DOCSLIB.ORG

Roy Kim Becomes Eighth Victim in a Year of Suicides

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Roy Kim Becomes Eighth Victim in a Year of Suicides DECEMBER 2018 www.taxiliverytimes.com Vol.19 No. 12 Lea los artículos en & español. An Insider’s Look at Both NYC TLC Regulated Industries ROY KIM BECOMES EIGHTH VICTIM IN A YEAR OF SUICIDES ROY KIM SE CONVIERTE EN LA OCTAVA VÍCTIMA EN UN AÑO DE SUICIDIOS Cop Drags Sick Livery Driver Protect Your Do Women Pay Driver Out of Car Shot in Packages and Car “Pink Tax” for After Crash Brooklyn During Holidays NYC Rides? TAXI & LIVERY TIMES 2 • • DECEMBER 2018 TLC DRIVER SERVICES, INC. TLC DRIVER SCHOOL All TLC Summonses TLC DRIVER SCHOOL DMV Traffic Tickets Offering AALLLL Required TLC Driver Classes The TLC Driving Institute was founded by industry experts to provide the highest level of education A dedicated team of lawyers for Black Car / For-Hire Vehicle (FHV), SHL and providing the necessary Taxi Drivers. It is also our mission to deliver the expertise, knowledge and experience to effectively most convenient and accommodating classes represent all licensees – and programs in NYC. including drivers, vehicle owners & base owners – in the transportation industry. New TLC Base Applications 718-729-4700 It’s about time that you defend yourself 3 Convenient Locations and protect your Long 3Island1-00 47th City, Avenue NY 11101 DMV & TLC License! (Inside the TLC Building-1st floor) 60-19 Woodside,Roosevelt Avenue NY 11377 - 2nd floor 7 Train to Woodside-61st St Stop Gregory Gallo Bronx,135 Lincoln NY 10454 Ave., Attorney at Law 6 Train to 138th Street Station 718-255-9500 We handle all 2244 HOURHOUR CLASSESCLASSES TLC and DMV DAYDAY && NIGHTNIGHT CLASSESCLASSES matters! CUSTOMIZABLECUSTOMIZABLE SCHEDULESSCHEDULES FINALFINAL EXAMEXAM TESTINGTESTING Our goal is to give you the best legal WHEELCHAIRWHEELCHAIR (WAV)(WAV) CLASSCLASS defense available and to keep your license protected at all times. DEFENSIVEDEFENSIVE DRIVINGDRIVING COURSECOURSE (DDC)(DDC) www.TLCservices.nyc [email protected] [email protected] • www.TLCdriver.nyc TAXI & LIVERY TIMES DON’T C OME B ACDEKCEMB EER 20M18 • P TY • 3 FROM THE AIRPOR TS EARDNo w nlEoadX theT CaRrmeAl Ap p MT oda Oy* anNd EY! the Carmel has t Pickups Most Airpor ervice of ANY Car S City in New York No Out of P ock et C os t Mor e T rips No Need t o Change Base Mor e MONEY Car & Lim e o CALL K OREN NO W: id S v w c d . l 212-6 62- 7393 r o OR C OME T O VISIT OUR B ASE A T W 36- 31 10TH S TREET , LIC (L ong Island Cit y), NY 11106 CarmelDriv er s@gmail. com * MUST OWN AN ANDROID SMART PHONE BA SE #B00 256 *MUS T BE AFFILIA TED WITH A LIVER Y B ASE. *30 Minut es T raining needed t o ge t s tart ed. TAXI & LIVERY TIMES 4 • • DECEMBER 2018 PUBLISHER’S PAGE & An Insider’s Look at Both NYC TLC Regulated Industries PUBLISHER: David Pollack A DISGRUNTLED E-mail:[email protected] 11 Edge Water lane Haverstraw, NY 10927 UBER DRIVER Phone: 718-706-TAXI (8294) EDITOR: Neil Weiss Email: [email protected] FINDS FLAW IN APP 714 Crestbrook Ave. Cherry Hill, N.J. 08003 Tel: 800-723-9119/856-751-0656 BY DAVID POLLACK Fax: 856-751-0657 The following experience is real, as related to me by an UBER driver email: CONTRIBUTING WRITERS: Matthew Daus, Esq. “I am writing to you, Taxi Dave, because I have nowhere else to turn. I have Larry Fisher had less than a week’s worth of shifts sitting behind the wheel and already Meera Joshi have found out that there is no one to speak with at UBER, and my experience Bertram Merling proves their technology has a major flaw that hurts UBER drivers, hurts Steven J. Shanker, Esq. UBER themselves, yet benefits certain passengers with free rides. Michael Spevack, Esq. “I started my driving day answering an UBER e-hail that was to begin in ADV. SALES MGR./ART & DESIGN: an extremely affluent neighborhood. I passed many mansions on my way to a Michele Norton: 856-262-2368 cul-de-sac with only two mega-million homes. When I arrived outside the gated driveway, no one was in sight, so I chose to pull into the long, cobble - TRANSLATIONS: stone driveway. My fare kept me waiting in front of his home, and when he fi - The Language Center and NYC TLC nally appeared, I swiped ‘pickup’ on my phone, which normally starts the Copyright © 2018 by TAXI & LIVERY