Worldmaking Spenser: Explorations in the Early Modern Age
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ADAMS, ELLERY 11.Indigo Dying 6. The Darling Dahlias and Books by the Bay Mystery 12.A Dilly of a Death the Eleven O'Clock 1. A Killer Plot* 13.Dead Man's Bones Lady 2. A Deadly Cliché 14.Bleeding Hearts 7. The Unlucky Clover 3. The Last Word 15.Spanish Dagger 8. The Poinsettia Puzzle 4. Written in Stone* 16.Nightshade 9. The Voodoo Lily 5. Poisoned Prose* 17.Wormwood 6. Lethal Letters* 18.Holly Blues ALEXANDER, TASHA 7. Writing All Wrongs* 19.Mourning Gloria Lady Emily Ashton Charmed Pie Shoppe 20.Cat's Claw 1. And Only to Deceive Mystery 21.Widow's Tears 2. A Poisoned Season* 1. Pies and Prejudice* 22.Death Come Quickly 3. A Fatal Waltz* 2. Peach Pies and Alibis* 23.Bittersweet 4. Tears of Pearl* 3. Pecan Pies and 24.Blood Orange 5. Dangerous to Know* Homicides* 25.The Mystery of the Lost 6. A Crimson Warning* 4. Lemon Pies and Little Cezanne* 7. Death in the Floating White Lies Cottage Tales of Beatrix City* 5. Breach of Crust* Potter 8. Behind the Shattered 1. The Tale of Hill Top Glass* ADDISON, ESME Farm 9. The Counterfeit Enchanted Bay Mystery 2. The Tale of Holly How Heiress* 1. A Spell of Trouble 3. The Tale of Cuckoo 10.The Adventuress Brow Wood 11.A Terrible Beauty ALAN, ISABELLA 4. The Tale of Hawthorn 12.Death in St. Petersburg Amish Quilt Shop House 1. Murder, Simply Stitched 5. The Tale of Briar Bank ALLAN, BARBARA 2. Murder, Plain and 6. The Tale of Applebeck Trash 'n' Treasures Simple Orchard Mystery 3. -
Miami City Ballet Announces 2016-2017 Season
Media Contact: Samantha Franco Zakarin Martinez Public Relations [email protected] 305.372.2502 MIAMI CITY BALLET ANNOUNCES 2016-2017 SEASON Highlights Include the Classic Full-Length Ballet GISELLE, a World Premiere by ALEXEI RATMANSKY, and Five ComPany Premieres from George Balanchine, Jerome Robbins, Twyla TharP, Peter Martins and Sir Kenneth MacMillan Season OPens October 21 In Miami, November 5 In Fort Lauderdale And November 11 In West Palm Beach MIAMI BEACH, FL – (February 29, 2016) – Miami City Ballet’s 2016-2017 season opens October 21 with the classic full-evening ballet Giselle, and adds six major works to the company’s repertoire, including the highly anticipated world Premiere of The Fairy’s Kiss by Alexei Ratmansky. Says Artistic Director Lourdes Lopez, “Miami City Ballet is committed to bringing our audiences the very best of dance’s past, present and future. From a new narrative ballet by today’s most in-demand classical choreographer, Alexei Ratmansky, to five major company premieres, to several well-loved revivals, our new season offers a wide range of the best that dance has to offer, performed by our brilliant and highly individual MCB dancers.” The 2016-2017 Season begins October 21 with performances at the Adrienne Arsht Center in Miami, before moving on to the Kravis Center in West Palm Beach and the Broward Center in Fort Lauderdale; all repertory programs danced to live music provided by the distinguished OPus One Orchestra. Current Miami City Ballet Subscribers are now renewing their preferred seats for the 2016-17 Season at www.miamicityballet.org/subscribe or 877.929.7010. -
Free Ebook Library Hugger Mugger: a Spenser Novel
Free Ebook Library Hugger Mugger: A Spenser Novel Cd's 6 1/2 hoursRead by Joe MantegnaSpenser is back and embroiled in a deceptively dangerous and multi-layered case: someone has been killing racehorses at stables across the south, and the Boston P.I. travels to Georgia to protect the two-year old destined to become the next Secretariat.When Spenser is approached by Walter Clive, president of the Three Fillies Stables, to find out who is threatening his horse Hugger Mugger, he can hardly say no: he's been doing pro bono work for so long his cupboards are just about bare. Disregarding