speak for his or her particular ethnic group. The paper concludes with a specifi c example regarding the complexities of translating a Japanese passage into English and discusses the little-known concept of “deterritorialization.” Key words: authenticity, ethnic minority writing, translation and representation, and deterritorialization Who is an authentic ethnic minority writer? How do we know if an individual truly has the authority to speak for his or her particular community? Does a Western education limit one’s ability to speak for his or her ethnic culture? If we assume that an individual does have the authority to speak for a particular group, can his or her writing be translated into another language and still retain the intended meaning? These are just a few of the questions that arise when discussing ethnic minority writing in Western nations. In this essay, I will use Joseph Pivato’s “Representation of Ethnicity as Problem: Essence or Construction” and attempt to answer the questions above. I will then conclude with an example that demonstrates just how complex the problems of representation in ethnic minority writing can be. Identifying with Minorities In the essay “Representation of Ethnicity as Problem: Essence or Construction,” Joseph Pivato writes, “I have often focussed on the voice of the writer and his/her authority to speak about the minority experi- ence” (Literary Pluralities, p. -
L'exposition Immersive
L’EXPOSITION IMMERSIVE LIVRET-JEUX DES TRÈS JEUNES ARTISTES BIENVENUE DANS l’EXPOSITION IMAGINE PICASSO Tu vas découvrir un des plus grands artistes de tous les temps : Pablo Picasso. Pas étonnant si tu le connais déjà un peu, c’est un des peintres les plus célèbres du monde ! Ici, tu ne verras pas ses vrais tableaux mais des images immenses de ses peintures et dessins. Avec ce livret, pars à la découverte de son œuvre dans la première partie de l’exposition. Puis entre dans l’espace de projection et promène-toi, regarde et écoute ! Tu pourras finir ton livret de retour chez toi. Prêt pour découvrir Picasso comme tu ne l’as jamais vu ? A toi de jouer ! Une exposition réalisée par Annabelle Mauger et Julien Baron Yo, Picasso Le portrait de Picasso s’est mélangé avec ceux d’autres artistes célèbres. Sauras-tu le reconnaître ? 1 2 3 4 1 Enfant et déja artiste Déjà enfant, Picasso dessinait beaucoup. Il a fait cette peinture sur le couvercle d’une boîte de cigare à l’âge de 8 ans et avec seulement quelques couleurs ! Trouve la palette utilisée par Picasso pour faire cette peinture. Le Petit Picador jaune 1889 1 2 3 4 2 Du bleu et des yeux Pendant 3 ans, Picasso a peint tous ses tableaux en différents tons de bleu. C’est la couleur qu’il a choisie pour évoquer la tristesse. Ce tableau est son propre portrait : vois-tu qu’il a l’air triste avec son teint pâle et son regard fixe dans le vide ? Observe son regard et retrouve-le parmi des yeux venant d’autres tableaux de Picasso et qui donnent des airs très différents ! Autoportrait, 1901, musée national Picasso Paris 3 Les demoiselles Quand Picasso montre ce tableau à ses amis, c’est le choc ! Ces femmes au visage et corps déformés semblent être vues dans un miroir cassé. -
Selected Bibliography of Work on Canadian Ethnic Minority Writing
UNIVERSITY PRESS <http://www.thepress.purdue.edu> CLCWeb: Comparative Literature and Culture ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb> Purdue University Press ©Purdue University The Library Series of the peer-reviewed, full-text, and open-access quarterly in the humanities and the social sciences CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the CLCWeb Library Series are 1) articles, 2) books, 3) bibliographies, 4) resources, and 5) documents. Contact: <[email protected]> Selected Bibliography of Work on Canadian Ethnic Minority Writing <http://docs.lib.purdue.edu/clcweblibrary/canadianethnicbibliography> Steven Tötösy de Zepetnek, Asma Sayed, and Domenic A. Beneventi 1) literary histories and bibliographies of canadian ethnic minority writing 2) work on canadian ethnic minority writing This selected bibliography is compiled according to the following criteria: 1) Only English- and French-language works are included; however, it should be noted that there exists a substantial corpus of studies in a number Canada's ethnic minority languages; 2) Critical works about the literatures of Canada's First Nations are not included following the frequently expressed opinion that Canadian First Nations literatures should not be categorized within Canadian "Ethnic" writing but as a separate corpus; 3) Literary criticism as well as theoretical texts are included; 4) Critical texts on works of authors writing in English and French but usually viewed or which could be considered as "Ethnic" authors (i.e., immigré[e]/exile individuals whose works contain Canadian "Ethnic" perspectives) are included; 5) Some works dealing with US or Anglophone-American Ethnic Minority Writing with Canadian perspectives are included; 6) M.A. -
Oltreoceano15 Tagliato