TIMES. technological journey to my drop-off point using UBER’s GPS guidance sys - All rights reserved. Neither this newspaper nor tem. As my car pulled out of the driveway and into the cul-de-sac, and we any part therof may be reproduced, copied, or transmitted in any form, without the express started down the very first block, my iPhone (the only source of communication written permission of the publishers. The copy - between me and UBER) started rerouting me back to my passenger’s home to right is extended to the design and text created pick him up. I stopped the car and was trying to find a solution to my problem. for advertisements. This publication is not re - My passenger knew exactly what was happening because he said, ‘By the way, sponsible for errors in advertisement beyond there is no service in my driveway and very little on this street.’ the cost of the space occupied by the error. By - lined articles represent the sole opinion of the “Having faith in my UBER APPlication, I simply told my passenger that writer and are not necessarily in accordance when we get to his destination, he can swipe ‘picked up’ and all should be with the views of TAXI & LIVERY TIMES. This good. He agreed. When we arrived at his destination (a BMW dealership), I Publication reserves the right to limit or refuse realized there was no way to resolve this problem on my end, especially since advertising it deems objectionable. TAXI & LIV - UBER was giving me another fare. In fact, the only way to move forward to ERY TIMES is published monthly at a subscrip - my next fare, which I accepted, was to CANCEL the very trip I had already tion rate of $48 per year. finished. I told my passenger to help me and please swipe ‘picked up’ on his www.taxiliverytimes.com iPhone. His response was, ‘My wife handles all of this on her phone.’ I asked IN THIS ISSUE him to call her on the other cell phone he used during the fare, and make sure that I get paid. He simply said ‘yeah, I will take care of it.’ “It was at that moment I had to put all my faith in a stranger, hoping I Publisher’s Page ....................4 didn’t get screwed out of my first fare of the day. Yet with no way for UBER to resolve this, unless of course I CANCELED my finished fare, I did cancel Dear Taxi Dave ........................5 the finished trip. “Just to be crystal clear: I did send emails to UBER explaining the situa - Editor’s Notes ........................6 tion. It is four days later and I have received no contact whatsoever. The only Taxi News ................................7 result I believe I will see now is a wealthy 1%er screwing both a multi-billion- dollar company out of their percentage of my fare and the lowly driver, me, Livery News ............................8 being screwed out of a fare I deserve to be paid for. The FLAW IN THE UBER OPERATING SYSTEM is simple, if there is no cell-service when picking up a Directory ................................13 fare, the entire UBER model collapses when that fare is picked-up and the passenger is an intentional scammer as well. There is no protection for me. Fun & Games ........................15 “How do I get paid for this fare? Do I drive an hour and file a THEFT OF SERVICES report against the passenger in his swanky village an hour away Features ................................16 and waste more time than the fare is worth? Do I keep on waiting for UBER to contact me, wishing and hoping for a positive result? I have no choice, I BITy AMRatt hOewu Wtl.o Doauk s, ........................Esq. 17 must mark it up to experience and let a little-guy, who is struggling to earn enough money to pay for medical insurance, get screwed by a 1%er and a com - BCyo Mmeemra iJsoshii oner’s Corner ......23 pany that doesn’t really care about me or the obvious loophole in their inter - national operating system I have unveiled and experienced firsthand.” TBya LxHiB Tales ..............................24 Publisher’s Note: Has this happened to you? I want to know! Send an email TByh Lear rFy iFsishhebr owl ........................25 with your experience to Taxi Dave at the [email protected]. Taxi & Livery Times: Taxi and FHV Relief Stands 26 DBye Bfeertnrasmi vMer liDng riving ................27 TByh Meic Thaaexl Si pAevtatcokr ney ................28 News ......................................30 