MAPPING of CULTURAL and CREATIVE INDUSTRIES in MONTENEGRO Assessment of the Economic Contribution of the Cultural and Creative Industries Podgorica 2019

Total Page:16

File Type:pdf, Size:1020Kb

MAPPING of CULTURAL and CREATIVE INDUSTRIES in MONTENEGRO Assessment of the Economic Contribution of the Cultural and Creative Industries Podgorica 2019 INSTITUT ZA PREDUZETNIŠTVO I EKONOMSKI RAZVOJ INSTITUT ZA PREDUZETNIŠTVO I EKONOMSKI RAZVOJ With the support of United Nations Diversity of Educational, Scientific and Cultural Expressions Cultural Organization MAPPING OF CULTURAL AND CREATIVE INDUSTRIES IN MONTENEGRO Assessment of the economic contribution of the cultural and creative industries Podgorica 2019 MAPPING OF CULTURAL MAPIRANJE KULTURNIH I KREATIVNIH AND CREATIVE INDUSTRIES INDUSTRIJA U CRNOJ GORI Procjena ekonomskog doprinosa IN MONTENEGRO kulturnih i kreativnih industrija Assessment of the economic contribution of the cultural and creative industries Podgorica, June 2019 Podgorica, jun 2019 Contents 1 INTRODUCTION ...............................................................................................................................................1 2 METHODOLOGY ..............................................................................................................................................4 3 CULTURAL AND CREATIVE INDUSTRIES IN MONTENEGRO .................................8 4 INDICATORS OF THE CONTRIBUTION OF CULTURAL AND CREATIVE INDUSTRIES ....................................................................................................................15 4.1 Gross value added .....................................................................................15 4.2 Business entities ........................................................................................16 4.3 Employment .................................................................................................18 4.4 Revenue .........................................................................................................21 4.5 Balance of Payments for Cultural Services (Import and Export) .....22 4.5 Household consumption ........................................................................24 4.6 Expenditure on cultural activities in the budget ..........................26 .................................................................................27 4.7.1 Museums, Libraries and Heritage .........................................27 4.7 Profiles4.7.1 Music, of the Visual sector and Performing Arts .......................................29 4.7.2 Design ..............................................................................................31 4.7.3 Film ...................................................................................................32 4.7.4 Photography ..................................................................................34 4.7.5 Architecture ..................................................................................35 4.7.5 Computer programs and games ............................................36 4.7.6 Electronic media...........................................................................38 4.7.7 Publishing .......................................................................................40 4.7.8 Advertising and Market Communications .........................42 4.7.9 Artistic and Traditional Crafts .............................................44 5 CONCLUSIONS ...................................................................................................................................................47 6 LITERATURE .......................................................................................................................................................49 Published with the support of UNESCO International Fund for Cultural Diversity through project “Mapping and Development of Cultural and Creative Industries in Montenegro”. The views expressed International Fund for Cultural Diversity. in this publication are those of the authors and do not necessarily reflect the opinion of the UNESCO Abbreviations AEM Agency for Electronic Media LFS Labor Force Survey GDP Gross domestic product GVA Gross value added CBMNE Central bank of Montenegro CICAP to Purpose DepartmentClassification of of Culture, Individual Media Consumption and Sport, UnitedAccording DCMS Kingdom EU European Union EUR Euro EUROSTAT Institute for Entrepreneurship and Economic IEED DevelopmentStatistical Office of the European Union ITRS International transactions reporting system CA CCI Cultural and creative industries Classification of the activities MONSTAT NOC Statistical Office of Montenegro RTMNE Radio and Television of Montenegro National Occupational Classification UNESCO Organization United Nations Educational, Scientific and Cultural MAPPING OF CULTURAL AND CREATIVE INDUSTRIES IN MONTENEGRO 6 MAPPING OF CULTURAL AND CREATIVE INDUSTRIES IN MONTENEGRO 1 INTRODUCTION Mapping of the cultural and creative