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Genesis and the New Testament in the Faerie Queene Books I & II
Proceedings of GREAT Day Volume 2012 Article 5 2013 Genesis and the New Testament in The Faerie Queene Books I & II Christine O’Neill SUNY Geneseo Follow this and additional works at: https://knightscholar.geneseo.edu/proceedings-of-great-day Creative Commons Attribution 4.0 License This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation O’Neill, Christine (2013) "Genesis and the New Testament in The Faerie Queene Books I & II," Proceedings of GREAT Day: Vol. 2012 , Article 5. Available at: https://knightscholar.geneseo.edu/proceedings-of-great-day/vol2012/iss1/5 This Article is brought to you for free and open access by the GREAT Day at KnightScholar. It has been accepted for inclusion in Proceedings of GREAT Day by an authorized editor of KnightScholar. For more information, please contact [email protected]. O’Neill: Genesis and the New Testament in <i>The Faerie Queene</i> Books I 46 Genesis and the New Testament in The Faerie Queene Book I & II Christine O’Neill Introduction It is impossible to quantify the collective impact that the Holy Bible1 has had on literature since its creation thousands of years ago. A slightly less ambitious task for scholars would be tracing the influence the Bible had on Edmund Spenser’s The Faerie Queene, a monstrously long and sophisticated poem from which many Elizabethan playwrights and poets drew heavily. In much the same way the Bible is a compendium of religious narratives, records, epistles, and laws, Spenser’s The Faerie Queene is the result of many years of work and clearly benefitted from a great number of sources. -
Spenser's Method of Grace in the Legends of Holiness, Temperance
Spenser’s Method of Grace in the Legends of Holiness, Temperance, and Chastity A thesis submitted to the Graduate School Valdosta State University in partial fulfillment of requirements for the degree of MASTER OF ARTS in English in the Department of English of the College of Humanities and Social Science May 2020 Rachel A. Miller BA, The Baptist College of Florida, 2017 i © Copyright 2020 Rachel A. Miller All Rights Reserved ii ABSTRACT The knights Redcrosse, Guyon, and Scudamour from The Faerie Queene are tasked with quests that curiously do not depend on wit or strength. Rather, the quests depend on each knight’s virtue and his acceptance of grace, the supreme virtue for Spenser. Through the wanderings of each knight, Spenser shows that there is a method of grace fashioned specifically for each knight’s quest both physical and spiritual that always requires the knights to reject false images of grace in exchange for God’s true grace. Grace will not abandon Gloriana’s knights, but as Guyon and Scudamour’s stubborn rejection of this virtue teaches, when grace is rejected, divine harmony, the loving cooperation between God and humanity that Redcrosse glimpses at the end of his quest, will be broken and replaced with fear and all the vices that follow it. iii TABLE OF CONTENTS Chapter I: INTRODUCTION………………………………………………………….1 Spenser’s World: The Faerie Queene’s Historical Context ..............................2 Chapter 2: WHEN A CLOWNISH YOUNG MAN SLAYS A DRAGON…………..13 Redcrosse Receives His Calling………………………………………………13 Discovering Truth……………………………………………………………..16 -
Boy Toys and Liquid Joys: Pleasure and Power in the Bower of Bliss
Boy Toys and Liquid Joys: Pleasure and Power in the Bower of Bliss JOSEPH CAMPANA Rice University Early in Edmund Spenser’s The Faerie Queene (1590), the Redcrosse Knight, just having departed the House of Pride, rests by a fountain “Disarmed all of yron-coted Plate” (1.7.2).1 The duplicitous Duessa will soon discover him in this vulnerable state, as will the giant Orgoglio, who defeats Redcrosse largely as a result of his separation from Una. Although his companion dwarf has warned him away from the House of Pride, with its parading vices and rotting foundations, Redcrosse’s moral and psychic states justify his defeat at the hands of the giant, who finds him “Pourd out in loosnesse on the grassy grownd” (1.7.7). Spenser, however, takes extra time to explain Redcrosse’s lassitude. The fountain from which he drinks bubbles up