Press Conferences ......34 & 37 TAXI & LIVERY TIMES DECEMBER 2018 • • 5 DEAR TAXI DAVE Who’s Responsible Maybe this is just a tsunami blowing over and Cuomo-MTA) did their research and said, If a passenger gets injured getting in or out i t w i l l p a s s , a n d t h i n g s w i l l g e t b e tTtearx. i Solomon “Hmmm... looks like the market will bear an ad - of a wheelchair taxi because the vehicle is set –––––––––––––––––– —— ––––––––––––––––– ditional $2.50 per trip taxi surcharge! “So... too high, who’s fault is it? Is it mine for buying Grand Central Station even if some cabbies don’t want it, WE fer sher a wheelchair taxi? Or is it the city, for mandating DO!” m e t o b u y a w h e e l c h a i r t a x i ? Anonymous I heard on 1010 wins that the MTA is buying KABOOM! Bye-bye fare increase and hello –––––––––––––––––– —— ––––––––––––––––– Grand Central Station.
Load more

Recommended publications
  • Harvard Spring 2017
    Crowdfunding: Kickstarting Your Enterprise or Non-profit Through Online Fundraising HKS Communications Program Tuesday, October 17, 2017 What is crowdfunding? "The practice of funding a project or venture by raising many small amounts of money from a large number of people, typically via the Internet" (Forbes). Online crowdfunding has existed since 1997, but the term "crowdfunding" wasn't coined until 2006 and didn't become popular until Kickstarter was founded in 2009. What kinds of projects can be crowdfunded? Any kind! From launching a new mobile app to a new restaurant, publishing a book to a website, expanding a non-profit to paying a child's hospital bills, crowdfunding can (and has!) been used to fund all these projects and more. Can anyone crowdfund? Yes, but not everyone is successful: 64% of all Kickstarters fail. Of those that succeed, most were seeking less than $10,000 in funding. It helps to have either a reputation—you've been working in this industry for a while and have a proven track record for bringing projects to completion—or a prototype—a demonstration of the final product, whether it's a chapter of a book, a trailer for a movie, or a smaller event that could be made bigger. What crowdfunding platform should I use? There are over 500 crowdfunding platforms, with the biggest ones being Kickstarter, Indiegogo, GoFundMe, and Patreon. Which one you choose is largely determined by what kind of project you're running and how much money you need: • Kickstarter requires all its projects fall into one of these categories: Art, Comics, Crafts, Dance, Design, Fashion, Film & Video, Food, Games, Journalism, Music, Photography, Publishing, Technology, and Theater.
    [Show full text]
  • Investing in Artists Bay Area Ally Fund Matching Grant Program Donor Interview Questions
    INVESTING IN ARTISTS BAY AREA ALLY FUND MATCHING GRANT PROGRAM DONOR INTERVIEW QUESTIONS Introduction Hello. Thank you for taking the time for this call. Before I get started, I’d like to share a brief explanation for this call and the Center for Cultural Innovation’s research. I am _____ (name and title at CCI). CCI supports individual artists, and we are always interested in learning about why and how donors support artists. We recognize that there are generational and technological shifts, namely new online giving platforms, that may be affecting how artists raise money, and to this end, we are talking with donors of artists that are non‐family members to learn about how new environmental factors may (or may not) be influencing your giving. I have 13 questions, and I have planned for this call to take no more than 30 minutes. [Facilitator Note: Do not exceed time allotted. If the interviewee seems to want to go longer, that’s fine. BUT, if you haven’t gotten to the end and time is up, please conclude to stay on time.] Also, please know that CCI will not share your name, your giving amount(s), or to whom you donated in any way with the artist, our funders, or anyone else. Your participation is anonymous and any responses we use will be aggregated without attribution to you. In other words, outside of the artist who referred you, your participation is confidential. Do you have any questions before I start? General Questions 1. In general, how many times a year do you make a charitable donation? (Prompt: None, 1‐2, half a dozen, over a dozen) 2.
