TIN HOUSE WINTER 2018 CATALOG winter 2018 catalog

Contents

Freebird...... 2

Swimming Lessons...... 4

The Möbius Strip Club of Grief...... 6

The Adulterants...... 8

The Changeling...... 10

Tin House Magazine...... 12

Contact and Distribution Information...... 14 FICTION “Freebird is such a timely book, considering the current deep divisions Freebird between right and left. A new classic a novel by JON RAYMOND for the collapsing political landscape of America.”

—KIM GORDON, author of Girl in a Band

he Singers, an all-American family Tin the California style, are about to lose everything. Anne is a bureaucrat in the Los Angeles Office of Sustainability whose ideals are compromised by a proposal from a venture capitalist seeking to privatize the city’s wastewater. Her brother, Ben, a former Navy SEAL, returns from Afghanistan disillusioned and struggling with PTSD, and starts down a path toward a radical act of violence. And Anne’s teenage son, Aaron, can’t decide if he should go to college or pitch it all and hit the road. They all live inside the long shadow of the Singer patriarch Grandpa Sam, whose untold experience of the Holocaust shapes his family’s moral character to the core. Jon Raymond, screenwriter of the acclaimed JANUARY films Meek’s Cutoff and Night Moves, combines these narrative threads into a hard-driving story of $15.95 · Trade Paper · 5" x 7 3/ " 4 one family’s moral crisis. In Freebird, Raymond ISBN: 978-1-941040-83-9 · eBook: 978-1-941040-84-3 delivers a brilliant, searching novel about death Previous Hardcover Edition: 978-1-555977-60-3 and politics in America today, revealing how the Rights: North American fates of our families are irrevocably tied to the currents of history. PROMOTION & PUBLICITY JON RAYMOND is the • “New in Paperback” promotion author of two novels, Rain • National and regional interview campaign Dragon and The Half- Life, and the short-story • Promotion via e-newsletter and website collection Livability. His • Book club outreach work has appeared in Tin House, The Village Voice, • Social media campaign Bookforum, and other places. He lives in Portland, Oregon.

2 “[Freebird is] the rare work of fiction that feels “Jon Raymond’s wonderful new book Freebird more timely with each passing moment.” poetically wrestles with the big and the small: how globalization and international conflicts —SEATTLE WEEKLY reconcile with the personal; how the amorality of “Thanks to Raymond’s loose, masterful style, war affects individual psyches; how impulsive Freebird is an arm wrestling match between post adolescence mirrors impulsive old age. And hilarity and heartbreak.” the undercurrent of this increasingly suspenseful story is a fascinating discussion of environmental —INTERVIEW mutilation, at once a tangle of benign bureaucracy and calculated avarice, which Raymond tackles “A binge-worthy novel, lightly satirical with equal parts sensitivity and expertise.” and compulsively readable.” —JESSE EISENBERG, author of —SHELF AWARENESS Bream Gives Me Hiccups: and Other Stories “Raymond rotates between Anne’s, Ben’s and Aaron’s “Freebird is an intelligent and absorbing multi- points of view, his gallows humor and psychological generational story of an American family, written acuity informing the action of every character. . . . with great sensitivity, insight, and verve.” His descriptive powers. . . pull you into a kind of sensuous ambiguity that’s as seductive for the —PATRICK DEWITT, author of The Sisters Brothers reader as it is for his characters. . . . The biggest impression the book leaves is of a novelist “Beautifully written, precisely observed, and reaching the height of his powers.” morally engaged. In the Singer family, Jon Raymond has composed a kind of generational fugue on —THE OREGONIAN the theme of how to do some good in a grim world—how to fight back against evil without “The arrival of Freebird requires that you set compounding that evil.” aside all New Year plans and dive in without delay. . . . A darkly relatable amorality tale —JONATHAN DEE, author of A Thousand Pardons from a skilled storyteller.” “No one writes sentences so graceful and —PORTLAND MONTHLY characters so achingly real as Jon Raymond. Sometimes sad, sometimes hilarious, oftentimes “An original, provocative, and intriguing story. . . . at the same moment, Freebird is the gripping story A powerful and tender family drama.” of a dysfunctional family through which we better —PUBLISHERS WEEKLY understand these dysfunctional times.” —BENJAMIN PERCY, author of Thrill Me “Raymond . . . [explores] the qualities that make us human and the strong family bonds that hold us together.” —BOOKLIST

