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Doctor Atomic
John Adams Doctor Atomic CONDUCTOR Opera in two acts Alan Gilbert Libretto by Peter Sellars, PRODUCTION adapted from original sources Penny Woolcock Saturday, November 8, 2008, 1:00–4:25pm SET DESIGNER Julian Crouch COSTUME DESIGNER New Production Catherine Zuber LIGHTING DESIGNER Brian MacDevitt CHOREOGRAPHER The production of Doctor Atomic was made Andrew Dawson possible by a generous gift from Agnes Varis VIDEO DESIGN and Karl Leichtman. Leo Warner & Mark Grimmer for Fifty Nine Productions Ltd. SOUND DESIGNER Mark Grey GENERAL MANAGER The commission of Doctor Atomic and the original San Peter Gelb Francisco Opera production were made possible by a generous gift from Roberta Bialek. MUSIC DIRECTOR James Levine Doctor Atomic is a co-production with English National Opera. 2008–09 Season The 8th Metropolitan Opera performance of John Adams’s Doctor Atomic Conductor Alan Gilbert in o r d e r o f v o c a l a p p e a r a n c e Edward Teller Richard Paul Fink J. Robert Oppenheimer Gerald Finley Robert Wilson Thomas Glenn Kitty Oppenheimer Sasha Cooke General Leslie Groves Eric Owens Frank Hubbard Earle Patriarco Captain James Nolan Roger Honeywell Pasqualita Meredith Arwady Saturday, November 8, 2008, 1:00–4:25pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from the Neubauer Family Foundation. Additional support for this Live in HD transmission and subsequent broadcast on PBS is provided by the Alfred P. Sloan Foundation. Ken Howard/Metropolitan Opera Gerald Finley Chorus Master Donald Palumbo (foreground) as Musical Preparation Linda Hall, Howard Watkins, Caren Levine, J. -
Broadway Patina Miller Leads a (Mostly) Un-Hollywood Lineup of Stellar Stage Nominees
05.23.13 • backstage.com The Tonys return to Broadway Patina Miller leads a (mostly) un-Hollywood lineup of stellar stage nominees wHo will win—and wHo sHould 0523 COV.indd 1 5/21/13 12:26 PM Be the Master Storyteller Learn to engage in the truth of a story, breathe life into characters, and create powerful moments on camera. Welcome to your craft. acting for film & television Vancouver Film School pureacting.com Vancouver Film Sch_0321_FP.indd 1 3/18/13 11:00 AM CONTENTS vol. 54, no. 21 | 05.23.13 CENTER STAGE COVER STORY Flying High 1 8 s inging, acting, dancing, and trapeze! Patina Miller secures her spot as one of Broadway’s best with her tony-nominated multi- hyphenate performance in “Pippin” FEATURES 17 2013 tony awards 22 smackdown who will—and who should— UPSTAGE take home the tony on June 9 Col a NEWS : Ni 05 take Five hair ipka what to see and where to go r in the week ahead ith DOWNSTAGE D : Ju griffith; 07 top news CASTING D Looking ahead at the 2013–14 27 new York tristate ewelry tv season Notices audition highlights heia; J 08 stage t : the Drama League opens 39 california Ng a new theater center Notices lothi in downtown Manhattan audition highlights illey;Miller: photo: Cha l ayes; C ayes; 10 screen 43 national/regional h ouise l 72 hour shootout 18 Notices gives opportunities audition highlights arah arah s to asian-americans : Chelsea CHARTS ACTOR 101 54 production stylist ; 13 Inside Job L.a.: feature films: N Dogfish accelerator upcoming co-founders James Belfer n.Y.: feature films: k salo ; lilley: Courtesy C N and Michelle soffen upcoming so N 14 the working actor 55 cast away a robi Dealing with unprofessional hey, Beantown! for roy teelu NiN co-stars D MEMBER SPOTLIGHT har C 16 secret agent Man 56 sarah Louise Lilley rit p why you could still lose your “i was once told that my roles ai k pilot job have a theme in common— : characters that are torn oftware; Dogfish: s akeup 17 tech & dIY between two choices, snapseed whether it be two worlds, two e; M N men, two cultures, or two cover photo: chad griffith personalities. -
01-11-2019 Porgy Eve.Indd
THE GERSHWINS’ porgy and bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin conductor Opera in two acts David Robertson Saturday, January 11, 2020 production 7:30–10:50 PM James Robinson set designer New Production Michael Yeargan costume designer Catherine Zuber lighting designer The production of The Gershwins’ Porgy and Donald Holder Bess was made possible by a generous gift from projection designer Luke Halls The Sybil B. Harrington Endowment Fund and Douglas Dockery Thomas choreographer Camille A. Brown fight director David Leong general manager Peter Gelb Co-production of the Metropolitan Opera; jeanette lerman-neubauer Dutch National Opera, Amsterdam; and music director Yannick Nézet-Séguin English National Opera 2019–20 SEASON The 63rd Metropolitan Opera performance of THE GERSHWINS’ porgy and bess conductor David Robertson in order of vocal appearance cl ar a a detective Janai Brugger Grant Neale mingo lily Errin Duane Brooks Tichina Vaughn* sportin’ life a policeman Frederick Ballentine Bobby Mittelstadt jake an undertaker Donovan Singletary* Damien Geter serena annie Latonia Moore Chanáe Curtis robbins “l aw yer” fr a zier Chauncey Packer Arthur Woodley jim nel son Norman Garrett Jonathan Tuzo peter str awberry woman Jamez McCorkle Aundi Marie Moore maria cr ab man Denyce Graves Chauncey Packer porgy a coroner Kevin Short Michael Lewis crown scipio Alfred Walker* Neo Randall bess Angel Blue Saturday, January 11, 2020, 7:30–10:50PM The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. -
Something Rotten!