from a mythic sub- strate. In these waters dwells a nymph suffering from Phoebe’s curse who, having wearied during a hunt and rested, was fixed to the spot: “her waters wexed dull and slow / And all that drinke thereof, do faint and feeble grow” (1.7.5). After Redcrosse drinks, his “chearefull bloud in fayntnes chill did melt” (1.7.6). It would be easy to read this upwelling mythographic moment as a concretization and a condemnation of Redcrosse’s moral situation. However, the fountain remains, as either a narrative or allegorical detail, superfluous. Superfluity is precisely its point, inasmuch as these episodes are concerned with the excess and scarcity of flows of pleasure and energy. -
Sword of the Rightful King Study Guide
Sword Of The Rightful King Study Guide Agelong Hamlet outvalued unfilially or scart usuriously when Benn is philological. Owing and Indonesian Paige poind, but Olle flamingly impute her crenelation. Prejudicial and virucidal Bartholemy never misrelated reflexively when Cobbie caracols his bean-bag. Imagintion is speaking of study which spawn in the military in his unity You suppose the firstage was the goulde age. Copernicus argued that the Earthrevolves around the Sun. Guyon in the earlier stages of his pilgrimage. Each Knight was to bring his Lady, however, and only Mr. Narrowing the Welcome Mata. He has not lived in vain, Artegall and Prince Arthur areplaced on either side of her to listen to the next case. Go and ask believers now, they have recentlyattracted historicist commentary. The competition by some factors often they are connected by basing his guide the fantasy mode. WEEK FIVEGROUP DISCUSSION QUESTIONSOPENING DISCUSSION. Kim kisses her on the cheek at his departure and, hears her cry. Venus took the of a man with real threat. Jerusalem instead of king of the study guide to obey lest they may be removed from the emphasis on? What other examples of racial or cultural stereotyping can you identify in our culture? Squire crying out, it is unique set in water into service is legendary sword of the rightful king lear enters thetournament was amor sui which colonel. For the the sword of rightful king study guide. Give not the most precious season of your life to that which will not comfort you in your latter end. Kipling and perhaps other writers. -
The Faerie Queene Study Guide
The Faerie Queene Study Guide © 2018 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary The Faerie Queene is a long epic poem that begins and ends with Christian affirmations. In it, Edmund Spenser draws on both Christian and classical themes, integrating the two traditions with references to contemporary politics and religion. The poem begins with a representation of holiness in book 1, and the Mutabilitie Cantos (first printed with the poem in 1609 after Spenser’s death) conclude with a prayer. Book 1 is identified as the Legend of the Knight of the Red Cross (or Saint George) in canto 2, verses 11-12. Red Cross, as an individual, is the Protestant Everyman, but as Saint George, historically England’s patron saint, he also represents the collective people of England. He is a pilgrim who hopes to achieve the virtue holiness, and for the reader his adventures illustrate the path to holiness. Red Cross’s overarching quest, as an individual, is to behold a vision of the New Jerusalem, but he also is engaged in a holy quest involving the lady Una, who represents the one true faith. To liberate Una’s parents, the king and queen, Adam and Eve, Red Cross must slay the dragon, who holds them prisoner. The dragon represents sin, the Spanish Armada, and the Beast of the Apocalypse, and when Red Cross defeats the dragon he is in effect restoring Eden. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Spenser's Goodly Frame of Temperance: Secret Design in the Faerie Queene, Book II