ITALIAN CANADIAN WRITING: THE DIFFERENCE A FEW DECADES MAKE* Linda Hutcheon** The article explores the changes in the last 40 years both in the language of Canadian ethnic literature itself and in its authors’ self-identifying as Italian Canadian in light of the deve- lopments of those years both in ‘identity politics’ and in Canada’s national sense of selfhood. En route it tests the usefulness of various labels used, over time, to identify these writings against the literary corpus produced for almost thirty years now by Nino Ricci, born and raised in Canada, by Italian immigrant parents. Scrittura italo-canadese: pochi decenni possono fare la differenza Il contributo analizza i cambiamenti che negli ultimi quaranta anni si sono verificati nel lin- guaggio, utilizzato per definire la letteratura etnica canadese, e nel modo in cui gli autori si sono identificati come italo-canadesi a fronte sia delle mutate politiche identitarie sia degli sviluppi nel senso nazionale di identità canadese, susseguitisi in quell’arco temporale. Per testare la validità delle varie etichette utilizzate via via per definire tale letteratura, viene esaminato il corpus letterario, ormai trentennale, prodotto da Nino Ricci, scrittore nato e cresciuto in Canada da genitori immigranti di origine italiana. To Begin With a Story In the mid-1990s – in another century and in another country – I was invited to participate in a panel dedicated to the topic of “Ethnicity and Writing/ Reading” at the annual conference of the Modern Language Association of * This article began life as the Pugliese-Zorzi Italian Canadian Studies Lecture presented in February 2018 to the Canadian Studies Program and the University College Alumni, Uni- versity of Toronto. -
Johannes Brahms
Johannes Brahms ORCHESTRE NATIONAL DE FRANCE EMMANUEL KRIVINE direction «JE FRÉQUENTE BRAHMS DEPUIS MES DÉBUTS» « J’ai enregistré les symphonies avec l’Orchestre de Bamberg en 1995 et je les ai données, ainsi que beaucoup d’autres œuvres de Brahms, de nombreuses fois avec des orchestres de tailles et de nationalités différentes, y compris récemment avec la Chambre philharmonique*. Brahms se prête à différents types de formations. La Première Symphonie et la Quatrième ont été créées, à Karlsruhe et à Meiningen, avec des effectifs de qua- rante-neuf musiciens. La Deuxième et la Troisième, à Vienne, l’ont été avec une centaine d’exécutants, sous la direction de Hans Richter. Dans ce vaste répertoire, nous avons choisi quelques œuvres afin d’éviter l’« impératif d’intégrale » qui me semble souvent roboratif. Notre saison est construite dans un esprit diététique : il ne faut fatiguer ni le public, ni les musiciens, et il est très bon de passer d’un style à l’autre au cours d’une même soirée. Quant au Requiem allemand, c’est un joyau, une partition d’une grande ferveur et d’une grande sincérité. Brahms était imprégné de la tradition polypho- nique qui va de Sweelinck, Schütz, etc., jusqu’à Bach, et continue jusqu’à Bruckner et au-delà. » Emmanuel Krivine Directeur musical de l'Orchestre National de France *Orchestre non permanent jouant sur instruments anciens fondé par Emmanuel Krivine en 2004. ILLUSTRATION : FRANÇOIS OLISLAEGER ILLUSTRATION RF_DM_Concert_A5.indd 1 04/04/2018 16:42 Sommaire UNE SAISON AVEC BRAHMS À partir des quatre symphonies, Emmanuel Krivine et l’Orchestre National de France ont imaginé une saison en partie consacrée à Brahms mais sans esprit LE CYCLE DES SYMPHONIES UN REQUIEM ALLEMAND de système, comme l’explique le directeur musical de l’orchestre. -
Introduction
WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
Liepman Belletristik FJ2021.Pdf
Belletristik Frühjahr 2021 Literatur 3 Unterhaltung 24 Spannung 34 Weitere Highlights 42 Marc Koralnik [email protected] Anja Kretschmann Liepman AG Asylstrasse 92 [email protected] CH-8032 Zürich +41 43 268 23 80 [email protected] Hannah Nuspliger-Fosh www.liepmanagency.com [email protected] Mai Al-Nakib STRANGE BIRDS Publisher Client Custom House Ayesha Pande Literary 2022 Contact 393 pages Anja Kretschmann Acclaimed short-story writer Mai Al-Nakib’s transporting debut novel, STRANGE BIRDS is a multigenerational saga which spans Lebanon, Iraq, India, the United States, and Kuwait to bring to life the heart-stopping triumphs and failures of three generations of Arab women. In 2013, Sara is a philosophy professor at Kuwait University, hav- ing returned to Kuwait from Berkeley in the wake of her mother’s sudden death eleven years earlier. Her main companions are her grandmother’s talking parrot, Bebe Mitu; the family cook, Aasif; and Maria, her childhood ayah and the one person who has always been there for her. When she is faced with the twin calamities of an accusation Literatur of blasphemy (for teaching Nietzsche in her Intro to Philosophy course), which carries with it the threat of execution, and Maria’s sudden heart-attack, Sara begins to unravel. As the days leading up to her trial tick down, Sara finds herself retracing the past, exca- vating what she remembers of her own choices and those of the women who made her, hoping that if she can understand what led her home in the first place, she might figure out how to leave behind this country she no longer recognizes – if it is not too late. -
Faking, Forging, Counterfeiting
Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) Faking, Forging, Counterfeiting Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) in collaboration with Simone Niehoff and Florencia Sannders Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Funded by the Elite Network of Bavaria as part of the International Doctoral Program MIMESIS. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3762-9. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] © 2018 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Cover concept: Maria Arndt, Bielefeld -
L'exposition Immersive
L’EXPOSITION IMMERSIVE LIVRET-JEUX DES JEUNES ARTISTES BIENVENUE DANS l’EXPOSITION IMAGINE PICASSO Tu vas découvrir un des plus grands artistes de tous les temps : Pablo Picasso. Pas étonnant si tu le connais déjà un peu, c’est un des peintres les plus célèbres du monde ! Ici, tu ne verras pas ses vrais tableaux mais des images immenses de ses peintures et dessins. Avec ce livret, pars à la découverte de son œuvre dans la première partie de l’exposition. Puis entre dans l’espace de projection et promène-toi, regarde et écoute ! Tu pourras finir ton livret de retour chez toi. Prêt pour découvrir Picasso comme tu ne l’as jamais vu ? A toi de jouer ! Une exposition réalisée par Annabelle Mauger et Julien Baron Yo, Picasso Le portrait de Picasso s’est mélangé avec ceux d’autres artistes célèbres. Sauras-tu le reconnaître ? 1 2 3 4 5 6 1 Enfant et déja artiste Déjà enfant, Picasso dessinait beaucoup. Il a fait cette peinture sur le couvercle d’une boîte de cigare à l’âge de 8 ans et avec seulement quelques couleurs ! Trouve la palette utilisée par Picasso pour faire cette peinture. 1 3 2 4 Le Petit Picador jaune 1889 Sais-tu ce que représente la scène qu’il a peinte ? C’est un spectacle très répandu en Espagne. Un cirque Une corrida Une course 2 de chevaux Du bleu et des yeux Pendant 3 ans, Picasso a peint tous ses tableaux en différents tons de bleu. C’est la couleur qu’il a choisie pour évoquer la tristesse. -
2015 Arthur Ellis Awards
2015 Arthur Ellis Awards Toronto May 28, 2015 Hosted by comedian, actor and radio personality Allison Dore The Derrick Murdoch Award Known as the Chairman’s Award when first presented in 1984, it was later renamed in honour of its first recipient, Derrick Murdoch. Sylvia McConnell is the former owner and publisher of Napoleon & Company, a Canadian trade publishing house in Toronto, Canada. In 2011, after twenty- two years of producing great Canadian fiction, Napoleon and Company, which included the imprint Rendezvous Crime, was sold to Dundurn Press. Since selling her company, Sylvia McConnell has been working as a freelance book editor, as well as Sylvia McConnell an acquisitions editor. Best Unpublished First Crime Novel Sponsored by Unhanged Arthur Ryan Aldred Rum Luck Ben Cooper awoke in a Costa Rican prison cell to find that he had bought a bar on a beach – and was arrested on suspicion of murder. ‘Rum Luck’ is the first book in the Bar on a Beach series. When not writing, Ryan Aldred runs a small Canadian charity that supports education in Afghanistan, Tanzania, Uganda, and other at-risk regions. He previously worked as a defense analyst and continues to serve as a Sergeant in the Canadian Forces Reserve. Ryan and his family live in beautiful Prince Edward County, Canada. He’s never met a beach he doesn’t like. Ryan Aldred Dave Butler Full Curl When Banff National Park Warden Jenny discovers a dead bull elk, its antlers brutally removed, she begins a hunt for the killer that leads her to British Columbia and Washington State. -
ÉCRITURE ARTISTE and the IDEA of PAINTERLY WRITING in NINETEENTH-CENTURY FRANCE by ALEXANDRA SLAVE a DISSERTATION Presented To
ÉCRITURE ARTISTE AND THE IDEA OF PAINTERLY WRITING IN NINETEENTH-CENTURY FRANCE by ALEXANDRA SLAVE A DISSERTATION Presented to the Department of Romance Languages and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2017 DISSERTATION APPROVAL PAGE Student: Alexandra Slave Title: Écriture Artiste and the Idea of Painterly Writing in Nineteenth-Century France This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Romance Languages by: Evlyn Gould Chairperson Nathalie Hester Core Member Alexandre Albert-Galtier Core Member George J. Sheridan Institutional Representative and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2017 ii © 2017 Alexandra Slave iii DISSERTATION ABSTRACT Alexandra Slave Doctor of Philosophy Department of Romance Languages September 2017 Title: Écriture Artiste and the Idea of Painterly Writing in Nineteenth-Century France My interdisciplinary dissertation, Écriture Artiste and the Idea of Painterly Writing in Nineteenth-Century France, studies the notion of écriture artiste as an ideologically charged aesthetic doctrine that provides a better understanding of the rapports between art and the socio-historical context of mid nineteenth-century France. Specifically, using a case study approach, I examined four encounters between writers and painters, including Gustave Flaubert, Gustave Moreau, the Goncourt brothers, Eugène Delacroix, Émile Zola, Édouard Manet, J.-K. Huysmans and Odilon Redon. I analyzed how these pairings, each illustrative of a different facet of écriture artiste, highlight extratextual realities of the time through aesthetic embellishments.