newyork Something Rotten! – Musik / Texte: Karey Kirkpatrick / Wayne Kirkpatrick; Buch: Karey Kirkpatrick / John O'Farrell; Regie / Choreografie: Casey Nicholaw; Bühne: Scott Pask; Kostüme: Gregg Barnes; Licht: Jeff Croiter; Ton: Peter Hylenski; Arrangements: Glen Kelly; Orchestrierung: Larry Hochman; Musikalische Leitung: Phil Reno. Darsteller: u.a. Brian d'Arcy James (Nick Bottom), Christian Borle (The Bard), John Cariani (Nigel Bottom), Heidi Blickenstaff (Bea), Brad Oscar (Nostradamus), Kate Reinders (Por- tia), Brooks Ashmanskas (Brother Jeremiah), Peter Bartlett (Lord Clapham / Judge), Gerry Vichi (Shylock), Michael James Scott (Minstrel). Broadway-Premiere: 22.04.2015, St. James Theatre, New York. rottenbroadway.com Something Rotten! Die Erfindung des Musicals als irrsinnig witzige Parodie von Didier C. Deutsch Dieses Musical wurde schon vor der Premi- Drehbuchautor John O'Farrell, und gemein- vorhersagt, dass der absolute Tophit der ere voller Spannung erwartet, ließ die völli- sam haben die drei tatsächlich das seltene Zukunft das Musical ist. ge Respektlosigkeit seiner Zeitungsanzei- Kunststück vollbracht, ein frei erfundenes gen und Fernsehspots doch keinerlei Zwei- Theaterstück zu erschaffen, das auf keiner Zuerst zweifelt Nick daran, dass die Zu- fel daran, dass sich der neue Broadway-Zu- anderen Quelle beruht und sich köstlich schauer eine Aufführung goutieren könn- gang kein bisschen ernst nimmt. Jetzt hat über alles und jeden amüsiert. ten, in der die Darsteller unvermittelt zwi- ‘Something Rotten!’ (Ta-ta-ta-taaa, Fanfa- schen ihren Dialogen in Gesang ausbre- renstoß bitte) endlich seine Theatertüren Die Handlung spielt im Jahr 1595 in Süd- chen, aber Nostradamus versichert ihm: geöffnet und wird jedem Versprechen ge- London. Die zweitklassigen Dramatiker die werden es lieben! Der erste Schritt zum recht, denn es ist irrsinnig witzig und zum Nick und Nigel Bottom – Nick ist der ehr- Erfolg muss nun sein, das richtige Thema Brüllen komisch. -
MEDIA ADVISORY Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4056 October 4, 2010 TICKETS for THE
MEDIA ADVISORY Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4056 October 4, 2010 TICKETS FOR THE HOMECOMING GRAND OPENING CELEBRATION AT ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER ARE RELEASED ONLINE FRIDAY, OCTOBER 8, 2010 *** Tickets are free and required for events in select performance spaces *** (Washington, D.C.) Arena Stage at the Mead Center for American Theater in Southwest D.C. officially opens to the public Saturday, October 23 with the Homecoming Grand Opening Celebration. This day of free events starts with a ribbon cutting ceremony at 11:30 and goes until 6:00 p.m., with festivities throughout the building featuring Broadway and Tony Award-winning stars, conversations with prominent Arena Stage artists, presentations by local arts groups and more. General admission tickets are free but required for events in the Fichandler Stage, Kreeger Theater, Arlene and Robert Kogod Cradle, and for backstage tours. Tickets will be available exclusively online beginning October 8, 2010 at www.arenastage.org. Limited tickets will be available for day-of release outside the Mead Center at the Arena Stage visitor’s center beginning at 10:00 a.m. Homecoming Grand Opening Celebration October 23, 2010 11:30 AM – 6:00 PM Schedule of Events : Backstage tours will leave every 15 minutes from the Stage Door. Tickets for these tours will be required. Outdoor Stage (no tickets necessary) 11:30 a.m. Ribbon Cutting Ceremony 12:30 p.m. Universes, spoken word/slam poetry ensemble 1:30 p.m. Show Choir Spectacular featuring Chantilly High School and Churchill High School 2:30 p.m. -
Date Production Name Venue / Production Designer / Stylist Design