industries in Montenegro is part of the activities of the project ‘Cultural and Creative Industries as a Sustainable Economic Sector in Montenegro’, supported by the UNESCO International Fund for Cultural Diversity, implemented by the Institute for Entrepreneurship and Economic Development (IPER). The aim of the project is to support the development of the Cultural and Creative Industries (CCI) in Montenegro through: mapping the CCI in Montenegro and identifying their potential to strengthen local and regional development, identifying and promoting successful entrepreneurship stories in the CCI to gather lessons learned and establish a general and strategic framework for their further development, encouraging the development of entrepreneurial skills in the sector and raising awareness of the CCI potential for social and economic development in Montenegro. The cultural and creative industries in Montenegro are in a nascent phase but they are recognized as potential, aimed at generating income or at local and national level. The mapping process should serve as a basis forprofits measuring and creating the development jobs, which ofcontributes the cultural to andsustainable creative development industries in the coming period. The cultural and creative industries are one of the fastest growing sectors and are major drivers of developing economies in developed countries, contributerepresenting to ahuman, significant inclusive source and of incomesustainable and employment.development. In addition to the economic benefits of the cultural and creative industries, they According to a study by Ernst & Young (2015), the cultural and creative industries account for 3% of gross domestic product (GDP) and employ a workforce of 7.7 million people in the new Europe.1 The cultural and creative industries have been undergoing a very dynamic 1 Cultural times, The first global map of cultural and creative industries, Ernst & Young Global Limited, International Confederation of Authors and Composers Societies (CISAC), Paris, 2015; 14-18. 1 MAPPING OF CULTURAL AND CREATIVE INDUSTRIES IN MONTENEGRO development since the middle of the last century, accompanied by numerous changes. As stated in the Feasibility Study on the collection and analysis of data in the EU cultural and creative sectors made at European level over the last twenty years to improve the statistics of the cultural and creative sectors. However, there ‘... significant is still no systematicefforts have way been to fully understand the value of CCIs and their contribution to the economy.’ 2. For the purposes of this research, when defining the CCI, we started DCMSfrom two - Department major definitions: of Culture, the MediaUNESCO and definition Sport, the of Unitedthe cultural Kingdom and whichcreative formed industries the basis and forthe the definitions development of the of creativethe largest industries number of CCIthe ‘an organized activity sector whose purpose is to produce or reproduce, promote,methodologies. distribute UNESCO and defines/ or commercialize the cultural and cultural creative goods, industries services as or activities, of a cultural, artistic or heritage nature3. According to the British Model (DCMS), the creative industries are ‘industries that are based on individual creativity, skill and talent and which, by creating and using intellectual property, have the potential to create wealth and employment.’4 As the definitions do not provide a clear insight into the content of the cultural and creative industries, they are further defined Theby defining biggest sectorschanges and in the activities. CCI have been recorded in the last ten years, so it is precisely the international and regional experience of the countries of the region that has been used in the methodological approach and mapping of the cultural and creative industries in Montenegro. Starting from the Cultural Development Program 2016-2020 document of the Ministry of Culture of Montenegro identifying the areas of creative industry, and a comprehensive analysis of the international, as an official followed by an assessment of the economic effects of the CCIs in Montenegro. 2experience Feasibility in studymapping on data collection the CCIs, and analysis sectors in the cultural and andactivities creative sectors were in the defined, EU, KEA, European Commission, Brussels, 2015, 4. 3 http://www.unesco.org/new/en/santiago/culture/creative-industries/ (Accessed 10/09/2018). 4 I.R. Bakaric, K, Bacic, Lj. Bozic, Mapping the Creative and Cultural Industries in the Republic of Croatia, Economic Institute, Zagreb, 2015, 40 2 MAPPING OF CULTURAL AND CREATIVE INDUSTRIES IN MONTENEGRO The availability of statistics is largely determined by an activity-based approach that allows measuring the economic effects of the CCIs, such as employment and GDP participation. It should be borne in mind that
Recommended publications
  • INTRODUCTION 1. the Project the National