3 “As she did in her first novel, Our Endless Numbered “Playing out the various scenarios is almost like a Days (2015), Fuller proves to be a master of ‘choose your own adventure’ story for adults. For temporal space, taking readers through flashbacks me, Ingrid’s story, voice, and perspective, makes for and epistolary chapters at a pace timed to create a haunting, motivating, and fantastic read.” wonder and suspense. It’s her beautiful prose, —Steph Opitz, BOOK OF THE MONTH though, that rounds this one out, as she delves CLUB SELECTION deeply to examine the legacies of a flawed and passionate marriage.” “Saving the best for last with revelations and —Booklist, STARRED REVIEW surprises, Fuller’s well-crafted, intricate tale captures the strengths and shortcomings of “Ingrid is a brave but floundering heroine who puts ordinary people to show how healing is possible down ‘all the things [she hasn’t] been able to say by confronting the darkest places.” in person’ in her letters, resulting in a portrait so —Library Journal, STARRED REVIEW intimate, you feel as if you’ve read a novel written on the secret walls of her very mind. A deeply “Like Fuller’s stunning debut, Swimming Lessons moving read, with a mystery that keeps you is a story suffused with the poignancy of turning pages.” miscommunication between people who love each —Oprah.com, EDITOR’S PICK other, of the things we can never really know.” —The Guardian “As in her gorgeously harrowing Our Endless Numbered Days, Claire Fuller returns to the “[Swimming Lessons] is the story of a passionate territory of a mother’s disappearance and a father’s but troubled marriage, of mothers and daughters, lies with bewitching and page-turning results. If of letters hidden in books. The writing is efficient anything, Swimming Lessons is an even more and impactful. This would be a perfect book club complex puzzle box of a book, excavating darkly pick, as it’s a short novel that says a lot, and there’s knotted family secrets, intricately cruel betrayals plenty to unpack.” and layers of ambiguous loss. Fuller is so clear eyed, poised and psychologically shrewd in the unfolding —Book Riot of her tale, you will be kept guessing until the final penetrating sentence. An extraordinarily smart “Swimming Lessons is so smoothly, beautifully and satisfying read.” written, and the human failures here are heartbreaking.” —Paula McLain, AUTHOR OF THE PARIS WIFE —David Vann, AUTHOR OF AQUARIUM

“Fuller’s tale is eloquent, harrowing, raw . . . [this] “This is a biting, soaring novel.” mystery is sure to keep readers inching off their seats.” —Ramona Ausubel, AUTHOR OF NO ONE —Kirkus IS HERE EXCEPT ALL OF US FICTION * Book of the Month Club Pick * * Amazon Best Book of the Month* * Indie Next Pick * Swimming

An exhilarating literary mystery, Lessons Swimming Lessons keeps readers a novel by CLAIRE FULLER guessing until the final page.

isenchanted by the life in which she’s Dfound herself, Ingrid Coleman writes letters to her husband, Gil, about the truth of their passionate and troubled marriage. She hides them, unread, in the thousands of books Gil has collected over the years. Then she disappears from a Dorset beach, leaving behind her dilapidated house by the sea, her husband, and her two young daughters, Flora and Nan. Twelve years later, Gil thinks he sees Ingrid from a bookshop window, but he’s getting older and his unlikely sighting is chalked up to senility. Flora, who has never believed Ingrid drowned, returns home to care for her father and investigate her mother’s disappearance. But what Flora doesn’t realize is that the answers to her questions are hidden in the books that surround her. Scandalous and smart, Swimming Lessons holds the Coleman family up to the light, exposing the mysterious truths of a turbulent marriage and the dangerous JANUARY fault lines that remain. 1 1 $15.95 · Trade Paper · 5 /2” x 8 /2” CLAIRE FULLER’s debut ISBN: 978-1-941040-93-5 · eBook: 978-1-941040-52-2 novel, Our Endless Previous Hardcover Edition: 978-1-941040-51-5 Numbered Days, won the Rights: North American Desmond Elliott Prize in the UK, was a finalist for the ABA (American PROMOTION & PUBLICITY Booksellers Association) 2016 Indies Choice • “New in Paperback” promotion Award, and was chosen as an Indie Next pick and a • Book club outreach Goodreads Debut Spotlight. She lives in Winchester, England with her husband and has two grown-up • Targeted email marketing children. • Social media campaign