the resentment of the local Georgia law enforcement, Spenser takes the case. Though Clive has hired a separate security firm, he wants someone with Spenser's experience to supervise the operation. Despite the veneer of civility, Spenser encounters tensions beneath the surface southern gentility. The case takes an even more deadly turn when the attacker claims a human victim, and Spenser must revise his impressions of the Three Fillies organization- and watch his own back as well. Audio CD Publisher: Random House Audio; Unabridged edition (April 4, 2000) Language: English ISBN-10: 0553456733 ISBN-13: 978-0553456738 Product Dimensions: 4.9 x 1 x 5.6 inches Shipping Weight: 9.3 ounces Average Customer Review: 4.1 out of 5 stars 158 customer reviews Best Sellers Rank: #2,745,458 in Books (See Top 100 in Books) #47 in Books > Books on CD > Authors, A-Z > ( P ) > Parker, Robert B. #4651 in Books > Books on CD > General #4826 in Books > Books on CD > Mystery & Thrillers Why is somebody shooting Walter Clive's horses at Three Fillies Stables in Lamarr, Georgia? That's what toothy, patrician Walter wants the droll, hulking Boston detective Spenser to find out. -
RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 Pm the SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 Pm Media Sponsor
RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 pm Media Sponsor THE SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 pm A Columbia Artists Production Direct from Moscow, Russia RUSSIAN NATIONAL BALLET COMPANY OF 50 Artistic Director: Elena Radchenko Company Biography The Russian National Ballet Theatre was founded in Moscow during the transitional period of Perestroika in the late 1980s, when many of the great dancers and choreographers of the Soviet Union’s ballet institutions were exercising their new- found creative freedom by starting new, vibrant companies dedicated not only to the timeless tradition of classical Russian Ballet but to invigorate this tradition as the Russians began to accept new developments in the dance from around the world. The company, then titled the Soviet National Ballet, was founded by and incorporated graduates from the great Russian choreographic schools of Moscow, St. Petersburg and Perm. The principal dancers SWAN LAKE Photo: Alexander Daev of the company came from the upper ranks of the great ballet companies and academies of Russia, and the companies of Riga, Kiev and even Warsaw. Today, the Russian National Ballet Theatre SWAN LAKE is its own institution, with over 50 dancers of singular instruction and vast experience, many of whom have been with the company Full-length Ballet in Four Acts since its inception. Music by Pyotr Ilyich Tchaikovsky Choreography by Marius Petipa, Lev Ivanov and Yuri Grigorovich In 1994, the legendary Bolshoi principal dancer Elena Radchenko Restaging by Elena Radchenko, assistant Alexander Daev was selected by Presidential decree to assume the first permanent Synopsis by Vladimir Begichev and Vasily Geltser artistic directorship of the company. -
Personal Histories in Conflict Resolution
Mitchell Hamline School of Law Mitchell Hamline Open Access DRI Press DRI Projects 12-1-2020 Evolution of a Field: Personal Histories in Conflict Resolution Howard Gadlin Nancy A. Welsh Follow this and additional works at: https://open.mitchellhamline.edu/dri_press Part of the Dispute Resolution and Arbitration Commons Recommended Citation Gadlin, Howard and Welsh, Nancy A., "Evolution of a Field: Personal Histories in Conflict Resolution" (2020). DRI Press. 