Date ProductionVenue Name / Production Designer / Stylist Design Talent 2015 Opera Komachi atOpera Sekidrera America Camilla Huey Designer 3 dresses, 3 wigs 2014 Opera Concert Alice Tully Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Sara Jakubiak 2013 Opera Concert Bard University Opera Camilla Huey Designer 1 Gown Rebecca Ringle 1996 Opera Carmen Metropolitan Opera Leather Costumes 1996 Opera Midsummer'sMetropolitan Night's Dream Opera Leslie Weston / Izquierdo Human Pillar Set Piece 1997 Opera Samson & MetropolitanDelilah Opera Leslie Weston / Izquierdo Dyeing Costumes 1997 Opera Cerentola Metropolitan Opera Leslie Weston / Izquierdo Mechanical Wings 1997 Opera Madame ButterflyHouston Grand Opera Anita Yavich / Izquierdo Kimonos Hand Painted 1997 Opera Lillith Tisch Center for the Arts OperaCatherine Heraty / Izquierdo Costumes 1996 Opera Bartered BrideMetropolitan Opera Sylvia Nolan / Izquierdo Dancing Couple + Muscle Shirt 1996 Opera Four SaintsMetropolitan In Three Acts Opera Francesco Clemente/ Izquierdo FC Asssitant 1996 Opera Atilla New York City Opera Hal George / Izquierdo Refurbishment 1995 Opera Four SaintsHouston In Three Grand Acts Opera Francesco Clemente / Izquierdo FC Assistant 1994 Opera Requiem VariationsOpera Omaha Izquierdo 1994 Opera Countess MaritzaSanta Fe Opera Allison Chitty / Izquierdo 1994 Opera Street SceneHouston Grand Opera Francesca Zambello/ Izquierdo -
The Producers,'' Understands That to Create a Musical -- Good Or Otherwise -- the Appropriate Creative Team Must Be Employed
THEATER/THE TONY AWARDS; A Crash Course in the Worl... http://www.nytimes.com/2001/05/20/arts/theater-the-tony-awar... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » May 20, 2001 THEATER/THE TONY AWARDS THEATER/THE TONY AWARDS; A Crash Course in the World of Mel By BARRY SINGER EVEN Broadway's most maladroit impresario, Max Bialystock of ''The Producers,'' understands that to create a musical -- good or otherwise -- the appropriate creative team must be employed. For Bialystock, in Mel Brooks's current hit musical, the assured failure of his show, ''Springtime for Hitler,'' is dependent on securing the services of a director named Roger De Bris. ''Is he good?'' inquires Bialystock's ingenuous partner, Leo Bloom, as they head for a rendezvous with De Bris. ''I mean, is he bad?'' ''He stinks,'' Bialystock replies. Shortly thereafter, Bialystock imploringly informs De Bris: ''Roger, I speak for Mr. Bloom and myself when I say that you are the only man in the world who can do justice to 'Springtime for Hitler.' '' For Mr. Brooks, assuring the successful transformation of his 1968 film ''The Producers'' into a Broadway musical required at least one similarly baldfaced overture. ''Two and a half years ago, my husband, Mike Ockrent, and I got a call saying Mel Brooks wanted to meet us,'' Susan Stroman said recently. -
Equity Takes A
EQUITYACTORS’ EQUITY: STANDING UP FOR OURNEWS MEMBERS DECEMBER 2015 / Volume 100 / Number 9 www.actorsequity.org January Membership Equity’s New Production Contract Ratified Meetings Set Changes to Eligibility Requirements for Start off 2016 by attending an Equity Membership Meeting Health Care Help All Members The Eastern Regional Membership Meeting will convene he new Production bargaining partner will help the agreement, including on Friday, January 8, 2016, at 2 p.m. EST in the Council Room Contract has been full Equity membership. improvements that make sick on the 14th floor of the Equity building at 165 West 46th Street, ratified by a 97.04% “Because of these leave available for more New York, New York. T “yes” vote and is in effect negotiations, the trustees of the members, access to physical The agenda will include: immediately. The compensation Equity-League Health Fund therapy, stronger language • Presentation of the St. Clair Bayfield Award and the Joe A. increases of the new four-year have approved a change to the regarding schedule changes Callaway Award contract are retroactive to eligibility requirements that will and housing for tours. • Report of the Eastern Regional Director September 28, 2015. The benefit all of our members who For the first time, the • Report of the Eastern Regional Vice President contract will expire in 2019. work under contract, and this Production Contract ratification change is guaranteed for the vote was conducted exclusively • Membership discussion period in accordance with the by- In an historic move, a change to the eligibility requirements to four years of the new contract,” online, saving the union tens of laws access health insurance will said Executive Director Mary thousands of dollars to be put The Central Regional Membership Meeting will convene benefit all members for the life McColl. -