    Archeologia e Calcolatori Supplemento 11, 2019, 11-17 INTRODUCTION 1. The project The National Research Council of Italy (CNR), under the aegis of the International Relations Office, has started in the last years a productive collaboration with the Ministry of Science and the Ministry of Culture of Montenegro on the broad topic of the Montenegrin cultural heritage. The first specific scientific agreement between CNR and the Ministry of Science of Montenegro was signed in 2014, and since then a series of bilateral activities have started. In Cultural Heritage studies, in particular, two bilateral projects have been conducted with the Historical Institute of Montenegro-Uni- versity of Montenegro (HIM-UoM). Two CNR Institutes were involved: the Institute for Technologies Applied to Cultural Heritage (CNR-ITABC) – that signed a Memorandum of Understanding with the Ministry of Culture of Montenegro in 2016 – and the Institute for Ancient Mediterranean Studies (CNR-ISMA) – that started a Joint Archaeological Laboratory with HIM- UoM in 2017 (Alberti, Sfameni 2015, 2017; Alberti, Koprivica 2017). Both of these CNR Institutes were recently merged in the newly created CNR Institute for Cultural Heritage Sciences (Istituto di Scienze del Patrimonio Culturale, CNR-ISPC). The first step of our collaboration has been a better knowledge of the Montenegrin Cultural Heritage, in order to strengthen the scientific relation between the two countries and the two scientific communities. In agreement with the Montenegrin Institutions, the Roman city of Doclea, located only few kilometres from the capital Podgorica, has been chosen as the scientific arena of this new collaboration, in view of its importance for the Montenegrin history and cultural identity.
    [Show full text]
  • Faculty for Montenegrin Language and Literature
    Faculty for Montenegrin Language and Literature EVALUATION REPORT August 2018 Team: Luc Hittinger, Chair Marian Dzimko Ian McCready Christina Rozsnyai, Team Coordinator Institutional Evaluation Programme Faculty for Montenegrin Language and Literature/August 2018 Contents 1. Introduction .................................................................................................... 3 2. Governance and institutional decision-making .............................................. 7 3. Quality culture .............................................................................................. 10 4. Teaching and learning .................................................................................. 11 5. Research ....................................................................................................... 13 6. Service to society .......................................................................................... 14 7. Internationalisation ...................................................................................... 15 8. Conclusion .................................................................................................... 16 2 Institutional Evaluation Programme Faculty for Montenegrin Language and Literature/August 2018 1. Introduction This report is the result of the evaluation of the Faculty for Montenegrin Language and Literature. The evaluation took place in the framework of the project “Higher Education and Research for Innovation and Competitiveness” (HERIC), implemented by the government
    [Show full text]
  • Montenegro Guidebook
    MONTENEGRO PREFACE Podgorica, the capital of Montenegro, lies in a broad plain crossed by five rivers and surrounded by mountains, just 20 kilometers from the Albanian border. The city has a population of around 180,000 people. Bombed into rubble during World War II, Podgorica was rebuilt into a modern urban center, with high-rise apartment buildings and new office and shopping developments. While the latest Balkan war had a low impact on the physical structures, the economic sanctions had a devastating effect on employment and infrastructure. With the help of foreign investment, urban renewal is evident throughout the city, but much of it may still appear run down. Podgorica has a European-style town center with a pedestrian- only walking street (mall) and an assortment of restaurants, cafes, and boutiques. To many, its principal attraction is as a base for the exploration of Montenegro’s natural beauty, with mountains and wild countryside all around and the stunning Adriatic coastline less than an hour away. This is a mountainous region with barren moorlands and virgin forests, with fast-flowing rivers and picturesque lakes; Skadar Lake in particular is of ecological significance. The coastline is known for its sandy beaches and dramatic coves: for example, Kotor – the city that is protected by UNESCO and the wonderful Cathedral of Saint Typhoon; the unique baroque Perast; Saint George and Our Lady of the Rock islands – all locations that tell a story of a lasting civilization and the wealth of the most wonderful bay in the world. The area around the city of Kotor is a UNESCO World Heritage site for its natural beauty and historic significance.
