Towards a Doubly Reflexive Ethnography
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Focused Ethnography: a Methodological Adaptation for Social Research in Emerging Contexts
Volume 16, No. 1, Art. 1 January 2015 Focused Ethnography: A Methodological Adaptation for Social Research in Emerging Contexts Sarah Wall Key words: Abstract: Ethnography is one of the oldest qualitative methods, yet increasingly, researchers from focused various disciplines are using and adapting ethnography beyond its original intents. In particular, a ethnography; form of ethnography known as "focused ethnography" has emerged. However, focused ethnography; ethnography remains underspecified methodologically, which has contributed to controversy about methodology; its essential nature and value. Nevertheless, an ever-evolving range of research settings, purposes, participant and questions require appropriate methodological innovation. Using the example of a focused observation; social ethnography conducted to study nurses' work experiences, this article will demonstrate how research particular research questions, the attributes of certain cultural groups, and the unique characteristics of specific researchers compel adaptations in ethnography that address the need for methodological evolution while still preserving the essential nature of the method. Table of Contents 1. Introduction 2. An Evolving Method 3. An Example of Focused Ethnography 4. Culture Revealed 4.1 Ideas, beliefs, and values 4.2 Knowledge, skills, and activities 4.3 Power and control 5. Discussion References Author Citation 1. Introduction Ethnography is one of the oldest qualitative research methods, originating in nineteenth century anthropology. Yet, researchers from various disciplines are now using and adapting ethnography beyond its origins as a result of philosophical reflections on the processes and purposes of the method. New fields of study, new kinds of questions, and new reasons for undertaking ethnographic studies have emerged, and with these, a form of ethnography known as "focused ethnography" has developed. -
Peace for Whom: Agency and Intersectionality in Post-War Bosnia and Herzegovina
Peace for Whom: Agency and Intersectionality in Post-War Bosnia and Herzegovina By Elena B. Stavrevska Submitted to Central European University Doctoral School of Political Science, Public Policy and International Relations In partial fulfilment of the requirements for the degree of Doctor of Philosophy Supervisor: Professor Michael Merlingen CEU eTD Collection Budapest, Hungary January 2017 Declaration I hereby declare that this thesis contains no materials accepted for any other degrees, in any other situation. Thesis contains no materials written and/or published by any other person, except when appropriate acknowledgement is made in the form of bibliographical reference. Elena B. Stavrevska Budapest, 09.01.2017 CEU eTD Collection i ABSTRACT Both peacebuilding practice and mainstream literature have predominantly approached the examination of post-war societies is a static and unidimensional manner, portraying events, practices, and actors as fixed in space, time, and identity. In line with that approach, peace and reconciliation have often been understood as a mirror image of the preceding war. Consequently, when the conflict is regarded as a clash between different ethnicities, peace is viewed as a state of those ethnicities coming together, which is then reflected in the decision- and policy-making processes. This understanding, using the prism of groupism whereby (ethnic) groups are analysed as the primary societal actors, ascribed with particular characteristics and agency, presupposes homogeneity of the groups in question. In so doing, it disregards the various intra-group struggles and the multiplicity of social identities beyond ethnicity. Furthermore, it also cements ethnicity as the most important, if not the only important political cleavage in the new, post-war reality. -
UNIVERSITY of CALIFORNIA Los Angeles Archives
UNIVERSITY OF CALIFORNIA Los Angeles Archives, Models, and Methods for Critical Approaches to Identities: Representing Race and Ethnicity in the Digital Humanities A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Information Studies by David J. Kim 2015 © Copyright by David J. Kim 2015 ABSTRACT OF THE DISSERTATION Archives, Models, and Methods for Critical Approaches to Identities: Representing Race and Ethnicity in the Digital Humanities By David J. Kim Doctor of Philosophy in Information Studies University of California, Los Angeles, 2015 Professor Johanna R. Drucker, Chair This dissertation addresses the cultural politics of representation in digital archives of various histories of racial and ethnic minorities in the U.S. It critiques the discourse of realism in both digital and archival representations of knowledge about minoritarian identities through case studies that explore the possibilities and the limitations of digital tools and platforms for the minoritarian critique of