12. https://open.mitchellhamline.edu/dri_press/12 This Book is brought to you for free and open access by the DRI Projects at Mitchell Hamline Open Access. It has been accepted for inclusion in DRI Press by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. Evolution of a Field: Personal Histories in Conflict Resolution Published by DRI Press, an imprint of the Dispute Resolution Institute at Mitchell Hamline School of Law Dispute Resolution Institute Mitchell Hamline School of Law 875 Summit Ave, St Paul, MN 55015 Tel. (651) 695-7676 © 2020 DRI Press. All rights reserved. Printed in the United States of America. Library of Congress Control Number: 2020918154 ISBN: 978-1-7349562-0-7 Mitchell Hamline School of Law in Saint Paul, Minnesota has been educating lawyers for more than 100 years and remains committed to innovation in responding to the changing legal market. Mitchell Hamline offers a rich curriculum in advocacy and problem solving. The law school’s Dispute Resolution Insti- tute, consistently ranked in the top dispute resolution programs by U.S. News & World Report, is committed to advancing the theory and practice of conflict resolution, nationally and inter- nationally, through scholarship and applied practice projects. -
National Pastime a REVIEW of BASEBALL HISTORY
THE National Pastime A REVIEW OF BASEBALL HISTORY CONTENTS The Chicago Cubs' College of Coaches Richard J. Puerzer ................. 3 Dizzy Dean, Brownie for a Day Ronnie Joyner. .................. .. 18 The '62 Mets Keith Olbermann ................ .. 23 Professional Baseball and Football Brian McKenna. ................ •.. 26 Wallace Goldsmith, Sports Cartoonist '.' . Ed Brackett ..................... .. 33 About the Boston Pilgrims Bill Nowlin. ..................... .. 40 Danny Gardella and the Reserve Clause David Mandell, ,................. .. 41 Bringing Home the Bacon Jacob Pomrenke ................. .. 45 "Why, They'll Bet on a Foul Ball" Warren Corbett. ................. .. 54 Clemente's Entry into Organized Baseball Stew Thornley. ................. 61 The Winning Team Rob Edelman. ................... .. 72 Fascinating Aspects About Detroit Tiger Uniform Numbers Herm Krabbenhoft. .............. .. 77 Crossing Red River: Spring Training in Texas Frank Jackson ................... .. 85 The Windowbreakers: The 1947 Giants Steve Treder. .................... .. 92 Marathon Men: Rube and Cy Go the Distance Dan O'Brien .................... .. 95 I'm a Faster Man Than You Are, Heinie Zim Richard A. Smiley. ............... .. 97 Twilight at Ebbets Field Rory Costello 104 Was Roy Cullenbine a Better Batter than Joe DiMaggio? Walter Dunn Tucker 110 The 1945 All-Star Game Bill Nowlin 111 The First Unknown Soldier Bob Bailey 115 This Is Your Sport on Cocaine Steve Beitler 119 Sound BITES Darryl Brock 123 Death in the Ohio State League Craig -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOOTS THIELEMANS NEA Jazz Master (2009) Interviewee: Toots Thielemans (April 29, 1922 – August 22, 2016) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: August 31 and September 1, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 80 pp. Brown: Today is August 31, 2011. My name is Anthony Brown, and I am conducting the Smithsonian Institution Oral History with NEA Jazz Master, harmonica virtuoso, guitarist and whistler, Toots Thielemans. Hello… Thielemans: Yes, my real name is Jean. Brown: Jean. Thielemans: And in Belgium… I was born in Belgium. Jean-Baptiste Frédéric Isidor. Four first names. And then Thielemans. Brown: That’s funny. Thielemans: And in French-speaking Belgium, they will pronounce it Thielemans. But I was born April 29, 1922. Brown: That’s Duke Ellington’s birthday, as well. Thielemans: Yes. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: All right. Thielemans: Yes, same day. Brown: Yeah, same day. Just a few years later. [laughs] Thielemans: [laughs] Oh, Duke. Okay. Brown: Where in Belgium? What city? Thielemans: In Brussels. Brown: That’s the capitol. Thielemans: In a popular neighborhood of Brussels called Les Marolles. There was… I don’t know, I wouldn’t know which neighborhood to equivalent in New York. Would that be Lower East Side? Or whatever… popular. And my folks, my father and mother, were operating, so to speak, a little beer café—no alcohol but beer, and different beers—in this café on High Street, Rue Haute, on the Marolles. -