    [Show full text]
  • Culture and the Policies of Change Culture and the Policies of Change Conference Reader Conference Reader
    CultureWatchEurope Conference 2010 Culture and the Policies of Change Culture and the Policies of Change Culture and the Policies Conference Reader Conference Reader Brussels, 6-7 September 2010 European European Economic Commission and Social Committee EUNIC CultureWatchEurope Conference 2010 “Culture and the Policies of Change” Conference Reader TABLE OF CONTENTS Foreword................................................................................................................................................. 5 by Robert PALMER, Director of Culture and Cultural and Natural Heritage, Council of Europe Contribution on the Conference: Culture and the Policies of Change................................................... 7 by Jan TRUSZCZYŃSKI, Director-General for Education and Culture, European Commission Report on the Conference ...................................................................................................................... 9 by Steve GREEN, EUNIC Work Group Session Notes.................................................................................................................. 23 Background Papers.............................................................................................................................. 49 The Empathic Civilization by Jeremy RIFKIN................................................................................... 49 Empathic Education: the Transformation of Learning in an Interconnected World by Jeremy RIFKIN............................................................................................................................
    [Show full text]
  • European Pulse Foreword / Calendar
    ISSN 1800-7678 ElectronicEuropean monthly magazine for European Integration pulse No 92, May 2013 FOCUS OF THIS ISSUE Farmers and the Ministry of Agriculture on the road to EU – spilled milk not a Montenegrin invention interview Head of the EU Delegation to Montenegro Mitja Drobnič challenges in EU Europe in pursuit of balance between environment and economic competitiveness The project "EU Info Bus – on the road to the EU!" is funded by the communication budget of the EU Delegation to Montenegro and is carried out by the Centre for Civic Education (CCE) in cooperation with the Friedrich Ebert Stiftung and the NGO Natura. European pulse Foreword / Calendar Foreword: The return On the last day of May, Montenegrin MPs passed almost unanimously the decision to establish an inquiry committee to discuss the recordings scandal and the conclusions on restoring the public trust in the election process. The next step is to set up a working group to prepare various amendments related to the election process and to speed up the adoption of constitutional amendments necessary for the opening of accession negotiation Chapters 23 and 24. This was done following European officials’ very clear messages that Montenegro’s EU path could be blocked for an indefinite period unless we start solving immediately what the Commissioner for Enlargement Štefan Füle called “the piled up problems at Montenegro’s political stage.” Even though they initially rejected the opposition proposals to initiate parliamentary inquiry for the recordings scandal and kept reiterating Vladan Žugić the presidential elections were fair, the Democratic Party of Socialists (DPS) MPs felt the EU pressure on their backs and raised their hands in favour of the inquiry board and conclusions on the need to restore confidence in the election process.