5 POETRY In the much-anticipated follow-up to Someone Else’s Wedding Vows, The Möbius Strip Stone marries the personal and the political, using her ferocious wit Club of Grief and deep sensitivity to look poems by BIANCA STONE both inward and outward.

he Möbius Strip Club of Grief is a collection T of poems that take place in a burlesque purgatory where the living pay—dearly, with both money and conscience—to watch the dead perform scandalous acts otherwise unseen: “$20 for five minutes; I’ll hold your hand in my own,” one ghost says. “I’ll tell you / you were good to me.” With a nod to Dante, Stone positions herself as the living poet passing through and observing the land of the dead. She imagines a feminist Limbo where women run the show and create a space to navigate the difficulties endured in life. As the title of the book itself is a play on her grandmother Ruth Stone’s poem “The Möbius Strip of Grief,” Stone creates a sprawling and labyrinthine underworld as a way to confront and investigate complicated family relationships in the hopes of breaking the never- ending cycle of grief.

BIANCA STONE is a poet and visual artist. She’s FEBRUARY the author of the poetry collection Someone Else’s 1 1 $15.95 · Trade Paper · 5 /2” x 8 /2” Wedding Vows and Poetry ISBN: 978-1-941040-85-0 · eBook: 978-1-941040-86-7 Comics From the Book of Rights: World Hours, and a contribut- ing artist/collaborator on the special illustrated edition of Anne Carson’s PROMOTION & PUBLICITY Antigonick from New Directions. Bianca co-founded, and edits, Monk Books and chairs The Ruth Stone • National print and digital media campaign Foundation, based in Goshen, Vermont and Brooklyn, • Extensive ARC distribution to chains and . indies • Early galley giveaway via Goodreads • Advertising in Tin House magazine • New York launch and select author . appearances

6 PRAISE FOR Someone Else’s Wedding Vows

“Stone’s poems astutely and honestly address “Bianca Stone’s poems are powerful, moving, the longing and cost of human connections.” and original. There is an amazing image center in her brain! Her brain (psyche, heart) —Publishers Weekly can wrestle the matter of life to the ground (a “The poems in Someone Else’s Wedding Vows pleasure for matter), and shapechange with are vibrant with a voice that sees the world from it, and it does not give up its ghost but reveals, every angle. Entire poems down to individual in joy and sorrow, its spirit. Stone’s poems are lines challenge the way we see relationships, highly charged, lively, and interesting. They whether with another person or ourselves, are fiercely anti-sentimental, and emotionally leaping from the mundane co-existence of daily generous. They have a distinctive underlying life to the wilder possibilities of imagination.” grieving compassion. I see in her work the natural weirdness and leaping of our minds. —NewPages But wilder! It’s as if she can take her mind out of gear, out of its prosaic limitations, and “In Someone Else’s Wedding Vows Bianca Stone overhear, and sing, the strange true thoughts offers us an invitation to venture simultaneously and feelings we have when we’re at our most inward on a journey of self-excavation, and genuine and unprotected. In her poems we’re outward where our journeys can intersect in the presence of a naked human voice, not through empathy, imagination, and inquiry.” concealing itself—or over-reaching to expose —Front Porch itself—which dives as deep as voices go.” —SHARON OLDS, Pulitzer Prize-winning “Let’s say hypersensitivity ranks high up among author of Stag’s Leap poetry’s necessary attributes. Let’s say that to ride the back of a parable and make it past the “I read the work of our most brilliant young poets bell rates further fervent notice, and let’s say we to be reminded that it is still possible, despite want to pay attention to a poet who says we will everything, for our abused and decimated perceive our own pain in others / and we will language to ring out the difficult truths of full-on know if we are capable of loving them. Open the awareness. The best of them, like Bianca Stone, book, read this poem: ‘Reading a Science Article do not settle for mere cleverness. They know it on the Airplane to JFK,’ and then I’m confident is not enough to be brilliant, that it is essential you’ll want to spend a lot of time with Bianca in poetry not merely to report the miseries and Stone’s astonishing debut book.” blessings, but to transform them. When she says, —DARA WIER, author of Remnants of Hannah ‘I saw the devil with his stitching techniques / textiles and shadow / saw his hands that never “Bianca Stone’s poetry has the glow of 21st- stopped’ or ‘I found a small notebook called century enlightenment and lyric possession. The People of Distress,’ I really believe her, and Hilarious and powerful, Someone Else’s believe she is going to the difficult places and Wedding Vows will have you come to terms writing these poems in service not just to herself, with the vehemence of her magic.” but to us all, so that we can go to them and together find a little hope.” —MAJOR JACKSON, author of Holding Company —MATTHEW ZAPRUDER, author of Come on All You Ghosts 7 PRAISE FOR PRAISE FOR Submarine Wild Abandon

* A New York Times Book Review Editor’s Choice * “He’s an elegant, accessible, and interesting comic novelist, whose work, I suspect, will provide a great “[Joe Dunthorne is] probably destined to be deal of pleasure to a great number of people for compared with Mark Haddon and Roddy Doyle.” many years.”