the archive as the all-encompassing site of knowledge. The first case study presents a digital 3D model of an East Los Angeles public housing complex famous for its numerous murals painted during the Chicana/o movement of the 1970s. Informed by the theorizations of identity formations as spatial practices, the 3D model functions as an immersive digital archive that documents the dialectics of the barrio as represented by the murals. The second case study reimagines the archive of Edward S. Curtis’s The North American Indian (1907- 1930), an influential yet controversial ethnographical work on the Native Americans in ii! ! the early twentieth century. It critiques the essentialism of this extensive work of photographic documentation by exploring the multi-modality and non-linearity of Scalar, a content management system developed by digital humanists, and through experimental network visualizations that expose the racial logic and the socio-cultural context of The North American Indian. -
Critical Ethnography for School and Community
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Federation ResearchOnline CRITICAL ETHNOGRAPHY FOR SCHOOL AND COMMUNITY RENEWAL AROUND SOCIAL CLASS DIFFERENCES AFFECTING LEARNING John Smyth, Lawrence Angus, Barry Down, Peter McInerney Understanding and exploring complex and protracted social questions requires sophisticated investigative approaches. In this article we intend looking at a research approach capable of providing a better understanding of what is going on in schools, students and communities in “exceptionally challenging contexts” (Harris et al., 2006)—code for schools and communities that have as a result of wider social forces, been historically placed in situations of disadvantage. Ball (2006) summarized neatly the urgent necessity for research approaches that are theoretically tuned into being able to explore and explain what Bourdieu, Chamboredon & Passeron (1991) describe as a world that is “complicated, confused, impure [and] uncertain” (p. 259). Ball’s (2006) claim is for a research approach with the “conceptual robustness” to move us beyond the moribund situation we currently find ourselves in. As he put it: “Much of what passes for educational research is hasty, presumptive, and immodest” (p.9). What is desperately needed are theoretically adroit research approaches capable of “challenging conservative orthodoxies and closure, parsimony, and simplicity”, that retain “some sense of the obduracy and complexity of the social”, and that don’t continually “overestimate our grasp on the social world and underestimate our role in its management” (p. 9). Our particular interest here is in research orientations that are up to the task of uncovering what we know to be something extremely complex and controversial going on in schools, namely how it is that schools work in ways in which “class is achieved and maintained and enacted rather than something that just is! (Ball, 2006, p. -
Shadows in the Field Second Edition This Page Intentionally Left Blank Shadows in the Field
Shadows in the Field Second Edition This page intentionally left blank Shadows in the Field New Perspectives for Fieldwork in Ethnomusicology Second Edition Edited by Gregory Barz & Timothy J. Cooley 1 2008 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright # 2008 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Shadows in the field : new perspectives for fieldwork in ethnomusicology / edited by Gregory Barz & Timothy J. Cooley. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-19-532495-2; 978-0-19-532496-9 (pbk.) 1. Ethnomusicology—Fieldwork. I. Barz, Gregory F., 1960– II. Cooley, Timothy J., 1962– ML3799.S5 2008 780.89—dc22 2008023530 135798642 Printed in the United States of America on acid-free paper bruno nettl Foreword Fieldworker’s Progress Shadows in the Field, in its first edition a varied collection of interesting, insightful essays about fieldwork, has now been significantly expanded and revised, becoming the first comprehensive book about fieldwork in ethnomusicology. -
Mongolian University Students’ Subjectivities
‘Do You Ride Horses?’: Discursive Constructions of Chinese Minority ‘Mongolian University Students’ Subjectivities Yongxia Zhang Bachelor of Economics Master of Literature The thesis is presented for the degree of Doctor of Philosophy The University of Newcastle June 2014 Statement of Originality The thesis contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to the final version of my thesis being made available in the text. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968. Signed___ __________Date June 26, 2014________________ i Acknowledgements This thesis would have been impossible without the constant guidance, support and encouragement from various people to whom I owe my respect and gratitude. Firstly, I would like to express my deepest gratitude to my supervisors, Dr. ZSuzsa Millei and Dr. Eva Bendix Petersen at Newcastle University, who provided me their committed academic expertise, valuable feedback and continued encouragement. I feel profoundly fortunate to have them as my supervisors over the years. I am very grateful for their productive and continued support for me and my work. They are always available whenever I had issues to discuss. I am also very grateful to Professor Jim Albright for his intelligence, experienced guidance and generous help in my thesis writing. -