    [Show full text]
  • Newsletter Number 1 Turistički NEWSLETTER Tourismjune, 2015
    Tourism newsletter Number 1 turistički NEWSLETTER tourismJune, 2015. year 1 Foto: Radonja Srdanović NEWSLETTERtourismJune, 2015. year Junne, 2015. year Contents: MINISTRY OF SUSTAINABLE DEVELOPMENT AND TOURISM Minister: 1 EDITORIAL BY THE MINISTER Branimir Gvozdenović State Secretary for Tourism: Predrag Jelušić 2 TOURISM TURNOVER IN MONTENEGRO Public relations: 2 Number of tourists and overnight stays Zoja Spahić Kustudić 3 Airports of Montenegro Milica Lekić Ana Kostić Jovanović 3 Montenegro airlines Address: 4 Tunnel Sozina IV Proleterske brigade 19 81000 Podgorica, Montenegro 4 National parks of Montenegro Telephone: 4 National park Lovćen +382 (0)20 446 346 +382 (0)20 446 347 5 METEOROLOGICAL CHARACTERISTICS IN MAY +382 (0)20 446 341 Fax: +382 (0)20 446 215 6 MAY TOPICAL ISSUES IN TOURISM E-mail: [email protected] 10 NOVELTIES IN THE LAW ON TOURISM Web site: www.mrt.gov.me 10 Single records on tourism turnover NATIONAL TOURISM ORGANIZATION OF MONTENEGRO CENTRAL TOPIC IN MAY Director: Željka Radak Kukavičić 12 Interview with the Executive Director of the UN World Tourism Organization Address: Bulevar Svetog Petra Cetinjskog 130 14 NEW HOTEL OPENED IN MAY 81000 Podgorica, Montenegro Telephone: 15 MONTENEGRIN BATHING SITES +382 077 100 001 Fax: +382 077 100 009 ANNOUNCEMENT FOR JUNE EVENTS E-mail: [email protected] Web site: www.montenegro.travel 17 Capital City, Podgorica Call centre: 1300 18 Old Royal Capital, Cetinje 19 Northern region 22 Coastal region 26 INTERNATIONAL MEDIA ON MONTENEGRO Tourism newsletter Number 1 Dear readers, Contents: This is the first issue of the Tourism Newsletter, objective of which is to contribute to the quality, affirma- tion and promotion of Montenegro’s tourism offer, as well as to confirm our determination to continuously and comprehensively develop Montenegro’s tourism, as the strategic developmental sector of our state.
    [Show full text]
  • European Union European Commission
    Association for the Advancement of political, cultural and economic Cooperation between Montenegro, the Republic of Serbia and Republika Srpska Podgorica, Montenegro European Union European Commission Highly appreciating the important role of the European Commission in the fight against all forms of discrimination, and bearing in mind the Commission's willingness to cooperate and exchange information with civil society, we are free to ask the European Commission to pay attention on the drastic increase of the scope of discrimination and intolerance against members of the Serbian people in Montenegro and believers of the Serbian Orthodox Church in that country. Discrimination and intolerance against members of the Serbian people in Montenegro and believers of the Serbian Orthodox Church threaten to escalate into open forms of violence and to jeopardize the survival of the Church and those communities. At the very beginning of our contribution, we would like to draw your attention to a few, in our opinion, extremely important facts in the context of which the information we will provide in this text could be considered. During its centuries-long history, Montenegro was a medieval independent state, then as an autonomous region within the Ottoman Empire and as a sovereign and independent state that gained its independence in 1878, was perceived as a Serbian state. The perception of Montenegro as a Serbian state was not a consequence of exclusively international relations and understanding of international factors, but stemmed from the determination and self-understanding of the vast majority of Montenegrins and holders of the highest authorities in that period. The Kingdom of Montenegro was united with the Kingdom of Serbia in 1918, and thus united, they became part of the Kingdom of Serbs, Croats and Slovenes.