—Miami Herald —NICK HORNBY, The Believer

“This absolutely winning debut novel isn’t “Richly plotted and peopled.” so much a coming-of-age tale as it is a —Entertainment Weekly reflection on what it means to be a certain age and of an uncertain mind.” “Think Juno or Bottle Rocket, then read —Los Angeles Times [Wild Abandon]… This novel could be charming and silly, but Dunthorne infuses it with a wry, “A brilliant first novel by a young man of ferocious dark humor that builds to a nearly terrifying comic talent.” conclusion . . . Complicated, realistic, —The Times (London) and unsettling.” —Library Journal “[Dunthorne’s] precocious talent and cheerful fondness for the teenage male are showcased in “With well-developed characters and a dark humor Submarine. . . . Oliver’s voice is funny and dead-on.” reminiscent of that in his first novel, Submarine — Book Review (2008), Dunthorne delivers hilarity and heartbreak while redefining the essence of normality in this “Preternaturally wise, slightly devious story about what makes a family and what makes and highly entertaining.” a family dysfunctional.” —USA Today —Booklist

“[Dunthorne is] the British Dave Eggers.” —GQ FICTION For readers of Roddy Doyle, Nick Hornby, and Mark Haddon, The Adulterants is a piercingly funny take The Adulterants on how hard it is to grow up and how a novel by JOE DUNTHORNE hard it is when you don’t.

ay Morris is a tech journalist in his mid- R thirties with a forgettable face, a somewhat awkward manner, a small but dedicated group of friends, and a wife, Garthene, who is pregnant. He has never been punched. He has never committed adultery. He has never been caught up in a riot, nor arrested, nor had his ankle tagged, nor become a briefly, but internationally, loathed figure in that viral internet way. Not until the summer of 2011, when anger is rising on the streets of London and real problems are blossoming in his marriage. Ray has noticed none of this. Not yet. The Adulterants is something of a coming-of-age story, but one that’s fully aware that its protagonist is too old to be coming of age. Joe Dunthorne writes in a way that is piercingly funny and cringingly poignant about how hard it is to grow up, and how hard it is when you don’t. Throughout a series of escalating catastrophes, his deadpan antihero keeps up a merciless mental commentary on the foibles and failings of those around him, and the vicissitudes MARCH of modern urban life: internet trolls, sadistic estate 3 $19.95· Cloth · 5” x 7 /4” agents, open marriages, and the threat posed by more ISBN: 978-1-941040-87-4 · eBook: 978-1-941040-88-1 sensitive men. But the wonder of The Adulterants is Rights: North American how you’ll feel yourself rooting for Ray even as you acknowledge that he’s getting what’s coming to him. PROMOTION & PUBLICITY JOE DUNTHORNE’s debut novel, Submarine, won the • Extensive ARC distribution to reviewers Curtis Brown prize, was and booksellers translated into sixteen • Digital marketing campaign languages, and was • Library outreach push adapted into an award- winning film by Richard • National review and feature campaign Ayoade. His second novel, • Early reader outreach via Goodreads give- Wild Abandon, won the Society of Authors’ Encore aways and Tin House Galley Club Award. A pamphlet of his poems was published by Faber and Faber. His stories and poems have appeared in the Paris Review, McSweeney’s and The London Review of Books. 9 FICTION With language that flits between exuberance and elegy, the plainspoken The Changeling and the poetic, Joy Williams has 40th ANNIVERSARY EDITION created something entirely original a novel by JOY WILLIAMS and entirely consuming. introduction by KAREN RUSSELL orty years later, The Changeling is no less Fhaunting and no less visionary than the day it was published, but it has only become clearer that Joy Williams is a virtuosic stylist and a singular thinker—a genius in every sense of the word. When we first meet Pearl—young in years but advanced in her drinking—she’s on the lam, sitting at a hotel bar in Florida, throwing back gin and tonics with her infant son cradled in the crook of her arm. But her escape is brief, and the relief she feels at having fled her abusive husband, and the Northeastern island his family calls home, doesn’t last for long. Soon she’s being shepherded back. The island, for Pearl, is a place of madness and pain, and her round-the-clock drinking spurs on the former even if it dulls the latter. And through this lens—Pearl’s fragile consciousness—readers encounter the horror and triumph of both childhood and motherhood in a new light.