Social Reproduction and Migrant Education: a Critical Sociolinguistic Ethnography of Burmese Students’ Learning Experiences at a Border High School in China
Department of Linguistics Faculty of Human Sciences Social Reproduction and Migrant Education: A Critical Sociolinguistic Ethnography of Burmese Students’ Learning Experiences at a Border High School in China By Jia Li (李佳) This thesis is presented for the degree of Doctor of Philosophy November 2016 i Table of Contents Abstract ........................................................................................................................ viii Statement of Candidate ................................................................................................... x Acknowledgements ....................................................................................................... xi List of Figures .............................................................................................................. xvi List of Tables .............................................................................................................. xvii List of Abbreviations and Acronyms ........................................................................xviii Glossary of Burmese and Chinese terms ..................................................................... xix Chapter One: Introduction .............................................................................................. 1 1.1 Research problem ................................................................................................. 1 1.2 Introducing the research context at the China-and-Myanmar border ................... 4 1.3 China’s rise and Chinese language -
The Legacy of the Late Edward Mippy: an Ethnographic Biography
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by espace@Curtin i Centre for Aboriginal Studies The Legacy of the Late Edward Mippy: An Ethnographic Biography Bernard Rooney This thesis is presented as part of the requirements for the award of the degree of Doctor of Philosophy of the Curtin University of Technology March 2002 ii TO MY FRIEND THE LATE EDWARD “NED” MIPPY iii ABSTRACT Cast in the dual genre of ethnographic biography, this thesis is focused on the life, work and vision of the late Edward “Ned” Mippy, an Aboriginal Elder of the Yuat Nyoongara Community who devoted the latter years of his life to promoting and developing the cultural identity of his people. As biography, it portrays the life of Mr. Mippy with particular emphasis on the factors which help to highlight his understandings and his vision for an Indigenous cultural renewal. As ethnography, the study is intended as a vehicle for wider concerns, evoking an interpretative glimpse of his community and contributing a new perspective of that community as a continuing social entity. These aims are broadly set forth in the brief introduction. The first chapter of the thesis then outlines the origin and development of the research project and the evolution of its methodology. Chapter two presents a picture of Mr. Mippy’s life experience, largely in terms of his own recorded memories and perceptions, while chapter three places his later life in a community context which includes historical, personal and demographic perspectives. The following two chapters, four and five, present various accounts of the work undertaken by Edward Mippy. -
Deleuze's “Event” As Method for Critical Ethnography
______________________________________________________________________________ Toward a Methodology of Death: Deleuze’s “Event” as Method for Critical Ethnography ______________________________________________________________________________ Sophia Rodriguez, College of Charleston Abstract This article examines how qualitative researchers, specifically ethnographers, might uti- lize complex philosophical concepts in order to disrupt the normative truth-telling prac- tices embedded in social science research. Drawing on my own research experiences, I move toward a methodology of death (for researcher/researched alike) grounded in Deleuze’s philosophy-as-method and his concept of event. I approach ethnographic re- search with this concept in mind in order to unpack the experiences of Latino immigrant youth activism during a critical ethnography in Chicago. I suggest that new ways of think- ing with Deleuze in qualitative inquiry might offer a breakthrough/breakdown and death of systems of thought that position research subjects in limiting ways, ultimately arguing that Deleuzian “event” offers the possibility for the birth of new selves. Keywords: Deleuze, youth