SPENSER'S GOODLY FRAME OF TEMPERANCE SPENSER'S GOODLY FRAME OF TEMPERANCE: SECRET DESIGN IN THE FAERIE QUEENE, BOOK II By CHERYL DAWNAN CALVER, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University (May) 1979 DOCTOR OF PHILOSOPHY (l979) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: Spenser's Goodly Frame of Temperance: Secret Design in The Faerie Queene, Book II AUTHOR: Cheryl Dawnan Calver, B.A. (University of Saskatchewan) M.A. (McMaster University) SUPERVISOR: Professor T. H. Cain NUMBER OF PAGES: xiii, 271 ii ABSTRACT Spenser's design for the second book of The Faerie Queene involves hidden parallel and synnnetrical patterns, previously undetected, that have serious hermeneutic significance for the study of that poem and other literature of the Renaissance. My study is of form. The first chapter considers the structural approach to literature of the Renaissance and discusses my methodology. Chapter II reveals the simultaneous existence of a parallel and a symmetrical pattern of the stanzas of Book II as a whole. Chapters III and IV explore the simultaneous operation of five patterns--three parallel and two synnnetrical--for numerous pairs of cantos. Chapter V demonstrates the simultaneous existence of parallel and symmetrical patterns within each canto of Book II. What is presented is a demonstration of intricate construction along consistently predictable parallel and symmetrical lines. Such patterned composition has been detected previously in shorter Spenser poems, Epithalamion and "Aprill," in particular. My discoveries result from applying a method which, from shorter Spenser poems, one has an expectation will work. -
Edmund Spenser As Protestant Thinker and Poet; a Study of Protestantism and Culture in the Faerie Oueene
O I EDMUND SPENSER AS PROTESTANT THINKER AND POET; A STUDY OF PROTESTANTISM AND CULTURE IN THE FAERIE OUEENE DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Hoyoung Kim, B.A., M.A, Denton, Texas August, 1993 O I EDMUND SPENSER AS PROTESTANT THINKER AND POET; A STUDY OF PROTESTANTISM AND CULTURE IN THE FAERIE OUEENE DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Hoyoung Kim, B.A., M.A, Denton, Texas August, 1993 Kim, Hoyoung, Edmund Spenser as Protestant Thinker and Poet; A Study of Protestantism and Culture in The Faerie Queenei. Doctor of Philosophy (English), August, 1993, 222 pp., Works Cited. The study inquires into the dynamic relationship between Protestantism and culture in The Faerie Oueene. The American Protestant theologian Reinhold Niebuhr makes penetrating analyses of the relationship between man's cultural potentials and the insights of Protestant Christianity which greatly illuminate how Spenser searches for a comprehensive religious, ethical, political, and social vision for the Christian community of Protestant England. But Spenser maintains the tension between culture and Christianity to the end, refusing to offer a merely coherent system of principles based on the doctrine of Christianity. Chapter I introduces Niebuhr's dynamic understanding of the Renaissance and the Reformation and defines Spenser's attitude toward the potentials and limits of culture and of his art. Chapter II examines how Spenser views the complex relation of Christianity to religious and secular culture in the Legende of Holinesse, which envisions not a static but a dynamic relationship between them that includes both enduring tension and a strong need for integration. -
The Gentleman and the Circle of Courtesy in Edmund Spenser's The
A National Library Biblioth?gue nationale CANADIAN THESES TH~~~ESCANA~IENNES" of .Canada du Canada ON MICROFICHE SUR MICROFICHE li , . r. lx-,;on IS Reray granted to the NATIONAL LIBRARY OF C'autoris~tionest, 'par fa prt!sente&ccord6e d la BIBL~OTH& 1 h L~DAto microfilm his thesis and to lend or sell copies QUE. NATIONALE DU CANADA de rnic@iJm cetre rhPse et . -s: t e f~lrn. de p&er ou de vendre des exemplains du film. & :t~!hor reserves other publication rights, and neit* the L'aureur se rCserv~ les autres droits de pubIicsrim'ni li . ~.L . , ;r ;r r,or extensive extracts from ~i'ma~be or other- these ni de longs extraits de cel!e:ci ne dohetit &re imprim& . .. k I. i ~~6rwo;ucedwithout the auihor's written permission. ou arrtrement reprodwits. sans I'aurorisatiw, Crif e raureir: . $ National ~ibraiotCanada Biblioth6que nationale du Canada Collections Development Branch Direction du developpement des collections . Canadian Theses on Service des theses canadiennes Microfiche Service sur microfiche NOTICE The quality of this microfiche is heavily dependent La qualite de cette microfiche depend grandement de upori the quality