Accelerated Reader Book List
Accelerated Reader Book List Picking a book to read? Check the Accelerated Reader quiz list below and choose a book that will count for credit in grade 7 or grade 8 at Quabbin Middle School. Please see your teacher if you have questions about any selection. The most recently added books/tests are denoted by the darkest blue background as shown here. Book Quiz No. Title Author Points Level 8451 EN 100 Questions and Answers About AIDS Ford, Michael Thomas 7.0 8.0 101453 EN 13 Little Blue Envelopes Johnson, Maureen 5.0 9.0 5976 EN 1984 Orwell, George 8.2 16.0 9201 EN 20,000 Leagues Under the Sea Clare, Andrea M. 4.3 2.0 523 EN 20,000 Leagues Under the Sea (Unabridged) Verne, Jules 10.0 28.0 6651 EN 24-Hour Genie, The McGinnis, Lila Sprague 4.1 2.0 593 EN 25 Cent Miracle, The Nelson, Theresa 7.1 8.0 59347 EN 5 Ways to Know About You Gravelle, Karen 8.3 5.0 8851 EN A.B.C. Murders, The Christie, Agatha 7.6 12.0 81642 EN Abduction! Kehret, Peg 4.7 6.0 6030 EN Abduction, The Newth, Mette 6.8 9.0 101 EN Abel's Island Steig, William 6.2 3.0 65575 EN Abhorsen Nix, Garth 6.6 16.0 11577 EN Absolutely Normal Chaos Creech, Sharon 4.7 7.0 5251 EN Acceptable Time, An L'Engle, Madeleine 7.5 15.0 5252 EN Ace Hits the Big Time Murphy, Barbara 5.1 6.0 5253 EN Acorn People, The Jones, Ron 7.0 2.0 8452 EN Across America on an Emigrant Train Murphy, Jim 7.5 4.0 102 EN Across Five Aprils Hunt, Irene 8.9 11.0 6901 EN Across the Grain Ferris, Jean 7.4 8.0 Across the Wide and Lonesome Prairie: The Oregon 17602 EN Gregory, Kristiana 5.5 4.0 Trail Diary.. -
Boy Toys and Liquid Joys: Pleasure and Power in the Bower of Bliss
Boy Toys and Liquid Joys: Pleasure and Power in the Bower of Bliss JOSEPH CAMPANA Rice University Early in Edmund Spenser’s The Faerie Queene (1590), the Redcrosse Knight, just having departed the House of Pride, rests by a fountain “Disarmed all of yron-coted Plate” (1.7.2).1 The duplicitous Duessa will soon discover him in this vulnerable state, as will the giant Orgoglio, who defeats Redcrosse largely as a result of his separation from Una. Although his companion dwarf has warned him away from the House of Pride, with its parading vices and rotting foundations, Redcrosse’s moral and psychic states justify his defeat at the hands of the giant, who finds him “Pourd out in loosnesse on the grassy grownd” (1.7.7). Spenser, however, takes extra time to explain Redcrosse’s lassitude. The fountain from which he drinks bubbles up from a mythic sub- strate. In these waters dwells a nymph suffering from Phoebe’s curse who, having wearied during a hunt and rested, was fixed to the spot: “her waters wexed dull and slow / And all that drinke thereof, do faint and feeble grow” (1.7.5). After Redcrosse drinks, his “chearefull bloud in fayntnes chill did melt” (1.7.6). It would be easy to read this upwelling mythographic moment as a concretization and a condemnation of Redcrosse’s moral situation. However, the fountain remains, as either a narrative or allegorical detail, superfluous. Superfluity is precisely its point, inasmuch as these episodes are concerned with the excess and scarcity of flows of pleasure and energy. -
Narrative Variants and Theatrical Constants: Towards a Dramaturgy O F Theballet Fantastique (1830- 1860 )