identity, urban education, poststructuralist critical ethnography We were arrested. The handcuffs felt tight on our wrists. We claimed that space. I do activist things even though I’m nothing. –Youth Activists, Amelia and Penny Introduction Koro-Ljungberg, Carlson, Tesar, and Anderson (2014) recently argued, “philosophy as method is an engagement, an ethical relationship with thought. Philosophy as a method brings theory into the practice and ontologies into the research processes” (p. 5). This ethical dimension of philoso- phy is also documented in ethnography. For instance, Stich, Cipollone, Nikischer and Weis (2012) claim, “qualitative research, ethnography in particular, is deeply personal” (p. 463). The deeply personal aspects of qualitative inquiry, and ethnography specifically, raise philosophical questions of method that are the “conceptual epicenter” of research (Smagorinsky, 2008). -
Writing Ethnographic Fieldnotes
WRITING ETHNOGRAPHIC FIELDNOTES SECOND EDITION WRITING ETHNOGRAPHIC FIELDNOTES SECOND EDITION Robert M. Emerson Rachel I. Fretz Linda L. Shaw THE UNIVERSITY OF CHICAGO PRESS • CHICAGO AND LONDON robert m. emerson is professor emeritus in the Department of Sociology at the University of California, Los Angeles. He is the author of Contemporary Field Research: Perspectives and Formulations, now in its second edition. rachel i. fretz is a lecturer in the Writing Programs unit at UCLA. linda l. shaw is professor in and chair of the sociology department at California State University, San Marcos. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1995, 2011 by The University of Chicago All rights reserved. Published 2011. Printed in the United States of America 20 19 18 17 16 15 14 13 12 11 1 2 3 4 5 6 7 8 9 isbn- 13: 978-0-226-20683-7 (paper) isbn- 10: 0-226-20683-1 (paper) Library of Congress Cataloging- in-Publication Data Emerson, Robert M. Writing ethnographic fi eldnotes / Robert M. Emerson, Rachel I. Fretz, Linda L. Shaw. — 2nd ed. p. cm. — (Chicago guides to writing, editing, and publishing) isbn- 13: 978-0-226-20683-7 (pbk.: alk. paper) isbn- 10: 0-226-20683-1 (pbk.: alk. paper) 1. Ethnology—Authorship. 2. Ethnology—Fieldwork. 3. Ethnology— Research. 4. Academic writing. I. Fretz, Rachel I. II. Shaw, Linda L. III. Title. gn307.7.e44 2011 808Ј.066305—dc22 2011016145 o This paper meets the requirements of ansi/ niso z39.48-1992 (Permanence of Paper). To our friend and colleague, Mel Pollner -
Popular Music Studies and the Problems of Sound, Society and Method
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2013 Popular Music Studies and the Problems of Sound, Society and Method Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/407 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Popular Music Studies and the Problems of Sound, Society and Method Eliot Bates The University of Birmingham (UK) [email protected] Abstract Building on Philip Tagg’s timely intervention (2011), I investigate four things in relation to three dominant Anglophone popular music studies journals (Popular Music and Society, Popular Music, and the Journal of Popular Music Studies): 1) what interdisciplinarity or multidisciplinarity means within popular music studies, with a particular focus on the sites of research and the place of ethnographic and/or anthropological approaches; 2) the extent to which popular music studies has developed canonic scholarship, and the citation tendencies present within scholarship on both Western and non-Western popular musics; 3) the motivations for two scholarly groups, Dancecult and ASARP, to breakaway from popular music studies; 4) the forms of music analysis and the kinds of musical material commonly employed within popular music studies. I suggest that the field would greatly benefit from a true engagement with anthropological theories and methods, and that the “chaotic conceptualization” of musical structuration and the critical discourse would likewise benefit from an attention to recorded sound and production aesthetics. -
Van Stam, 2017
Tilburg University Reflections van Stam, Gertjan Publication date: 2017 Document Version Publisher's PDF, also known as Version of record Link to publication in Tilburg University Research Portal Citation for published version (APA): van Stam, G. (2017). Reflections: A Narrative on Displacement of Technology and Meaning in an African Place. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. okt. 2021 Reflections A Narrative on Displacement of Technology and Meaning in an African Place Gertjan van Stam Harare/Masvingo, Zimbabwe Macha, Zambia Tilburg, the Netherlands 2017 Copyright free | 1 Reflections A Narrative on Displacement of Technology and Meaning in an African Place Proefschrift ter verkrijging van de graad van doctor aan Tilburg University op gezag van de rector magnificus, prof. dr. E.H.L. Aarts, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de aula van de Universiteit op vrijdag 15 september 2017 om 14.00 uur door Gertjan van Stam geboren te Rotterdam | 3 Promotores: prof.