    [Show full text]
  • Crowdfunding Platforms: Ecosystem and Evolution Full Text Available At
    Full text available at: http://dx.doi.org/10.1561/1700000061 Crowdfunding Platforms: Ecosystem and Evolution Full text available at: http://dx.doi.org/10.1561/1700000061 Other titles in Foundations and Trends® in Marketing Entertainment Marketing Natasha Zhang Foutz ISBN: 978-1-68083-332-4 The Cultural Meaning of Brands Carlos J. Torelli, Maria A. Rodas and Jennifer L. Stoner ISBN: 978-1-68083-286-0 Ethnography for Marketing and Consumer Research Alladi Venkatesh, David Crockett, Samantha Cross and Steven Chen ISBN: 978-1-68083-234-1 The Information-Economics Perspective on Brand Equity Tulin Erdem and Joffre Swait ISBN: 978-1-68083-168-9 Full text available at: http://dx.doi.org/10.1561/1700000061 Crowdfunding Platforms: Ecosystem and Evolution Yee Heng Tan Tokyo International University Japan [email protected] Srinivas K. Reddy Singapore Management University Singapore [email protected] Boston — Delft Full text available at: http://dx.doi.org/10.1561/1700000061 Foundations and Trends® in Marketing Published, sold and distributed by: now Publishers Inc. PO Box 1024 Hanover, MA 02339 United States Tel. +1-781-985-4510 www.nowpublishers.com [email protected] Outside North America: now Publishers Inc. PO Box 179 2600 AD Delft The Netherlands Tel. +31-6-51115274 The preferred citation for this publication is Y. H. Tan and S. K. Reddy. Crowdfunding Platforms: Ecosystem and Evolution. Foundations and Trends® in Marketing, vol. 14, no. 2, pp. 53–172, 2020. ISBN: 978-1-68083-699-8 © 2020 Y. H. Tan and S. K. Reddy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, photocopying, recording or otherwise, without prior written permission of the publishers.
    [Show full text]
  • Here Too the Gods Are Present Ethos Building on Patreon.Com
    Örebro University School of Humanities, Education and Social Sciences Here too the gods are present Ethos building on patreon.com Independent project Rhetoric Spring semester 2017 Supervisor: Anders Eriksson Author: Marcus Schmidt Abstract This essay studies the rhetorical situation of the crowdfunding site Patreon.com, with a particular focus on the construction of ethos. Taking off from the conception of ethos as a discursive dwelling place, the study analyzes five Patreon pages and the self-promotional practices associated with each page. It concludes that there are different ways of negotiating the implicit and explicit expectations that go along with setting up and maintaining a presence on a crowdfunding site – not least with regards to the relationship between ethos and ethics. Keywords Rhetoric, crowdfunding, Patreon, ethos, online spaces Contents 1. Introduction .............................................................................................................................................. 1 2. Research questions ................................................................................................................................... 2 3. Background ............................................................................................................................................... 2 4. Research overview .................................................................................................................................... 3 5. Theory ......................................................................................................................................................
    [Show full text]
  • COVID-19 Content Resource Guide for Artists
    COVID-19 Content Resource Guide for Artists Ever resourceful and creative, artists are experimenting with new ways of generating income during the COVID-19 pandemic, which is having a great impact on the arts industry. We expect more resources, innovations, and strategies will emerge as the situation evolves. At present, the most common and accessible strategies we see artists using to connect with audiences and generate income are (1) producing virtual concerts and lessons that audiences can tip or buy a “virtual ticket” to experience; (2) establishing subscription-based services on such platforms as Patreon; and (3) establishing online stores through their own website or online marketplaces such sources as Etsy. This resource guide contains tips and tricks for DIY video recording and some of the options available to artists interested in using these strategies during the COVID-19 pandemic. 1 TABLE OF CONTENTS Video Recording 101 ........................................................... 3 Smart Phone Video Recording 101: Tips and Tricks ........................... 4 Content Strategies ............................................................. 8 The Subscription Model ..................................................... 9 Facebook / YouTube / Instagram Livestreams ............................... 10 Livestreaming 101 .............................................................. 11 Streaming Applications .................................................... 12 Payment ................................................................... 13 A Note on Collaboration and Community ................................. 14 2 VIDEO RECORDING 101 Recording video is an art form of its own, and one that can take years of training and practice to perfect, but this handy guide will give you some easy ways to make sure your home-recorded video is high-enough quality to share with your fans! SMART PHONE VIDEO RECORDING 101: TIPS AND TRICKS Your guide to recording video on your smart phone GETTING STARTED Phones can shoot all types of file sizes and frame rates.