University of Surrey Department of Dance Studies School of Arts Narrative Variants and Theatrical Constants: Towards a Dramaturgy o f theBallet Fantastique (1830- 1860 ) by MgA. Astrid Bemkopf September 2005 Thesis submitted in fulfilment of the requirement of the degree of Doctor of Philosophy © Astrid Bemkopf 2005 ProQuest Number: 27557546 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 27557546 Published by ProQuest LLO (2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract Ballet is often perceived as a danced fairy tale and, therefore, considered to be like the fairy tale. In this research, the literary form of the fairy tale is compared with the narrative of the ballet fantastique in two acts. The analytical method of Vladimir Propp’s Morphologie des Màrchens (1975) serves as starting point for an investigation into storytelling and the narrative of the ballet scenario. Until now, narrative analyses have been overlooked by dance analysis. Therefore, the task of this study is to propose the first dramaturgy of the ballet fantastique and, thus, a first independent model of narrative analysis for dance. -
The Faerie Queene Study Guide
The Faerie Queene Study Guide © 2018 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary The Faerie Queene is a long epic poem that begins and ends with Christian affirmations. In it, Edmund Spenser draws on both Christian and classical themes, integrating the two traditions with references to contemporary politics and religion. The poem begins with a representation of holiness in book 1, and the Mutabilitie Cantos (first printed with the poem in 1609 after Spenser’s death) conclude with a prayer. Book 1 is identified as the Legend of the Knight of the Red Cross (or Saint George) in canto 2, verses 11-12. Red Cross, as an individual, is the Protestant Everyman, but as Saint George, historically England’s patron saint, he also represents the collective people of England. He is a pilgrim who hopes to achieve the virtue holiness, and for the reader his adventures illustrate the path to holiness. Red Cross’s overarching quest, as an individual, is to behold a vision of the New Jerusalem, but he also is engaged in a holy quest involving the lady Una, who represents the one true faith. To liberate Una’s parents, the king and queen, Adam and Eve, Red Cross must slay the dragon, who holds them prisoner. The dragon represents sin, the Spanish Armada, and the Beast of the Apocalypse, and when Red Cross defeats the dragon he is in effect restoring Eden. -
La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École De Nancy
La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École de Nancy By Jessica Marie Dandona A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Darcy Grimaldo Grigsby, Chair Professor Anne Wagner Professor Andrew Shanken Spring 2010 Copyright © 2010 by Jessica Marie Dandona All rights reserved Abstract La Lorraine Artiste: Nature, Industry, and the Nation in the Work of Émile Gallé and the École de Nancy by Jessica Marie Dandona Doctor of Philosophy in History of Art University of California, Berkeley Professor Darcy Grimaldo Grigsby, Chair My dissertation explores the intersection of art and politics in the career of 19th-century French designer Émile Gallé. It is commonly recognized that in fin-de-siècle France, works such as commemorative statues and large-scale history paintings played a central role in the creation of a national mythology. What has been overlooked, however, is the vital role that 19th-century arts reformers attributed to material culture in the process of forming national subjects. By educating the public’s taste and promoting Republican values, many believed that the decorative arts could serve as a powerful tool with which to forge the bonds of nationhood. Gallé’s works in glass and wood are the product of the artist’s lifelong struggle to conceptualize just such a public role for his art. By studying decorative art objects and contemporary art criticism, then, I examine the ways in which Gallé’s works actively participated in contemporary efforts to define a unified national identity and a modern artistic style for France.