    [Show full text]
  • Culture for Development Indicators in Montenegro
    CULTURE FOR DEVELOPMENT INDICATORS IN MONTENEGRO The Culture for Development Indicators (CDIS) demonstrate the enabling and driving role of culture in sustainable development. Thanks to an innovative methodology, this advocacy and policy tool examines through facts and figures the multidimensional relationship between culture and development. The analysis of 7 key dimensions of culture and development, through the assessment of 22 core indicators, responds to the needs and circumstances of low and middle- income countries. The wealth of quantitative data produced through the implementation of the CDIS promotes better-informed cultural policies and the integration of culture in development strategies, thus contributing to the implementation of the 2005 UNESCO Convention for the Protection and Promotion of the Diversity of Cultural Expressions. The CDIS methodology is the outcome of a four year (2009-2013) applied research process. By the end of 2013, it had been tested and implemented in 11 countries around the world, demonstrating its potential for policy impact. Due to the CDIS’ success and consequential demand at the country level, implementation has continued beyond the original test phases, expanding the CDIS Global Database to include additional countries. Montenegro began implementation of the CDIS in February 2015 and completed the process in April 2015. This Brief summarizes the results, implementation details and impact the CDIS project had in Montenegro. AT A GLANCE: SECURING CULTURE’S PLACE ON THE DEVELOPMENT AGENDA AND TAKING
    [Show full text]
  • Downloads/2.4Impactalignmentserbia-MN.Pdf
    TIVE MERCATUS NITIA I OSPERITY POLICY R P AL LOB G SERIES COUNTRY BRIEF NO. 2 MONTENEGRO: THE CHALLENGES OF A NEWBORN STATE MAJA DRAKIC University of Montenegro/ISSP FREDERIC SAUTET Senior Research Fellow, Mercatus Center KYLE MCKENZIE Research Fellow, Mercatus Center FEBRUARY 2007 MERCATUS CENTER GEORGE MASON UNIVERSITY ABOUT MAJA DRAKIC, CO-AUTHOR MAJA DRAKIC is an assistant professor in the School of Economics at the University of Montenegro. She is also a senior research fellow at the Institute for Strategic Studies and Prognoses (Podgorica), which is the first independent economic institute promoting free-market ideas in Montenegro. She holds a doctor- ate in economics from the “Entrepreneurial Economy” graduate program at the University of Montenegro. Maja's current research focuses on property rights, privatization, and economic transition. She was a vis- iting fellow at the Mercatus Center at George Mason University in 2005. ABOUT FREDERIC SAUTET, CO-AUTHOR AND EDITOR FREDERIC SAUTET is a senior research fellow at the Mercatus Center at George Mason University and a member of the graduate faculty at George Mason University. Prior to joining Mercatus, Frederic was a sen- ior economist at the New Zealand Commerce Commission and a senior analyst at the New Zealand Treasury where he focused on economic transformation, entrepreneurship, utility development, and tax policy. Frederic holds a doctorate in economics from the Université de Paris Dauphine and did the course work for his doctorate at the Institut des Etudes Politiques in Paris. He also studied at New York University as a post-doc. Frederic’s current work focuses on entrepreneurship, institutions, and social change.
    [Show full text]
  • Montenegro - Culture Within the International Context and European Integration
    Art as Cultural Diplomacy: A Forum for Young Leaders ”The Role of the Arts in Shaping Europe’s Future” (Berlin, 14th – 20th February 2011) Montenegro - Culture within the international context and European integration Field of activities S ince the proclamation of independence in May 2006, Montenegro has begun building its administrative capacities on the already existing grounds of public administration. In the framework of this process, activities of the Ministry of Culture have been developed in the following thematic areas: development and enhancement of culture and artistic creativity in Montenegro, safeguarding and protection of Montenegrin cultural heritage, supporting cultural projects and institutions, relevant legislation adoption in the field of culture and monitoring of its implementation, as well as monitoring research Rin the field of culture. ealizing importance of the international context, the focus of the Stabilization and Associationaforementioned Agreement activities with Europeanmoved towardsUnion an aspect of international cooperation. This was confirmed through signing of the in 2007, which contains a clause referring to enhancementUNESCO Conventionof cultural oncooperation, the Protection mutual and Promotion understanding, of the Diversityrespect betweenof Cultural individuals, Expressions communities and peoples, as well as to implementation of . T hrough publishing annual call for proposals, various international competitions and participation in international programmes, cross-border mobility of the cultural operators is encouraged, as well as artistic cooperation and intercultural dialogue. Ministry of Culture has an established call for proposals for co-financing projects and programmes in the field of visual arts, music and stage activities, literature and literary translation, cultural and artistic magazines, theatre, amateur creativity, traditional arts and crafts, creative industries, creativity of the youth and of the disabled.