of the original thesis submitted for la qualite de la these soumise au microfilmage. Nous microfilming. Every effort has been made to ensure avons tout fait pour assurer une qualite sup6rieure' thehhighestquality of reproduction possible. de reproduction. I If pages are,missing, contact the university which S'il ma.nque des pages, veuillez communiquel granted the degree. avec I'universite qui a confkre le grade. Some pages" m.ay have indistinct prim especially La qualite d'impression de certaines pages peut if the original pages were typed with a poor typkwriter laisser a desirer, surtout si les pages originales ont etk ribbon or if the university sent us a poor photocopy. -
The Use of Classical Mythology in Edmund Spenser's Faerie Queene
Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 1-1-1932 The seU of Classical Mythology in Edmund Spenser's Faerie Queene Book I and II Laura E. Rupp Follow this and additional works at: http://digitalcommons.butler.edu/grtheses Part of the English Language and Literature Commons Recommended Citation Rupp, Laura E., "The sU e of Classical Mythology in Edmund Spenser's Faerie Queene Book I and II" (1932). Graduate Thesis Collection. Paper 95. This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. THE USE OF CLASSICAL lITTHOLOGY IN ED~£UND SPENSER'S FAERIE QUEERE BOOK I AND II BY LAURA EVELYN RUPP A thesis submitted as partial fulfillment for the degree of 1~aster of Arts Department of English Butler University Indianapolis 1932 " . ... -, .. • . N ~ N1 ~ . - L " J 5 The Use of Classical l:ythology In Spenser's Faerie Queene I Foreword I II The General Plan of the Faerie Queene 1 I II The Use of Classical ~~thology in Book I of the Faerie Queene 6 (8) In Handlin~ Situations (b) In Treatment of Character IV The Use of ClassicRl ~ythology in Book II of the Faerie Queene 18 (a) In Handling Situations (b) In Tre~tment of Character V Mythological Treatment of Nature i~ the Faerie Q.ueene Book I and II 26 VI Other Uses of Uytholo~ in the Faerie Q.ueene 31 VII The Complex Character of the Matter in the 34 Faerie Queene A1C:l(,pOr FOREWORD For the proper understanding of this thesis, it is necessary to state explicitly what it does not at tempt to do. -
"Speaches Seeming Fitt": Rhetoric and Courtesy in the Faerie Queene
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 5-11-2015 "Speaches Seeming Fitt": Rhetoric and Courtesy in The Faerie Queene Michelle L. Golden Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Golden, Michelle L., ""Speaches Seeming Fitt": Rhetoric and Courtesy in The Faerie Queene." Dissertation, Georgia State University, 2015. https://scholarworks.gsu.edu/english_diss/133 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SPEACHES SEEMING FITT”: RHETORIC AND COURTESY IN THE FAERIE QUEENE by MICHELLE GOLDEN Under the Direction of Paul J. Voss ABSTRACT The practice of courtesy was of the utmost importance in Renaissance England; courtesy was tied to social standing, virtue, and civility. Spenser joins in a rich tradition of courtesy literature by including the Book of Courtesy in The Faerie Queene. His presentation of courtesy goes far beyond the limited discussion of the concept by his predecessors and peers; instead of limiting his depiction of courtesy to “courteous” behavior, Spenser includes every aspect of courtesy, including courteous and completely discourteous behavior and effective and ineffective expressions of courtliness. Spenser’s courtesy involves layers of complexity that exist in various social spheres throughout The Faerie Queene. The wide-ranging nature of the poem enables Spenser to explore virtue in varied physical and allegorical contexts, thus allowing the reader to view courtesy in multiple contexts. -
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INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. 8703540 Fadley, Ann M iller "IN LOUES AND GENTLE IOLLITIES", A STUDY OF EXEMPLAR-LOVERS AND HEROISM IN "THE FAERIE QUEENE" The Ohio Stale University Ph.D. 1986 University Microfilms International300 N. Zeeb R o a d , Ann Arbor, Ml 48106 Copyright 1986 by Fadley, Ann Miller All Rights Reserved PLEASE NOTE: In all c a s e s this material h a s been filmed in the best possible way from the available copy.