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
The Lotte Lenya Competition
Cover photos (left to right): Nine-time Competition judge Teresa Stratas; 2012 winners Matthew Grills, Jacob Keith Watson, Justin Hopkins, and Megan Marino; 2009 judge Ted Chapin with winners Lauren Worsham, Ginger Costa-Jackson, Yannick-Muriel Noah, and Zachary James. THE LOTTE LENYA COMPETITION PAST WINNERS AND JUDGES 2012 2007 2002 First Prize: Matthew Grills First Prize: James Benjamin First Prize: Lisa Conlon Second Prize: Justin Hopkins, Rodgers Second Prize: Kyle Barisich, Jacob Keith Watson Second Prize: Analisa Leaming Ethan Watermeier Third Prize: Megan Marino Third Prize: Leena Chopra, Lys Symonette Awards: Nicole Lys Symonette Awards: Natalie Christopher Herbert Cabell, Lucas Meachem, Amy Ballenger, Maria Failla Lys Symonette Awards: Paul Van Looy Judges: Rob Berman, Theodore Corona, Jeanine De Bique, Brian Judges: Eric Stern, Teresa Stratas, S. Chapin, Rebecca Luker Charles Rooney Stanley Walden Judges: Theodore S. Chapin, Ted 2011 2001 Sperling, Teresa Stratas First Prize: Caitlin Mathes First Prize: Jennifer Dyan Goode Three equal runner-up prizes: 2006 Second Prize: Jacob Langfelder, Jing Lin, Emma Sewell, Jacob First Prize: Justin Welsh Raquela Sheeran Lewis Smith Second Prize: Justin Lee Miller, Lys Symonette Awards: Noah Lys Symonette Awards: Daniel Rodell Aure Rosel Stewart, Misty Ann Castleberry Schwait, John Viscardi, Jorell Third Prize: Sarah Blaskowsky, Sturm Williams Hallie Silverston Judges: André Bishop, Welz Judges: Rob Berman, Rebecca Lys Symonette Awards: Meredith Kauffman, Teresa Stratas Luker, Michael Kaufmann Arwady, Karim Sulayman, Bray 2000 Wilkins 2010 Two special competitions were First Prize: Rebekah Camm Judges: Theodore S. Chapin, held in Germany, one for students James Holmes, Teresa Stratas and one for young professionals. -
Harrington's Pie and Mash Shop 3 Selkirk Road Tooting, London
Harrington’s Pie and Mash Shop 3 Selkirk Road Tooting, London. Open for business since 1908. RACHEL EDWARDS JENNY GERSTEN SEAVIEW PRODUCTIONS NATE KOCH, Executive Producer FIONA RUDIN BARROW STREET THEATRE JEAN DOUMANIAN REBECCA GOLD “A Customer!” present My name is Rachel Edwards and I am the originating producer of Tooting Arts Club’s Sweeney The Tooting Arts Club production of Todd. On behalf of myself, and my producing partners Jenny Gersten, Greg Nobile, Jana Shea and Nate Koch, it is our pleasure to welcome you to Harrington’s Pie and Mash Shop! In the spring of 1908, number 3 Selkirk Road Tooting, London, became the home of Harrington’s Pie and Mash shop when it was bought by Bertie Harrington and his wife Clara. Little has changed in this tiny Tooting eatery since it first opened for business some 109 years ago. The Harrington fam- ily still run the shop, the original green tiles still adorn the walls and the menu remains unchanged since the days of Queen Victoria. A Musical Thriller Music and Lyrics Book by The idea to stage Sweeney Todd in London’s oldest pie and mash shop was one which I lived with for several years before I dared to say it out loud. It felt too outrageous, too complicated, in essence – it felt impossible. A simple ‘yes’ from Beverley Mason – owner of Harrington’s, and great STEPHEN SONDHEIM HUGH WHEELER grand-daughter of Bertie and Clara – changed everything. Subsequently, an unforgettable collabora- tion was born that set in motion a chain of events that was nothing short of extraordinary.