    [Show full text]
  • Case Study - Patreon.Com Case: Patreon.Com Is a Website That Enables Artists to Connect with Their Fans to Get Support
    Case study - patreon.com Case: Patreon.com is a website that enables artists to connect with their fans to get support. The main idea is that fans pledge to sponsor their favourite artists with a given amount of money per created work. Therefore, the site aims at building longer relationships between artists and fans and allow artists to have a stable income over the long-term. Task: First read about your case using the provided links. Please use your devices to contribute to the group work. Once you have a good understanding of your case, analyse it using the following guiding questions: • What problem/need does the case address? • What community, values and norms does it build on? Is it creating a new community or building on a pre-existing one? • What resources is it dealing with? • How is management organised? Are democratic structures in place? • Is the distribution of resources and responsibilities fair? • Is the production, distribution and management efficient? • Is the commons organised in a sustainable manner? Can the project survive in the long term? You should present your conclusions in the form of a theatre/short play. Anything is possible, you can make a reportage, interview, a press release or conference, or anything else you come up with. Be creative, your presentation may be filmed ;). You have 50 minutes for this task. Further Information: • https://www.patreon.com/ • https://en.wikipedia.org/wiki/Patreon • http://www.forbes.com/sites/sarahmckinney/2014/04/10/patreon-a-fast-growing- marketplace-for-creators-and-patrons-of-the-arts/ • http://www.theguardian.com/technology/2014/nov/19/crowdfunding-patreon-creators- musicians-youtube • http://www.cnbc.com/id/102541179 Case study - free and open source software Case: Free and open source software (FOSS) was the spark that got the free culture movement going, remember Linux? FOSS can be used for free by anyone, changed by anyone and copied by anyone.
    [Show full text]
  • Activate 2020 Outlook Vf Digital Ds
    ACTIVATE TECHNOLOGY & MEDIA OUTLOOK 2020 www.activate.com These are the Most Important Consumer, Industry, and Innovation Trends for the Year Ahead in Technology, Internet, Media, and Entertainment Welcome to Activate Consulting’s Technology and Media Outlook 2020 Each year, as part of the Wall Street Journal’s WSJ Tech Live, our team analyzes some of the most important consumer trends, technology innovations, and industry dynamics to predict what’s going to happen next — and next after that. We’ve taken a deep dive into the major forces that will reshape the industry next year and for years to come in the most important businesses: social networks, eCommerce and digital marketplaces, television, digital video, sports and sports gambling, video gaming, music, podcasting, and digital financial services. In addition, we assess the connectivity technologies that will unlock the next wave of growth. Our work begins with the most important person in technology and media: The User. Understanding how people use technology and experience media is the foundation of our thinking. You’ll see deep insights into consumers’ time, preferences, habits, and spending based on Activate’s proprietary analysis and large-scale consumer research. Most interesting is our discovery of technology and media “Super Users,” who will be key to every company’s strategy in the coming year. We hope you’ll find the results both insightful and provocative. The Activate Consulting Team www.activate.com 2 Activate growth. Own the future. Technology. Internet. Media. Entertainment. These are the industries we’ve shaped, but the future is where we live. Activate Consulting helps technology and media companies drive revenue growth, identify new strategic opportunities, and position their businesses for the future.
    [Show full text]
  • TITLE: Power to Create Speakers: Matthew Taylor
    TITLE: Power to Create Speakers: Matthew Taylor Venue: RSA, 8 John Adam Street, London WC2N 6EZ NB This is an unedited transcript of the event. Whilst every effort is made to ensure accuracy there may be phonetic or other errors depending on inevitable variations in recording quality. Please do contact us to point out any errors, which we will endeavour to correct. To reproduce any part of this transcript in any form please contact RSA Lectures Office at [email protected] or +44(0)20 7451 6868 The views expressed are not necessarily those of the RSA or its Trustees. www.theRSA.org Power to Create Page 1 Introduction The RSA has always been a progressive organisation. We have been around for 260 years and, as the world has changed many times over, so has our account of progress and the contribution that we might make to it. Tonight I am speaking to the latest account, a new worldview and mission. We call it The Power to Create. My argument is that we are at the cusp of an unprecedented opportunity: Powerful social and technological changes mean that we can now realistically commit to the aspiration that every citizen should live a creative life. But this major step in human progress will not happen unless we are able to identify and seek to remove the high barriers that currently stand in our way. The creative life So what do I mean by a creative life? Creativity is a slippery concept. The first definition offered by Google is 'the use of imagination or new ideas to create something' .