APRIL JOY WILLIAMS is the 3 $19.95 · Cloth · 5” x 7 /4” author of four novels, ISBN: 978-1-941040-89-8 · eBook: 978-1-941040-90-4 four previous story col- lections, and the book of Previous Edition: 978-0-979995-40-8 essays Ill Nature. She’s Rights: North American been nominated for the National Book Award, the PROMOTION & PUBLICITY Pulitzer Prize, and the Na- tional Book Critics Circle Award. She lives in Tucson, • National print and digital media campaign Arizona, and Laramie, Wyoming.

• Library marketing push KAREN RUSSELL is the author of the novel Swamp- • Digital promotion via Goodreads, Face- landia, a finalist for the Pulitzer Prize; the story book, Twitter, Litsy, Instagram collections Vampires in the Lemon Grove and St. Lucy’s Home for Girls Raised by Wolves; and the • Online advertising campaign novella Sleep Donation. In 2013, she was awarded a • Advertising in Tin House magazine and MacArthur Foundation “Genius Grant.” other prominent literary journals

10 PRAISE FOR JOY WILLIAMS

“Her extravagantly original artistic gifts aside, “Joy Williams is one of America’s greatest liv- Williams has never seemed more in accord ing writers.” with the needs of her time.” —LINCOLN MICHEL, Vice —JONATHAN DEE, Harper’s “I would follow the trail of Joy Williams’s “Williams is a flawless writer. . . . Even in its words—always beautiful, compelling, and so darkest moments, [her work] is filled with a wise—anywhere they led.” kind of hope, even a perverse kind of joy.” —CHUCK PALAHNIUK, author of —MICHAEL SCHAUB, NPR Fight Club

“Her nearest cousin among American writers is “If Williams keeps writing fiction—ruthless, Don DeLillo, but only because, as with him, no- hilarious work that holds our human folly to body writes sentences like she does. . . . Though the fire—the novel and the short story won’t she treats common states—parenthood, pet perish anytime soon.” ownership, alcoholism—Williams eschews the —BEN MARCUS, The New York realist story writer’s bromide that in the ordi- Times Book Review nary we find the extraordinary, because there’s nothing ordinary about her work.” “Williams writes about the enormous, incon- —CHRISTIAN LORENTZEN, New York venient human capacity for love, the weighty responsibility of it, the loneliness of it.” “Not merely one of the great writers of her —DEB OLIN UNFERTH, Bookforum generation, but our pre-eminent bard of hu- manity’s insignificance.” “To read Joy Williams is to be arrested in a —DAN KOIS, The New York state of relentless awe and wonderment. . . . Times Magazine [Her] preternatural intelligence, coupled with a scorching wit and an inability to bore “She has often been anointed as the literary heir or commit an unoriginal thought to the page, to Anton Chekhov and Flannery O’Connor, has made her a cult hero . . . Why we aren’t but Williams’s voice is most emphatically her worshipping Joy Williams in public squares is own . . . There is a deep pleasure to be had, and beyond me.” a kind of explosive surprise, in Williams’s un- —ELISSA SCHAPPELL, Vanity Fair flinching alchemy.” —LISA ZEIDNER,

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∏ınHouseMAGAZINE An award-winning quarterly, Tin House started in 1999, the singular love child of an eclectic literary journal and a beautiful glossy magazine.

COMING SOON

Candy SPRING 2018

Candy is all sugary, brightly colored, dangerous temptation—from jawbreakers to candy floss. From the comforting and childlike to those desirable things that can easily turn lurid and even destructive. Featuring stories, essays, and poems on appetites and the pursuit of pleasure, the hard edge on something sickly sweet, and the eternal allure of something you can’t quite trust. Candy—everyone wants more than is good for them.

$12.95 · Ships February 2018 ISBN: 978-1-942855-17-0 · eBook: 978-1-942855-18-7

Summer Reading SUMMER 2018

Keep cool by the pool with the hottest fiction, nonfiction, and poetry from today’s finest writers.

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