    [Show full text]
  • OSCE Yearbook 2019
    Institute for Peace Research and Security Policy at the University of Hamburg / IFSH (ed.) OSCE Yearbook 2019 Yearbook on the Organization for Security and Co-operation in Europe (OSCE) Edited by the IFSH in co-operation with Pál Dunay, George C. Marshall European Center for Security Studies, Garmisch-Partenkirchen P. Terrence Hopmann, Johns Hopkins School of Advanced International Studies, Washington Adam Daniel Rotfeld, Member of the Executive Board of the European Leadership Network, Warsaw Andrei Zagorski, Institute of World Economy and International Relations, Moscow Editor-in-Chief: Ursel Schlichting, Hamburg Translator/Editor: Caroline Taylor, Hamburg Nomos BUT_OSCE_2019_6500-3_HC.indd 3 11.05.20 09:52 Articles of the OSCE Yearbook are indexed in World Affairs Online (WAO), accessible via the IREON portal. Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.d-nb.de ISBN 978-3-8487-6500-3 (Print) 978-3-7489-0642-1 (ePDF) British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 978-3-8487-6500-3 (Print) 978-3-7489-0642-1 (ePDF) Library of Congress Cataloging-in-Publication Data Institute for Peace Research and Security Policy at the University of Hamburg/IFSH (ed.) OSCE Yearbook 2019 Yearbook on the Organization for Security and Co-operation in Europe (OSCE) IFSH 346 pp. Includes bibliographic references. ISBN 978-3-8487-6500-3 (Print) 978-3-7489-0642-1 (ePDF) Onlineversion 1. Edition 2020 © Nomos Verlagsgesellschaft, Baden-Baden, Germany 2020. Printed and bound in Germany.
    [Show full text]
  • Enthusiasm from Iceland for Little Constellation, Inaugurated on May
    contemporary art in geo-cultural micro-areas and small states of Europe REPUBBLICA DI SAN MARINO UFFICIO ATTIVITÀ SOCIALI E CULTURALI Press Release - 3 Enthusiasm from Iceland for Little Constellation, inaugurated on May 17 The exhibition Subjective Maps / Disappearances at the National Gallery of Iceland with the opening of the Reykjavik Arts Festival 35 unique artists’ books were created for the occasion by 37 artists from the geo-cultural micro-areas and small states of Europe: a successful co-production between the institutions of San Marino and Iceland with the collaboration of artists, curators and institutions for art and culture of 15 small states of Europe, all members of the Little Constellation Network open until 30 June 2013 Daniel Arellano Mesina, Eve Ariza, Sigurður Atli Sigurðsson, Katerina Attalidou, Sigtryggur Berg Sigmarsson, Justine Blau, Rita Canarezza & Pier Paolo Coro, Dustin Cauchi, Jóhan Martin Christiansen, Nina Danino, Oppy De Bernardo, Hekla Dögg Jónsdóttir, Doris Drescher, Barbara Geyer, Helena Guàrdia, Unn Joensen, Irena Lagator, Victoria Leonidou, Simon Le Ruez, Ingibjörg Magnadóttir, Mark Mangion, Lorella Mussoni & Pier Giorgio Albani, Teodora Nikcević, Minna Öberg, Bjargey Ólafsdóttir, Maria Petursdóttir, Pierre Portelli, Agnès Roux, Eric Snell, Miki Tallone, Jelena Tomašević, Pauliina Turakka Purhonen, Natalija Vujošević, Martin Walch, Trixi Weis. In Reykjavik, at the National Gallery of Iceland , the exhibition Little Constellation - Subjective Maps / Disappearances - contemporary art in geo-political micro-areas and small states of Europe, was inaugurated at the opening of the Reykjavik Arts Festival , held last May 17. More than seven hundred visitors turned up in the first two days of the exhibition and widespread interest was shown in the event.
    [Show full text]