    [Show full text]
  • Equity-Based Crowdfunding: Potential Implications for Small Business Capital by Ryan Taylor, Regulatory Economist
    Issue Brief Advocacy: the voice of small business in government ISSUE BRIEF NUMBER 5 Equity-based Crowdfunding: Potential Implications for Small Business Capital BY RYAN TAYLOR, REGULATORY ECONOMIST Overview For small business owners and entrepreneurs to build, grow, and support their business, it takes capital, and today, many of these individuals are choosing alternative forms of capital. One popular avenue is crowdfund- ing. “Crowdfunding systems enable users to make investments in various types of projects and ventures, often in small amounts, outside of a regulated exchange, using online social media platforms that facilitate direct interaction between investors as well as with the individual(s) raising funds.”1 There are three basic types of crowdfunding. Money is given in exchange for a clearly defined good (reward), a piece of the venture (equity), or a loan agreement (peer-to-peer). Typically, these three types of crowdfunding occur on different types of websites or platforms. Today, crowdfunding is steadily reaching critical mass as it is now estimated to be worth $3 billion to $5 billion worldwide.2 Despite the growth of crowdfunding in the alternative lending landscape, one major crowdfunding method re- mains untapped. Equity-based crowdfunding was created under Title III of the Jumpstart Our Business Startups (JOBS) Act (2012), but the rule under Title III is still being written at the Securities and Exchange Commission (SEC) to expand the ability for entrepreneurs to sell equity to prospective investors online. Until the
    [Show full text]
  • The State of the Creator Economy
    JUNE 2021 Insider Intelligence The State of the Creator Economy A Selected Chapter from The Influencer Monetization 2021 Report Introduction According to our latest forecast, 67.9% of US marketers from companies with 100 employees or more will use influencer marketing in 2021, up from 62.3% last year. In 2022, that Thank you for downloading “The State of the Creator figure will rise to 72.5%. Economy,” curated by Insider Intelligence Marketing. The following is an excerpt from the full “Influencer Monetization 2021” report. In this excerpt we detail the Share of US Marketers Using Social Media and latest trends in the creator economy, including Influencer Marketing, 2019-2022 monetization strategies, popular social platforms, and % of total marketers recent growth. 91.0% 91.7% 91.9% 92.1% Creators Are a Serious Business Many marketers long underestimated the value of 72.5% creators in their marketing mix. That’s no longer the 67.9% case. Most brands today have incorporated 62.3% influencer marketing into their media plans, and many 55.4% intend to allocate even more budget to the tactic this year than they did previously. 2019 2020 2021 2022 Creators vs. Influencers Social media marketing Influencer marketing In our previous reports, we used the words “influencers” Note: companies with 100+ employees; includes both paid and unpaid (i.e., compensation in the form of free product or trips) brand-influencer partnerships and “creators” interchangeably. But as the influencer Source: eMarketer, Nov 2020 marketing space evolves and expands, so too must the 262207 eMarketer | InsiderIntelligence.com vocabulary used to refer to the individuals who are active in it.
    [Show full text]
  • Made with Creative Commons MADE with CREATIVE COMMONS
    ii Made With Creative Commons MADE WITH CREATIVE COMMONS PAUL STACEY AND SARAH HINCHLIFF PEARSON Made With Creative Commons iii Made With Creative Commons by Paul Stacey & Sarah Hinchliff Pearson © 2017, by Creative Commons. Published under a Creative Commons Attribution-ShareAlike license (CC BY-SA), version 4.0. ISBN 978-87-998733-3-3 Cover and interior design by Klaus Nielsen, vinterstille.dk Content editing by Grace Yaginuma Illustrations by Bryan Mathers, bryanmathers.com Downloadable e-book available at madewith.cc Publisher: Ctrl+Alt+Delete Books Husumgade 10, 5. 2200 Copenhagen N Denmark www.cadb.dk [email protected] Printer: Drukarnia POZKAL Spółka z o.o. Spółka komandytowa 88-100 Inowrocław, ul. Cegielna 10/12, Poland This book is published under a CC BY-SA license, which means that you can copy, redistribute, remix, transform, and build upon the content for any purpose, even commercially, as long as you give appropriate credit, provide a link to the license, and indicate if changes were made. If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. License details: creativecommons.org/licenses/by-sa/4.0/ Made With Creative Commons is published with the kind support of Creative Commons and backers of our crowdfunding-campaign on the Kickstarter.com platform. iv Made With Creative Commons “I don’t know a whole lot about non- fiction journalism. The way that I think about these things, and in terms of what I can do is. essays like this are occasions to watch somebody reason- ably bright but also reasonably average pay far closer attention and think at far more length about all sorts of different stuff than most of us have a chance to in our daily lives.” - DAVID FOSTER WALLACE Made With Creative Commons v vi Made With Creative Commons CONTENTS Foreword xi Introduction xv PART 1: THE BIG PICTURE 1 The New World of Digital Commons by Paul Stacey 3 The Commons, the Market, and the State .
    [Show full text]
  • Songliste Koreanisch (Juli 2018) Sortiert Nach Interpreten
    Songliste Koreanisch (Juli 2018) Sortiert nach Interpreten SONGCODETITEL Interpret 534916 그저 널 바라본것 뿐 1730 534541 널 바라본것 뿐 1730 533552 MY WAY - 533564 기도 - 534823 사과배 따는 처녀 - 533613 사랑 - 533630 안녕 - 533554 애모 - 533928 그의 비밀 015B 534619 수필과 자동차 015B 534622 신인류의 사랑 015B 533643 연인 015B 975331 나 같은 놈 100% 533674 착각 11월 975481 LOVE IS OVER 1AGAIN 980998 WHAT TO DO 1N1 974208 LOVE IS OVER 1SAGAIN 970863기억을 지워주는 병원2 1SAGAIN/FATDOO 979496 HEY YOU 24K 972702 I WONDER IF YOU HURT LIKE ME 2AM 975815 ONE SPRING DAY 2AM 575030 죽어도 못 보내 2AM 974209 24 HOUR 2BIC 97530224소시간 2BIC 970865 2LOVE 2BORAM 980594 COME BACK HOME 2NE1 980780 DO YOU LOVE ME 2NE1 975116 DON'T STOP THE MUSIC 2NE1 575031 FIRE 2NE1 980915 HAPPY 2NE1 980593 HELLO BITCHES 2NE1 575032 I DON'T CARE 2NE1 973123 I LOVE YOU 2NE1 975236 I LOVE YOU 2NE1 980779 MISSING YOU 2NE1 976267 UGLY 2NE1 575632 날 따라 해봐요 2NE1 972369 AGAIN & AGAIN 2PM Seite 1 von 58 SONGCODETITEL Interpret 972191 GIVE IT TO ME 2PM 970151 HANDS UP 2PM 575395 HEARTBEAT 2PM 972192 HOT 2PM 972193 I'LL BE BACK 2PM 972194 MY COLOR 2PM 972368 NORI FOR U 2PM 972364 TAKE OFF 2PM 972366 THANK YOU 2PM 980781 WINTER GAMES 2PM 972365 CABI SONG 2PM/GIRLS GENERATION 972367 CANDIES NEAR MY EAR 2PM/백지영 980782 24 7 2YOON 970868 LOVE TONIGHT 4MEN 980913 YOU'R MY HOME 4MEN 975105 너의 웃음 고마워 4MEN 974215 안녕 나야 4MEN 970867 그 남자 그 여자 4MEN/MI 980342 COLD RAIN 4MINUTE 980341 CRAZY 4MINUTE 981005 HATE 4MINUTE 970870 HEART TO HEART 4MINUTE 977178 IS IT POPPIN 4MINUTE 975346 LOVE TENSION 4MINUTE 575399 MUZIK 4MINUTE 972705 VOLUME UP 4MINUTE 975332 WELCOME
    [Show full text]